This is the twelfth in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile Musical Theatre Productions.
Q. When was your company founded? By whom and why?
Musical Theatre Productions (MTP) was founded in 1988, with the mounting of our very first musical – ‘Evita’. The founding members were Kevin Bice, Suzan Bingemann, Noreen DeShane, Eleanor Ender, Art Fidler, Vicky Fuss, John Gerry, John Hart, James Hill, Roger Macaulay, Ann MacMillan, Deborah Mitchell, Stephen Mitchell, and Alec Richmond.
Q. Is your company best described as professional or not-for-profit community theatre? Or both?
Musical Theatre Productions is a registered not-for-profit community theatre company. With nothing to do regarding the sale of our productions or caliber of talent on our stages, we are an amateur theatre company. This means that folks on-stage, backstage, or even on the creative side, are all passionate volunteers dedicated to bringing musicals to life in London.
We do offer a small honorarium for certain creative positions as well as musicians, which is very different from what an artist would make working for a professional theatre company.
Q. What venue(s) do you use to stage your productions?
MTP does not have a dedicated performance space and has been lucky enough to partner and rent from many different venues across the city in our 30+ years of operation. Currently, we are very lucky to have an ongoing relationship with the Grand Theatre and are renting their Auburn Stage for all of the productions in our upcoming season. This is a wonderful space that acts as a blank canvas that our directors and designers adore!
(Pictured: Jacob Wiley, Publicity Director/Board of Directors, Musical Theatre Productions)
Q. Does your company have a Mission or Statement of Purpose?
Our mission is simple, to consistently produce and advocate for high-quality community musical theatre for London, Ontario, Canada and the surrounding area.
Q. Does your company have a Board of Directors and paid staff?
MTP has an operating board of currently twelve members (with a vacant seat). This dedicated group of community members work tirelessly to keep the registered charity afloat and ensure that Musical Theatre Productions is recognized for not only the theatre we create, but the experience of our volunteers and ticket holders. We are constantly working to create new policies and procedures, improving our EDI and Community Engagement initiatives – all to ensure that everyone regardless of identity, ethnicity or experience feels welcome, safe, respected, and embraced by MTP.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
Everyone at MTP is so excited for our 2025/ 26 BRIGHT & BEAUTIFUL SEASON. This season we invite you to join us in the bright and beautiful world of showbiz! We can’t wait to explore the golden age glamour, the rush of a live studio, and the surprise of the season that is certain to excite any fan of film or stage. We have something for everyone in the season ahead!
MTP’s upcoming season wouldn’t be possible if it weren’t for our Season Sponsors: The London Arts Council, Old Oak, Ad Home Creative and The London Community Foundation. We are also immensely thankful to this season’s Printing Partner,: Andrus Direct.
Q. What shows will you be staging this season? Tell me a little bit about each.
This December, join our 55+ branch, Silver Spotlight, for a taste of golden-age glamour with SST’s SHOWTUNE. Prepare yourself for a slice of musical theatre heaven. All Jerry Herman, all the time. Showtune delivers everything that its title promises… and then some! No lyric is left unsung in this top-notch retrospective of Herman’s phenomenal career in songwriting, presented by the Silver Spotlight Theatre wing of Musical Theatre Productions. Familiar tunes from such illustrious titles as Hello Dolly!, Mame, and La Cage Aux Folles will be stuck in your head long after this charming show ends. A performer-driven piece that has its heart in Herman’s words, it is the perfect celebration for the recipient of the 2009 Tony Award for Lifetime Achievement in the Theatre.
Are we live? Roll camera this February on a live studio set with MTP’s BRIGHT & BOLD. Take a seat in our studio audience to witness the magic (and mishaps) of a live television variety show with BRIGHT AND BOLD – A Golden Age Winter Special. Our performers will enchant you on stage while revealing some of the behind-the-scenes antics that keep this show alive! Come see us recreate the golden age of television with star-studded performers that represent the beauty and diversity of our communities today. We’re not just recreating history, we’re rewriting it, in technicolour!
Finally, we have our unannounced surprise of the season! Due to our license agreement, we aren’t able to announce this popular title, fans of film and stage adore, but we are certain that it will leave Londoners feeling like an ALL STAR! Stay tuned for the BIG reveal January 10, 2026!
Q. Do you have any thoughts about the London area theatre community and your place in it?
The London area is so lucky to have such a thriving local theatre scene. With so many wonderful companies and so much talent, there is always something to see and talk about. With a dedication to only producing musicals, and 30 plus years of experience, we have a refined and distilled skill to bringing musicals to the stage in a unique way that only MTP can. From our shows to our gatherings and events, everything we do is infused with a unique MTP flair that we are proud to bring to the community.
To learn more about Musical Theatre Productions and the 2025-2026 Season, visit https://www.mtplondon.ca/
This is the eleventh in a series of Q&A Profiles with London area theatre companies and groups. Today, we interview Chase R. Montgomery, founder of Mavis Productions.
Q. When was your company founded? By whom and why?
Mavis Productions got its start in 2019, but it really came into being in November of 2022 as the pandemic lockdown came to an end. It was founded because I wanted to bring more performing opportunities to South Western Ontario communities in the form of musicals and plays of all kinds, both famous/family and infamous/cult.
