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London Symphonia presents Payadora – The Soul of Tango, November 15th at Metropolitan United Church

by Richard Young

Experience tango like never before when the award-winning Payadora Ensemble performs with London Symphonia in a concert sure to entertain. Payadora – The Soul of Tango is a genre-crossing celebration of rhythm, melody, and cultural connection that takes you on a vibrant journey from Argentina across Eastern Europe, exploring the music, song, storytelling, and dance behind this multidimensional art form that continues to captivate the world. Scott Good, London Symphonia’s Composer-In-Residence, will conduct.

Based in Toronto, Payadora has been officially endorsed by the Argentinian Consulate in Toronto for its authentic representation of the spirit of tango. The members combine their collective background in classical, jazz, and global music traditions to create their distinctive sound.

The group was founded in 2013, and its members are sought-after musicians in the Canadian chamber music scene, including Rebekah Wolkstein (violin, vocals), Drew Jurecka (bandoneon, violin, mandolin), Joseph Phillips (double bass, guitar), Mark Camilleri (piano), and Elbio Fernandez (vocals).

The superstar group has combined their deep knowledge of tango with their classical, jazz, and world music backgrounds to create something entirely new. Together with London Symphonia, this dynamic concert will dig deeper into the meaning of tango as an art form, telling stories of resilience and grace with an unwavering respect for tradition. “Over the past 13 years, Payadora has developed its musical personality from one that closely studied and emulated the great tango masters, to one that performs across Europe, North and South America to great musical acclaim,” said Andrew Chung, Artistic Producer, London Symphonia. “They have created a special London Symphonia concert version of the music they love so much, and we can’t wait to perform with them.”

(Pictured: Andrew Chung, Artistic Producer, London Symphonia.)

“It is with the greatest admiration that I see longtime Payadora member and London Symphonia principal bass, Joe Phillips, bringing together his favourite groups to celebrate this soulful music,” Chung added. “With Uruguayan roots and a lifelong love for this music, singer Elbio Fernandez’ extraordinary voice sings with the intensity and passion of the very best tango performers” 

Listen to members of Payadora talk about their November 15th appearance with London Symphonia in this video clip: https://www.facebook.com/share/r/17Rrfcrzs1

The soul of tango may have originated in Argentina and Uruguay, but it has long captivated the world with its mix of melancholy, passion, longing, and embrace. 

“We are excited to perform with London Symphonia,” said Rebekah Wolkstein, leader of the group. “This concert offers a vibrant and wide-ranging journey through Argentine and Latin-inspired music. From the dramatic sweep of tango classics by Mores, Piazzolla, and Gardel to contemporary works by Payadora members Rebekah Wolkstein and Drew Jurecka, the evening blends tradition with innovation. The program also features folkloric Argentine styles and theatrical songs, showcasing the emotional storytelling at the heart of this music. We hope you will join us. It’s going to be a great evening!”  

IF YOU GO:

WHAT: LONDON SYMPHONIA CONCERT
Payadora – The Soul of Tango
London Symphonia, Scott Good, conductor, Payadora Tango Ensemble.

WHEN: Saturday, November 15, 2025, at 7:30 pm. Doors open at 6:30pm                                   

WHERE: Metropolitan United Church, 468 Wellington St, London, ON.

SUBSCRIPTIONS & TICKETS: Ticket packages start at $155 for a 3-concert General Admission subscription and $212 for Reserved Seating, plus fees and HST. 5-concert packages are also available. Individual adult tickets range from $55 General Admission to $75 Reserved Seating, plus fees and HST. Family Flex packs and free student tickets are also available. In-person subscriptions and tickets can be purchased online now at londonsymphonia.ca. 

Subscriptions to all concerts, including the Family Concert, and individual concert rentals are available on London Symphonia’s Watch and Listen video on demand channel. 

Find out more at londonsymphonia.ca.

Follow London Symphonia on Facebook https://www.facebook.com/londonsymphonia

To learn more about Payadora, visit http://payadora.com/

Follow Payadora on Facebook https://www.facebook.com/payadora

Weekend Roundup of Selected Arts Events in the London Area, November 7 – 9.

by Richard Young

Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025

YOU WANT LIVE THEATRE? WE’VE GOT LIVE THEATRE!

Colleening: The Letters and Poetry of Colleen Thibaudeau is on stage this weekend, November 7-9. Friday is almost sold out; best availability Saturday or Sunday!

Featuring Katy Clark, Paul Grambo, and Kydra Ryan!

alvegoroottheatre.com/colleening

The Manor Park Memorial Hall, 11 Briscoe Street W, London, Ontario

Dating Games features five short plays, each showcasing a comically terrible first date that goes off the rails. Written by Garth Wingfield, the show’s real focus lies not in the dates themselves, but in the emerging theatre talent directing the plays. This production serves as a groundbreaking training initiative, providing mentorship and performance opportunities for up-and-coming directors.

“Dating Games is a truly special production. It is more than just a show; it’s a project that combines mentorship, training, and performance, contributing to the entire theatrical community,” says Elizabeth Durand, Theatre Aezir’s Artistic Director.

If You Go:

What: Theatre Aezir presents Dating Games.

