The Life and Times of Dave Semple: Renaissance Man.

by J Bruce Parker

(Photo by Liam Semple)

If you know Wortley Village resident Dave Semple, his quality of generosity first comes to mind. The retired drama teacher with over thirty-five years of experience as an actor and director has offered free workshops for aspiring thespians. As a guitar luthier, he has built and given away several guitars to those he felt needed them, as well as taking the time to teach the instrument to seniors.

Dave is a prominent and familiar presence in local theatre, and both his love of the stage and music have become the focus of his post-retirement life.

Dave was born in Quebec to a young and struggling mother and was put up for adoption when he was five months old. His adoptive parents moved about, and Dave found himself in the city of Rouyn Noranda, a mining town, dedicated to the recreations of hockey, snowmobiling, and ice fishing.

(Photo by Ross Davidson.)

Dave felt that he really didn’t fit in. “I had a little music room with a piano and a couple of guitars, and that’s where I escaped,” he says. He noodled about on the piano and eventually took lessons, but again, could not fit in with the role of a piano student.

“My teacher realized that I was struggling to learn to read music, so she started to train my ear. I couldn’t sight-read but she recognized that I had a really good ear, and maybe she could train that instead. It influenced me in how I became a teacher, as her philosophy to meet the student where they are became my philosophy as a teacher.”

Dave eventually crossed the border into Ontario, where he enrolled at the University of Windsor in a Bachelor of Fine Arts program. He considered the idea of theatre as a career but did not pursue it. “I never wanted to be an actor full-time as the idea of always looking for work scared the crap out of me,” he says.

He had a friend working at the University of Western Ontario who was able to cast him in Romeo and Juliet as the character Tybalt. “They needed someone to do the sword-fighting scenes, and I had learned combat choreography at university. I had also done some fencing,” Dave recalls.

(Photo by J Bruce Parker.)

With this success, he realized he liked the idea of teaching, and it appealed to him as a choice for a working career. Dave taught Drama at Strathroy Collegiate for four years before transferring to Oakridge Secondary School. It was here he met James Patterson, head of the Drama Department, who would be part of his career in theatre for the next thirty years.

After leaving Oakridge, Dave taught Drama and English at Saunders Secondary School for nine years, leading up to his retirement in 2022.

Dave’s wellspring of creativity has produced two novels, four books of poetry, one poetic novella, and two books of ‘Words of Wisdom.’ As a singer/songwriter, he has released five CDs, but his musical artistry was stifled for a time when “The pandemic kicked that out of me,” he says.

Three years out of the pandemic, Dave is rethinking and creating again.

(Photo by J Bruce Parker.)

His work as a guitar luthier began when he could not find an electric guitar with specific woods and electronic features that he wanted. It was his father who taught him carpentry and electronics, which aided in his task. He found the parts online and built his own. This hobby grew over the last seven years when local guitarists would seek him out for repairs or to customize their own instruments. Eventually, orders came in for specific body designs, woods, and electronics, and ‘Phoenix Guitar Works’ was born. Dave tells me, “The name came from a few crashes and burns in my life.”

After his retirement, Dave found a new energy and discovered that “time is now finite.” This energy inspired him to audition for leading roles in two productions at the Palace Theatre: The Black Bonspiel of Wullie MacCrimmon and The Donnellys, which was directed by his long-time friend James Patterson. He was eventually doing back-to-back rehearsals. Dave moved from the sinister but charismatic character of the devil in ‘Black Bonspiel,’ to the patriarch of the infamous family from Lucan.

“I like dramas more than comedies,” he tells me. “I like stories that are dark and have a good depth of substance to them.”

(Photo by Ross Davidson.)

Peter Colley’s play about the brutal massacre of a family in Lucan in 1880 was previously performed in London at the Grand Theatre in 1974. It portrays Johanna and James Donnelly as victims of this horrendous crime. Other accounts of this event have been less sympathetic to the couple. “We wanted to bring out that they were a loving couple and that they were trying to make the best world, despite all the strikes against them. We wanted to make them likeable and relatable,” says Dave.

Last year, Dave was cast in local playwright Jason Rip’s Man Up, a piece of theatre produced and directed by John Pacheco, which was performed at the Manor Park Memorial Hall for five sold-out performances. Divided into eighteen scenes, the production explored the definition of masculinity and the associated high rate of male suicide.