Q. Is your company best described as professional or not-for-profit community theatre? Or both?
Mavis Productions is best described as a touring community theatre company that visits multiple communities with our productions. It is our hope to continue to make shows bigger and bigger so that one day, grand-scale productions can be accessible to everyone during these hard financial times.
Q. What venue(s) do you use to stage your productions?
As a touring company, Mavis has several venues we currently call home.
London: The Wolf Performance Hall, Joanne and Peter Kenny Theatre, and Paul Davenport Theatre.
Fergus: The Fergus Grand Theatre.
Chatham: The Kiwanis Theatre.
St. Thomas: The Princess Playhouse.
Alymer: Old Town Hall Theatre.
Brantford: The Sanderson Centre of Performing Arts.
Q. Does your company have a Mission or Statement of Purpose?
To bring new and unique entertainment, created by our communities for our communities.
Q. Does your company have a Board of Directors and paid Staff?
Mavis is comprised entirely of volunteers from many of our South Western Ontario and Michigan, USA communities
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
Our 2026 Spring Season focuses on the struggles of Misfits.
Those of us, young and old alike, who just don’t fit in. Whether it’s because they were born different or thrown into circumstances that cause them to feel alone and struggle through this world.
However, through sheer determination and self-reliance (or the help of newly found friends who are also misfits), they find their place in life and are ready to take on the rest of the world and the monsters that brought them to ruin.
We feel this resonates with Mavis and our communities, as it is a long-standing theme of our past seasons, and we are so excited to be bringing it forward again with these three musicals:
The Lightning Thief: A Percy Jackson Musical (London and Fergus)
Evil Dead the Musical (London)
Joseph and the Amazing Technicolor Dreamcoat (Fergus and Brantford)
Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each.
London Oct 9-18:
Richard O’Brien’s The Rocky Horror Show
This cult classic has become not only a long-standing tradition for Mavis but also one of London’s favorite annual events. As this will be the 4th year Mavis has brought this show to life for our London community, AND it is the 50-year celebration of the film, we cannot express the excitement and effort being put into it.
The show tells the story of young lovers Brad Majors and Janet Weiss, who find themselves in the company of a strange doctor (whose scientific endeavours are as strange to them as the clothes he wears), his servants, and a party full of unique characters. To say that it is a tale of Frankenstein with flair would be an understatement!
With so much history and so much love from the world, especially for the iconic songs like Time Warp and Sweet Transvestite, Rocky Horror will delight any and all with its pleasurable ways.
Fergus
November 13-16
Tom Stoppard’s The Real Inspector Hound
Moon and Birdboot, two drama critics, arrive to watch the performance of a new detective play, a parody of the conventional stage thriller. However, the private lives of the critics become inextricably mixed with those of the play’s characters until Moon is shot dead and the real Inspector Hound proves to be…?
Brantford
December 27 and 28
Andrew Lloyd Webber’s Sunset Boulevard the Musical
In her mansion on Sunset Boulevard, faded silent-screen goddess Norma Desmond lives in a fantasy world. Impoverished screenwriter Joe Gillis, on the run from debt collectors, stumbles into her reclusive domain.
Persuaded to work on Norma’s “masterpiece,” a film script that she believes will put her back in front of the cameras, Joe is seduced by her and her luxurious lifestyle. Joe becomes entrapped in a claustrophobic existence until his love for another woman leads him to try to break free with dramatic consequences.
Q. Do you have any thoughts about the London area theatre community and your part in it?
The London community has been among the greatest communities to create an experience that we have ever had. For four years, they have welcomed our unique artistic views with open arms, coming by the thousands to our adult/cult shows and our family shows. London is truly a city that embraces all forms of expression.
For our part, Mavis Productions will continue to push the envelope to create bigger and better shows for all our communities from all walks of life. It is a privilege to produce these shows, and we will continue to honor it.
This is the tenth in a series of Q&A Profiles with London area theatre companies and groups. Today, we interview Melissa Ogden, founder of LIT (Live Immersive Theatre) Productions
Q. When was your company founded? By whom and why? I created LIT Productions in 2024, and we officially launched in 2025. LIT stands for Live Immersive Theatre. I have been a professional musician and supporter of the arts most of my life, and I am very excited about this new venture. I saw a need for a different night out that combined film, performance art, live music, and socializing, all for a reasonable ticket price. An alternative to the theatre or going to a nightclub.
Q. Is your company best described as professional or not-for-profit community theatre? Or both? LIT Productions is a professional company. We have a growing team of talented musicians, vocalists, stage managers, and sound and lighting technicians.
Q. What venue(s) do you use to stage your productions? One of the things that makes LIT Experiences different from traditional theatre is the party atmosphere. Guests are seated at tables with their friends, where they can talk and enjoy cocktails during the show. They can walk around, sing, and dance. So, our indoor venues are banquet halls and clubs rather than theatres. I am also actively booking outdoor shows in 2026. These shows will have a similar party vibe with a beer garden where guests bring their own lawn chair. An outdoor movie, live show, and a cold beer on a beautiful summer night – how fun is that?! Our debut production of Grease is being held indoors at The Marconi Club of London on September 26, 2025.