When: November 6th to November 16th

Where: First Baptist Church, 568 Richmond St., London, ON

Tickets: Discount codes are available for seniors, under-30s, and arts workers on Theatre Aezir’s ticketing page: https://events.humanitix.com/dating-games-bad-dates-good-theatre

Award-winning, world-renowned, and infamously cheeky, Ronnie Burkett is back at the Grand Theatre with his unmatched mischievous, rollicking irreverence. Burkett’s latest work, Wonderful Joe, unleashes his sharp, unrelenting wit on the cities we call home, the people we overlook, and the four-legged friends walking beside them. And he’s bringing Mother Nature, Santa Claus, Jesus, and the Tooth Fairy along for the ride. Wonderful Joe, created and performed by Ronnie Burkett, opens the Grand Theatre’s Auburn Stage for the 2025/26 Season. Already extended due to popular demand, the production will run from Tuesday, November 4, through Sunday, November 23.

Single tickets are $48, and Auburn Series Subscriptions offer a 25% discount ($71.44 for both Wonderful Joe and Mrs Krishnan’s Party). Tickets and subscriptions are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.

To learn more about Wonderful Joe by Ronnie Burkett at the Grand Theatre, please visit grandtheatre.com/event/wonderful-joe. Follow the production and peek behind the scenes by following @thegrandlondon and #GrandJoe on Instagram, Facebook, LinkedIn, Threads, Bluesky, YouTube, & TikTok.

ART EXHIBITIONS IN THE LONDON AREA

Lisa Johnson’s incredible solo exhibition, Full Circle, will be on display until November 29th at Westland Gallery

http://www.westlandgallery.ca

The 2025 Cape Dorset Annual Print Collection is on display at London’s Strand Fine Arts Services until November 15th.

Strand Fine Art Services is located at 1161 Florence Street, Unit #4. For more information, visit www.strandfineartservices.com.

London Community Artists Art Show and Sale

November 6-9 at St. Anne’s Anglican Church, 1344 Commissioners Rd. W

https://londoncommunityartists.ca/

MUSIC EVENTS IN THE LONDON AREA

Chorus London presents We Remember Them

Join us for ‘We Remember Them,’ a special concert honouring our Veterans, on Sunday, November 9, 2025, at 2:00 p.m. at Colborne Street United Church. The program will feature Maurice Duruflé’s Requiem, presented by Chorus London with organist Laurence Williams.

Tickets are going fast! Each ticket costs $25, and children under 13 are admitted free of charge. You can buy tickets by calling the church office at 519-432-4552, at the door on the day of the event, or online. For more details or to purchase tickets, please visit https://www.colborne711.org/event-list

SEE SPOT RUN & ORANGEMAN

Eastside Bar & Grill
9pm Start. Tickets $20 available at Eventbrite.ca

Murphy’s 50th Birthday

Friday, November 7th at the Palasad Socialbowl.

Warning: The Palace Theatre may not recover from the combined power of Vanity Affair and Maple Queef. 

Expect high heels, higher drama, and a dangerously low amount of chill.

Friday. 7PM at the Palace Theatre, Be there, ponies.

Scottish singer-songwriter & acoustic fingerstyle guitar virtuoso Simon Kempston from Edinburgh is currently on his 10th tour of Canada. He has never played in London, Ontario before.

SPECIAL Buy One – Get One Offer for this Sunday’s concert.

Here is how the BOGO offer works. If you have already bought a ticket, you can bring someone along on the same ticket. If you buy a ticket from one of the outlets or online, you can bring an additional person along on the same ticket.

Come on out and hear this wonderful artist at the Cuckoo’s Nest Folk Club (London, Ontario) this Sunday, Nov. 9 at Chaucer’s Pub, 122 Carling Street. Advance tickets are at Grooves Records (Wortley location), Long & McQuade (725 Fanshawe Park Rd W), and online.

The incredible Billy Raffoul, award-winning Canadian singer-songwriter & producer, returns to Forest City on November 7th in Rum Runners, with special guest Peter Raffoul.

Tickets at londonmusichall.com 

Guitar, saxophone, huge songwriting, and a voice that won him a Canadian Folk Music Award for Contemporary Singer, Ian Sherwood Brings The Light to every stage he stands on. A born storyteller and a constant creator, his music dances the line between folk and pop. 

Sunday, November 9th, 7:00pm, at The Aeolian Hall.

You can find tickets for this event on Humanitix.

The Hot Tub Hippies return to the Wortley Roadhouse this weekend to rock the dance floor! Shows start at 9pm.

Theatre Aezir’s Dating Games, November 6-16, is more than just a show.

by Richard Young

by Erin Sevigny

Wednesday, November 5, 2025

It’s the night before opening night. We call that a Dress Rehearsal. When I left the theatre on Wednesday night, the chairs were not set up, cables were all over the place, we were still waiting for a wardrobe delivery, and I had to stop by the LCBO to get a replacement prop.

But you know by tomorrow night at 7:55pm, everything will be in place, lines will be learned, and the directors can finally breathe. Every time I do this, I ask myself, ‘Why do I do this to myself?’ And the next time I forget what it was like, I just do it again.

Dating Tip: Skip the small talk, go to the theatre.  Theatre Aezir presents Dating Games by Garth Wingfield — laughter, romance, and everything in between. Come with a date, come with friends, or come alone and make new ones in the lobby line. Either way, you’ll fall in love with the show. 

Dating Games features five short plays, each showcasing a comically terrible first date that goes off the rails. Written by Garth Wingfield, the show’s real focus lies not in the dates themselves, but in the emerging theatre talent directing the plays. This production serves as a groundbreaking training initiative, providing mentorship and performance opportunities for up-and-coming directors.

