(Pictured: Jawon Mapp as Robert, Alexander Ariate as Jonathan, Honey Pham as Annie behind, Daniela Vlaskalic as Krista, and Vanessa Leticia Jetté as Sandra. Photo Credit: Dahlia Katz.)
If you’re looking for a night of non-stop laughter, look no further than the Grand Theatre’s season opener, The Play That Goes Wrong, written by Henry Lewis, Henry Shields, and Jonathan Sayer. This hilarious and brilliantly executed slapstick comedy feels like Saturday Night Live meets Monty Python — equal parts clever and chaotic, with just the right dose of British absurdity.
A play within a play, the action unfolds as the fictional Comley Polytechnic Dramatic Society presents their production of Murder at Haversham Manor (a loving nod to Agatha Christie’s The Mousetrap). Predictably, everything that can go wrong does, and spectacularly so. But in this case, everything that goes “wrong” lands perfectly right.
The set itself is a marvel: an architectural masterpiece designed to fall apart piece by piece in all the right ways. Watching walls collapse, doors jam, and props rebel against their actors is pure theatrical magic. It’s impossible not to marvel at the precision with which chaos unfolds. A symphony of slapstick timing and technical mastery. Under the sharp direction of Dennis Garnhum, with outstanding set design by Beyata Hackborn, every collapse, cue, and calamity is executed with clockwork precision. The set becomes a character of its own, and one that quite literally brings the house down.
(Pictured: Photo by Nanc Price for The Citadel Theatre’s production of The Play That Goes Wrong (2024), in partnership with Theatre Calgary and Royal Manitoba Theatre Centre, featuring Vanessa Leticia Jetté and Honey Pha)
The cast delivers standout performances across the board; each actor fully committed to their characters-within-characters and the glorious mayhem that ensues. Timing is everything in a show like this, and they all nail it. Still, if gold stars were being handed out, John Ullyatt (Dennis, aka the butler Perkins) and Andrew MacDonald-Smith (Max, aka Cecil Haversham) would take top honours. Their impeccable comic timing, physicality, and effortless charm make every scene they touch an absolute highlight. Max’s frequent breaking of the fourth wall adds to the fun, delivering endearing and consistently comical moments that delight the audience.
That said, The Play That Goes Wrongis truly an ensemble triumph. Daniela Vlaskalic (Krista/Director/Inspector Carter), Alexander Ariate (Jonathan/Charles Haversham), Vanessa Leticia Jetté (Sandra/Florence Colleymoore), Jawon Mapp (Robert/Thomas Colleymoore), and Honey Pham (Annie/Stage Manager) all deliver spectacular performances as the hapless cast struggling to keep the play afloat. Their commitment to the chaos — from bungled lines to hilariously choreographed fight scenes — keeps the audience in stitches. Bernardo Pacheco (Trevor), Emily Meadows, and Izad Etemadi (Stage Crew) round out the cast perfectly, adding an extra layer of comic brilliance.
The Play That Goes Wrong is a joyful disaster done right: a masterclass in controlled chaos that will leave your cheeks sore from laughing. You’ll find yourself rooting for this endearingly incompetent troupe right to the final curtain — and thankful they didn’t “just call it a day” when everything started to fall apart. Whether you’re a theatre buff or simply in need of a good laugh, don’t miss this one. It’s proof that sometimes, when everything goes wrong, theatre can go so wonderfully right.
What: The Play That Goes Wrong
Where: The Spriet Stage at The Grand Theatre, 471 Richmond Street, London, Ontario
When: October 14th to November 2nd.
Tickets: Single tickets range from $25 to $97 and are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.
The Grand Theatre is grateful to offer Canada Life Pay-What-You-Can pricing, presented on Sunday, October 19 at 2:00 p.m., as well as an Open Captioned Performance on Saturday, October 25 at 2:00 p.m.
Runtime: Approximately 2 hours and 10 minutes, including intermission
This is the nineteenth in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile Silver Spotlight Theatre.
Q. When was your company founded? By whom and why?
Although the initial seeds for a senior’s theatre group were planted before the pandemic, it came to life in 2022. Art Fidler approached Rick Smith, who was then president of London’s Musical Theatre Productions, to see if MTP would take the idea under its wing. A seniors’ grant was obtained from the provincial government, and Silver Spotlight Theatre came into being.
Locally, there are a number of theatre groups that provide opportunities for both children and older youth. Many other companies tend to skew younger in their demographics, and the number of (particularly on-stage) opportunities tends to decrease as performers age. Silver Spotlight was created to provide additional opportunities to older performers who weren’t ready to be put out to pasture.
(Pictured: Silver Spotlight Theatre co-founders, Art Fidler and Rick Smith. Photo Credit: Jim Cressman)
Q. Is your company best described as professional or not-for-profit community theatre?
As a branch of Musical Theatre Productions, SST is a not-for-profit community theatre group. All members of the Silver Spotlight community are impassioned volunteers who are committed to providing opportunities for seniors to bring musical theatre to London.
Q. What venue(s) do you use to stage your productions?
To date, all of the SST productions have taken place in the Auburn Stage at the Grand Theatre. We work within the framework of MTP’s season planning process to select the shows we will produce as well as the venue.