Q. Does your company have a Mission or Statement of Purpose? At LIT Productions, we blend film, live music, and performance theater to create immersive, one-of-a-kind LIT Experiences. We champion collaboration, diversity, and inclusion, and deliver an unforgettable (and affordable) night out. It’s a new way to ‘theatre’.
Q. Does your company have a Board of Directors and paid Staff? As of now, I am the sole owner and decision maker. All the LIT performers and production team are paid. We also have volunteers who help out at events.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme? We will be putting on more Grease shows in 2026, both indoor and outdoor. We will also be launching our production of The Rocky Horror Show. I am also excited to launch booking packages that will allow businesses to book an LIT Experience for corporate fundraisers and private events.
Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each. I will explain what LIT Experiences are. A movie musical plays on the big screen and the musical numbers are performed live in character! Unlike the theatre, you can mingle, sing, dance – it’s a party! Our only show in 2025 is ‘Grease – a LIT Experience’ – Sept 26 at The Marconi Club. It’s sold out. And we are starting production of Rocky Horror to launch in 2026. The ultimate goal is to be staging several different productions (Grease, Rocky Horror, Mama Mia, Hairspray) at various venues throughout the calendar year.
Q.Do you have any thoughts about the London area theatre community and your part in it? We have created a dynamic team by blending together members of the music and theatre communities. We have vocalists who sing in bands but have never performed in theatre before. And we have theatre vocalists who have never performed in front of a live rock band. We have amazingly talented musicians from different genres. It has been so fun and collaborative and we are all learning from and getting the best out of each other. Judging by our sold out show and Londoner’s support of other live shows in the city, we definitely have a thriving arts scene. I want to thank Londoners for that! I have been a member of the music community for many years, but I am new to the theatre scene. I look forward to collaborating with both communities on events and initiatives that support and promote the arts in London.
Jo-Anne will be reviewing local theatre productions for The Beat Magazine 2025. If your company would like your show reviewed, contact richardyoung@thebeatmagazine2025.ca.
Background and Experience in the Arts
My background in the Arts started with an early love for music and dance. I attended my first concert at 10 years old (Helix at the Sarnia Arena in 1983!) and began tap and modern jazz dance lessons around the same time. My love for live theatre was built through school trips to the Stratford Festival to see plays like Romeo and Juliet, The Merchant of Venice, and Macbeth, and a trip to Toronto for The Phantom of the Opera, which quickly became my all-time favourite.
I dreamed of performing for many years, but being too self-conscious to audition in high school, I sat on the sidelines and instead reviewed music and theatre for our school newspaper. In 2013, I finally pushed my fears aside and was cast in my first play, Laughter on the 23rd Floor, as Carol Wyman, the only female writer on the Max Prince show. I have since performed in productions of Birth (Jillian, 2016), Hamish (Annette, 2023) and The Curious Incident of the Dog in the Nighttime (Mrs. Alexander, 2024).
Previous Reviewing Activities
SCITS, Sarnia, Ontario – High school newspaper reviewer for Music and the Arts
London Fringe Festival, London, Ontario, 2012-2015
Independent Reviewer and Blogger (Theatre in London and The Pollyanna Papers), 2015-2016?
Why am I jumping back into the fray now?
After performing for a few years, I’ve decided to take a break from the grind of auditioning, rehearsing and performing. While I love it immensely, it’s a lot of work. Performing has given me a whole new perspective and appreciation of what goes into a production and the ability to look at reviewing with a fresh set of eyes.
Thoughts about the London arts and culture scene, especially local theatre
Hoo wee! London has such a wealth of talent, from youth to adults. Every time I see a play, I am amazed at how talented our actors, directors, producers, set/prop/costume/light/sound designers are. I don’t think causal observers realize just how much goes into making a production from the audition to the curtain call. It is a huge undertaking, and to think our theatres produce such world-class productions on some very tight budgets is astounding, especially at the community theatre level, where volunteers do everything.
Sadly, since COVID, I have witnessed a huge decline in attendance at performances, and it breaks my heart. I have also noticed a sad lack of reviews lately, which I find are necessary to give people an idea of what to expect and a reason to go to the theatre.
So, before I can put my feet on the stage again, I want to help put bodies in the seats. We need to reignite a love for theatre and the arts in this city.
If you are interested in becoming a volunteer writer for The Beat Magazine 2025, please contact Richard Young, Publisher & Content Manager, at richardyoung@thebeatmagazine2025.ca. We are seeking writers and reviewers for local music, visual arts, fiction, poetry, and prose.
This is the eighth in a series of Q&A Profiles with London area theatre companies and groups. Today, we profile the Kettle Creek Players (KCP).
Q. When was your company founded? By whom and why?
Kettle Creek Players was founded in January of 2023 by Jessica Fediw. St. Thomas had started British Pantomimes in 2012 but when the pandemic hit, theatre was put on hold. When the arts resumed, there was a demand for panto again. The local theatre that had done them in the past had decided to no longer do them. Jessica was approached by several people, asking for panto to make a return so she did some research into venues and found Central United. The rest is history!