“Dating Games is a truly special production. It is more than just a show; it’s a project that combines mentorship, training, and performance, contributing to the entire theatrical community,” says Elizabeth Durand, Theatre Aezir’s Artistic Director.

“We are so proud of our Emerging Directors. Our mentors are guiding them, but they hit the road running on all four cylinders. Each of them has a distinct style, but is no less effective. We are sure that after this experience, there will be five new directors ready for their next assignment,” adds Durand.

Check out this short video featuring Cast & Crew members answering the question: “Why should people come see Dating Games? https://www.facebook.com/share/r/1CLH8LELj9/

Your support is crucial to fulfill the promise of this project.

If You Go:

What: Theatre Aezir presents Dating Games.

When: November 6th to November 16th

Where: First Baptist Church, 568 Richmond St., London, ON

Tickets: Discount codes are available for seniors, under-30s, and arts workers on Theatre Aezir’s ticketing page: https://events.humanitix.com/dating-games-bad-dates-good-theatre

For more information about Theatre Aezir, visit https://theatreaezir.com/

Read The Beat Magazine’s Profile of Theatre Aezir at https://thebeatmagazine2025.ca/2025/10/02/introducing-theatre-aezir-qa-with-elizabeth-durand/

Follow on Facebook https://www.facebook.com/theatreaezir

Follow on Instagram https://www.instagram.com/theatreaezir/

Weekend Roundup of Selected Arts Events in the London Area, October 31 – November 2.

by Richard Young

Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025

YOU WANT LIVE THEATRE? WE’VE GOT LIVE THEATRE!

If you are craving some live local theatre, here are three options.

The hilarious The Play That Goes Wrong continues at the Grand Theatre until November 2, while Infuse Productions’ The Rocky Horror Show continues at the Palace Theatre until November 2.

(Pictured: The Cast of The Rocky Horror Show. Photo Credit: Ross Davidson)

St. Marys Community Players’ production of Norm Foster’s Hilda’s Yard continues until November 2.

ART EXHIBITIONS IN THE LONDON AREA

Join Lisa Johnson at the Opening Reception of Full Circle, her incredible solo exhibition at Westland Gallery

Full Circle will be on display from October 28th to November 29th. All are welcome at the Opening Reception on Saturday, November 1st, from 1pm to 3pm, at the gallery.

http://www.westlandgallery.ca

TAP Centre for Creativity

Forest City Fusion Main Gallery

Simple Reflections Art Exhibition

October 15 – November 1, 2025

RAW | RELEASE

Oliver P. solo exhibition

October 7 – November 1, 2025

LAB203

https://www.tapcreativity.org/

The Forest City Film Festival Continues until November 2

The Forest City Film Festival returns for its tenth year, hosting nine days of screenings and events at multiple venues in Downtown London. 

For a full schedule, visit https://fcff.ca/schedule/

MUSIC EVENTS IN THE LONDON AREA

Enter a world where mystery reigns and music stirs the soul. This Halloween, immerse yourself in a cinematic experience for a one-of-a-kind viewing of the silent-era thriller, The Hands of Orlac.

This thrilling story of madness, mystery, and romance, with flavours of the Grand Guignol, is now reawakened by a powerful cast of over 50 live musicians, singers, and soloists set to capture your senses.

Presented in the grand, gothic beauty of Metropolitan United Church—transformed for one unforgettable night—this event offers a rare chance to witness a masterpiece of psychological drama in a setting as dramatic as the film itself. Glowing jack-o’-lanterns, evocative lighting, and shadow-draped architecture set the stage for a journey into obsession, identity, and the unknown.

Tickets https://fcff.ca/hands-of-orlac/

Palasad Socialbowl.

Some good things come to an end … Join us for a wicked Halloween Bash and say goodbye to Smile-N-Wave, Friday, October 31.

80’s New Wave all night – Costume Contests – licensed – all ages

$10 Advance $15 Door

Come join us for a spooktacular night of live music and entertainment at Eastside Bar & Grill in London, Ontario. Get ready to rock out to your favorite tunes from G&R and AC/DC! AXL/DC is going to help us celebrate Halloween in style. Costumes are highly encouraged, so put on your best outfit and maybe win some prizes!. Don’t miss out on this epic event! Tickets $20.00 available at the bar & Eventbrite.ca 

Get Spooky at the biggest Halloween party in the city at the London Music Hall, featuring Grammy award-winning artist CASSIAN.

Tickets https://www.ticketweb.ca/event/cassian-at-london-music-hall-london-music-hall-tickets/14576653?pl=LondonMusicHall

Join us for lots of fun at the Dawghouse this weekend!

Kicking things off, we have Electric Popsicle bringing the Halloween fun tonight, so put on your costume and dancing shoes, and get here early! No cover.

Saturday night, Gravity Wagon is back to rock the ´House.

Bands start at 9 pm.

After trick-or-treating, join us for Night of the Living Brass. Consider this your invitation to Brassroots’ big Halloween party/concert. There will be spooky and fantastical music ranging from classical to novelty tunes…and a certain Phantom may even appear at the organ!

brassroots.ca/living-brass

A fundraiser supporting El Sistema Aeolian Children’s Music program and the charitable work of the Rotary Club of London Hyde Park. Saturday, November 1st, 2025. Main Floor Seating: $125 per person (tables of 4 & tables of 8); includes 2 cocktails & charcuterie. Balcony Seating: $60 per person; concert & amp; dancing only.