Q. Does your company have a Mission or Statement of Purpose?
We don’t have a formal statement of purpose, but our primary goal is to provide opportunities for seniors to get involved in all aspects of community theatre, both on- and backstage. Additionally, we’re not looking just to attract people with previous theatrical experience, but also people who have no background in theatre but wished they’d had the opportunity to participate when they were younger and thought those opportunities had passed them by. Several performers in SST’s first production, Babes in Arms, had never been on stage before. Everyone who has become involved with Silver Spotlight has enthusiastically embraced the concept of a seniors’ theatre group.
Q. Does your company have a Board of Directors and paid Staff?
As a branch of MTP, Silver Spotlight does not have its own Board of Directors, but several members of the Silver Spotlight community serve on the MTP Board. We also have a small advisory group of SST members who provide guidance on future plans for the group.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
Presently, SST only stages one production per season. As participation in the group increases and the number of participants rises, we may look at mounting additional shows.
about it.
Q. What show will you be staging this fall (September to December)? Tell me a little bit about it.
We will be staging Showtune from December 4-14, 2025, at the Auburn Stage. Showtune is a musical revue that celebrates the music and lyrics of Jerry Herman, one of the most prolific Broadway composers of all time. A casual observer may not recognize the name Jerry Herman, but everyone has heard the songs from some of his most famous works, including Mame, Hello, Dolly!, and La Cage aux Folles. Herman was awarded the Tony Award for Lifetime Achievement in the Theatre in 2009 and was a recipient of the 2010 Kennedy Center Honors. Auditions for Showtune have taken place, and we are well into rehearsals for the show.
Q. Do you have any thoughts about the London area theatre community and your part in it?
The local theatre community is incredibly vibrant, and London residents are fortunate to have numerous choices. From musicals to dramas to comedies, well-known titles to locally-written plays, children to youth to adults, everyone should find something that appeals to them. Silver Spotlight provides additional opportunities to senior performers, many of whom have been involved in the local theatre scene for decades and all of whom feel they still have something to offer to the community.
Released April 2025 Reviewed by Ian Gifford 09/27/2025
It’s been a while since I’ve penned an album review, but sometimes you just need the right album to come along to inspire the writing bug, and Tom Dunphy’s debut solo release, Everything Was New, is one such album. I’ve been thinking about it since I first dropped the needle and decided that it’s something that should be shared.
As one half of the husband and wife writing duo for London’s favourite Honky Tonk band, The Rizdales, Tom is no stranger to writing a great song. This collection features five fresh Tom Dunphy originals, as well as some reworked tracks and a single cover song. The album is a stripped-back classic country record with songs that sound like they could have been written by Marty, Merle, Hank, or Willie themselves, but with Tom’s unique vocal styling. Tom covers the acoustic guitar and upright bass duties deftly, with the added talents of Toronto session stars, Steve Briggs on electric guitar and Burke Carroll on lap steel (both of the Brothers Cosmoline/BeBop Cowboys).
This overall tone is in stark contrast to the rocking Rizdales sounds we are used to, but is reminiscent of the early writers that inspired that sound. The no drums approach, coupled with the lightly strummed acoustic guitar and twangy colourings of the Telecaster and the steel, takes you back to the early days of the Grand Ole Opry and the records that were getting the artists there! It feels like Tom could have been born in a different era, yet he writes with contemporary themes and issues at heart.
Highlights for me are the first single, the lively “You Make me Shake” or “September is Gone” which provides some vivid images of the autumn and the striking line “They say new life begins with the spring, ours will begin with the fall”; and the rework of Tom’s old band’s single The Juke Joint Johnny’s’ – “Leaving Train” which has had new life breathed into it by both Steve and Burke’s contributions.
This album is true country music that reaches the same passion and emotions as its American predecessors. While it contains the expected themes of breakups and beer drinking, it’s never hokey or kitschy, it’s just a good listen from front to back, of some well written and well executed tunes, where even the lone cover (“Song to a Dead Man” by T-Bone Burnett), which the album is named after a line of, doesn’t seem out of place.
If I had to give it a Star Rating, it would be 5 Stars, because I simply can’t find anything wrong with it. It’s a record I could play over and over again and be transported to some old diner in Nashville at 3:00 am, with the jukebox gently humming in the corner.
The Palace Theatre opened its 2025–2026 season last night with a bold, gender-bending adaptation of the 1928 classic The Front Page, written by Ben Hecht and Charles MacArthur. Set in the 1920s, the play unfolds in the press room of Chicago’s Criminal Courts Building, which overlooks the gallows at Cook County Jail where an execution is scheduled for the following day.
Director Dinah Watts spent months reshaping the piece, removing offensive language, cutting certain characters, and casting women in the traditionally male roles. The result, The Front Page: Scooped, is a slightly gentler interpretation of what Watts has called a “dated, offensive” and “terrible, old play.”
On the technical side, the production shone brightly. David Long’s set design, brought to life by Heather Meadows and her crew, captured the messy, frenetic spirit of a 1920s newsroom with papers scattered, shelves disorganized, and period-appropriate furnishings. Costumes reflected the era well, even if a few fits felt off, while lighting and sound provided a consistent sense of atmosphere and polish.