(Pictured: Jessica Fediw and Judy Cormier)
Q. Is your company best described as professional or not-for-profit community theatre? Or both?
KCP is a not-for-profit community theatre. All of the money made from our shows goes back into the next year’s production costs.
Q. What venue do you use to stage your productions?
Our venue is Central United Church at 135 Wellington St. in St.Thomas, Ontario.
Q. Does your company have a Mission or Statement of Purpose?
Our goal is to provide quality live family shows for all ages. We are an inclusive theatre troupe. We are passionate about giving people of all abilities the chance to shine on stage. Community is very important to us.
Q. Does your company have a Board of Directors and paid staff?
KCP has a board of directors. We are run entirely by volunteers. It takes a village to run a community theatre. We are forever grateful to all those who volunteer their valuable time for our productions.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
We don’t have a season, per se. We do one show a year, around Christmas time, usually falling at the end of November, beginning of December. Our theme is British Pantomime, which consists of a fairytale, fable, or story that has a hilarious twist. Audiences are encouraged to interact with the actors when prompted. The 4th wall is continuously broken, and silliness and fun are the name of the game. Our first Panto in 2023 was Little Red Riding Hood, written by John Allen. 2024’s Panto was Cinderella, adapted by Lesley Chapman and Ken Roberts.
We also participate in community endeavours. If the community needs actors for a vignette or for an event, we work with them to provide quality engagements. It’s a lot of fun!
Q. What show will you be staging this fall (September to December)? Tell me a little bit about it.
Our show this year is Wicked Witches of Oz, written by Peter Nuttall with permissions from Lazy Bee Scripts. It will be directed by Judy Cormier and Jessica Fediw. It follows the adventure of two “wicked witch” sisters who have devised a plot to kidnap the Wizard of Oz and make their world greener. Their plans are thwarted at every turn by the many characters they come across in Munchkin Land.
Q.Do you have any thoughts about the London area theatre community and your part in it?
The London and area theatre scene is a thriving one. Although it took a hit during the pandemic, we are all building ourselves back up, year after year. We all work together as a team and really support each other; it’s really great to see.
For over twenty-five years, the Grand Theatre High School Project has offered an exceptional opportunity for students to receive education and training in the working environment of a professional theatre, at no cost to the participants.
Each year, high school students from the London area are mentored by professional artists and coaches in all departments (performance, stage management, props, wardrobe, scenic art, carpentry, orchestra, sound, lighting, stage, and marketing), culminating in a production staged on the Grand Theatre..
The 2025 Grand Theatre High School Project, Disney’s Newsies, plays on the 839-seat Spriet Stage from September 17 to 27. The power of youth will be on full display with this vibrant musical spectacular, famed for its imaginative and iconic dance sequences, inspired by a true story, and featuring a Tony Award-winning score that includes songs such as “Carrying the Banner,” “Seize the Day,” and “King of New York”.
More than sixty high school students from London and area – representing seventeen different schools – make up the student company of Disney’s Newsies. Thirty-eight students make up the on-stage cast, two student musicians will be performing with the live orchestra, and twenty-one student artists are working behind the scenes in production roles, including wardrobe, props, lighting, sound, stage management, carpentry, scenic art, and marketing/photography.
Newsies invites audiences to step into turn-of-the-century New York City, a time of skyscrapers and money makers. This year’s Grand Theatre High School Project production tells the story of charismatic Jack Kelly and his gritty band of newsies, united in the fight against newspaper giants.When greedy publishers decide to raise distribution prices at the newsies’ expense, it’s up to Jack and his pals to be stronger together and fight for what’s right.
(Pictured: Keirah Buckley & Trent Robichaud. Costume Design by Lisa Wright. Photo: Mai Tilson)
One of the most influential powers in Canadian musical theatre, Ray Hogg (Natasha, Pierre, and the Great Comet of 1812; A Strange Loop; Musical Stage Co.),has been in residency at the Grand Theatre to lead this year’s High School Project production and direct the newest cohort of student artists through the Grand’s one-of-a-kind theatrical incubator. In step with Hogg is an all-star creative team led by Music Director Matthew Atkins (London Gospel Collective), Choreographer Krista Leis (Stratford, Broadway), Set Design Consultant Joshua Quinlan (Stratford, Crow’s, Mirvish), Costume Designer Lisa Wright, Lighting Designer Echo Zhou 周芷會, Sound Designer Emily Porter, Fight Director Mike Dufays, Disability Consultant Kristi Hansen,and Stage Manager Melissa Cameron.
(Pictured: Rachel Peake, Artistic Director, The Grand Theatre)
“Year after year, the Grand Theatre High School project shows us just how much young people can do when given the space to grow into their potential. Whether onstage or behind-the-scenes, this huge group of young people has been challenged to the extreme on this show,” shares Rachel Peake, Grand Theatre Artistic Director. “It calls on them to execute all elements of musical theatre to the highest level. This exceptional creative team has set the bar high, and day after day, those of us working with these students are deeply impacted by how they continually exceed our expectations.”