Tickets https://events.humanitix.com/cocktails-and-classics-featuring-big-bandemic-and-denise-pelley/tickets?fbclid=IwY2xjawNyAS9leHRuA2FlbQIxMABicmlkETFBMUtpWlU4Zk8xdTlUNmJWAR5JevZFNB0B3bjIb6XKD-PmD5ubP8TMVX0JkG3LopuEb5deED-PdGk2BvfhYg_aem_iAtzZcrrAvuuFzVb19tsMw

OTHER

Happy Halloween from Pumpkins After Dark! 

We’ve had an un-BOO-lievable season sharing the glow with all of you! Just two magical nights left – tonight and tomorrow before the lights go out until next year. 

If you haven’t strolled through the pumpkins yet, this is your last chance to catch the magic before it disappears! 

Book your tickets here: http://pumpkinsafterdark.com

Weekend Roundup of Arts Events in the London Area, October 24-26.

by Richard Young

Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025

This is the first in a series of weekly features highlighting selected arts and culture events in the London area. What better way to begin than with International Artists Day, celebrated annually on October 25th!

Continuing Art Exhibitions in the London Area

There is a lot of great art being exhibited in London area galleries. Let’s take a look at some of it.

The Simple Reflections Art Exhibition continues at TAP Centre for Creativity until November 1, while over at Westland Gallery, The Root of Wisdom featuring works by Clara Kim and Christopher Cape closes Saturday, October 25. Maritime Minute, featuring works by West Coast artist Les Ramsay, continues to October 30 at Forest City Gallery,

The Vice-President’s Day Quilts Throughout the Years exhibition runs to November 1 at the Ingersoll Creative Arts Centre, while works by Lyn Carter and Aiden Urquhart are on display at the Woodstock Art Gallery. At Museum London, the new permanent collection exhibition All Around Me, All Around You still features Canadian artworks and historical artifacts from the museum’s collection.

The Benz Gallery’s “Scared Stiff” Halloween Exhibition continues during our regular hours until October 31st. Stop by to collect or just get into the spirit! 👻

https://www.thebenzgallery.com/current-exhibition

The Gallery Painting Group’s Art Show and Sale opens tonight at 5 p.m. and continues to Sunday at 3 p.m. at First-St, Andrew’s United Church, 350 Queens Ave. in London.

(“Bridge Robin”, coloured pencil on Museum Board, 12 by 12 inches by Beth Stewart)

You can find Beth Stewart’s reviews of some of these exhibitions elsewhere on The Beat Magazine 2025 website.

You Want Theatre? We’ve Got Theatre!

If you are craving some live local theatre, there is lots to choose from this weekend.

The hilarious The Play That Goes Wrong continues at the Grand Theatre until November 2, while sold-out performances of Infuse Productions’ The Rocky Horror Show continue at the Palace Theatre on October 25 and October 26. The show continues until November 2.

AlvegoRoot Theatre’s production of Sleigh Without Bells: A Donnelly’s Story has two additional matinee performances, scheduled for October 25 at 2:00 PM and October 26 at 2:00 PM at The Manor Park Memorial Hall in London.

Over at the Princess Ave Theatre in St. Thomas, Odesa Company presents Stephen King’s Misery on October 25th and 26th, while the St. Marys Community Players present Norm Foster’s hilarious Hilda’s Yard until November 2.

You can check out Jo-Anne Bishop’s theatre Reviews elsewhere on The Beat Magazine 2025 website.

The Forest City Film Festival Celebrates Its 10th Anniversary

The Forest City Film Festival returns for its tenth year, hosting nine days of screenings and events at multiple venues in Downtown London. London creative, Donald D’Haene’s documentary, Interpreting Erik, is one of the award-winning films being screened.

The FCFF continues until November 2. For a full schedule, visit https://fcff.ca/schedule/

Music To Soothe The Soul

The London Community Orchestra presents From Salzburg to Paris on Sunday, October 26, 3:00 pm. at Dundas Street Centre United Church, 482 Dundas St., London, ON.

Featuring soloist Joshua Lee, performing Mozart’s Violin Concerto No. 4 in D Major, K218, composed by Mozart in his hometown of Salzburg in 1775.

The program also includes:
🎶 Debussy – Second Arabesque
🎶 Ravel – Le tombeau de Couperin

Experience the journey from Mozart’s classical elegance to Debussy and Ravel’s Parisian impressionism, a celebration of musical evolution from structure to atmosphere.

Tickets: Adults – $25
Seniors – $20
Students – $15
Children 12 and under – $5

Available at the door and online @ https://www.lco-on.ca/eng/

Encore The Concert Band holds it 2025 season opener, Forward Momentum, on Sunday, October 26 at Sir Frederick Banting Secondary School.

London’s Eastside Bar & Grill hosts Farewell Stanleys release of their brand new, fifth album Mystery To Me, produced by Moe Berg (of The Pursuit of Happiness & The TransCanada Highwaymen), with special guests Brother Leeds, on Saturday, October 25th. Showtime at 8:30pm, 10$ at the door. Copies of Mystery To Me will officially be on sale at this event, available on vinyl & CD. https://linktr.ee/FarewellStanleys

The Gavin Adcock Need To Tour concert takes place Saturday, October 25th, at the London Music Hall.