In a television interview about Man Up, Dave expressed, “Since COVID, I think theatre has gotten really safe with light and fluffy productions to bring audiences back in. You go to the theatre to escape or connect. With this play, every night when I go home, it stirs up feelings and thoughts, and I want to have discussions with people. And this is what is important about this play in particular.” He adds, “In thirty years of teaching, I lost eight students to suicide.”

Dave has directed nineteen plays, and he enjoys moving back and forth from directing to acting. “It depends on my frame of mind if I want to direct or act. But acting is more work as you have to memorize.” Laughing, he adds, “I have a hard time liking young actors. I like the ones who are my age and older.” 

It is tough for him to single out a favorite actor, but Gene Hackman comes to mind when he is persuaded for an answer.

It is no surprise that this talented craftsman recently created and performed Stories and Songs, a fundraising event for the Palace Theatre on November 6. Dave is a voice of his community, and his voice regaled friends and fans with his music and personal reflections.

His performance at the Palace’s Procunier Hall was perfect for an intimate evening. A comfortable parlour chair, an antique table displaying the visual memories of his songs, underscored with soft lighting. He picked from four guitars, regarding all as his ‘friends,’ and explaining the history of each.

His three-hour marathon performance with a brief intermission was culled from his vast creative work and warm and generous heart. He emptied his pockets of childhood memories in song and spoken word, often in a cathartic voice, directing us to his beginnings as a five-month-old child being given up for adoption. Love, acceptance, and family become important themes in his music.

His presentation was interactive as he requested ‘Dad Jokes’ regarding his remembrance and relationship with his own adoptive father, as well as inquiring about a recent moment of ‘joy’ from his audience. And joy is something we need more of these days.

(Photo by J Bruce Parker)

Gathering a few young people to sit at his feet, in a most grandfatherly and comedic manner, Dave told an anecdote of something antiquated and nearly extinct: the vinyl record.

His final song was not his, but of his friend, musician Jake Leveque, a musical force of this city who passed away in 2024.

Following Dave Semple down his road of memory is often a very familiar journey, as his memories can be relatable. He examines his humanity, which allows us to reflect on our own. You listen closely, and his voice in song becomes your voice.

Originally, Stories & Songs was to be a one-off event, but it was met with such a measure of success, several performances are now booked at the Palace Theatre in the Spring of 2026.

Dave Semple is now directing Closer, a play by British playwright Patrick Marber, in a production which will run from February 5 to 15 at Procunier Hall at the Palace Theatre.

To hear Dave Semple’s music, visit https://www.reverbnation.com/davesemple

Follow Dave on Facebook: https://www.facebook.com/profile.php?id=100032083767062

By J Bruce Parker

London’s Emerging Talent Shines in Theatre Aezir’s Production of Dating Games

Reviewed by Jo-Anne Bishop

(Photo Credit: Helen Wrack-Adams)

Theatre Aezir’s latest production, Dating Games by Garth Wingfield, offers a sharp and entertaining look at the unpredictable world of dating and modern relationships. Produced by Elizabeth Durand and directed by five emerging talents, this vibrant and polished staging proves that collaboration and fresh perspective can deliver an invigorating night of theatre.

Running a brisk seventy-five minutes, the show is a dynamic blend of styles and tones that somehow interweave with ease. Each vignette stands on its own while contributing to a cohesive whole, a testament to the directors’ shared vision and the power of creative synergy.

Under the collective guidance of its five directors and their mentors, the production maintains a remarkable sense of unity. The vignettes shift from playful to poignant, all anchored by Wingfield’s clever, relatable writing. The minimalist set design serves the piece beautifully, enabling fluid transitions and keeping the spotlight firmly where it belongs – on the script and stellar performances.

(Photo Credit: Helen Wrack-Adams.)

And what performances they are.

James Callaghan, Chiedza Gondoza, Haley Gordon, Aidan Robertson, Billie Gould, Danika Goss, Matthew Lazaris-Brunner, Ryan Memarzadeh, and Mike Wisniowski form a stellar ensemble. Each actor brings charisma, honesty, and razor-sharp comedic timing to the stage. While the entire cast impresses, a few moments shine especially bright for their precision and emotional nuance.