Disney’s Newsies
Music by Alan Menken Lyrics by Jack Feldman Book by Harvey Fierstein Based on the Disney Film written by Bob Tzudiker and Noni White Originally produced on Broadway by Disney Theatrical Productions Directed by Ray Hogg
September 17 to 27 on the Spriet Stage at the Grand Theatre
Single tickets range from $26-$55 and are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.
The Beat Magazine was London’s premier independent arts print magazine from 2009 to 2013. After a long hiatus (nine years!), I reactivated its website as The Beat Magazine 2025 in late July.
My reason for doing so is straightforward. My goal is to gather together in one place the local arts and culture news that the mainstream London media outlets no longer seem interested in covering, unless there are exorbitant advertising dollars involved.
Since going live online, thebeatmagazine2025.ca has published Weekly Arts & Culture listings, Q&A Interviews with local musicians and artists, Media Releases about local Arts & Culture events, reprinted theatre Reviews from Entertain This Thought, and other general arts news, most of which has not been reported in the local media.
In mid-August, I invited all known active London and area theatre companies – community and professional – to participate in a Feature Story profiling them and their 2025-2026 seasons. Each company/group was sent a generic Questionnaire designed to enable me to gather the necessary information. Most (but, unfortunately, not all) responded with the information I was seeking.
Some companies/groups had lots to say, others not so much.
In light of this, I have decided to organize the responses in a Q&A format using the eight Guide Questions I sent to the companies.
Over the next couple of weeks, I will be posting a new Local Theatre Q&A every other day.
Posts will appear alphabetically, beginning with London’s AlvegoRoot Theatre.
AlvegoRoot Theatre – Telling local stories and creating local theatre of Southwestern Ontario. An Interview with Adam Corrigan Holowitz.
Q When was your company founded? By whom and why?
AlvegoRoot Theatre was founded in 2009 by Adam Corrigan Holowitz. Over our first three seasons, we found our mission to develop local plays which speak directly and meaningfully to London and the Souwesto Region.
Q Is your company best described as professional or not-for-profit community theatre?
AlvegoRoot is a professional theatre ensemble that primarily focuses on presenting local plays and supporting new play development. A quick note of clarification: not-for-profit vs non-profit. I am not a tax expert by any means, so I may not have the finer points down, but a non-profit exists for the advancement of social good (this can include clubs or recreational organizations) whereas a not-for-profit means any organization that does not have shareholders or an owner to benefit directly based on revenue. Almost all theatres in Canada operate on a not-for-profit basis, meaning they do not have shareholders. This includes most professional theatres. The artists and employees being paid for their labour does not make the venture for one. There are very few commercial for-profit theatres in Canada; Mirvish is the most notable. So, the distinction I generally make is between professional theatre and community/amateur theatre. Both are important, and both take different kinds of sacrifice.
Q Does AlvegoRoot Theatre have a Mission or Statement of Purpose?
Telling Local Stories, Creating Local Theatre
London Ontario’s AlvegoRoot Theatre supports the work of local playwrights and puts local stories onstage. 2025 marks AlvegoRoot Theatre’s 17th Season. Over those 17 seasons we have produced over 67 productions, 29 of which were world premieres of local plays. At The Manor Park Memorial Hall, AlvegoRoot presents theatre year-round, dedicated to providing a range of dynamic theatre experiences for audiences and supporting the growth of professional regional theatre makers.
Q What venue(s) do you use to stage your productions?
Our home base is The Manor Park Memorial Hall, where we present plays and special events year-round. We are honoured to manage and develop The Manor Park Memorial Hall into a performing arts venue that hosts the work of theatre artists and musicians from across our city. We also produce a summer production annually in June or July at Fanshawe Pioneer Village. We have been partnering with Fanshawe Pioneer Village since 2014.
Q Does your company have a Board of Directors and paid Staff?
Adam Corrigan Holowitz is the Artistic Director of AlvegoRoot Theatre, and Kydra Ryan is the Associate Artistic Director.
Q Tell me about your 2025-2026 Season. Does it have any underlying theme?
This season, our three mainstage productions, Medical Wonder, London Fog, and Sleigh Without Bells, have all had an overarching elemental theme of fire. The characters in each play must reconcile with humanity’s ability to create the means for destruction. In Medical Wonder, the character of Dr. Imogen Volek chooses between using her medical research as a means for healing or a means to create a biological weapon. In London Fog, the characters of Victoria and Albert use arson to disrupt and disturb the elite of Edwardian London. Finally, in Sleigh Without Bells, the massacre of the Donnelly Family of Biddulph is central to the play.
Q What show(s) will you be staging this fall? Tell me a little bit about each.
This fall, we present Sleigh Without Bells: A Donnellys Story by James Reaney (October 22) and a theatrical concert version of Colleening: The Letters and Poetry of Colleen Thibaudeau (Nov 7 – 9).
About Sleigh Without Bells: Lost in a blizzard, a young man finds himself at the Donnelly farmstead, the one place his father warned him not to tread. Now entangled in the darkest period in the lives of the Donnellys, his own life is in danger.
Written by James Reaney Directed by Kydra Ryan Performed by Adam Corrigan Holowitz.