Visit https://londonmusichall.com/

Over at the Palasad Socialbowl, 63’ MONROE is back to tear the roof off. Loud, raw, and unapologetic—London’s punk pioneers bring decades of sweat, snarls, and speed to the stage. They’re rolling in with the razor-sharp riffs of Limited of Approach and the outlaw rock’n’roll chaos of Jesse James Medicine Show. Expect snarling guitars, thundering rhythm, and a night of pure, high-voltage punk energy.

Licensed – All Ages – $5 Door.

That’s it for this weekend. If your venue has an event you would like featured next weekend, send the details to Richard Young, Publisher & Content Manager of The Beat Magazine at richardyoung@thebeatmagazine2025.ca

Meet The Bohemians, London’s Newest Community Choir

by Richard Young

by Richard Young, Publisher & Content Manager of The Beat Magazine 2025

There’s a new community choir in town called The Bohemians, and it has a well-articulated mission.

“Our mission is to bring people of all ages together and through the joy of singing, create a welcoming, supportive, and non-competitive choir community that nurtures connection, learning, health, and happiness,” says Lesley Andrew, the choir’s Artistic Director and Conductor. “Our mandate is to perform at community fundraising events. All ages and vocal abilities.” 

The choir was formed by Lesley in response to Art Fidler’s call for acts to perform at the Groovin’ for Good London Food Bank fundraiser in September at the Palace Theatre. Consisting of Silver Spotlight Theatre and The Artful Players members, the choir performed Queen’s epic tune, Bohemian Rhapsody.

“At the request of various choir members, we have kept the group together,” says Lesley. “One member, Carol Wilks, thought of the name, and it stuck. It suits our repertoire and our musical philosophy. We have opened membership to include people of all ages. We are now an official choir.” 

Lesley brings some very impressive credentials to his position.

She performs everything from opera to jazz, oratorio to musical theatre, and has made soloist appearances with orchestras around the world.  An active performer, Lesley is also in much demand as a voice and drama instructor through her studios, Dream In Progress Productions. Her theatre/television credits include the Stratford Festival, Windsor Lite, Huron Country Playhouse, the Guelph Spring Festival, The Tonight Show, Oprah, Donny and Marie, and much more.

(Pictured: Lesley Andrew, Artistic Director and Conductor of The Bohemians.)

“Lesley is the heart of this choir. We are in the unique position to have a leader who is also a professionally trained singer, has been on world tours, and has her own records. It is a unique position for our choir, as we will have the opportunity to perform with Lesley and learn what it is like to sing with a professional,” says Dawn White, the choir’s President. “Members of the choir also have the opportunity to sing duets with Lesley, which will also be an amazing experience.”

“Beth Zuwala, our Assistant Director and Conductor, and media guru, is also an incredible talent who is highly trained with the voice of an angel, and she will also provide some great experience for choir members who want to sing with a partner during our concerts, if the occasion arises! The choir will then be provided with a myriad of experiences to learn from, and it will elevate our performances and fun, and allow us to sing a variety of music under Lesley and Elizabeth’s tutelage,” Dawn adds.

Currently, the choir has approximately thirty members, although a few have had to take a brief leave of absence until after Christmas, as they are in various theatre productions that are quite time and energy-demanding.  

“We are hoping to get entire families involved, “ says Lesley. “Our members range in age from twenty to eighty and come from all walks of life. For some, this is their first time singing in a choir, and others have much experience with community theatre and various choirs.”

The Bohemians’ repertoire is accessible and diverse and includes pop, show tunes, folk, and rock. Selections include Queen’s Bohemian Rhapsody, For Good from the show Wicked, The Climb, Let the River Run, and Fight Song.

“To date, even before we were an official choir, The Bohemians have performed three times publicly to rave reviews,” says Lesley. “We’d like to perform where fundraising is needed, or at community events needing entertainment. We’ll be performing a few ‘flash mobs’ as well and will be entering the Kiwanis Music Festival.” 

“We would like to consider The Bohemians as a welcoming group of musically-minded people, gathering to not only sing, but to socialize and meet new people. It’s also an awesome way to train your voice, as each rehearsal is like a group voice lesson,” adds Lesley. “Those interested in joining The Bohemians are always welcome.”

Contact bohemian.choir@gmail.com or message the choir on Facebook https://www.facebook.com/profile.php?id=61580064927636

“We will be connecting to my website (www.dreaminprogress.com) and will be posting regularly on our Facebook page,” Lesley says. 

The Jeffery Concerts Bring Jewels of Chamber Music to London for Another Season

by Richard Young

By Daina Janitis

Just so you know, I took notes at a recent London Health Coalition meeting on how to reach Gen Z to persuade them that privatization of Ontario health care will hurt THEM in the future. The guest speaker, Angie Cavallin, made several suggestions to us, aged relics on ZOOM screens who can’t even recognize when we’ve muted ourselves:

  • Use digital platforms they favour- TikTok, Instagram, Discord, and X.
  • Leverage relatable memes, short videos, and hashtag campaigns (???)
  • Frame messaging to create clear personal stakes.

SO, I watched TikTok for a few precious hours I’ll never get back … but don’t want to put this wrinkled mug on a video selfie. “Necessity is the MoFo”… you know … so imagine this:

Baby Boomer Daina and Gen Z Madison (#2 favourite name of the generation) talking about the Jeffery Concert at Metropolitan United on Sunday, October 19th, 2025, at 3:00 p.m.

