The Life and Times of Dave Semple: Renaissance Man.

by J Bruce Parker

(Photo by Liam Semple)

If you know Wortley Village resident Dave Semple, his quality of generosity first comes to mind. The retired drama teacher with over thirty-five years of experience as an actor and director has offered free workshops for aspiring thespians. As a guitar luthier, he has built and given away several guitars to those he felt needed them, as well as taking the time to teach the instrument to seniors.

Dave is a prominent and familiar presence in local theatre, and both his love of the stage and music have become the focus of his post-retirement life.

Dave was born in Quebec to a young and struggling mother and was put up for adoption when he was five months old. His adoptive parents moved about, and Dave found himself in the city of Rouyn Noranda, a mining town, dedicated to the recreations of hockey, snowmobiling, and ice fishing.

(Photo by Ross Davidson.)

Dave felt that he really didn’t fit in. “I had a little music room with a piano and a couple of guitars, and that’s where I escaped,” he says. He noodled about on the piano and eventually took lessons, but again, could not fit in with the role of a piano student.

“My teacher realized that I was struggling to learn to read music, so she started to train my ear. I couldn’t sight-read but she recognized that I had a really good ear, and maybe she could train that instead. It influenced me in how I became a teacher, as her philosophy to meet the student where they are became my philosophy as a teacher.”

Dave eventually crossed the border into Ontario, where he enrolled at the University of Windsor in a Bachelor of Fine Arts program. He considered the idea of theatre as a career but did not pursue it. “I never wanted to be an actor full-time as the idea of always looking for work scared the crap out of me,” he says.

He had a friend working at the University of Western Ontario who was able to cast him in Romeo and Juliet as the character Tybalt. “They needed someone to do the sword-fighting scenes, and I had learned combat choreography at university. I had also done some fencing,” Dave recalls.

(Photo by J Bruce Parker.)

With this success, he realized he liked the idea of teaching, and it appealed to him as a choice for a working career. Dave taught Drama at Strathroy Collegiate for four years before transferring to Oakridge Secondary School. It was here he met James Patterson, head of the Drama Department, who would be part of his career in theatre for the next thirty years.

After leaving Oakridge, Dave taught Drama and English at Saunders Secondary School for nine years, leading up to his retirement in 2022.

Dave’s wellspring of creativity has produced two novels, four books of poetry, one poetic novella, and two books of ‘Words of Wisdom.’ As a singer/songwriter, he has released five CDs, but his musical artistry was stifled for a time when “The pandemic kicked that out of me,” he says.

Three years out of the pandemic, Dave is rethinking and creating again.

(Photo by J Bruce Parker.)

His work as a guitar luthier began when he could not find an electric guitar with specific woods and electronic features that he wanted. It was his father who taught him carpentry and electronics, which aided in his task. He found the parts online and built his own. This hobby grew over the last seven years when local guitarists would seek him out for repairs or to customize their own instruments. Eventually, orders came in for specific body designs, woods, and electronics, and ‘Phoenix Guitar Works’ was born. Dave tells me, “The name came from a few crashes and burns in my life.”

After his retirement, Dave found a new energy and discovered that “time is now finite.” This energy inspired him to audition for leading roles in two productions at the Palace Theatre: The Black Bonspiel of Wullie MacCrimmon and The Donnellys, which was directed by his long-time friend James Patterson. He was eventually doing back-to-back rehearsals. Dave moved from the sinister but charismatic character of the devil in ‘Black Bonspiel,’ to the patriarch of the infamous family from Lucan.

“I like dramas more than comedies,” he tells me. “I like stories that are dark and have a good depth of substance to them.”

(Photo by Ross Davidson.)

Peter Colley’s play about the brutal massacre of a family in Lucan in 1880 was previously performed in London at the Grand Theatre in 1974. It portrays Johanna and James Donnelly as victims of this horrendous crime. Other accounts of this event have been less sympathetic to the couple. “We wanted to bring out that they were a loving couple and that they were trying to make the best world, despite all the strikes against them. We wanted to make them likeable and relatable,” says Dave.

Last year, Dave was cast in local playwright Jason Rip’s Man Up, a piece of theatre produced and directed by John Pacheco, which was performed at the Manor Park Memorial Hall for five sold-out performances. Divided into eighteen scenes, the production explored the definition of masculinity and the associated high rate of male suicide.

In a television interview about Man Up, Dave expressed, “Since COVID, I think theatre has gotten really safe with light and fluffy productions to bring audiences back in. You go to the theatre to escape or connect. With this play, every night when I go home, it stirs up feelings and thoughts, and I want to have discussions with people. And this is what is important about this play in particular.” He adds, “In thirty years of teaching, I lost eight students to suicide.”

Dave has directed nineteen plays, and he enjoys moving back and forth from directing to acting. “It depends on my frame of mind if I want to direct or act. But acting is more work as you have to memorize.” Laughing, he adds, “I have a hard time liking young actors. I like the ones who are my age and older.” 

It is tough for him to single out a favorite actor, but Gene Hackman comes to mind when he is persuaded for an answer.

It is no surprise that this talented craftsman recently created and performed Stories and Songs, a fundraising event for the Palace Theatre on November 6. Dave is a voice of his community, and his voice regaled friends and fans with his music and personal reflections.

His performance at the Palace’s Procunier Hall was perfect for an intimate evening. A comfortable parlour chair, an antique table displaying the visual memories of his songs, underscored with soft lighting. He picked from four guitars, regarding all as his ‘friends,’ and explaining the history of each.

His three-hour marathon performance with a brief intermission was culled from his vast creative work and warm and generous heart. He emptied his pockets of childhood memories in song and spoken word, often in a cathartic voice, directing us to his beginnings as a five-month-old child being given up for adoption. Love, acceptance, and family become important themes in his music.

His presentation was interactive as he requested ‘Dad Jokes’ regarding his remembrance and relationship with his own adoptive father, as well as inquiring about a recent moment of ‘joy’ from his audience. And joy is something we need more of these days.

(Photo by J Bruce Parker)

Gathering a few young people to sit at his feet, in a most grandfatherly and comedic manner, Dave told an anecdote of something antiquated and nearly extinct: the vinyl record.

His final song was not his, but of his friend, musician Jake Leveque, a musical force of this city who passed away in 2024.

Following Dave Semple down his road of memory is often a very familiar journey, as his memories can be relatable. He examines his humanity, which allows us to reflect on our own. You listen closely, and his voice in song becomes your voice.

Originally, Stories & Songs was to be a one-off event, but it was met with such a measure of success, several performances are now booked at the Palace Theatre in the Spring of 2026.

Dave Semple is now directing Closer, a play by British playwright Patrick Marber, in a production which will run from February 5 to 15 at Procunier Hall at the Palace Theatre.

To hear Dave Semple’s music, visit https://www.reverbnation.com/davesemple

Follow Dave on Facebook: https://www.facebook.com/profile.php?id=100032083767062

By J Bruce Parker

Weekend Roundup of Selected Arts Events in the London Area, November 14-16.

Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025

LIVE THEATRE

Original Kids Theatre Company presents The Wizard of Oz Youth Edition, November 13-16, at the Spriet Theatre.