One such standout is “Mary Just Broke Up With This Guy,” featuring top-notch performances from Haley Gordon and Aidan Robertson. Robertson, in particular, delivers a variety of characters with such wit and timing that you’ll wish this ‘playlet’ ran just a little longer.

Witty, tightly executed, and full of heart, Dating Games highlights Theatre Aezir’s flair for fresh, thoughtful programming and affirms the promise of London’s next generation of theatre-makers. It’s a smart, engaging production that reminds us, kind of like love itself, that live performance is always worth the risk.

(Photo Credit: Helen Wrack-Adams)

If You Go:

What: Dating Games presented by Theatre Aezir
Where: First Baptist Church, 568 Richmond St, London, Ontario
When: November 6-16th, 2025, Evenings at 8:00pm • Matinees at 4:00pm
Tickets: $30, available Dating Games – Bad dates. Good theatre.

For more information about Theatre Aezir, visit https://theatreaezir.com/

Follow on Facebook https://www.facebook.com/theatreaezir

Follow on Instagram https://www.instagram.com/theatreaezir/

Reviewed by Jo-Anne Bishop

Ronnie Burkett’s Wonderful Joe is topical, heartfelt and heart-wrenching

Reviewed by J Bruce Parker

(Pictured: Joe Pickle and Mister the Dog. Photo Ian Jackson, Epic Photography.)

Puppetry seems to be a lost art. If you remember The Friendly Giant or Howdy Doody, we are about the same age. And, of course, Puppeteer Jim Henson created a cultural legacy with his Muppets, which still live on.

A marionette takes the skill of the puppet to the next level, creating the lifeblood of the character with deft movements of their hand and fingers on their stringed or wired figure. This form of theatre has been around since the Middle Ages.

Ronnie Burkett is an award-winning Canadian puppeteer, hailing from Medicine Hat. His career was inspired at the age of seven by the puppet scene of the Lonely Goatherd in the film The Sound of Music. Again, if you recall that, we are about the same age. Burkett’s puppetry work is not new to the Grand Theatre, as previous productions of The Daisy Theatre (2017) and Little Dickens (2023) were sold-out events.

He now brings the poignant Wonderful Joe to the Grand Theatre’s Auburn Stage with a glorious score and soundscape by John Alcorn

The story explores the all-too-common urban practices of “renoviction” and gentrification. It happens to the folks in a high-rise and is viewed through the eyes of Joe Pickle and his listless dog, Mister. Joe consoles his neighbours, who, like him, will soon hit the streets as well as those who work the street. He is an endearing soul, wrapped in a veneer of positivity, and seizes the opportunity to take us on a walkabout through the fictitious Eileen Avenue.

(Pictured: Ronnie Burkette and the marionette leaning rail as playboard. Photo – Ian Jackson, Epic Photography.)

Joe foresees his beloved block, the home of various drag queens and sex workers, becoming “white and boring and clean and neutral.” He sees the beauty in this derelict neighbourhood and the goodness and worth of its inhabitants.

The denizens of Eileen Avenue all have a story to tell, told in a wickedly paced repartee. There is pathos as well as humour as we are witnesses to the local residents attempting to find identity and acceptance. It is all too real and very touching, and quite easy to relate to the struggle of Burkett’s characters.

Burkett conjures up bizarre yet hilarious meetings of Jesus, Santa Claus, and the Tooth Fairy in a gay bar, all struggling with who they are and what is expected of them.

(Pictured: Sonny, Joe, and Mister. Photo – Ian Jackson, Epic Photography.)

We end with Joe on a bench in a parkette, consoling a young, troubled schoolgirl. It is here that Joe reveals his own tragic youth, his creative ways of coping, and his dreams.

Ronnie Burkett’s dark production is honest, gritty, and convincing to the point where one often loses track of the man on the stage pulling all the strings.

Wonderful Joe is both heartfelt and heart-wrenching in defining the ability to cope in current times and transcend beyond your past.