(Pictured: The Cast & Crew of The FrontPage: SCOOPED. Photo by Ross Davidson)
The performances themselves offered a mix of strengths and challenges. The play’s hallmark rapid-fire dialogue sometimes tipped into an overly frantic pace, making it harder for the audience to catch every clever line. At times, the energy felt more like shouting than sharp wit, which dulled some of the humor. With just a touch more pacing and clarity, the comedy might have landed with even greater impact.
(Pictured: Peggy (Mara Fraccaro) and Hildy (Danika Tipping) Photo by Ross Davidson)
That said, there were many highlights. Danika Tipping (Hildy), Sarah Rice (Endicott), Lisa Eastick (Murphy), Judy Cormier (Pincus), and Martha Zimmerman Ross (Walter) each delivered memorable turns. David O’Garr provided delightful comic relief as “Mother”/Mrs. Grant, while Catharine Sullivan offered a standout performance as Mollie Malloy—authentic, layered, and engaging. At times, the ensemble’s choice to lean into exaggerated mannerisms when portraying male characters distracted from the storytelling, but the commitment to character was never in question.
(Pictured: Louie (Chandie East) addresses the Press Room reporters. Photo by Ross Davidson)
The two acts also carried different energies. The first flew by in a blur of chaos, leaving little time to fully connect with the characters. The second act found a steadier rhythm, allowing the humor to breathe and the performances to shine more naturally. Still, the play’s darker themes—corruption in politics, the media, and the looming execution—are a tricky fit for comedy, even in a reworked form. Ultimately, The Front Page: Scooped was a production full of ambition and craft. Its technical achievements were undeniable, and while its delivery sometimes felt overwhelming, the cast’s dedication and the creative vision behind the adaptation gave the audience plenty to reflect on. Add in the Palace’s welcoming touches—a live jazz ensemble in Procunier Hall before the show, a signature cocktail at intermission, and the theatre’s warm atmosphere—and the evening made for a memorable start to the season
(Pictured: David O’Garr provided delightful comic relief as “Mother”/Mrs. Grant. Photo by Ross Davidson)
What: The Front Page: SCOOPED
When: September 25th – October 5th, 2025
Where: The Palace Theatre Arts Commons, 710 Dundas Street
Here are some additional photographs taken by the talented Ross Davidson:
(Photo by Ross Davidson)(Photo by Ross Davidson)(Photo by Ross Davidson)(Photo by Ross Davidson)(Photo by Ross Davidson)(Photo by Ross Davidson)(Photo by Ross Davidson)
This is the fourteenth in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile Odesa Company.
Q. When was your company founded? By whom and why?
Odesa Company was founded in November 2022 by Adam Smalley, Chris Smalley, and Scott Smalley. We long wished to run a theatre company, and our inaugural 2023 co-production of Dracula with London Community Players presented a great opportunity to do so.
Q. Is your company best described as professional or not-for-profit community theatre? Or both?
We’re a non-professional, volunteer-driven independent theatre company.
(Pictured: Scott and Chris Smalley, founders of Odesa Company)
Q. What venue(s) do you use to stage your productions?
For our 2025 season, we’ve booked the Auburn Stage at the Grand Theatre (Shakespeare’s Oz), as well as the Princess Ave. Playhouse in St. Thomas (Misery).
Q. Does your company have a Mission or Statement of Purpose?
Absolutely!
MISSION STATEMENT At Odesa Company, we believe theatre should be daring, collaborative, and deeply human. We create bold, high-quality productions, interactive experiences, and educational initiatives that invite artists and audiences of all ages to engage and imagine. We support skills development that applies both on stage and in life, and we treat our people with respect, transparency, and care. We foster a culture of integrity and inclusion, grounded in the belief that diversity strengthens both our art and our society.
VISION STATEMENT Odesa Company exists to make theatre that connects people through storytelling, meaningful collaboration, and shared creative experiences. We aim to be a place where artists feel valued, audiences feel engaged, and everyone involved walks away inspired to come back and do it again. As we grow, we’re building a creative home where innovation, care, and community shape not just our shows, but the future of how theatre is made.
Q. Does your company have a Board of Directors and paid staff?
We have a Board of Directors that operates as volunteers; we are almost entirely volunteer-driven, including the ownership group and leadership team. Having said that, we have been actively exploring and executing on compensation opportunities for our team where possible, and it is our plan to get to a point in our development where honorariums, profit-sharing, and contract work are widespread and normalized within the organization.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
At this point in Odesa’s development, we’re committed to establishing our brand of theatre, which is characterized by shows that have a high attention to detail around performance and technical elements; some of our shows are fun, fantastical and don’t take themselves too seriously (StageQuest), while others pick away at the darker side of humanity and dig at the emotions of the audience (Dracula, The Elephant Man).
For our 2025 season, our July production of Shakespeare’s Oz joined StageQuest as one of our more fantastical adventures, while Misery, based on the novel by Stephen King and running from October 23-26, will join Dracula and The Elephant Man as one of our darker, more serious plays.
Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each. Misery, written by William Goldman and based on the novel by Stephen King, will be performed at the Princess Avenue. Playhouse in St. Thomas from October 23 – 26. Tickets are on sale now at www.odesa.company/tickets.