Get your tickets to ‘The Wizard of Oz Youth Edition’ before it’s too late! Visit our website www.originalkids.ca or call the Box Office today. 519-679-8989

Box Office Hours
Tues-Fri 4:30pm-8:30pm
Sat-Sun 10:00am-8:30pm

The London Fringe Festival may be over for 2025, but the buzz still lives on, and for one more night, we’re bringing back some of the shows you couldn’t stop talking about!
On Friday, November 14, join us at the Palace Theatre’s David Long Stage for MAGIC IMPROV MONSTER; an encore celebration of our People’s Choice favourites!

The evening kicks off with jaw-dropping illusions in Many Rooms: The House of Magic by Andrew Olmstead and Leonardo Martins.

Then brace yourself for a whirlwind of laughter and unscripted brilliance with The Improvables in their fan-favourite Controlled Chaos.

We’ll close the night with an electrifying one-man tour de force starring Jared Brown in Daniel McIvor’s “Monster”, a powerhouse performance you won’t forget.

BOGO: Buy one ticket, get the second free!

Tickets: Just $25 (all fees included)

Proceeds are shared between the performers and the theatre

Palace Theatre – David Long Stage

Friday, November 14 | 7:00 PM

Get your tickets now at palacetheatre.ca

Dating Games features five short plays, each showcasing a comically terrible first date that goes off the rails. Written by Garth Wingfield, the show’s real focus lies not in the dates themselves, but in the emerging theatre talent directing the plays. This production serves as a groundbreaking training initiative, providing mentorship and performance opportunities for up-and-coming directors.

Dating Games is a truly special production. It is more than just a show; it’s a project that combines mentorship, training, and performance, contributing to the entire theatrical community,” says Elizabeth Durand, Theatre Aezir’s Artistic Director.

If You Go:

What: Theatre Aezir presents Dating Games.

When: November 6th to November 16th

Where: First Baptist Church, 568 Richmond St., London, ON

Tickets: Discount codes are available for seniors, under-30s, and arts workers on Theatre Aezir’s ticketing page: https://events.humanitix.com/dating-games-bad-dates-good-theatre

Read Jo-Anne Bishop’s Review here: https://thebeatmagazine2025.ca/2025/11/08/londons-emerging-talent-shines-in-theatre-aezirs-production-of-dating-games/

Award-winning, world-renowned, and infamously cheeky, Ronnie Burkett is back at the Grand Theatre with his unmatched mischievous, rollicking irreverence. Burkett’s latest work, Wonderful Joe, unleashes his sharp, unrelenting wit on the cities we call home, the people we overlook, and the four-legged friends walking beside them. And he’s bringing Mother Nature, Santa Claus, Jesus, and the Tooth Fairy along for the ride. Wonderful Joe, created and performed by Ronnie Burkett, opens the Grand Theatre’s Auburn Stage for the 2025/26 Season. Already extended due to popular demand, the production will run from Tuesday, November 4, through Sunday, November 23.

Single tickets are $48, and Auburn Series Subscriptions offer a 25% discount ($71.44 for both Wonderful Joe and Mrs Krishnan’s Party). Tickets and subscriptions are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.

To learn more about Wonderful Joe by Ronnie Burkett at the Grand Theatre, please visit grandtheatre.com/event/wonderful-joe. Follow the production and peek behind the scenes by following @thegrandlondon and #GrandJoe on Instagram, Facebook, LinkedIn, Threads, Bluesky, YouTube, & TikTok.

Read J Bruce Parker’s Review here: https://thebeatmagazine2025.ca/2025/11/08/ronnie-burketts-wonderful-joe-is-topical-heartfelt-and-heart-wrenching/

ART EXHIBITS

The Forest City Gallery team has been hard at work installing the work of over 65 artists this week.

We can’t wait to see you at the Opening Reception of ‘Synthesis’, the FCG Members’ Show & Sale on Saturday, November 15th, from 7-9pm.

Visit https://www.forestcitygallery.com/

Lisa Johnson’s incredible solo exhibition, Full Circle, will be on display until November 29th at Westland Gallery

http://www.westlandgallery.ca

Read Beth Stewart’s Review here: https://thebeatmagazine2025.ca/2025/11/09/lisa-johnson-takes-your-breath-away-at-westland-gallery/

The 2025 Cape Dorset Annual Print Collection is on display at London’s Strand Fine Arts Services until November 15th.

Strand Fine Art Services is located at 1161 Florence Street, Unit #4. For more information, visit www.strandfineartservices.com.

Read Beth Stewart’s Review here: https://thebeatmagazine2025.ca/2025/11/07/the-view-from-up-there-long-boots-and-jumping-high/

The new arrivals keep coming as Jeff Heene just dropped off these three at the Benz Gallery.

We had Nicole @lemonadeframestudio work her magic, and these pieces are now available in the gallery and online.

The gallery is now all rehung with new work, so swing by this week to take it all in. 👍😁

https://www.thebenzgallery.com/jeff-heene

According to Edgar Allen Poe, what’s scarier than a raven? “Raven on Scot Pine”, coloured pencil on Museum board, is one of Beth Stewart’s submissions for our spooky art challenge at the Lambeth Art Association. Beth’s other submission, “We Three,” is coloured pencil on paper. Why is it scary? Beth explains that snapdragon blossoms, when dried, look like tiny human skulls. Who knew?

https://www.facebook.com/lambethartassociation

LIVE MUSIC EVENTS

WHAT: LONDON SYMPHONIA CONCERT
Payadora – The Soul of Tango
London Symphonia, Scott Good, conductor, Payadora Tango Ensemble.

WHEN: Saturday, November 15, 2025, at 7:30 pm. Doors open at 6:30pm                                   

WHERE: Metropolitan United Church, 468 Wellington St, London, ON.

SUBSCRIPTIONS & TICKETS: Ticket packages start at $155 for a 3-concert General Admission subscription and $212 for Reserved Seating, plus fees and HST. 5-concert packages are also available. Individual adult tickets range from $55 General Admission to $75 Reserved Seating, plus fees and HST. Family Flex packs and free student tickets are also available. In-person subscriptions and tickets can be purchased online now at londonsymphonia.ca

Read Daina Janitis’s Preview here: https://thebeatmagazine2025.ca/2025/11/13/tango-with-london-symphonia-and-the-payadora-tango-ensemble-this-saturday-november-15th/

Sunday jazz vibes are back at Toboggan!

Join us for another cozy afternoon in our Jazz Series featuring Rick Kish & Friends — live from 2–4 PM on Sunday, November 16th.

Enjoy smooth tunes, local craft beer, and good company with a $5 live music fee in partnership with the London Jazz Association.