Credits:

John Alcorn – Music Production, Arrangements, Vocals, Keyboards, and Digital Programming

Kevin Humphrey – Lighting Design

Terri Gillis – Production Manager/Artistic Associate

Crystal Salverda – Stage Manager/Technical Director

John Lambert – Associate Producer

Ronnie Burkett – Marionette and Costume Design

Kim Crossley – Costumes

Puppet Studio – Alexander Mantia, Aidan Sparks, Angela Talbot, Dina Meschkuleit, with Martin Herbert, Andy Hayward, Shanna Miller, Justin Mezzapelli, and Brigitte Sampogna

Camellia Koo – Shoes

Greg Ballora (after Luman Coad) – Marionette Controls

Marcus Jamin – Marionette Stringing

Robbie Buttinski – Majordomo

Scenic Construction by Shop Dogs, Montreal 

Daniel Barkley – Scenic Painting

Aidan Sparks – Model and Drafting

Featured vocals – Coco Love Alcorn

Mixing and mastering – Jeff Wolpert, Desert Fish Studios

If You Go:

What: Ronnie Burkette’s Wonderful Joe

When: November 4 to November 23

Where: Auburn Stage at the Grand Theatre. 471 Richmond Street, London, Ontario

Tickets: Single tickets are $48, and Auburn Series Subscriptions offer a 25% discount ($71.44 for both Wonderful Joe and Mrs Krishnan’s Party). Tickets and subscriptions are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.

Reviewed by J Bruce Parker

Theatre Aezir’s Dating Games, November 6-16, is more than just a show.

by Erin Sevigny

Wednesday, November 5, 2025

It’s the night before opening night. We call that a Dress Rehearsal. When I left the theatre on Wednesday night, the chairs were not set up, cables were all over the place, we were still waiting for a wardrobe delivery, and I had to stop by the LCBO to get a replacement prop.

But you know by tomorrow night at 7:55pm, everything will be in place, lines will be learned, and the directors can finally breathe. Every time I do this, I ask myself, ‘Why do I do this to myself?’ And the next time I forget what it was like, I just do it again.

Dating Tip: Skip the small talk, go to the theatre.  Theatre Aezir presents Dating Games by Garth Wingfield — laughter, romance, and everything in between. Come with a date, come with friends, or come alone and make new ones in the lobby line. Either way, you’ll fall in love with the show. 

Dating Games features five short plays, each showcasing a comically terrible first date that goes off the rails. Written by Garth Wingfield, the show’s real focus lies not in the dates themselves, but in the emerging theatre talent directing the plays. This production serves as a groundbreaking training initiative, providing mentorship and performance opportunities for up-and-coming directors.

Dating Games is a truly special production. It is more than just a show; it’s a project that combines mentorship, training, and performance, contributing to the entire theatrical community,” says Elizabeth Durand, Theatre Aezir’s Artistic Director.

“We are so proud of our Emerging Directors. Our mentors are guiding them, but they hit the road running on all four cylinders. Each of them has a distinct style, but is no less effective. We are sure that after this experience, there will be five new directors ready for their next assignment,” adds Durand.

Check out this short video featuring Cast & Crew members answering the question: “Why should people come see Dating Games? https://www.facebook.com/share/r/1CLH8LELj9/

Your support is crucial to fulfill the promise of this project.

If You Go:

What: Theatre Aezir presents Dating Games.

When: November 6th to November 16th

Where: First Baptist Church, 568 Richmond St., London, ON

Tickets: Discount codes are available for seniors, under-30s, and arts workers on Theatre Aezir’s ticketing page: https://events.humanitix.com/dating-games-bad-dates-good-theatre

For more information about Theatre Aezir, visit https://theatreaezir.com/

Read The Beat Magazine’s Profile of Theatre Aezir at https://thebeatmagazine2025.ca/2025/10/02/introducing-theatre-aezir-qa-with-elizabeth-durand/

Follow on Facebook https://www.facebook.com/theatreaezir

Follow on Instagram https://www.instagram.com/theatreaezir/

Expect the Unexpected at Port Stanley Festival Theatre’s 2026 Summer Season.

The 2026 Summer Season at Port Stanley Festival Theatre premieres May 27th, and it’s sure to be a summer of standing ovations.

The season kicks off with Inner Elder, written and performed by award-winning Cree artist Michelle Thrush. Real-life memories told with laughter and grace, join Michelle on her poignant journey; it promises to fill your heart and put a smile on your face.

Get your groove on with Get Down Tonight: The Ultimate 70’s Soundtrack starring Leisa Way and the Wayward Wind Band. From ABBA to Aerosmith, Joni Mitchell to James Taylor, The Rolling Stones to The Bee Gees: the hits just keep on coming! Press rewind and relive the good times.