About Colleening: Going COLLEENING is always an adventure for the friends of the great London poet Colleen Thibaudeau. You never know where you may end up. Her letters and poems create a captivating journey through childhood memories, home life, and Canadian culture.
Featuring songs based on her poems by Oliver Whitehead and Stephen Holowitz, this theatrical concert celebrates a seminal figure in Canadian literature with all the playful intensity and tender wit for which Colleen was known.
Directed and Created by Adam Corrigan Holowitz Text by Colleen Thibaudeau Music by Oliver Whitehead and Stephen Holowitz Music Direction by Stephen Holowitz Featuring Katy Clark, Paul Grambo, Kydra Ryan
This concert version of Colleening is part of Colleening 2025, a grassroots celebration of the centenary of acclaimed London poet Colleen Thibaudeau (1925-2012).
Q Do you have any thoughts about the London area theatre community and your part in it?
AlvegoRoot strives to create productions and events where our community can have meaningful interactions with live theatre. A goal of our work is to nurture rich relationships between the audiences, the artists, and the plays in a space where all members of the community can feel welcomed, needed, and comfortable to engage with theatre that tells our local stories and speaks to our local community.
The Souwesto arts movement, of which James Reaney and Colleen Thibaudeau were prominent members, greatly influences our work. The use of local stories, people, and geography is central to AlvegoRoot. Reaney’s playwriting influences me through aesthetics, poetry, and symbolism to tell local stories. Thibaudeau’s ability to saturate her poetry with local and personal details has influenced our writing and theatre-making. While a wide range of writers and theatre artists influence our work, Reaney and Thibaudeau’s work continues to influence AlvegoRoot on a spiritual level more than any other artists.
the Ryan brothers & the wobbly pops at the wortley roadhouse.
wortley electronic music festival, august 23.
Wortley Electronic Music Festival Saturday, August 23rd, 2025 Free – BYOB (plz no glass) – 2pm-10pm In the front lawn of 64 Elmwood Ave E The World is Invited
FREE London Symphonia Lunchtime Live Music Series at Market Lane begins August 20.
Do you know where to find London Symphonia musicians performing for free in the community?
Starting this week, our musicians will be performing live for the Wednesday Lunchtime Live Music series at Market Lane, presented by the London Arts Council and Dundas Place, and supported by the Paul Seed Fund through the London Community Foundation. These performances will run weekly on Wednesdays starting August 20 until September 10 from 11:30am – 1:30pm at Market Lane (137 Dundas St), weather dependent.
So bring your lunch or grab some delicious food and support local businesses as you sit back and enjoy a curated musical landscape.
First up on our menu is a woodwind quintet composed of Liesel Deppe, flute, Jennifer Short, oboe, Graham Lord, clarinet, Julie Shier, bassoon, and Ron George, horn.
Mark your calendars: Woodwind Quintet: August 20 String Quartet: August 27 Brass Quintet: September 10 String Quintet: September 17 Brass Quintet: September 24
We’re looking forward to seeing you there!
the last call, live at the Eastside Bar & Grill, august 23.
If you are looking to party, if you are looking to dance, come and join The Last Call this Saturday at Eastside Bar & Grill, 750 Hamilton Rd, London, ON
museum london presents As the Crow Flies: Garden Tours with Artist Ron Benner, aug. 23.
Join renowned artist, writer, and gardener Ron Benner for a special garden tour of As the Crow Flies, his thought-provoking and site-specific outdoor installation at Museum London. This immersive garden has been a part of the Museum’s landscape for two decades, showcasing Benner’s unique blend of art, horticulture, and environmental stewardship.
Set against the stunning backdrop of the Deshkan Ziibi (Thames River), this installation features a serene, former elliptical reflecting pool, now water garden, surrounded by a diverse collection of native plants that have flourished through Benner’s careful cultivation. The plants in As the Crow Flies are significant, growing along the 81.14th meridian, a symbolic path that links London, Ontario, to distant places such as Cape Sable, Florida, and the Bay of Pigs, Cuba. The garden thrives as an ecosystem, supporting waterfowl, amphibians, insects, and fish, making it an environmental sanctuary as well as a powerful artistic statement.
This special event celebrates 20 years of As the Crow Flies, offering a unique opportunity to connect with the artist, witness the evolution of the garden, and reflect on its themes of history, food culture, and environmental awareness. Don’t miss this chance to experience the installation in a new light and commemorate its two-decade legacy with Ron Benner. Special thanks to Moore Watergardens, located in Port Stanley and established in 1932.
The Aeolian Tunes@Noon concert Series: fiker, august 19.
Join us on August 19th as we welcome Fiker to the Southen Lounge.
Fiker is a singer/songwriter (and musician) who has been playing music and writing songs since the age of 13. Over the past 4-5 years, they have started performing their own music live. Fiker loves to sing, play, and listen to all genres of music, and they embrace a fluid, exploratory approach to sound that reflects their wide-ranging musical tastes. They feel genreless, which is freeing, as they’ve always desired the space to explore music without being boxed in. Their recent influences are rooted in R&B, jazz, soul, and neo-soul, though they are still discovering how those sounds will shape the songs they are currently writing. Fiker’s music is available on streaming platforms under the name “Fiker,” with their song “heavyhand” now released. They have been influenced by artists such as Hayley Williams, Erykah Badu, Jazmine Sullivan, Mary Mary, Alanis Morissette, Pinegrove, and many more. With every new song, fiker continues to lean into curiosity, honesty, and the joy of musical exploration.