Tobboggan Brewing Co. 585 Richmond Street

2–4 PM

At The Aeolian:

ONE NIGHT ONLY — The Ultimate Cabaret Variety Show! A Cabaret for WENDAKE …a campy affair!! Prepare for an unforgettable evening of glitz, glamour, and jaw-dropping talent as we bring together the boldest and brightest stars of the stage in a dazzling cabaret extravaganza!� Sultry Singers� Live Musicians� Fierce Drag Royalty & newcomers…� Seductive Burlesque Bombshell� Electrifying Dancers� Surprise Acts & More! From classic jazz to contemporary pop, cheeky comedy to high drama, this is cabaret like you’ve never seen it before. Whether you’re here for the sparkle, the sass, or the sheer spectacle – we’ve got something for everyone.� Dress to impress. Bring your wild side. Leave your inhibitions at the door. �� Aeolian Hall� Friday, November 14th � , 6:30: Doors Open� 7:30: Showtime� Tickets: [aeolianhall.ca or 519-672-7950]� Limited Seating – Reserve Now! Dare to be dazzled. Come for the show, stay for the magic. 

The colourful history of Newfoundland’s fishers and loggers, sealers and whalers is told with story, song and incredible visuals in this engaging musical review by Shipyard Kitchen Party, creators of “Tom Thomson’s Wake” and “100 Years from Now”. From the remote outports to the vibrant city of St. John’s, from the fishing stages to the kitchens and front parlours, you’ll hear the timeless sea-shanties, triumphant ballads and the hilarious foot-stomping sing-a-longs that make Canada’s 10th province its most legendary. You may not be a Newfoundlander when you take your seat, but you’ll feel like one when you leave! Saturday at The Aeolian. https://www.facebook.com/events/1170578908213804

Saturday, November 15th.
It’s time to celebrate the awesomeness that is 80’s Hair Bands!!
80’s GONE WILD
9pm start. Tickets $20 at Eventbrite.ca & The Bar.

The Fish at the Palasad Socialbowl, Saturday, November 15, 9:30pm. https://www.facebook.com/events/1744823356163353

Dwayne Gretzky at the London Music Hall, November 14 at 7:00pm. https://www.facebook.com/events/1327370142309651

The Journeymen of Soul wsg Anne Moniz, November 14 at The Wortley Roadhouse, 9:00pm. https://www.facebook.com/events/1436680740760811

This Saturday at The Morrissey House. The father and son duo, The Orr Boys, are making their debut together on the MoHo stage! 👏

Join us from 7–10pm for a night of great music, pints, and pub vibes. 🍻

Call 519-204-9220 to book your table — this one’s going to be special.

Saturday at the Richmond Tavern

OTHER EVENTS

A Hyland Cinema Classic

DOCTOR ZHIVAGO 60th Anniversary

November 16th at 4:25pn, November 18th at 1:00pm

Tickets here! https://www.hylandcinema.com/movie/doctor-zhivago

Cat Show, November 15-16, at the J-AAR Centre, Western Fair District, 845 Florence St., London, ON.

Tango with London Symphonia and Payadora this Saturday, November 15th

Previewed by Daina Janitis

(Pictured: Members of Payadora Tango Ensemble – Mark Camilleri, Drew Jurecka, Rebekah Wolkstein, Elbio Fernandez, and Joe Phillips.)

Is there a heaven? And if there is, may I put in a request to end up here for eternity – with Antonio Banderas giving me tango lessons: https://youtu.be/6lAKlYTQVKY?si=cr3HQPzb1PvaROj-

Tango did not begin in a sad dance studio in Brooklyn. Tango is a passionate, provocative music and dance style that began in the working-class bars and brothels of Buenos Aires and Montevideo in the late 1800s, emerging from a melting pot of African, European, and local influences. Born where desire and melancholy intertwined, tango quickly became infamous for its sensuality and daring social dynamics—people danced close, in smoky rooms where the music’s erotic undertones mirrored the pulse of the city’s nightlife. It swept into the salons of Paris and beyond, transforming from a sultry scandal to an international sensation, all while keeping traces of its rebellious origins. (All right, while I fan my fevered brow, I’ll admit I got this history through AI research)

Tango’s music is syncopated rhythms played on bandoneon, violin, piano, and double bass – sometimes with voice that punches even higher on the emotional gauge.

Tango was danced by immigrants, misfits, and the marginalized in port neighbourhoods. Its lyrics and notes embody carnal passion. Its performance scandalized polite society but, naturally, fascinated them as well.

Today, Tango Nuevo renews the music and the dance for its sensuality, nostalgia, and emotional storytelling. It blends high drama, cultural fusion, and the thrill of improvisation. Check out this instructional video on dancing Tango Nuevo: https://youtu.be/2mtoTyMns8o?si=ENxIAGDhyPUjduGd

Who are the members you’ll hear – and later meet- of Payadora? The brilliant musicians were drawn together in 2013 by their love of this unique music. And their ensemble’s name? A payador is a male improvising poet-musician in South America, particularly Argentina and Uruguay (the feminine form is Payadora). These musical vagabonds roam the countryside,  improvising verses, often accompanied by a guitar, to respond to rivals in a musical contest known as a contrapunto

So, at The Met (corner of Wellington and Dufferin), how will you be hearing and seeing?

Our beloved composer-in—residence, Scott Good, will conduct members of London Symphonia and the musical powerhouses of Payadora.

(Pictured: London Symphonia’s Composer-In-Residence, Scott Good.)

Rebekah Wolkstein is the founder and leader of Payadora. She holds a doctorate in Violin Performance from U of T, plays in a classical string quartet- and excels in klezmer/Yiddish swing!

(Pictured: Rebekah Wolkstein, founder and leader of Payadora. Photo by Peter Yuan.)

Joe Philips– our hometown boy who lives here and is principal bass of London Symphonia – was born in Toronto. He also plays classical guitar and has appeared with orchestras and musical artists too varied – and many – to mention. I’ll just pop in Joel Quarrington’s name and Shane Cook’s, and the TSO, and Le Violons de Roi.

(Pictured: Joe Phillips, principal bass of London Symphonia.)

Drew Jurecka, an impressive jazz and classical violinist, began as the record producer of Payadora’s albums. His gifts on viola, saxophone, clarinet, and mandolin have made him a valued addition to performances by Jeff Healey, Jesse Cook, Stewart MacLean, and Alex Pangman. He’s composed movie scores- and takes time to teach at Humber College, where he’s created the only jazz strings program in Canada.

Drew is also the group’s bandoneon player – what is that, you ask? According to a post from the Los Angeles Tango Academy, “The bandoneon is a large, rather complicated concertina originally developed in Germany for churches that could not afford organs.”

(Pictured: Drew Jurecka playing the bandoneon. Photo by Karen E. Reeves.)

This monster of reed instruments has no keyboard, so it’s not the accordion we all conspire to keep Uncle Heinrich from playing at Christmas. It’s got 71 buttons, 38 for the right hand and 33 for the left. The musician uses both hands to push and pull air through bellows.

And for Mark Camilleri, music is life. Mark’s entire professional life embraces music, and he has had a wonderfully varied career for over 35 years. As Marvin Hamlisch put it, “Mark Camilleri, or ‘Mr. Canada, as I call him, is a one-man does-it-all musical powerhouse, whether he’s conducting, playing keyboards, or arranging.”

Mark has conducted countless shows for Mirvish, worked with film directors, and performed from the Vatican to the Oprah Winfrey show. He’s shared the stage with Andrea Bocelli, Celine Dion, Annie Lennox, and Eric Clapton.

And the vocals!