Opening on June 10th is the classic Norm Foster The Long Weekend. It’s titillating, it’s sassy, and it’s got a couple of plot twists that you will never see coming. Will these two couples survive a weekend full of grudges, hanky-panky, secrets, and lies?

One starry night 12 years ago, Jesse and Hannah met, and it was magical. Now they have a second chance at love. Sugar Road by Kristen Da Silva is a sweet, romantic comedy set in a rundown amusement park full of laughter, colourful characters, and a couple of catchy tunes.

Deadly Memories, a World Premiere comedy/thriller by Steven Gallagher, will leave you guessing and gasping for August. Cassandra can’t remember anything after her terrifying car crash and doesn’t know who to trust. Is it all in her mind? Is someone out for revenge? Who’ll get the last laugh?

Ship To Shore, Norm Foster’s hilarious new comedy, has its World Premiere on our stage starting August 19th. Is it love at first sight or mutual irritation for Erin and James, both bound on a cruise to Ireland? As they say, “What happens at sea, stays at sea!”

Musical Mondays on our Pat and Ali Shakir Harbour View Patio, Talk Back Tuesdays, The Simon Joynes Playwrights’ Festival, and ASL interpreted shows are all back for the summer of 2026.

Don’t miss your chance to save on PSFT’s Early Bird Subscriptions, a savings of over $50.00, and a chance to win two season subscriptions if you purchase by January 15, 2026. Gift certificates are also available; they’re a great holiday gift!

Every seat tells a story at Port Stanley Festival. Visit www.psft.ca for more information and check out all of its shows!

Wonderful Joe by Ronnie Burkett opens at Auburn Stage at the Grand Theatre, Tuesday, November 4th

Media Release, Grand Theatre.

Award-winning, world-renowned, and infamously cheeky, Ronnie Burkett is back at the Grand Theatre with his unmatched mischievous, rollicking irreverence. Burkett’s latest work, Wonderful Joe, unleashes his sharp, unrelenting wit on the cities we call home, the people we overlook, and the four-legged friends walking beside them. And he’s bringing Mother Nature, Santa Claus, Jesus, and the Tooth Fairy along for the ride. Wonderful Joe, created and performed by Ronnie Burkett, opens the Grand Theatre’s Auburn Stage for the 2025/26 Season. Already extended due to popular demand, the production will run from Tuesday, November 4, through Sunday, November 23.

(Pictured: The marionette leaning rail as playboard. Photo: Ian Jackson)

Siminovitch Prize winner Ronnie Burkett brings the story of Joe Pickle (and Mister the Dog) to life with his signature style of beautiful puppetry and solo performance, with a glorious score and soundscape by John Alcorn. The Globe and Mail’s Best Theatre of 2024 wrote, “If I had to pick only one favourite piece of theatre from this year, Wonderful Joe was it.” Known to Londoners for his sold-out runs of The Daisy Theatre (2017) and Little Dickens (2023), Burkett returns with a poignant yet audacious story brought to life by his string marionettes.

“Ronnie’s unique insight into the world, as a marionettist from Medicine Hat, Alberta, turned into an internationally-recognized star, is unparalleled,” shares Rachel Peake, Grand Theatre Artistic Director. “The way he sees the world with humanity, heart, and the most daring humour is a point of view I am always hungry to live in, if only for the length of a play.”

Wonderful Joe is created and performed by Ronnie Burkett with Music Production, Arrangements, Vocals, Keyboards, and Digital Programming by John Alcorn, Lighting Design by Kevin Humphrey, Marionette and Costume Design by Ronnie Burkett, Featured Vocals by Coco Love Alcorn, and Mixing and Mastering by Jeff Wolpert, Desert Fish Studios. Wonderful Joe by Ronnie Burkett plays on the Auburn Stage at the Grand Theatre from November 4 to November 23.

Single tickets are $48, and Auburn Series Subscriptions offer a 25% discount ($71.44 for both Wonderful Joe and Mrs Krishnan’s Party). Tickets and subscriptions are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.

To learn more about Wonderful Joe by Ronnie Burkett at the Grand Theatre, please visit grandtheatre.com/event/wonderful-joe. Follow the production and peek behmind the scenes by following @thegrandlondon and #GrandJoe on Instagram, Facebook, LinkedIn, Threads, Bluesky, YouTube, & TikTok.