Q. Do you have any thoughts about the London area theatre community and your part in it?
We’ve only been in business for the last couple of years, and in that time, we’ve had the privilege of working with so many amazing people, with very few exceptions. Odesa Company positions itself as an option for artists to create exciting theatre, and we have a strong desire to be leaders in the community, with a commitment to creating positive experiences for our artists, patrons, and community partners.
For more information about Odesa Company and to purchase tickets, visit https://odesa.company/
“I would rather have 30 minutes of wonderful than a lifetime of nothing special.” – Shelby Eatenton-Latcherie, in Robert Harling’s Steel Magnolias
The Elgin Theatre Guild’s production of Steel Magnolias in St. Thomas delivers two and a half hours of something truly special.
Set in Truvy Jones’ beauty salon in small-town Louisiana during the 1980s—where secrets, gossip, and the occasional sweet treats are shared—Steel Magnolias is a story of unwavering bonds and enduring friendship. The set, though simple, radiates authenticity and rustic charm, immersing the audience so completely that it feels as though we are peering through the salon’s mirror where its patrons peer back at us.
A great theatre experience should educate, entertain, and inspire, guiding the audience through a journey of emotions. This production does exactly that—moving effortlessly from heartwarming laughter among friends to moments of fear, loss, and grief. It is performed with such conviction that one almost forgets they are sitting in a small theatre in downtown St. Thomas.
(Steel Magnolias Set. Photo Credit: Ross Davidson)
A Director’s Vision, A Cast’s Strength
Much credit goes to director Cindi Armer Almeida, who assembled a strong ensemble capable of carrying the weight of such a beloved play turned feature film. Each woman brings her own distinctive energy and colourful take on the characters to the role.
Susan Williams perfectly embodies Clairee Belcher, the quintessential Southern lady of society.
Sile Ferguson is endearing as the shy and slightly insecure newcomer, Annelle Dupuy-DeSoto.
Kim Braine-Ott delights as the sharp-tongued yet lovable Ouiser Boudreaux—a role performed with just the right mix of bite and heart.
Their performances provide a rich foundation that ensures the story never falters.
The three leads, however, are the true standouts of this production.
Sarah Abbot-Taylor brings Truvy to life with warmth, wit, and charm. Her facial expressions, movements, and just that absolute feeling of authenticity transport us straight to the bayou.
Makayla Ashenden’s Shelby is magnetic—delicate yet strong, embodying the duality of steel and magnolia with such a beauty and grace, you are completely drawn into her character.
Sam Sabathy gives a breathtaking performance as M’Lynn. Her emotional journey ebbs, flows, and then crescendos into a devastating second act that leaves the audience in tears. It was, quite simply, phenomenal. A word I don’t use lightly.
(Pictured: Cast and Crew of Steel Magnolias. Photo Credit: Ross Davidson)
Rarely have I seen a community theatre performance stir such a genuine emotional reaction from an audience. The believability of these performances and cohesiveness of the cast is what makes it a bona fide success.
In her Director’s Notes, Almeida writes, “It’s the perfect play to see right now given the climate of today’s headlines.” Indeed, the production resonates as a timely reminder of the healing power of laughter, love, and friendship. The need for connection is universal, and this play underscores it with compassion and truth.
Prepare to be moved. Bring your friends, family, and loved ones to Truvy’s beauty parlour, and allow yourself to be immersed in the lives of these six remarkable women. You’ll leave with a renewed appreciation for the strength of friendship and the beauty of human connection.
Bravo to the cast, crew, and director. May this production enjoy an excellent run.
If you go:
ELGIN THEATRE GUILD – Home Where – Princess Avenue Playhouse, 40 Princess Avenue, St Thomas Tickets: $25 plus fees When – September 18th – 28th, 2025
Jo-Anne will be reviewing local theatre productions for The Beat Magazine 2025. If your company would like your show reviewed, contact richardyoung@thebeatmagazine2025.ca.
Background and Experience in the Arts
My background in the Arts started with an early love for music and dance. I attended my first concert at 10 years old (Helix at the Sarnia Arena in 1983!) and began tap and modern jazz dance lessons around the same time. My love for live theatre was built through school trips to the Stratford Festival to see plays like Romeo and Juliet, The Merchant of Venice, and Macbeth, and a trip to Toronto for The Phantom of the Opera, which quickly became my all-time favourite.
I dreamed of performing for many years, but being too self-conscious to audition in high school, I sat on the sidelines and instead reviewed music and theatre for our school newspaper. In 2013, I finally pushed my fears aside and was cast in my first play, Laughter on the 23rd Floor, as Carol Wyman, the only female writer on the Max Prince show. I have since performed in productions of Birth (Jillian, 2016), Hamish (Annette, 2023) and The Curious Incident of the Dog in the Nighttime (Mrs. Alexander, 2024).
Previous Reviewing Activities
SCITS, Sarnia, Ontario – High school newspaper reviewer for Music and the Arts
London Fringe Festival, London, Ontario, 2012-2015
Independent Reviewer and Blogger (Theatre in London and The Pollyanna Papers), 2015-2016?
Why am I jumping back into the fray now?
After performing for a few years, I’ve decided to take a break from the grind of auditioning, rehearsing and performing. While I love it immensely, it’s a lot of work. Performing has given me a whole new perspective and appreciation of what goes into a production and the ability to look at reviewing with a fresh set of eyes.