Elbio Fernandez is apparently known as El pequeño gigante del tango” (the little giant of tango) – but I’m not judging. Born in Uruguay, he is now a Canadian who performs around the world.

(Pictured: Payadora vocalist, Elbio Fernandez. Photo by Peter Yuan.)

And this Saturday, at 7:30pm, you can dream of being young, lithe, sensual, and worthy of someone asking you to tango.
To quote Sherman Alexie, ”If you really want a woman to love you, then you have to dance. And if you don’t want to dance, then you’re going to have to work extra hard to make a woman love you forever, and you will always run the risk that she will leave you at any second for a man who knows how to tango.”

IF YOU GO:

WHAT: LONDON SYMPHONIA CONCERT
Payadora – The Soul of Tango
London Symphonia, Scott Good, conductor, Payadora Tango Ensemble.

WHEN: Saturday, November 15, 2025, at 7:30 pm. Doors open at 6:30pm                                   

WHERE: Metropolitan United Church, 468 Wellington St, London, ON.

SUBSCRIPTIONS & TICKETS: Ticket packages start at $155 for a 3-concert General Admission subscription and $212 for Reserved Seating, plus fees and HST. 5-concert packages are also available. Individual adult tickets range from $55 General Admission to $75 Reserved Seating, plus fees and HST. Family Flex packs and free student tickets are also available. In-person subscriptions and tickets can be purchased online now at londonsymphonia.ca

Subscriptions to all concerts, including the Family Concert, and individual concert rentals are available on London Symphonia’s Watch and Listen video on demand channel. 

Find out more at londonsymphonia.ca.

Follow London Symphonia on Facebook https://www.facebook.com/londonsymphonia

To learn more about Payadora, visit http://payadora.com/

Follow Payadora on Facebook https://www.facebook.com/payadora

Previewed by Daina Janitis

London Symphonia presents Payadora – The Soul of Tango, November 15th at Metropolitan United Church

Experience tango like never before when the award-winning Payadora Ensemble performs with London Symphonia in a concert sure to entertain. Payadora – The Soul of Tango is a genre-crossing celebration of rhythm, melody, and cultural connection that takes you on a vibrant journey from Argentina across Eastern Europe, exploring the music, song, storytelling, and dance behind this multidimensional art form that continues to captivate the world. Scott Good, London Symphonia’s Composer-In-Residence, will conduct.

Based in Toronto, Payadora has been officially endorsed by the Argentinian Consulate in Toronto for its authentic representation of the spirit of tango. The members combine their collective background in classical, jazz, and global music traditions to create their distinctive sound.

The group was founded in 2013, and its members are sought-after musicians in the Canadian chamber music scene, including Rebekah Wolkstein (violin, vocals), Drew Jurecka (bandoneon, violin, mandolin), Joseph Phillips (double bass, guitar), Mark Camilleri (piano), and Elbio Fernandez (vocals).

The superstar group has combined their deep knowledge of tango with their classical, jazz, and world music backgrounds to create something entirely new. Together with London Symphonia, this dynamic concert will dig deeper into the meaning of tango as an art form, telling stories of resilience and grace with an unwavering respect for tradition. “Over the past 13 years, Payadora has developed its musical personality from one that closely studied and emulated the great tango masters, to one that performs across Europe, North and South America to great musical acclaim,” said Andrew Chung, Artistic Producer, London Symphonia. “They have created a special London Symphonia concert version of the music they love so much, and we can’t wait to perform with them.”

(Pictured: Andrew Chung, Artistic Producer, London Symphonia.)

“It is with the greatest admiration that I see longtime Payadora member and London Symphonia principal bass, Joe Phillips, bringing together his favourite groups to celebrate this soulful music,” Chung added. “With Uruguayan roots and a lifelong love for this music, singer Elbio Fernandez’ extraordinary voice sings with the intensity and passion of the very best tango performers” 

Listen to members of Payadora talk about their November 15th appearance with London Symphonia in this video clip: https://www.facebook.com/share/r/17Rrfcrzs1

The soul of tango may have originated in Argentina and Uruguay, but it has long captivated the world with its mix of melancholy, passion, longing, and embrace. 

“We are excited to perform with London Symphonia,” said Rebekah Wolkstein, leader of the group. “This concert offers a vibrant and wide-ranging journey through Argentine and Latin-inspired music. From the dramatic sweep of tango classics by Mores, Piazzolla, and Gardel to contemporary works by Payadora members Rebekah Wolkstein and Drew Jurecka, the evening blends tradition with innovation. The program also features folkloric Argentine styles and theatrical songs, showcasing the emotional storytelling at the heart of this music. We hope you will join us. It’s going to be a great evening!”  

IF YOU GO:

WHAT: LONDON SYMPHONIA CONCERT
Payadora – The Soul of Tango
London Symphonia, Scott Good, conductor, Payadora Tango Ensemble.

WHEN: Saturday, November 15, 2025, at 7:30 pm. Doors open at 6:30pm                                   

WHERE: Metropolitan United Church, 468 Wellington St, London, ON.

SUBSCRIPTIONS & TICKETS: Ticket packages start at $155 for a 3-concert General Admission subscription and $212 for Reserved Seating, plus fees and HST. 5-concert packages are also available. Individual adult tickets range from $55 General Admission to $75 Reserved Seating, plus fees and HST. Family Flex packs and free student tickets are also available. In-person subscriptions and tickets can be purchased online now at londonsymphonia.ca

Subscriptions to all concerts, including the Family Concert, and individual concert rentals are available on London Symphonia’s Watch and Listen video on demand channel. 

Find out more at londonsymphonia.ca.

Follow London Symphonia on Facebook https://www.facebook.com/londonsymphonia

To learn more about Payadora, visit http://payadora.com/

Follow Payadora on Facebook https://www.facebook.com/payadora

Weekend Roundup of Selected Arts Events in the London Area, November 7 – 9.

Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025

YOU WANT LIVE THEATRE? WE’VE GOT LIVE THEATRE!

Colleening: The Letters and Poetry of Colleen Thibaudeau is on stage this weekend, November 7-9. Friday is almost sold out; best availability Saturday or Sunday!

Featuring Katy Clark, Paul Grambo, and Kydra Ryan!

alvegoroottheatre.com/colleening

The Manor Park Memorial Hall, 11 Briscoe Street W, London, Ontario

Dating Games features five short plays, each showcasing a comically terrible first date that goes off the rails. Written by Garth Wingfield, the show’s real focus lies not in the dates themselves, but in the emerging theatre talent directing the plays. This production serves as a groundbreaking training initiative, providing mentorship and performance opportunities for up-and-coming directors.

Dating Games is a truly special production. It is more than just a show; it’s a project that combines mentorship, training, and performance, contributing to the entire theatrical community,” says Elizabeth Durand, Theatre Aezir’s Artistic Director.

If You Go:

What: Theatre Aezir presents Dating Games.