The Rocky Horror Show: A Wild, Fearless, and Fabulous Ride.

Reviewed by The Beat Magazine’s Jo-Anne Bishop.

(Pictured: Shaidon Woods in full costume and makeup as Dr. Frank-N-Furter, and other cast members in The Rocky Horror Show. Photo Credit: Ross Davidson)

The Infuse Productions/Palace Theatre co-production of The Rocky Horror Show is a bold, electrifying spectacle that bursts with energy, confidence, and campy fun from start to finish. Under the inspired direction of Mel Stewart (in her directorial debut, no less) the show hits every outrageous note with style and precision. Stewart’s leadership brings cohesion to the chaos, celebrating the spirit of the cult classic while adding a fresh, local flair that absolutely dazzles.

The choreography throughout is nothing short of outstanding. Crisp, creative, and packed with personality. Every movement feels deliberate and dynamic, perfectly suited to the show’s eccentric energy.

David Long’s minimalist set design is both practical and imaginative. Built to accommodate a live band on stage, it provides the perfect backdrop without ever detracting from the vibrant costumes or the incredible performances that command the audience’s attention.

(Pictured: Betamaxx)

The live band, Betamaxx, deserves special mention. Their tight, polished sound drives the entire show with precision and power. Every cue lands perfectly, every riff energizes the room. Positioned on stage, they manage to be a visible part of the world without ever intruding on the action, which is a testament to both their musicianship and the thoughtful staging.

(Pictured: The Rocky Horror Show Cast Members. Photo Credit: Ross Davidson)

Casting for this production is simply spot-on. Each performer seems born for their role. Shaidon Woods (Frank N. Furter) and Brendon Ainscow (Rocky) lead spectacularly, heating up the theatre with their charisma and—let’s call a spade a spade—incredibly toned physiques.

(Pictured: Jared Brown as Brad and McKenna Langdon as Janet. Photo Credit: Ross Davidson)

Jared Brown (Brad), McKenna Langdon (Janet), Sarah Dennison (Columbia), Aidan Coutts (Riff Raff), and Jenn Marino (Magenta) all deliver outstanding performances, with vocal talent well above typical community theatre calibre. Their voices soar. Sometimes sultry, sometimes raw, always captivating. And of course, the chorus rounds out the cast wonderfully, never missing a beat.

(Pictured: Jenn Marino as Magenta. Photo Credit: Ross Davidson)

Part of what makes The Rocky Horror Show such an unforgettable experience is its infamous audience participation. At the Palace, this tradition is embraced wholeheartedly. It’s wild, raucous, and loud—perhaps too loud for some tastes—but it’s an essential part of the cult phenomenon. As one audience member aptly shouted, “It’s just a jump to the left!” Indeed, the crowd is as much a part of the show as the cast.

At times, Jeff Werkmeister’s performance as the Narrator was momentarily drowned out by the audience’s enthusiasm, but he handled it with wit and ease, working the crowd masterfully and keeping the energy high. His effortless breaking of the fourth wall mirrored Frank N. Furter’s gleeful command of the same device, pulling the audience ever deeper into the madness.

(Pictured: Jeff Werkmeister as The Narrator. Photo Credit: Ross Davidson)

The bravery of the cast cannot go unmentioned. This is a show that demands vulnerability, often performed in little more than underwear, yet the actors deliver with total confidence. Their comfort and commitment make their performances all the more believable, powerful, and liberating to watch.

Overall, The Rocky Horror Show at the Palace Theatre is a fantastic, fearless production that’s both outrageous and artful. It’s community theatre at its most daring, bursting with talent, energy, and unapologetic fun. Whether you’re a longtime “Rocky” fan or a first-timer, you’re in for a wild ride. And a word of advice, if you’re a newcomer: wear pearls—you may need to clutch them.