TUNES@NOON at The Aeolian is supported with thanks to The Paul Seed Fund through London Community Foundations and is a London UNESCO City of Music project.
palace theatre wardrobe sale, august 23
Join us on Saturday, August 23 from 10 AM – 1 PM at the Palace Annex (523 South Street) for our legendary Wardrobe Sale.
Hundreds of costumes, accessories and treasures from our stage to your closet – it’s a vintage lover’s dream! Perfect for collectors, theatre buffs, or anyone looking to add some flair to their wardrobe.
All proceeds support PTAC programming and much-needed repairs – shop and support local arts.
double feature at the Richmond Tavern, August 23.
AT THE PIERSIDE PUB THIS WEEK.
Live music Line-up this week at The Pierside Pub: Wed Aug 20 – Rob Cromwell 6PM Thurs Aug 21 – Karaoke with Kevin Edwards 7Pm Fri Aug 22 – Ed Greene (Elton John Tribute) 8PM Sat Aug 23 – Full Throttle with Disgustine 8PM. Sunday Funday, Aug 24 – Big Shinny Toons 4:30PM Come for the music, stay for the vibes.
Where’s traci Kennedy this saturday?
This Saturday is going to be a double-the-fun kind of day!
First stop — I’ll be performing at the Kiwanis Ingersoll Harvest Market Car Show in the morning from 9am – 11am (nothing like music and classic cars to kick things off!
Then I’m heading over to Straffordville’s Annual Watermelon Festival for a 3pm show — because what’s better than live music and sweet summer watermelon? (See full schedule attached)
Hope to see some familiar faces at one (or both!) of these amazing community events. Let’s make it a Saturday to remember!
good for the soll ingersoll’s music festival
GOODFORTHESOLL – INGERSOLL’S MUSIC FESTIVAL 2025
Presented by The Ingersoll Lions Club and Studio73 Digital Media
Memorial Park, 25 Canterbury St, Ingersoll, ON N5C
One Epic Night – Gates Open at 5:00 PM
Public Event – All Are Welcome!
Get ready, Ingersoll – the ultimate summer celebration is BACK! Join us at GoodForTheSoll 2025, proudly presented by Good For The Soll Ingersoll’s Music Festival,
This all-ages outdoor event will feature a stacked musical lineup, delicious eats, cold brews, and that unbeatable small-town summer festival energy. You do NOT want to miss this!
Two days of LIVE ACTION RODEO and GREAT MUSIC featuring The Mudmen, Neon Rain and many more ! And don’t forget the Friday Night Rodeo Party in the Historical Canadian Country Opry Hall featuring Shelly Rastin & Trailer Trash — Tickets at the Door $20. See all the details at: https://www.purplehillcountrymusichall.ca/
forked river brewing company presents leanne mayer, Friday, august 22.
Leanne Mayer at The Forked River Brewing Company, Friday, August 22. 45 Pacific Court, Unit 4, London Ontario
springbank gardens concert series, august 24.
Sunday, August 24, we welcome Oliver Whithead & Jonathon De Souza to the bandshell! Get ready for a swinging good time with these legendary musicians! See you at 2pm!
Sunday Jazz at Market Lane, August 24: Hilary welch & barry usher
Join us for The Music of Nancy Wilson and Cannonball Adderley – a stunning full-album tribute to the iconic 1962 release that climbed to No. 30 on the Billboard Top LPs chart.
Hilary Welch: a vocalist whose sound evokes the spirit of Sarah Vaughan and powerhouse 60’s soul. With roots at the University of Toronto and inspiration from legends like Oscar Peterson and the New York Voices, Hilary has become a standout voice in London’s jazz scene.
Barry Usher: a versatile woodwind performer and educator who has shared the stage with icons from Rob McConnell to The Temptations. Barry’s artistry and dedication to jazz education make him a cornerstone of London’s music community.
Featuring: Barry Usher- Saxophone/Arranger Nevin Campbell- Piano @nevincampbell Ron Walker-Trumpet @ronwalker64 Sandy MacKay-Percussion Kim Ladd-Bass Hilary Welch- Vocals @hilaryonair
Market Lane, Downtown London
Sunday, August 25 | 2–4pm
Free admission!
beehive: the ’60s musical at the Huron Country Playhouse.
Big hair, and even bigger hits!
Beehive – The ‘60s Musical is now playing at the Huron Country Playhouse through August 31.
Taking audiences on a nostalgic journey through timeless hits like “My Boyfriend’s Back” and “Son of a Preacher Man.” From Leslie Gore to Janis Joplin, you won’t want to miss this toe-tapping production that will have you dancing in the aisles.
great lakes blues society membership drive event, august 24.
Come on out to our Membership Drive and help us keep The Blues Alive!
This is a great chance to meet some fellow Blues fans and learn how we support Blues music in our community.