Thoughts about the London arts and culture scene, especially local theatre
Hoo wee! London has such a wealth of talent, from youth to adults. Every time I see a play, I am amazed at how talented our actors, directors, producers, set/prop/costume/light/sound designers are. I don’t think causal observers realize just how much goes into making a production from the audition to the curtain call. It is a huge undertaking, and to think our theatres produce such world-class productions on some very tight budgets is astounding, especially at the community theatre level, where volunteers do everything.
Sadly, since COVID, I have witnessed a huge decline in attendance at performances, and it breaks my heart. I have also noticed a sad lack of reviews lately, which I find are necessary to give people an idea of what to expect and a reason to go to the theatre.
So, before I can put my feet on the stage again, I want to help put bodies in the seats. We need to reignite a love for theatre and the arts in this city.
If you are interested in becoming a volunteer writer for The Beat Magazine 2025, please contact Richard Young, Publisher & Content Manager, at richardyoung@thebeatmagazine2025.ca. We are seeking writers and reviewers for local music, visual arts, fiction, poetry, and prose.
This is the second in a series of Q&A Interviews with representatives of London area theatre companies and groups. Today, we profile David J. Pasquino and DJP Productions.
Q. When was your company founded? By whom and why?
DJP Productions was founded by David J Pasquino in April 2025, for the sole purpose of putting on Prescription: Murder. I discovered it a couple of years ago when I read that Pat Sajak was going to play the role of Dr. Roy Flemming in the play at a community theatre in Hawaii (it was on at the Hawaii Theatre, July 31 to August 10, 2025). Much to my surprise, the play, written in 1962, was the very first Columbo story and was adapted into a TV special in 1968. I grew up watching Columbo and could not pass up the opportunity to play him, so I had to figure out a way to get this play on a stage in London, and producing it seemed to be the best way to do all of this.
Q. Is your company best described as professional or not-for-profit community theatre? Or both?
Not-for-profit community theatre.
Q. What venue(s) do you use to stage your productions?
Prescription: Murder will be onstage at the Auburn Stage at the Grand Theatre.
Q. Does your company have a Mission or Statement of Purpose?
DJP could be my initials, or maybe it could stand for Discover Joy and Passion? Either way, this inaugural production is an expression of my love of theatre, and for the theatre community in London – something I discovered 12 years ago that I never knew was missing from my life. I hope people coming to the show experience that Joy and Passion as well.
Q. Does your company have a Board of Directors and paid staff?
No.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
I don’t know if one show can be called a season, but the purpose is to bring the original Columbo story to the stage and the people of London, Ontario.
Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each.
Unfortunately, nothing in that time frame, but Prescription: Murder will be on March 19 – 29, 2026.
Q. Do you have any thoughts about the London area theatre community and your place in it?
I have been a part of the London theatre community since my first show, To Kill a Mockingbird, in March 2013, and have acted in over twenty plays since then. This is my first time producing a show (I am also acting in it), and I am a little anxious because I obviously want this to be a success and to have people (cast, crew, and audience) enjoy it. I will have to see how this goes before I commit to producing other shows, but there is at least one other one play I have always wanted to put on. Who knows, maybe I will catch the producing bug, and DJP Productions will put on regular shows! I owe a debt of gratitude to all of the directors, producers, stage managers, crew, and actors that I’ve had the good fortune to work with; they welcomed me with open arms and have become very important to me in the last decade, and maybe this is one way I can pay a bit of that debt.
the Ryan brothers & the wobbly pops at the wortley roadhouse.
wortley electronic music festival, august 23.
Wortley Electronic Music Festival Saturday, August 23rd, 2025 Free – BYOB (plz no glass) – 2pm-10pm In the front lawn of 64 Elmwood Ave E The World is Invited
FREE London Symphonia Lunchtime Live Music Series at Market Lane begins August 20.
Do you know where to find London Symphonia musicians performing for free in the community?
Starting this week, our musicians will be performing live for the Wednesday Lunchtime Live Music series at Market Lane, presented by the London Arts Council and Dundas Place, and supported by the Paul Seed Fund through the London Community Foundation. These performances will run weekly on Wednesdays starting August 20 until September 10 from 11:30am – 1:30pm at Market Lane (137 Dundas St), weather dependent.
So bring your lunch or grab some delicious food and support local businesses as you sit back and enjoy a curated musical landscape.
First up on our menu is a woodwind quintet composed of Liesel Deppe, flute, Jennifer Short, oboe, Graham Lord, clarinet, Julie Shier, bassoon, and Ron George, horn.
Mark your calendars: Woodwind Quintet: August 20 String Quartet: August 27 Brass Quintet: September 10 String Quintet: September 17 Brass Quintet: September 24
We’re looking forward to seeing you there!
the last call, live at the Eastside Bar & Grill, august 23.
If you are looking to party, if you are looking to dance, come and join The Last Call this Saturday at Eastside Bar & Grill, 750 Hamilton Rd, London, ON
museum london presents As the Crow Flies: Garden Tours with Artist Ron Benner, aug. 23.
Join renowned artist, writer, and gardener Ron Benner for a special garden tour of As the Crow Flies, his thought-provoking and site-specific outdoor installation at Museum London. This immersive garden has been a part of the Museum’s landscape for two decades, showcasing Benner’s unique blend of art, horticulture, and environmental stewardship.