If You Go:

What: The Rocky Horror Show
Where:
Palace Theatre Arts Commons, 710 Dundas St, London, Ontario
When: Thursday, October 30 – 7:30 pm, Friday, October 31 – 7:30 pm, Saturday, November 1 – 2:00 pm and 7:30 pm, Sunday, November 2 – 2:00 pm
Tickets: Palace Theatre Arts Commons | London ON Community Theatre
Adults: $38 – Deluxe ticket with party supplies – $43
Students/Seniors (55+): $36 – Deluxe ticket with party supplies – $41
Youth (under 18): $23 – Deluxe ticket with party supplies – $28

For more information about Infuse Productions, visit https://www.infuseldn.ca/infuse-productions

For more information about the Palace Theatre, visit https://palacetheatre.ca/

Reviewed by Jo-Anne Bishop.

This Week in London and Area Arts & Culture, October 13-19: Selected Events.

What follows are some selections from the many Arts & Culture events taking place this week in the London area. Check back for more updates throughout the week.

5th annual honour & harmony fundraiser for atlohsa, oct. 18.

Join Leanne Mayer, Big Lou, and Alex Cooper for an unforgettable night of music and fundraising in support of Atlohsa, a local Indigenous nonprofit organization.
Now in its fifth year, this annual event brings the community together to celebrate music, culture, and retribution.

Come be a part of the movement—support Indigenous-led healing and social change.

coquest art festival and community forum, oct. 15-19.

CoQuest brings together 50+ contributors, including artists, artisans, community organizers, singer-songwriters, and more. 

Full details and advanced tickets can be purchased at https://linktr.ee/corduroy.earth?fbclid=IwY2xjawNbN1tleHRuA2FlbQIxMABicmlkETE5M3dyN2tLYW9xWW43TmNQAR5URmdU9WN0fWWMnOZjcRT4pgcazEgg3SkbcD1WK5WKkkytr7U21RPRS48egw_aem_7QZJ7hgLqzupVbS72B3gbg

anne moniz and Daniel Oniszeczko, oct. 16, at the richmond tavern.

Something a little different this Thursday, Oct 16th- from 6-8pm. Bev Camp, Daniel Oniszeczko, and Anne Moniz will be the special guests of a fabulous showcase hosted by @tamikegley at The Richmond. This is a Pay-What-You-Can event.

this week at the aeolian.

The Jeffery Concerts presents a program of Baroque and Early Classical music, October 19, at the Metropolitan Church.

Read our Preview at https://thebeatmagazine2025.ca/2025/10/13/the-jeffery-concerts-continue-the-2025-26-season-with-a-program-of-baroque-and-early-classical-music-october-19-at-the-metropolitan-church/

this week at the london public library.

fanshawe pioneer village presents Return to the Abandoned Village, oct. 16-19.

This Halloween… the past comes back to haunt you. Fanshawe Pioneer Village and ByronScaryHouse Productions dare you to enter… Return to the Abandoned Village. This isn’t a haunted house…It’s a haunted Village. Five buildings transformed into nightmares – one unforgettable walk through fear.

The Abandoned Village is a 14+ event, and many nights do sell out.
Why wait? Get your tickets now … if you dare.

For ticket purchase and more info visit https://www.fanshawepioneervillage.ca/…/the-abandoned

mavis productions the rocky horror show continues until oct. 18 at the wolf performance hall.

Mavis Productions does the time warp again into their 4TH ANNUAL TRADITION!

The Rocky Horror Show returns to London to celebrate 50 years of the film you love, THE ROCKY HORROR PICTURE SHOW!

In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.”

Filled with all the classic songs and audience participation that made the film so much fun for over 50 years, all of it comes to life on the stage. So bring your costumes and all your scripts and be ready for a night of absolute pleasure. Whether you come out for our 2 pm afternoon shows, our classic 7 pm shows, or our returning MIDNIGHT PERFORMANCES, we know you will shiver with antici…pation!!

For more information, visit https://mavisproductions.ca/

tom dunphy’s classic country music show returns to the richmond tavern, oct. 18.

st. marys community players present norm foster’s hilda’s Yard, oct. 16 – nov. 2.

For more information, visit https://www.stmaryscommunityplayers.ca/

the grand theatre presents the play that goes wrong, oct. 14 – nov. 2.

Read our Preview at https://thebeatmagazine2025.ca/2025/10/08/the-play-that-goes-wrong-opens-2025-26-season-at-the-grand-theatre/

Check back for more updates throughout the week.

Mavis Productions returns with London’s favorite annual Rocky Horror Show tradition. 