When: November 6th to November 16th

Where: First Baptist Church, 568 Richmond St., London, ON

Tickets: Discount codes are available for seniors, under-30s, and arts workers on Theatre Aezir’s ticketing page: https://events.humanitix.com/dating-games-bad-dates-good-theatre

Award-winning, world-renowned, and infamously cheeky, Ronnie Burkett is back at the Grand Theatre with his unmatched mischievous, rollicking irreverence. Burkett’s latest work, Wonderful Joe, unleashes his sharp, unrelenting wit on the cities we call home, the people we overlook, and the four-legged friends walking beside them. And he’s bringing Mother Nature, Santa Claus, Jesus, and the Tooth Fairy along for the ride. Wonderful Joe, created and performed by Ronnie Burkett, opens the Grand Theatre’s Auburn Stage for the 2025/26 Season. Already extended due to popular demand, the production will run from Tuesday, November 4, through Sunday, November 23.

Single tickets are $48, and Auburn Series Subscriptions offer a 25% discount ($71.44 for both Wonderful Joe and Mrs Krishnan’s Party). Tickets and subscriptions are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.

To learn more about Wonderful Joe by Ronnie Burkett at the Grand Theatre, please visit grandtheatre.com/event/wonderful-joe. Follow the production and peek behind the scenes by following @thegrandlondon and #GrandJoe on Instagram, Facebook, LinkedIn, Threads, Bluesky, YouTube, & TikTok.

ART EXHIBITIONS IN THE LONDON AREA

Lisa Johnson’s incredible solo exhibition, Full Circle, will be on display until November 29th at Westland Gallery

http://www.westlandgallery.ca

The 2025 Cape Dorset Annual Print Collection is on display at London’s Strand Fine Arts Services until November 15th.

Strand Fine Art Services is located at 1161 Florence Street, Unit #4. For more information, visit www.strandfineartservices.com.

London Community Artists Art Show and Sale

November 6-9 at St. Anne’s Anglican Church, 1344 Commissioners Rd. W

https://londoncommunityartists.ca/

MUSIC EVENTS IN THE LONDON AREA

Chorus London presents We Remember Them

Join us for ‘We Remember Them,’ a special concert honouring our Veterans, on Sunday, November 9, 2025, at 2:00 p.m. at Colborne Street United Church. The program will feature Maurice Duruflé’s Requiem, presented by Chorus London with organist Laurence Williams.

Tickets are going fast! Each ticket costs $25, and children under 13 are admitted free of charge. You can buy tickets by calling the church office at 519-432-4552, at the door on the day of the event, or online. For more details or to purchase tickets, please visit https://www.colborne711.org/event-list

SEE SPOT RUN & ORANGEMAN

Eastside Bar & Grill
9pm Start. Tickets $20 available at Eventbrite.ca

Murphy’s 50th Birthday

Friday, November 7th at the Palasad Socialbowl.

Warning: The Palace Theatre may not recover from the combined power of Vanity Affair and Maple Queef. 

Expect high heels, higher drama, and a dangerously low amount of chill.

Friday. 7PM at the Palace Theatre, Be there, ponies.

Scottish singer-songwriter & acoustic fingerstyle guitar virtuoso Simon Kempston from Edinburgh is currently on his 10th tour of Canada. He has never played in London, Ontario before.

SPECIAL Buy One – Get One Offer for this Sunday’s concert.

Here is how the BOGO offer works. If you have already bought a ticket, you can bring someone along on the same ticket. If you buy a ticket from one of the outlets or online, you can bring an additional person along on the same ticket.

Come on out and hear this wonderful artist at the Cuckoo’s Nest Folk Club (London, Ontario) this Sunday, Nov. 9 at Chaucer’s Pub, 122 Carling Street. Advance tickets are at Grooves Records (Wortley location), Long & McQuade (725 Fanshawe Park Rd W), and online.

The incredible Billy Raffoul, award-winning Canadian singer-songwriter & producer, returns to Forest City on November 7th in Rum Runners, with special guest Peter Raffoul.

Tickets at londonmusichall.com 

Guitar, saxophone, huge songwriting, and a voice that won him a Canadian Folk Music Award for Contemporary Singer, Ian Sherwood Brings The Light to every stage he stands on. A born storyteller and a constant creator, his music dances the line between folk and pop. 

Sunday, November 9th, 7:00pm, at The Aeolian Hall.

You can find tickets for this event on Humanitix.

The Hot Tub Hippies return to the Wortley Roadhouse this weekend to rock the dance floor! Shows start at 9pm.

Weekend Roundup of Selected Arts Events in the London Area, October 31 – November 2.

Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025

YOU WANT LIVE THEATRE? WE’VE GOT LIVE THEATRE!

If you are craving some live local theatre, here are three options.

The hilarious The Play That Goes Wrong continues at the Grand Theatre until November 2, while Infuse Productions’ The Rocky Horror Show continues at the Palace Theatre until November 2.

(Pictured: The Cast of The Rocky Horror Show. Photo Credit: Ross Davidson)

St. Marys Community Players’ production of Norm Foster’s Hilda’s Yard continues until November 2.

ART EXHIBITIONS IN THE LONDON AREA

Join Lisa Johnson at the Opening Reception of Full Circle, her incredible solo exhibition at Westland Gallery

Full Circle will be on display from October 28th to November 29th. All are welcome at the Opening Reception on Saturday, November 1st, from 1pm to 3pm, at the gallery.

http://www.westlandgallery.ca

TAP Centre for Creativity

Forest City Fusion Main Gallery

Simple Reflections Art Exhibition

October 15 – November 1, 2025

RAW | RELEASE

Oliver P. solo exhibition

October 7 – November 1, 2025

LAB203

https://www.tapcreativity.org/

The Forest City Film Festival Continues until November 2

The Forest City Film Festival returns for its tenth year, hosting nine days of screenings and events at multiple venues in Downtown London. 

For a full schedule, visit https://fcff.ca/schedule/

MUSIC EVENTS IN THE LONDON AREA

Enter a world where mystery reigns and music stirs the soul. This Halloween, immerse yourself in a cinematic experience for a one-of-a-kind viewing of the silent-era thriller, The Hands of Orlac.

This thrilling story of madness, mystery, and romance, with flavours of the Grand Guignol, is now reawakened by a powerful cast of over 50 live musicians, singers, and soloists set to capture your senses.

Presented in the grand, gothic beauty of Metropolitan United Church—transformed for one unforgettable night—this event offers a rare chance to witness a masterpiece of psychological drama in a setting as dramatic as the film itself. Glowing jack-o’-lanterns, evocative lighting, and shadow-draped architecture set the stage for a journey into obsession, identity, and the unknown.

Tickets https://fcff.ca/hands-of-orlac/

Palasad Socialbowl.

Some good things come to an end … Join us for a wicked Halloween Bash and say goodbye to Smile-N-Wave, Friday, October 31.

80’s New Wave all night – Costume Contests – licensed – all ages

$10 Advance $15 Door

Come join us for a spooktacular night of live music and entertainment at Eastside Bar & Grill in London, Ontario. Get ready to rock out to your favorite tunes from G&R and AC/DC! AXL/DC is going to help us celebrate Halloween in style. Costumes are highly encouraged, so put on your best outfit and maybe win some prizes!. Don’t miss out on this epic event! Tickets $20.00 available at the bar & Eventbrite.ca 

Get Spooky at the biggest Halloween party in the city at the London Music Hall, featuring Grammy award-winning artist CASSIAN.