By becoming a member of our society, you’re not just supporting the Blues… you’re joining a community that knows how to have fun!
Right now is a great time to join or to renew your GLBS membership because your name will automatically be put in a draw for a custom-built GLBS Cigar Box Guitar!
Let’s keep the good times rollin’ — together!
See you there!
THREE LIVE BANDS Multiple Door Prizes + a Grand Prize! Food Truck Deliciousness Free Admission & Free Parking too!
London Brewing Co-operative 521 Burbrook Place – London ON,
From Sea to Sky: Connected by a Thread at Westland Gallery
From Sea to Sky: Connected by a Thread is only on display at Westland Gallery until Saturday, August 30. Don’t miss the opportunity to check out our textiles exhibition featuring eight talented Canadian artists.
Pictured: Lorraine Roy, “Heart of Light”, 39 x 39″, textile, $1700
grosvenor lodge presents eighteen strings, august 24.
the kitchen witches at the port stanley festival theatre.
Beat the heat and stir up some laughs with The Kitchen Witches by Caroline Smith, starring Monique Lund, Christina Gordon, and David Rowan.
Dolly and Isobel’s long-running feud is boiling over on live streaming — and the food (and insults) are flying. Expect chaos, comedy, and a sprinkle of audience participation in this deliciously funny performance!
Reserve your tickets now — the kitchen’s cooking, but not for long! www.psft.ca 519-782-4353
Directed by Liz Gilroy. Set design by Emma Burnett. Lighting design by Karen Crichton. Video design by Joe Recchia.
Show sponsored by MYFM
“The Kitchen Witches” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
shrek the musical at the huron country playhouse
The greatest fairy tale never told comes to life tonight as Shrek The Musical opens at Huron Country Playhouse!
In a faraway kingdom turned upside down, things get ugly when an unseemly ogre – not a handsome prince – shows up to rescue a feisty princess. A wisecracking donkey, villain with a short temper, cookie with an attitude, and a band of quirky misfits, set off on a journey full of laughs, friendship and unexpected romance.
The City of Music Concerts is kickin’ it country style on August 21, presented by Pure Country 93!
Have a rootin’ tootin’ good time with
Nate Haller is headlining the night, and openers
Maddy McKenzie &
Olivia Mae Graham
Good Foundation Theatre (Market Lane)
7-10 PM
FREE
All ages
The City of Music Concerts take place from June 12 to August 28 each Thursday in Market Lane, featuring incredible free live music from local, national, and international artists. Each week is presented by a different local partner, bringing a unique vibe.
The London Taco Fest is making a sizzling return to Covent Garden Market — and this year, it’s bigger, bolder, and more delicious than ever. Guests can explore a taco lover’s paradise with vendors dishing out everything from traditional street-style tacos to wildly inventive flavour fusions.
The vibrant spirit of Mexico will fill the air with high-energy lucha libre wrestling, friendly taco competitions, and refreshing cervezas to keep the good times flowing. Whether it’s the irresistible aroma of sizzling meats, the lively beats, or the snap of a wrestling match mid-air, there’s something to spice up everyone’s day.
This isn’t just a festival — it’s a full-on fiesta!
Covent Garden Market, Rotary Square 130 King Street (corner of King and Talbot) London, Ontario N6A 1C5
Friday, August 22 – 4 PM – 12 AM
Saturday, August 23 – 4 PM – 12 AM
Sunday, August 24th – 12 PM – 9 PM
middle eastern summer festival
This August, downtown London will transform into a vibrant celebration of Middle Eastern culture at the Middle Eastern Summer Festival, taking place August 23 & 24 at Dundas Place. The event is free and open to the public, offering a rich blend of tradition, creativity, and community spirit.
The festival aims to highlight the richness and diversity of Middle Eastern cultures through a vibrant mix of experiences — including live music, traditional dance, authentic cuisine, artisan crafts, and more. Attendees can explore a bustling vendor market featuring flavorful regional dishes, handmade goods, and cultural exhibitions that offer insight into the traditions and craftsmanship of the region.
Headlining the stage are two major musical artists, Milad and Ali, bringing high-energy performances that blend modern and traditional Middle Eastern sounds. A featured dance group will also perform, adding dynamic movement and cultural storytelling to the weekend’s lineup.
Whether you’re coming for the music, the food, or the culture, the Middle Eastern Summer Festival is a celebration of heritage and togetherness — right in the heart of the city.
Join them at Dundas Place for a weekend of cultural discovery and celebration.
Dundas Place 99 Dundas St London, ON, N6A 6K1
12:00 PM – 11:00 PM
This list will be updated as the week goes on. To get your event listed, contact Richard Young richardyoung@thebeatmagazine 2009.ca
Memorial Park, 25 Canterbury St, Ingersoll, ON N5C
One Epic Night – Gates Open at 5:00 PM
Public Event – All Are Welcome!
SCHEDULE
Kick-Off: 6:15 PM
MISS CONDUCT — 6:30 PM – 7:00 PM
ONEWAY STREETS — 7:20 PM – 8:00 PM
SASS JORDAN (Headliner) — 9:45 PM – 11:00 PM
FOOD VENDORS ON SITE
DRINKS & ID NOTICE
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