Daina: Madison, are you going to the second Jeffery concert of this season on Sunday afternoon? It’s a unique chance for Londoners to hear world-class chamber music – and if you’re still a student, your ID gets you in free at the door!

Maddie: Jeffery? What’s he play? I’m lowkey interested …

Daina: No, Maddie. He’s dead.

Maddie: Bummer.

Daina: Gordon Jeffery was one of those amazing “characters” of London. A lawyer who joined the family firm, but his heart was in music. He practised law but played the organ at St. Peter’s Cathedral. In 1947, he bought an abandoned church in East London – Beecher United – and renovated it into a concert hall and teaching studios. He even had a Gabriel Kney organ installed there. He had an orchestra, a choir, and started a Music School.

Maddie: If I WAS interested, could I see it?

Daina: Sorry, no – an arsonist set fire to it in 1968. Jeffery bought the old Town Hall further east on Dundas, renovated it as well, and called it The Aeolian Hall. He also purchased and donated countless music scores to Western, Wilfred Laurier, and Windsor. He scoured Europe for string instruments, too, now part of the Music Instrument Bank at Western.

Maddie: So, what are these Jeffery Concerts if he’s dead?

Daina: Well, as tough as it may be to understand what a “benefactor” is these days, Gordon Jeffery left a whacking sum of money to some old friends when he died – with the directive that they work to bring fine chamber music to London for the benefit of its citizens.

Maddie:  Music for a small room?

Daina: Not really. Chamber music is a type of classical music designed for a small group of musicians—usually two to eight players—who each play unique parts. Because of its small size and close communication between players, chamber music is often called “the music of friends,” resembling a musical conversation where each instrument takes turns sharing and responding to ideas. This intimacy allows listeners to feel more connected to the performers and the music itself.

Maddie: I’m shook. And these friends did that in London for FREE?

Daina: That’s the mission of not-for-profit organizations – and the board of today’s Jeffery Music Foundation continues to create an annual series of world-class chamber concerts at very low prices – and free for students.

Maddie- So if I show up on October 19th … what am I going to see? – a classical concert. Yeet!

Daina: Well, this one is officially called “Accademia de Dissonanti and Elinor Frey, cello with Joseph Lanza, violin and Mélisande McNabney, harpsichord.”

Maddie: “Dissonan …”  Did you mean they don’t sound good together? Big Yikes!

Daina: Not at all. Their brilliant co-ordinator, Elinor Frey, decided to call her group that because of a historic connection: Accademia de’ Dissonanti refers to the learned society of the same name founded in Modena, Italy, in the early 1680s. Its meetings stimulated discussions on music, poetry, and other subjects connected to the d’Este family.

(Pictured: Elinor Frey)

Maddie: And this Frey lady? What’s her fire?

Daina: She’s a phenomenon! Or … she has RIZZ! She was born in Seattle but now makes Montreal her home base. She’s a cellist, does major research, and is a “gambist.” She’s performed all over America and Europe and received dozens of grants and prizes for her work- including a Fulbright. She’s got degrees from McGill, Mannes, and Juilliard.

And at THIS concert, she’s including a few beloved local guys – Joe Lanza on violin and Joe Phillips on double bass. Both are world-class musicians!

Maddie: But am I going to LIKE any of this Broke stuff? Any season from Vivaldi?

Daina: Yes- but no season. You’ll hear TWO concertos by Vivaldi – one in D Minor and the other in G Minor. The Big Viv taught music in Venice- and wrote those as delightful stuff for his students- full of in-jokes and amusements. There is also a harpsichord toccata- yes, the tinny piano – by JS Bach and a cello concerto by CPE.

(Pictured: Antonio Vivaldi, 1678–1741)

Maddie: And they’re not going to be boring?

Daina: How could CPE Bach be boring? That cello concerto … C.P.E. Bach’s Cello Concerto in A minor is a significant work characterized by its blend of Baroque and Classical styles, with an overall tone of emotional intensity and dramatic flair typical of the Sturm und Drang movement. It features a powerful, virtuosic first movement in 3/2 time, a deeply moving and introspective slow movement in C major (6/8 time) with a dramatic dialogue between solo and orchestra, and a finale that is a fast, energetic march. The concerto showcases the cello’s full range and expressive capabilities, with frequent shifts between turbulence and lyricism. Sorry … I got carried away …

Maddie: Touch grass, lady – I’m still not sure …

Daina: Hon, I’ll get back to what you are going to experience at The Met on Sunday – a close emotional relationship with amazing chamber musicians, some real stress relief. Some brain stimulation that is guaranteed to improve your memory, creativity, and problem-solving skills.

Just watch the musicians closely – they’re leading and following without a conductor and probably experimenting with phrasing, dynamics, and interpretation. They’re creating community- and during that concert, you’re part of it.

Maddie: SLAY – I’ll be there!

For more information about The Jeffery Concerts, visit https://www.jefferyconcerts.com/season2526/index.html

To purchase tickets for this concert, please contact the Grand Theatre online at https://tickets.grandtheatre.com/11649, by phone at 519-672-8800, or in person at 471 Richmond Street. Single tickets are also available at the door.

Students with a valid ID are welcome free of charge.