Set against the stunning backdrop of the Deshkan Ziibi (Thames River), this installation features a serene, former elliptical reflecting pool, now water garden, surrounded by a diverse collection of native plants that have flourished through Benner’s careful cultivation. The plants in As the Crow Flies are significant, growing along the 81.14th meridian, a symbolic path that links London, Ontario, to distant places such as Cape Sable, Florida, and the Bay of Pigs, Cuba. The garden thrives as an ecosystem, supporting waterfowl, amphibians, insects, and fish, making it an environmental sanctuary as well as a powerful artistic statement.
This special event celebrates 20 years of As the Crow Flies, offering a unique opportunity to connect with the artist, witness the evolution of the garden, and reflect on its themes of history, food culture, and environmental awareness. Don’t miss this chance to experience the installation in a new light and commemorate its two-decade legacy with Ron Benner. Special thanks to Moore Watergardens, located in Port Stanley and established in 1932.
The Aeolian Tunes@Noon concert Series: fiker, august 19.
Join us on August 19th as we welcome Fiker to the Southen Lounge.
Fiker is a singer/songwriter (and musician) who has been playing music and writing songs since the age of 13. Over the past 4-5 years, they have started performing their own music live. Fiker loves to sing, play, and listen to all genres of music, and they embrace a fluid, exploratory approach to sound that reflects their wide-ranging musical tastes. They feel genreless, which is freeing, as they’ve always desired the space to explore music without being boxed in. Their recent influences are rooted in R&B, jazz, soul, and neo-soul, though they are still discovering how those sounds will shape the songs they are currently writing. Fiker’s music is available on streaming platforms under the name “Fiker,” with their song “heavyhand” now released. They have been influenced by artists such as Hayley Williams, Erykah Badu, Jazmine Sullivan, Mary Mary, Alanis Morissette, Pinegrove, and many more. With every new song, fiker continues to lean into curiosity, honesty, and the joy of musical exploration.
TUNES@NOON at The Aeolian is supported with thanks to The Paul Seed Fund through London Community Foundations and is a London UNESCO City of Music project.
palace theatre wardrobe sale, august 23
Join us on Saturday, August 23 from 10 AM – 1 PM at the Palace Annex (523 South Street) for our legendary Wardrobe Sale.
Hundreds of costumes, accessories and treasures from our stage to your closet – it’s a vintage lover’s dream! Perfect for collectors, theatre buffs, or anyone looking to add some flair to their wardrobe.
All proceeds support PTAC programming and much-needed repairs – shop and support local arts.
double feature at the Richmond Tavern, August 23.
AT THE PIERSIDE PUB THIS WEEK.
Live music Line-up this week at The Pierside Pub: Wed Aug 20 – Rob Cromwell 6PM Thurs Aug 21 – Karaoke with Kevin Edwards 7Pm Fri Aug 22 – Ed Greene (Elton John Tribute) 8PM Sat Aug 23 – Full Throttle with Disgustine 8PM. Sunday Funday, Aug 24 – Big Shinny Toons 4:30PM Come for the music, stay for the vibes.
Where’s traci Kennedy this saturday?
This Saturday is going to be a double-the-fun kind of day!
First stop — I’ll be performing at the Kiwanis Ingersoll Harvest Market Car Show in the morning from 9am – 11am (nothing like music and classic cars to kick things off!
Then I’m heading over to Straffordville’s Annual Watermelon Festival for a 3pm show — because what’s better than live music and sweet summer watermelon? (See full schedule attached)
Hope to see some familiar faces at one (or both!) of these amazing community events. Let’s make it a Saturday to remember!
good for the soll ingersoll’s music festival
GOODFORTHESOLL – INGERSOLL’S MUSIC FESTIVAL 2025
Presented by The Ingersoll Lions Club and Studio73 Digital Media
Memorial Park, 25 Canterbury St, Ingersoll, ON N5C
One Epic Night – Gates Open at 5:00 PM
Public Event – All Are Welcome!
Get ready, Ingersoll – the ultimate summer celebration is BACK! Join us at GoodForTheSoll 2025, proudly presented by Good For The Soll Ingersoll’s Music Festival,
This all-ages outdoor event will feature a stacked musical lineup, delicious eats, cold brews, and that unbeatable small-town summer festival energy. You do NOT want to miss this!
Two days of LIVE ACTION RODEO and GREAT MUSIC featuring The Mudmen, Neon Rain and many more ! And don’t forget the Friday Night Rodeo Party in the Historical Canadian Country Opry Hall featuring Shelly Rastin & Trailer Trash — Tickets at the Door $20. See all the details at: https://www.purplehillcountrymusichall.ca/
forked river brewing company presents leanne mayer, Friday, august 22.
Leanne Mayer at The Forked River Brewing Company, Friday, August 22. 45 Pacific Court, Unit 4, London Ontario
springbank gardens concert series, august 24.
Sunday, August 24, we welcome Oliver Whithead & Jonathon De Souza to the bandshell! Get ready for a swinging good time with these legendary musicians! See you at 2pm!