The Rocky Horror Show LIVE musical returns to London to celebrate 50 years of the film you love, THE ROCKY HORROR PICTURE SHOW.

The show opens on Thursday, October 9, and runs through October 18 at the Wolf Performance Hall.

For four incredible years, Mavis Productions has made this moment an October tradition — a night when audiences throw the rules out the window, shout every line, and become part of something bigger than a show.

It’s not just a performance — it’s a celebration.

The music. The madness. The magic.

Every beat, every laugh, every sparkle of glitter is pure Rocky Horror energy. This is your call to let go, dress up, and feel alive.

Because this isn’t just theatre… this is Rocky Horror. Don’t dream it — BE IT.

In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.”

Filled with all the classic songs and audience participation that made the film so much fun for over 50 years, all of it comes to life on the stage. So bring your costumes and all your scripts and be ready for a night of absolute pleasure. Whether you come out for our new 2 pm afternoon shows, our classic 7 pm shows, or midnight shows, we know you will shiver with antici…pation!!

If You Go:

What: Mavis Productions presents The Rocky Horror Show 50th Anniversary

When: October 9 – October 18.

Where: Wolf Performance Hall, 251 Dundas St., London, ON

Tickets: Start at $20. https://mavisproductions.ticketspice.com/rockyhorrorlondon

To learn more about Mavis Productions and its other shows, visit The Beat Magazine 2025 Q&A Profile https://thebeatmagazine2025.ca/2025/09/22/introducing-mavis-productions-an-interview-with-chase-montgomery/

ITOPA kicks off its 2025/2026 season with Michael G. Wilmot’s 7-10 Split. 

by Emily Stewart / Woodstock Ingersoll Echo

(Go to ITOPA’s Facebook Page to take advantage of this offer https://www.facebook.com/ingersolltheatre)

After putting 7-10 Split and bowling paraphernalia on the back burner for half a decade, the Ingersoll Theatre of Performing Arts (ITOPA) is finally ready to bring the comedy to the stage. 

The Canadian comedy will run from Oct. 10 to 19. The play focuses on Earl, a former professional bowler constantly in get-rich-quick schemes, and the shenanigans that follow with one particular Internet offer from a wealthy prince claiming he can save Earl’s fortune.

(Pictured: Earl – Adam Tanton. Photo Credit: Brian Tanton)

“If you need a night of absolute laughter and hilarity, this is the show to see,” said director Rebecca McNall. “We are running it in the style of trailer-trash, and it’s just going to be non-stop gags, non-stop hilarious lines. And the cast, you couldn’t ask for a better cast of characters to fill the roles. They just fall into the roles just like it was them. It’s just so good, I love it.” 

The cast includes husband and wife Adam and Becky Tanton, longtime ITOPA performer Crystal Paul, and newcomer Nick Shua. The performance takes place inside the living room of a trailer, and the set dimensions are the same as a house trailer’s living room.

“It’s even more of a challenge, which is fun, to get the blocking and to get them so they’re not just sitting still for the whole thing, so it’s going to be a ball. It’s going to be so much fun,” said McNall, who is thrilled to finally bring the play to the stage. 

ITOPA was to present the play in 2020, but it was cancelled due to COVID-19 Pandemic restrictions.

“We’ve had bowling balls and bowling trophies hidden around the theatre for five years because we didn’t want to throw them out because we knew that eventually, 7-10 Split would go on stage, so it feels so great to start bringing everything out,” she said. “It’s awesome.” 

The curtain rises at 7:30 p.m. for evening performances and 2 p.m. for matinee performances. Tickets are $26 for adults, $24 for seniors, $22 for students 12 years old and older, and $10 for students under 12 years old. Every Thursday performance for the 2025/2026 season will have $10 tickets for all seats. 

To purchase tickets, either visit the box office on 88 Thames St., call 519-485-3070, or visit online via www.itopa.ca.

Note: This Review first appeared in the Ingersoll Woodstock Echo, and it is reprinted with the permission of the author and the newspaper. https://www.granthaven.com/woodstock-ingersoll-echo

Check out the Q&A Profile of the Ingersoll Theatre of Performing Arts (ITOPA) elsewhere on The Beat Magazine 2025 website https://thebeatmagazine2025.ca/2025/09/15/introducing-ingersoll-theatre-of-performing-arts-itopa/