Tickets https://www.ticketweb.ca/event/cassian-at-london-music-hall-london-music-hall-tickets/14576653?pl=LondonMusicHall

Join us for lots of fun at the Dawghouse this weekend!

Kicking things off, we have Electric Popsicle bringing the Halloween fun tonight, so put on your costume and dancing shoes, and get here early! No cover.

Saturday night, Gravity Wagon is back to rock the ´House.

Bands start at 9 pm.

After trick-or-treating, join us for Night of the Living Brass. Consider this your invitation to Brassroots’ big Halloween party/concert. There will be spooky and fantastical music ranging from classical to novelty tunes…and a certain Phantom may even appear at the organ!

brassroots.ca/living-brass

A fundraiser supporting El Sistema Aeolian Children’s Music program and the charitable work of the Rotary Club of London Hyde Park. Saturday, November 1st, 2025. Main Floor Seating: $125 per person (tables of 4 & tables of 8); includes 2 cocktails & charcuterie. Balcony Seating: $60 per person; concert & amp; dancing only.

Tickets https://events.humanitix.com/cocktails-and-classics-featuring-big-bandemic-and-denise-pelley/tickets?fbclid=IwY2xjawNyAS9leHRuA2FlbQIxMABicmlkETFBMUtpWlU4Zk8xdTlUNmJWAR5JevZFNB0B3bjIb6XKD-PmD5ubP8TMVX0JkG3LopuEb5deED-PdGk2BvfhYg_aem_iAtzZcrrAvuuFzVb19tsMw

OTHER

Happy Halloween from Pumpkins After Dark! 

We’ve had an un-BOO-lievable season sharing the glow with all of you! Just two magical nights left – tonight and tomorrow before the lights go out until next year. 

If you haven’t strolled through the pumpkins yet, this is your last chance to catch the magic before it disappears! 

Book your tickets here: http://pumpkinsafterdark.com

Artist Profile: Sarah Legault – No Stopping this Skill Set

by Beth Stewart

Sarah Legault is a self-taught, multidisciplinary artist recognized for her dark aesthetic. She is an alternative art doll-maker, illustrator, set and character designer/builder, animator, practical lighting technician, motion control technician, occasional curator, and last but not least, a film director.

This skill set led her into stop-motion film, where she was fortunate enough to contribute to television series, feature and, short-length films, commercials, and music videos. Stop-motion is a process, Legault says is slow but ultimately rewarding

Legault credits her deep dive into art to health issues as a child.

She recalls, “Anytime I felt unwell, I would draw and tune out everything around me.” Eventually, she would feel better, and thus began to associate creating with comfort and healing.

As a teenager, she fell in love with the MuchMusic TV channel and the art of music video production. She became a music collector. In her early 20s, she was inspired by friends who shared the same interest in alternative arts. Together, they started The Shadowood Collective, which is still a collective 20 years later. The group has included visual artists, fashion designers, performers, and musicians. By her mid-20s, Legault was curating and managing Dollirium Art Doll Emporium, a shop that showcased artists from around the world.

(Note: A number of the Shadowood Collective visual artists are part of the Scared Stiff show at The Benz Gallery: https://www.thebenzgallery.com/current-exhibition)

(Pictured: Housing Crisis, mixed media art doll by Sarah Legault, 2021.)

It was a 2013 trip to the MoMA in New York City to see an exhibition by iconic stop-motion filmmakers, The Quay Brothers, that prompted her to build her first set and write her first film titled Dear Love. This film premiered at a group exhibition in Berlin, Germany, and then continued on to win Best Animated Short at the 2014 Toronto Independent Film Festival.

Little Star (2019), which premiered on Billboard.com and gained attention from CBC Music, NOW Magazine, earned her the 2020 Juno Award for Music Video of the Year and became a recipient of the Stingray Music: Rising Stars prize.

Watch Little Star https://youtu.be/6SudJKLrOAw?si=kqbeT-WasHSfchf8

Since then, she has been hired to work on numerous stop motion productions. Most notable is being on the camera/lighting crew for a six-episode television series for Stoopid Buddy Studios called Ultra City Smiths, which was released on AMC in 2021.

She says, “Going to work felt like being a kid playing in a sandbox with your friends.” It gave her the opportunity to work with 100 other artists, animators, and technicians, and to expand her technical skills.

(Pictured: Sarah Legault’s cover art for Kevin Hearn’s Wishbone. Still image from the Wishbone stop motion music video.)

Over the past 12 months, Legault has directed and animated Wishbone, a music video featuring Kevin Hearn (keyboardist of the Barenaked Ladies and Musical Director for the late Lou Reed), and The Inland Sea for Rheostatics (featuring Alex Lifeson of Rush). She also created the cover art for their singles.

Listen to Sarah’s video collaboration with Kevin Hearn (Keyboardist and Guitarist for the Barenaked Ladies. https://youtu.be/k7u-5mZgNlw?si=4YJjBx2ThiPX-FZ2

(Pictured: Sarah Legault’s cover art for Rheostatics’ The Inland Sea is digitally composed, primarily using a still from the music video.)

Earlier this year, she started Dark Harmony Soap Co. through which she makes sculptured soaps celebrating artists, writers, musicians, and cinema.

Sarah is currently working on an animated hybrid. She can’t say too much about this project other than it involves some talented folks from Los Angeles.

To learn more about Legault’s work, visit her main website: https://www.sarahlegault.com/

Follow Sarah on Facebook https://www.facebook.com/sarah.legault.90

Visit her on Instagram: https://www.instagram.com/the_art_of_sarah_legault

Or check out her soap side gig: https://www.darkharmony.ca/

by Beth Stewart

Web: https://bethstewart.ca/

Facebook: https://www.facebook.com/profile.php?id=100009620916363

Leave Your Halloween Worries In The Hands of Orlac – A Gothic Experience!

by Daina Janitis

Admit it. Halloween is not your favourite holiday. But what worries you most about it?

  • That the neighbours in your suburb have decorated their housefronts with draperies, gravestones, witches that move and cackle – while rolling their eyes at your miserable single pumpkin on the porch?
  • That you’ll run out of candy early- and some irrepressible toddler will peer through a crack in your drapes and yell, “They’re in there!!! I can see them!” to the horde following?
  • That your teenage children claim they’re just going out for nostalgic fun- but their goodie bags clink oddly when they return home …  late …

The solution to every Halloween worry has been provided this year by the talent and imagination of Scott Good! Scott is the local genius who dispenses music as the Composer-in-Residence of London Symphonia.

(Pictured: Dr. Scott Good, Composer-in-Residence of London Symphonia.)

I hope you’ve met Scott- and even heard some of his compositions, but he keeps pretty modest about being “a composer, conductor, concert designer and trombonist whose music is driven by the desire to create beauty, evoke emotion, and play with groove. With a belief in the power of art to enable cathartic events, he has worked with a rich community of musicians, orchestras, ensembles, choreographers, actors, and artists to create intense, emotional, live performance experiences.” I Googled that

And his latest stroke of genius? Creating a score for a 1924 silent movie, the classic The Hands of Orlac. The “creepy movie” leaves ample space for the composer to utilize dissonant and esoteric sounds. With soloists Greg Oh and Stacie Dunlop, and strings from the incredible YAPCA school, our composer’s imagination has run wild! Scott has mixed in local and Toronto artists who play accordion, saxophones, trumpet, trombone, and harp – as he calls it, a dream band of over fifty live musicians!