Sunday Jazz at Market Lane, August 24: Hilary welch & barry usher
Join us for The Music of Nancy Wilson and Cannonball Adderley – a stunning full-album tribute to the iconic 1962 release that climbed to No. 30 on the Billboard Top LPs chart.
Hilary Welch: a vocalist whose sound evokes the spirit of Sarah Vaughan and powerhouse 60’s soul. With roots at the University of Toronto and inspiration from legends like Oscar Peterson and the New York Voices, Hilary has become a standout voice in London’s jazz scene.
Barry Usher: a versatile woodwind performer and educator who has shared the stage with icons from Rob McConnell to The Temptations. Barry’s artistry and dedication to jazz education make him a cornerstone of London’s music community.
Featuring: Barry Usher- Saxophone/Arranger Nevin Campbell- Piano @nevincampbell Ron Walker-Trumpet @ronwalker64 Sandy MacKay-Percussion Kim Ladd-Bass Hilary Welch- Vocals @hilaryonair
Market Lane, Downtown London
Sunday, August 25 | 2–4pm
Free admission!
beehive: the ’60s musical at the Huron Country Playhouse.
Big hair, and even bigger hits!
Beehive – The ‘60s Musical is now playing at the Huron Country Playhouse through August 31.
Taking audiences on a nostalgic journey through timeless hits like “My Boyfriend’s Back” and “Son of a Preacher Man.” From Leslie Gore to Janis Joplin, you won’t want to miss this toe-tapping production that will have you dancing in the aisles.
great lakes blues society membership drive event, august 24.
Come on out to our Membership Drive and help us keep The Blues Alive!
This is a great chance to meet some fellow Blues fans and learn how we support Blues music in our community.
By becoming a member of our society, you’re not just supporting the Blues… you’re joining a community that knows how to have fun!
Right now is a great time to join or to renew your GLBS membership because your name will automatically be put in a draw for a custom-built GLBS Cigar Box Guitar!
Let’s keep the good times rollin’ — together!
See you there!
THREE LIVE BANDS Multiple Door Prizes + a Grand Prize! Food Truck Deliciousness Free Admission & Free Parking too!
London Brewing Co-operative 521 Burbrook Place – London ON,
From Sea to Sky: Connected by a Thread at Westland Gallery
From Sea to Sky: Connected by a Thread is only on display at Westland Gallery until Saturday, August 30. Don’t miss the opportunity to check out our textiles exhibition featuring eight talented Canadian artists.
Pictured: Lorraine Roy, “Heart of Light”, 39 x 39″, textile, $1700
grosvenor lodge presents eighteen strings, august 24.
the kitchen witches at the port stanley festival theatre.
Beat the heat and stir up some laughs with The Kitchen Witches by Caroline Smith, starring Monique Lund, Christina Gordon, and David Rowan.
Dolly and Isobel’s long-running feud is boiling over on live streaming — and the food (and insults) are flying. Expect chaos, comedy, and a sprinkle of audience participation in this deliciously funny performance!
Reserve your tickets now — the kitchen’s cooking, but not for long! www.psft.ca 519-782-4353
Directed by Liz Gilroy. Set design by Emma Burnett. Lighting design by Karen Crichton. Video design by Joe Recchia.
Show sponsored by MYFM
“The Kitchen Witches” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
shrek the musical at the huron country playhouse
The greatest fairy tale never told comes to life tonight as Shrek The Musical opens at Huron Country Playhouse!
In a faraway kingdom turned upside down, things get ugly when an unseemly ogre – not a handsome prince – shows up to rescue a feisty princess. A wisecracking donkey, villain with a short temper, cookie with an attitude, and a band of quirky misfits, set off on a journey full of laughs, friendship and unexpected romance.
The City of Music Concerts is kickin’ it country style on August 21, presented by Pure Country 93!
Have a rootin’ tootin’ good time with
Nate Haller is headlining the night, and openers
Maddy McKenzie &
Olivia Mae Graham
Good Foundation Theatre (Market Lane)
7-10 PM
FREE
All ages
The City of Music Concerts take place from June 12 to August 28 each Thursday in Market Lane, featuring incredible free live music from local, national, and international artists. Each week is presented by a different local partner, bringing a unique vibe.
The London Taco Fest is making a sizzling return to Covent Garden Market — and this year, it’s bigger, bolder, and more delicious than ever. Guests can explore a taco lover’s paradise with vendors dishing out everything from traditional street-style tacos to wildly inventive flavour fusions.
The vibrant spirit of Mexico will fill the air with high-energy lucha libre wrestling, friendly taco competitions, and refreshing cervezas to keep the good times flowing. Whether it’s the irresistible aroma of sizzling meats, the lively beats, or the snap of a wrestling match mid-air, there’s something to spice up everyone’s day.
This isn’t just a festival — it’s a full-on fiesta!
Covent Garden Market, Rotary Square 130 King Street (corner of King and Talbot) London, Ontario N6A 1C5
Friday, August 22 – 4 PM – 12 AM
Saturday, August 23 – 4 PM – 12 AM
Sunday, August 24th – 12 PM – 9 PM
middle eastern summer festival
This August, downtown London will transform into a vibrant celebration of Middle Eastern culture at the Middle Eastern Summer Festival, taking place August 23 & 24 at Dundas Place. The event is free and open to the public, offering a rich blend of tradition, creativity, and community spirit.