By Daina Janitis, The Beat Magazine 2025 Classical Music Writer

Introducing Theatre Tillsonburg

by Richard Young

This is the twenty-second in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile Theatre Tillsonburg.

Q. When was your company founded? By whom and why? 

Theatre Tillsonburg was founded in 1981 by the following people: Tom Heeney, Dennis Noonan, Laurel Beechey, Peter Beechey, Darlene Murray, and Lorne Boyd.

This group of people came together to create a local theatre group with a Board of Directors, a not-for-profit organization run by volunteers with no paid staff, dedicated to crafting good, wholesome entertainment. The first shows were presented in the local community centre, until the spring of 1990, when the current building was purchased. Numerous renovations were required to transform the former Hungarian Hall into the theatre it is today. Once the building was purchased, the group wanted to distinguish between the group and the building, so a contest was held to name the building. The winning name was The Otter Valley Playhouse, and the person who chose the name received a lifetime supply of theatre tickets, which she continues to use today.

Q. Is your company best described as professional or not-for-profit community theatre? Or both? 

Theatre Tillsonburg is a not-for-profit community theatre.

Q. What venue(s) do you use to stage your productions?

All Theatre Tillsonburg shows are staged in the Otter Valley Playhouse.

Q. Does your company have a Mission or Statement of Purpose? 

The Mission of the theatre shall be to provide a creative outlet and venue for quality entertainment and opportunities for education in areas of theatre craft for members and the surrounding community.

The Purpose of the theatre is to:

  • Promote and develop amateur theatre in Tillsonburg and surrounding communities.
  • Provide the community with a year-round schedule of live theatre to enrich the cultural life and serve the entertainment needs of the community.
  • Welcome and provide a vocational opportunity for all volunteers interested in the theatre arts to participate in the many activities of community theatre.
  • Assist other dramatic and cultural groups in the community, as well as cooperate with other theatres within and beyond our community.
  • Accept gifts, bequests, donations, and legacies, and expend all monies received to promote the Theatre and its objectives.
  • Maintain in a safe and functional manner and provide improvements to the building owned by the theatre.
  • Remain an amateur and not-for-profit organization.

Q. Does your company have a Board and paid staff?

We have a Board of Directors, and there are no permanent paid staff members.

Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?

Our 25/26 season consists of the following three plays:

Ken Ludwig’s ‘Twas the Night Before Christmas – November 20-30, 2025

Hilda’s Yard – February 18-March 1, 2026

Having Hope at Home – May 28 – June 7, 2026.

It is a season for everyone. We also run a summer camp for children.

Q. What show(s) will you be staging this fall (September to December)? Could you tell me a little bit about each?

Ken Ludwig’s ‘Twas the Night Before Christmas is a festive comedy full of mischief, music, and holiday magic! A mouse, an elf, and a spunky young girl team up to help Santa save Christmas in this wildly entertaining holiday adventure. Packed with clever wordplay, wild characters, and heartwarming cheer, it’s the perfect outing for the whole family.

Q. Do you have any thoughts about the London area theatre community and your part in it?

We have had patrons and cast members come from London, and we are thrilled to be part of an integrated community theatre experience.

For more information about Theatre Tillsonburg, visit https://www.theatretillsonburg.com/

Follow on Facebook https://www.facebook.com/theatretillsonburg

Follow on Instagram https://www.instagram.com/theatretillsonburg/

Introducing Theatre Aezir: Q&A with Elizabeth Durand.

by Richard Young

This is the twenty-first in a series of Q&A Profiles of London area theatre companies and groups. Today, we interview Elizabeth Durand, co-founder and Artistic Director of Theatre Aezir.

Q. When was your company founded? By whom and why? 

Theatre Aezir was co-founded in 2017 by Elizabeth Durand, David Bogaert, Rob Deman, and Olaf Plotzke. Our last show before COVID in 2019 was Falling: A Wake. When Theatre Aezir came back in 2023, I was the remaining co-founder, and I decided to change the company into a professional company. We became a non-profit and a registered charity in 2024.

Q. Is your company best described as professional or not-for-profit community theatre? Or both? 

We are a professional company and registered charity with a mandate to expand our services into educating actors and theatrical professionals.

Q. What venue(s) do you use to stage your productions? 

Theatre Aezir is a theatre production company without a home theatre, so we use various spaces based on the needs of the play. We have used the Auburn Developments Stage, Procunier Hall, outdoors at the Guy Lombardo Pavilion, and the gym at First Baptist Church. 

Q. Does your company have a Mission or Statement of Purpose? 

Theatre Aezir is a professional live theatre production company located in London, Ontario, and serves London and the surrounding counties. Positioned between the region’s large-scale productions and mid-sized community theatre, Theatre Aezir fills a vital gap in London’s theatre scene. We are theatre artists committed to presenting audiences with a diverse selection of engaging and thought-provoking performances by playwrights from across the city, the nation, and around the world.  

Theatre Aezir’s Motto is “Theatre that makes you think.” Our mission is to create theatre that challenges the intellect, excites emotion, and confronts the present. Quirky, edgy, and provocative.

(Pictured: Theatre Aezir co-founder and Artistic Director, Elizabeth Durand.)

Q. Does your company have a Board of Directors and paid Staff? 

Yes, we have a Board of Directors and paid part-time staff.

Q. Tell me about your 2025-2026 Season. Does it have any underlying theme? 

At this time, we are still planning 2026.

Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each. 

Coming This Fall: Disastrous Dates. Delightful Theatre. Serious Training.
This Fall, it’s Dating Games — and it’s not just a show.

This November, Theatre Aezir invites you to laugh (and cringe) your way through Dating Games by Garth Wingfield — a night of five hilariously awful dates, brought to life by some of the most promising emerging talent in London.

But here’s the twist: Dating Games is more than just a comedy. It’s also a hands-on, full-throttle training initiative for the next generation of theatre professionals.

Early-career directors will be responsible for a short play, supported every step of the way by an experienced mentor.

Ten+ local actors will dive into an intensive week-long skills workshop in breathing work, vocal production, diction, and character analysis — the kind of rigorous, pro-level training that usually only happens behind conservatory doors.

Our design team — including professional lighting, sound, and stage management — will bring their A-game.

Performances: November 6–16, 2025, evenings at 8:00pm, matinees at 4:00pm
First Baptist Church, 568 Richmond Street. 

Q. Do you have any thoughts about the London area theatre community and your part in it? 

London needs another venue for independent theatre companies. If London had another space that was technically adequate and reasonably priced, more production companies would create more theatre.

For more information about Theatre Aezir, visit https://theatreaezir.com/

Follow Theatre Aezir on Facebook https://www.facebook.com/media/set/?set=a.568444074983017&type=3

Follow Theatre Aezir on Instagram https://www.instagram.com/theatreaezir/

Introducing Shrew’d Business

by Richard Young

This is the twenty-first in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile Shrew’d Business.

Q. When was your company founded? By whom and why? 

We founded Shrew’d Business in 1998. Brian “Brock” Brockenshire and I were the Artistic Directors of the original Renaissance Festival in Ontario. That year, we were thinking of ways that we could use our skills outside of our regular theatre commitments and possibly develop some workshops/performances. We edited down Taming of the Shrew to be only Kate and Petruchio, and we performed that at the Renaissance Festival each weekend. We also performed it at the Parent Festival in Maryland later that summer. From that, we took the name to become Shrew’d Business. 

(Pictured: Ceris Thomas, co-founder of Shrew’d Business.)

Q. Is your company best described as professional or not-for-profit community theatre? Or both? 

We can fit in either category. We do a large amount of work in the community theatre scene and in high school in and around London, but since Brock is an Equity member, he has also done work with professional companies. Specifically, he has done nineteen shows for the Lighthouse Festival. Usually, one a season, depending upon pandemic influences, and it is due to them that we have a naval cannon in our home that we can fire for the trick-or-treaters on Hallowe’en.

Q. What venue(s) do you use to stage your productions? 

We have staged two Fringe productions, The Fantasticks and [They Fight!]. These were both in the Spriet Theatre in the Covent Market Building. We also staged The Seafarer at TAP in 2016. We plan to remount that show in 2026.

(Pictured: Brian “Brock” Brockenshire, co-founder of Shrew’d Business.)

Q. Does your company have a Mission or Statement of Purpose? 

We provide quality training for violence on stage. We do more than just violence of course, but that is our main focus. We have been instrumental in several exciting productions for Londo Community Players, Original Kids Theatre Company and Musical Theatre Productions, as well as multiple productions in high schools, and smaller community groups. We rent equipment and have accessed specialty items for specific shows. We are licensed pyrotechnicians, so we have helped shows like You Can’t Take it With You to blow up things on stage. 

Q. Does your company have a Board of Directors and paid Staff? 

We only have four company members, so we do not require a Board. Our members are paid for many productions, as violence is not something you should leave to the untrained. Depending upon the budget of the show, we can usually come up with a reasonable fee. It is more important to us that a show be safe than incredibly lucrative. 

Q. Tell me about your 2025-2026 Season. Does it have any underlying theme? 

We don’t have any specific productions for our company this year, but we are helping with Deathtrap, Urinetown, Misery, and The Three Musketeers for other companies.

(Pictured: Apprentice Fight Director Kerry Hishon.)

Q. Do you have any thoughts about the London area theatre community and your part in it? 

We moved to London from Toronto in 2005. The intention was for Shrew’d Business to be able to help a variety of productions and members of shows grow in their experience and training for dangerous stage movement. Even in professional theatre we have witnessed real slaps on stage, and this should never happen. The safety of performers and the comfort of the whole team and audience are paramount in our work. 

Since I have a love of puppets, we have also been charged with building some interesting creations that have been used on a bunch of stages in and around London. Helping a show be the best possible version is always our goal. There are very few cases where we have said “no” to a team. This has only happened when the timeline was too short, the expectations were too high, or the team was deluded about their thoughts for their show. We’d always prefer to be helpful, but there just are sometimes when you know you can’t have your name associated with something, and safety is that line in the sand.

We’ve been working in London theatre for twenty years and many more years before that elsewhere. At some point, we will need to slow down and eventually stop because staging this specialized kind of work is very draining and becomes physically impossible as the body ages. Hopefully, when that time comes, London companies will realize that they will have to either choose shows without violence or hire them elsewhere to keep their productions safe. 

(Apprentice Fight Director, Dustin Didham.)

For more information about Shrew’d Business, visit https://www.shrewdbusiness.com/

Follow on Facebook https://www.facebook.com/shrewdbusiness.ca/#

Follow on Instagram https://www.instagram.com/shrewd_business/