Scott Good invites you to attend The Hands of Orlac – A Gothic Experience in this video clip https://www.facebook.com/share/r/17J1QPqK4h/

And the movie that’s on the screen at The Met? Movie buffs praise it as a psychological tour de force. Paul Orlac, a concert pianist, loses his hands in a dreadful train accident, but a clever surgeon replaces them with the hands of an executed murderer (Oh, how I wish Marty Feldman could have done the fetching.). Director Robert Wiene, after the success of his The Cabinet of Dr. Caligari (1920), created this masterpiece of “body horror” just waiting for London’s composer and musicians to make this silent film scream again.

Watch the Official DVD Trailer for The Hands of Orlac here https://youtu.be/6RwYXaTN_CY?si=9zOeaWaCLqbOWmr0

Underscoring – see, I did a “music” there – the actions are groundbreaking ideas familiar today. Body identity, medical transplant science, expressive and unsettling visuals that prefigure psychological thrillers on Netflix.

So, how could attending this cathartic experience on October 31st be perfect? Why not unleash your own creativity and bring a Goth element to the audience? You may be too old to go trick-or-treating, but why not trick yourself out to make the event totally immersive?

Remember the basic canon of Goth fashion –

  • BLACK is essential.
  • Layer on the textures- lace, leather, velvet
  • Chokers, heavy necklaces, an abundance of bats…yes, bats
  • Chains wherever you can tuck them.
  • Dramatic makeup – eyeliner, dark shadow, bold, deep lipstick
  • Hair that’s dyed or streaked, backcombed from roots to ends.

The Globe and Mail has described Scott Good’s music as having “a kind of majestic bestial reality.” When will you ever get a chance to be part of a really majestic and bestial concert experience like THIS, again?

If You Go:

What: Forest City Film Festival presents The Hands of Orlac – A Gothic Experience

When: Friday, October 31, at 8:30pm

Where: Metropolitan Church, 468 Wellington St, London, ON

Tickets: $35 – $80. https://fcff.ca/hands-of-orlac/?fbclid=IwY2xjawNu0JxleHRuA2FlbQIxMABicmlkETFWVU9ueXVOMXlIMXVUNFE1AR5vhjEdvgdoHLDhGaEb2MThzvf5qZn1nUDnkQZEpWYjhXpE5mq6A3-gkDXWDQ_aem_wFG3mBxB1pzcvLmreHV8tQ#buynow

For more information about London Symphonia, visit https://www.londonsymphonia.ca/

For more information about the Forest City Film Festival, visit https://fcff.ca/

CD Review: Brent Jones – The Truth Window

Reviewed by The Beat Magazine’s Ian Gifford

When I agreed to start doing reviews for The Beat Magazine, I knew that I wanted to review some new up-and-coming bands’ records in the future, but I also knew that some had been out for a while, and that I felt needed more attention. So, in the future, you can expect a mixed bag. All of the reviews will be local within a certain catchment, which basically means bands that you can expect to see live in London regularly.

As a musician and sound guy, most of these people are friends and colleagues of mine, so there will be some bias, but I am here to promote and not to tear down. When I wrote for ID magazine (Guelph) in the 1990s, I admit, I could be a scathing critic, but that is no longer part of my voice as a writer. My job is to make you aware of local music you may not have heard about yet and give you a reason to discover it for yourself. If you want to criticize after that, well, you’re on your own. The following review is for someone I consider a dear friend, if not a “brother from another mother”, Brent Jones, and his latest album, The Truth Window.

(Pictured: Brent Jones. Photo Credit Belinda J. Clements Photography)

Brent Jones is well-known in the London area as a singer-songwriter, session musician (piano), engineer, and producer. In recent years, he has transformed his family’s old barn into a unique multi-purpose venue that he shares with the community at large. Over this past year, he has been releasing and promoting his newest project, which has been touted as part 2 in an eventual trilogy of releases.

A conceptual six-song piece with a total run time of 36 minutes, The Truth Window contains themes of war, revolution, death, destruction, rebuilding, healing, and ultimately, the value of love. The recurring mentions of soldiers and battles are likely metaphorical references to the cycle of life itself, which would seem natural to the author, who spends a large part of his time on the family farm.

The lyrics throughout the album are cleverly disguised references to life experience and personal growth, throughout the good and bad times in our lives, as well as the idea that we never go through these “battles” truly alone. From the first song, “Turbulent Flow” which may describe family that grows and falls together through the seasons of our existence, to the very last strains that ask, “What if loving was the key to our survival?”, The Truth Window feels like the original revelation, down to the final resolution of a personal epiphany for the artist in question.

There are lines all over this record that read like ancient quotes from the greatest philosophers and theologians alike, for example, “The space of history will turn the lens a shade of rose” or “Don’t you know that the smell of victory is sweeter with a bloody nose?” both from “Good Soldier”. I have to wonder also if the title “Alms of Harvest” may be tied to the scriptures of Leviticus 19:9-10, which commands the leaving of the edges of your farmers’ fields to the poor and the travelers of the world and neighbouring communities (described in the texts as aliens or foreigners).

***

9 When you reap the harvest of your land, do not reap to the very edges of your field or gather the gleanings of your harvest. 10 Do not go over your vineyard a second time or pick up the grapes that have fallen. Leave them for the poor and the foreigner. I am the Lord your God.

***

The Truth Window almost feels, at times, like an autobiography for Brent. Here’s a man who has the privilege of watching the cycle of life on an annual, if not daily, basis. The song “October Surprise” feels like the most personal statement on the album when it says, “You better make it count, boy!”, as if Brent is reflecting on the gifts he’s been given and how he can give back to the universe. Just how has he given back? Well, he created Quiet Earth, which is the venue on the farm that hosts concerts and weddings, plus a wide variety of other community-minded events that give, in the songs’ refrain, “Voices to the voiceless, choices to the choiceless, [and] noises to the noiseless.”

Check out this clip about the new Rogers TV Live from Quiet Earth Series. https://www.facebook.com/share/v/17k9G6Sfyp/

We live at war with time, and it is not always about how we approach the battles as much as who we approach them with. I personally have a unique perspective on this, having been a past band member with Brent (Pete Denomme and the Cosmic Cowboys), as well as having been involved with production for shows at Quiet Earth. I’ve discovered that every single show always begins and ends with the same thing. Love.

By that I mean love of self, love of friends, love of family, love of music, love of life, but ultimately the love of community. The Truth Window encourages us to not just look out our windows at the world by itself, but also to see our own reflection as it blends in with the images we see in the passing seasons. It encourages us to not look at the barren fields in winter with a sense of mourning but with love.