The festival aims to highlight the richness and diversity of Middle Eastern cultures through a vibrant mix of experiences — including live music, traditional dance, authentic cuisine, artisan crafts, and more. Attendees can explore a bustling vendor market featuring flavorful regional dishes, handmade goods, and cultural exhibitions that offer insight into the traditions and craftsmanship of the region.
Headlining the stage are two major musical artists, Milad and Ali, bringing high-energy performances that blend modern and traditional Middle Eastern sounds. A featured dance group will also perform, adding dynamic movement and cultural storytelling to the weekend’s lineup.
Whether you’re coming for the music, the food, or the culture, the Middle Eastern Summer Festival is a celebration of heritage and togetherness — right in the heart of the city.
Join them at Dundas Place for a weekend of cultural discovery and celebration.
Dundas Place 99 Dundas St London, ON, N6A 6K1
12:00 PM – 11:00 PM
This list will be updated as the week goes on. To get your event listed, contact Richard Young richardyoung@thebeatmagazine 2009.ca
As Act one begins and before the stage lights up, the air thumps with Ray Charles’s “Hit the Road Jack”. The audience sings along;
Hit the road Jack and don’t you come back No more, no more, no more, no more Hit the road Jack and don’t you come back no more What you say?
Alice, (played by Bernadette Taylor Dolha) is laying flat out on the bed with Henry, (played by Bernadette’s real-life husband, Andrew Dolha), who is trying his best to massage Alice into relaxation. Alice has plans to bring her and Henry’s love life back to the boiling point again – Hot and Sexy! The unmistakable yellow covered dummies book “Sex for Dummies” is close by and open. She’s asking Henry if he’s aroused while she guides his touch to her back and shoulders.
He’s not!
Sexy Laundry is now on stage at Victoria Playhouse, Petrolia. A comedy about a married couple, it’s one that many in the audience will relate to, for better or for worse.
Alice has put a lot of effort into this weekend. She reserved a posh hotel, provided ambiance with fragranced air, sexy nighties and a will to reignite that spark in to a 25-year marriage. A marriage that produced three kids while busy with each one’s career. So far, her endeavours aren’t working out so well. Finally, yes finally, there’s a spark of interest from Henry, a subdued engineer. He takes her reading glasses, picks up the book and skims through her marked pages. There may have been a few snickers and giggles in the audience up until they read out loud that they should give their private parts a name. The audience livens up while watching the two coax one another to go ahead and follow the books suggestion. Henry wanted nothing to do with Alice’s suggestion of Frank. However, Henry’s interest does pique and with arms flailing and beating his chest, he yells out, that his name for his special part would be the almighty Caesar. The audience roars.
To keep Henry invested in her plans, she asks him about his fantasy after she describes her own which includes two Italian gay waiters. Henry questions, “why gay waiters?”. The audience giggles at her descriptive rendition. Her face contorts through the emotions as he describes his fantasy. It’s a description of a typical husband from the 50’s, it’s a perfect wife that waits on him and is always happy! He has great kids, a comfortable home, a good job and of most importance, he’s able to watch the news in peace. Henry obviously wants a no-fuss, easy life now. He’s got a bit of anxiety and just wants to chill. Alice, on the other hand, is feeling the need for desire and is fearful that she’s not attractive anymore, now that she’s in her fifties. She feels that she’s always competing against the nightly news for Henry’s attention.
It could be at this time when some of the couples in the audience are elbowing one another as they watch these feelings being portrayed on the stage.
In the second act, their crazy adventures continue with leather, leopard print and lace. The emotions between the two fly high and low as they hilariously battle out their indifferences. Finally, each one looks into their own mirrored reflection and they come to a very important conclusion.
I thoroughly enjoyed Sexy Laundry and most definitely see those same issues that affect us all at one time or another. Bernadette and Andrew Dohlar were magnificent after the intermission. They became stronger but more natural and drew their audience into their performance. There were side splitting comedic episodes between the two of them that were almost non stop. One was where Alice tried with all her might to release F-Bombs. Another was where Henry was pumping up his vibe and getting his groove on.
Michele Riml, a critically acclaimed playwright from Vancouver, British Columbia wrote Sexy Laundry after only 5 years of marriage. Her play became a hit and is in 17 languages playing in Canada, the US and Europe. I found that to be quite fascinating.
I could easily see this performance again; it comes highly recommended.
Sexy Laundry is playing at the Victoria Playhouse in Petrolia from August 5 to August 21 at 2pm, and on August 22nd, there is a showing at 7:30pm. You can order tickets online at thevvp.ca or call the Box Office at 1-800-717-7694 or 519-882- 1221.
Photo: Andrew Dolha as Henry and Bernadette Taylor Dolha as Alice in Sexy Laundry. The married couple play a married couple! Photo by Diane O’Dell.
Sexy Laundry By Michele Riml Performed by Bernadette Taylor Dolha and Andrew Dolha Victoria Playhouse, Petrolia August 5 to 22, 2025 Reviewed by Marilu Murphy
Note: This Review first appeared on the websiteEntertain This Thought, and it is reprinted with the permission of the reviewer. For more Reviews, visit https://www.entertainthisthought.com/
Memorial Park, 25 Canterbury St, Ingersoll, ON N5C
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