The album was recorded partly in the UK at Peter Gabriel’s Real World Studios, which inspires awe and envy in most musicians I’ve ever told that to, as well as being recorded here in Canada at Brent’s home studio in Dorchester, Ontario. It was mixed and mastered by the award-winning engineer/producer Stuart Bruce (Loreena McKennitt and more) and features vocals by his life partner and collaborator, Jennifer Crook. Another notable contributor is popular Canadian singer/songwriter Emm Gryner, as well as a diverse cast of musicians from the London, Ontario area.

While this music has been publicly available for almost a year to the day of this writing, the actual vinyl LP was released this past summer (June 29th, 2025) with a theatrical and musical performance at Quiet Earth, directed by London’s John Pacheco with a four-person crew of regional actors.

Now this is where the bias comes in, I FREAKIN’ LOVE this album! From the moment Brent put the CD in my hands, I knew so much about the process to that point that I was convinced it would be a masterpiece, and in my mind, it is nothing short of that. It is never overbearing in its messaging or arrangements and production. There is enough air between the words and notes that allow you to experience your own emotions and never force feeds you on how to feel. When its last notes ring out, all I can feel is that which can never be overstated, an overwhelming sense of love.

Rating: 5 out of 5 Stars. Be sure to listen to it as a full album for full appreciation. It is a complete piece of art! Recommended if you like progressive pop like Peter Gabriel, Elbow, Tears for Fears, Kate Bush, and more.

Purchase The Truth Window here: https://quietearthca.bandcamp.com/album/the-truth-window

For more information about Quiet Earth, visit https://quietearth.ca/

Follow Brent Jones on Facebook https://www.facebook.com/thebrentjones

Reviewed by Ian Gifford.

Meet Jordyn Elliott, a Nashville Artist Manager with Roots in Southwestern Ontario

by Richard Young, Publisher & Content Manager, The Beat Magazine 2025

What follows is a Beat Magazine Q&A Interview with Nashville Artist Manager, Jordyn Elliott, who got her start in the music business in the London area.

(Pictured: Jordyn Elliott. Photo Credit: Jeanette Dowler.)

Q. For the benefit of readers who may not know, what is an Artist Manager? What do you do for the artists you represent?

An Artist Manager looks after all aspects of a musician’s career including but not limited to signing them to record deals, publishing deals, coordinating with team members like booking agents, business managers, record labels and negotiating contracts for shows and any live appearances. As well managers are the liaison for all correspondence with the artist and over sees all budgets and music releases.

Q. I understand you are originally from the London area. Can you tell me a little bit about your upbringing in Southwestern Ontario?

I was born in Clinton, Ontario, and at the age of four years old, I moved to Mount Brydges. My family owns the funeral home in the small town. I attended public school there and went on to high school in London at St. Thomas Aquinas and then on to Fanshawe College. I graduated from college in a two-year program for Event Management and jumped right into the workforce. I had my first real job when I was eighteen, selling merch for a local band in London.

Q. What motivated you to get involved with the music industry while you were still in London? I think you told me you worked for Brad Jones and Rock The Park. Can you tell me about that?

I come from a very musical family. My grandma was a music teacher for years, and my mom sang along with my aunts and uncles. I always loved music, and I actually sang until the age of sixteen, but experienced anxiety and stage fright, so I decided it was not for me. I did work for Brad! He was a great manager/boss. I helped on the day-to-day activities in his office at Centennial Hall and his yearly festival, Rock The Park. The year I was present, Alice Cooper, Peter Frampton, and Heart played. Such a cool experience. It was that job that I really got excited about management, watching Brad and how successful his company was.

Q. What drew you to the role of Artist Manager? Any mentors, other than Brad Jones?

I have had a solid mentor since the age of twenty-one. I met this rock producer Brian Howes (Skillet, Hinder, Daughtry, and Nickelback) and he kind of took me under his wing. I still collaborate with him on projects to this day. I actually share in three gold plaques for artists we have worked on together. I think artist management is a calling. It wasn’t something I could just learn, it was a feeling, and I really love the development portion of an artist’s career and watching them grow and be successful.

Q. Can you describe a typical day in your life as an Artist Manager?

I usually start my day with answering emails from promoters, agents and label representatives. Usually, I have weekly calls with all team members to strategize for the upcoming week. I attend content shoots for social media, coordinate budgets and approve all assets for releases. I usually have little time to eat ha! I end my day around 7:00 or 8:00 pm unless I have a show then I attend to represent the artist.

Q. What brought about your relocation to Nashville, Tennessee? How long have you worked out of Nashville?

The country music scene was really appealing to me when I met artist Canadian country pop singer and songwriter, Eric Ethridge. I managed him for years, and he was rapidly growing, and we would make trips often to Nashville. Nashville is such a community city, and I was told there are thousands of hit songs written here daily. I was having some really great success with Eric and Sirius XM The Highway. I also signed Eric to his record/publishing deal in Nashville. I have been here since 2020.

(Pictured: Eric Ethridge, cover of California.)

Q. Can you identify some of the acts and artists you have represented since moving to the US? Do you represent any specific genre of music? Do you represent any Canadian acts?

Currently, I manage country artist Shaylen, who is signed to Big Machine/ Nashville Harbor. I also manage British pop artist Karl Michael, who is signed to Peer Music here in Nashville. I have mainly been a manager in the Pop and Country genres. I am developing a country artist from Canada, Sean Michael Ryan.

(Pictured: Karl Michael. Photo Credit Sean Hagwell. ) 

Q. Could you give me some highlights of your career to date? Can you share a success story or major milestone you helped an artist achieve?

I have been fortunate to have some really cool wins with some great artists like Eric Ethridge. I have two gold singles with If You Met Me First, California, and Eleven Past One. I have a gold single for their song The World is Ours. I was also a part of getting Shaylen her Opry debut in October 2024. So special.

(Pictured: Shaylen. Photo Credit: Sean Hagwell. ) 

Q. Artist Managers and Promo representatives sometimes get a bad rap in the music industry. How do you respond to this?

That is unfortunate to hear. I consistently deliver high-quality work for artists, demonstrating my loyalty and dependability in every collaboration.  I really build my relationships in the industry on trust, and I never make promises I can’t keep. There will always be bad eggs in any type of business, but I really want to be known as fair and competent, and I appreciate anyone willing to give me the opportunity to work with them.

Q. What are the biggest, most fundamental challenges or opportunities for emerging artists in the music industry right now?

Social Media! Artists have to constantly be relevant on there. They have to post at least two to three times a week to keep up with their audiences. I also feel like a lot of newer artists have to fund a lot of the marketing assets and productions, and it can be very costly to compete with artists on a label level. A lot of artists work a side job or hustle to make ends meet while they are doing music.

Q. Is there anything else you think our readers should know about Jordyn Elliott, the Artist Manager, and Jordyn Elliott the person?

I want to tell anyone out there who wants to try their hand at management that consistency and networking are the keys to building those contacts. Hands-on experience is the best way to learn! I love my job, and I couldn’t think of anything else in the world I would want to spend my time doing. You have to love it and be passionate because it’s a long road, but the payoffs are worth it!

Q. Do you have any plans to visit Canada at some point in the near future?

Yes! I will actually be back next week to visit family for a few days and again at Christmas.

Follow Jordyn on Instagram https://www.instagram.com/hjordynelliott/