“I would rather have 30 minutes of wonderful than a lifetime of nothing special.” – Shelby Eatenton-Latcherie, in Robert Harling’s Steel Magnolias
The Elgin Theatre Guild’s production of Steel Magnolias in St. Thomas delivers two and a half hours of something truly special.
Set in Truvy Jones’ beauty salon in small-town Louisiana during the 1980s—where secrets, gossip, and the occasional sweet treats are shared—Steel Magnolias is a story of unwavering bonds and enduring friendship. The set, though simple, radiates authenticity and rustic charm, immersing the audience so completely that it feels as though we are peering through the salon’s mirror where its patrons peer back at us.
A great theatre experience should educate, entertain, and inspire, guiding the audience through a journey of emotions. This production does exactly that—moving effortlessly from heartwarming laughter among friends to moments of fear, loss, and grief. It is performed with such conviction that one almost forgets they are sitting in a small theatre in downtown St. Thomas.
(Steel Magnolias Set. Photo Credit: Ross Davidson)
A Director’s Vision, A Cast’s Strength
Much credit goes to director Cindi Armer Almeida, who assembled a strong ensemble capable of carrying the weight of such a beloved play turned feature film. Each woman brings her own distinctive energy and colourful take on the characters to the role.
Susan Williams perfectly embodies Clairee Belcher, the quintessential Southern lady of society.
Sile Ferguson is endearing as the shy and slightly insecure newcomer, Annelle Dupuy-DeSoto.
Kim Braine-Ott delights as the sharp-tongued yet lovable Ouiser Boudreaux—a role performed with just the right mix of bite and heart.
Their performances provide a rich foundation that ensures the story never falters.
The three leads, however, are the true standouts of this production.
Sarah Abbot-Taylor brings Truvy to life with warmth, wit, and charm. Her facial expressions, movements, and just that absolute feeling of authenticity transport us straight to the bayou.
Makayla Ashenden’s Shelby is magnetic—delicate yet strong, embodying the duality of steel and magnolia with such a beauty and grace, you are completely drawn into her character.
Sam Sabathy gives a breathtaking performance as M’Lynn. Her emotional journey ebbs, flows, and then crescendos into a devastating second act that leaves the audience in tears. It was, quite simply, phenomenal. A word I don’t use lightly.
(Pictured: Cast and Crew of Steel Magnolias. Photo Credit: Ross Davidson)
Rarely have I seen a community theatre performance stir such a genuine emotional reaction from an audience. The believability of these performances and cohesiveness of the cast is what makes it a bona fide success.
In her Director’s Notes, Almeida writes, “It’s the perfect play to see right now given the climate of today’s headlines.” Indeed, the production resonates as a timely reminder of the healing power of laughter, love, and friendship. The need for connection is universal, and this play underscores it with compassion and truth.
Prepare to be moved. Bring your friends, family, and loved ones to Truvy’s beauty parlour, and allow yourself to be immersed in the lives of these six remarkable women. You’ll leave with a renewed appreciation for the strength of friendship and the beauty of human connection.
Bravo to the cast, crew, and director. May this production enjoy an excellent run.
If you go:
ELGIN THEATRE GUILD – Home Where – Princess Avenue Playhouse, 40 Princess Avenue, St Thomas Tickets: $25 plus fees When – September 18th – 28th, 2025
This is the ninth in a series of Q&A Profiles with London area theatre companies and groups. Today, we profile the London Performing Arts Academy (LPAA).
Q. When was your company founded? By whom and why?
Renée and Courtney Murray founded the company in December 2019, with one high school cast of 14 students.
We wanted to provide a professional level of training for young people and make it affordable and accessible to people who may not otherwise have been able to be involved. We make sure our students feel included in the process and also learn what it is like to be part of a professional theatre production.
(Pictured: Courtney Murray)
Q. Is your company best described as professional or not-for-profit community theatre? Or both?
Not-for-profit, Community Theatre and Youth Performing Arts training in dance, vocals, and acting
Q. What venue(s) do you use to stage your productions?
We used to use The Wolf Performance Hall, but we just built our own 130-seat venue, so they will be at 3-80 Bessemer Road now, in the LPAA Family Theatre
Q. Does your company have a Mission or Statement of Purpose?
We want everyone to have the opportunity to experience the world of Musical theatre and fine arts. We strive to create and maintain an inviting, inclusive community where our students have growth and performance opportunities while enjoying their love of theatre.
Q. Does your company have a Board of Directors and paid Staff?
Yes
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
This is a new year, a new direction for us. We have just built a 130-seat Performance venue in our new location. We are adding more programs and look forward to welcoming new families. We are adding programs as young as “mom and tot” and adding homeschool day programs to accommodate the needs of more families in the community.
Q. What show(s) will you be staging this fall (September to December)? Could you tell me a little bit about each?
Our first production is in December, presented by our Senior Company. They will be performing Stephen Sondheim’s Into the Woods. We have two very talented casts of High School Students. The show will run for ten days.
In January, we will be presenting Mary Poppins, and then in February, we will be presenting our Community Theatre Production of The Little Mermaid. Up next in May-June, we have Legally Blonde presented by our Seniors, Beetlejuice presented by our Juniors, and Alice in Wonderland presented by our Minis.
Q. Do you have any thoughts about the London area theatre community and your part in it?
London is a city rich in talented people with a passion for the arts. We love watching theatre here, and we love being able to produce theatre here.
LPAA has been a proud supporter and sponsor of many community theatre and youth programs. The city has a place for all of us, offering various programs, training, and classes to both our students and patrons, and we love being part of that beautiful community.
This is the seventh in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile the Ingersoll Theatre of the Performing Arts (ITOPA).
Q. When was your company founded? By whom and why?
In 1976, a group of people began meeting to explore the possibility of setting up a community theatre. A set of by-laws was drawn up, a name chosen, a logo designed, and ITOPA was incorporated under the Charitable Organizations Act.
Q. Is your company best described as professional or not-for-profit community theatre? Or both?
ITOPA is a volunteer, non-professional community theatre company that provides live entertainment in the form of music, plays, and other events.
Q. What venue(s) do you use to stage your productions?
In the fall of 1980, ITOPA moved to its present location, 88 Thames Street South, Ingersoll, ON.
Q. Does your company have a Mission or Statement of Purpose?
ITOPA is a theatre of and for our community. We are committed to connecting, inspiring, and enriching everyone who we welcome into our safe space. ITOPA believes that theatre is an essential component of life and that every aspect should be available to all. Through contact, involvement, and exposure to the arts, we utilize the power of the theatre environment to foster inclusion, expression, and positivity for our entire community.
Q. Does your company have a Board of Directors and paid staff?
ITOPA is run by a volunteer board of directors who are selected from the membership.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
The only theme for the 2025-2026 season is FUN!
Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each.
7-10 Split
By Michael G Wilmot
October 10, 11, 12*, 16, 17, 18*, 19*
Showtime: 7:30pm
*indicates Matinee performance 2:00pm
Since his aspirations to be a pro bowler went off the rails, Earl has tried one get rich quick scheme after another.
This time, things are different when a rich Count from the Internet has offered him money to help save his fortune.
Five classmates come together for their 30th high-school reunion.
Some see it as a welcome trip home, while others see it as an obligation, and a few never even left.
But as the night wears on, the one-time classmates start to reconnect and reminisce.
And the more alcohol that’s consumed, the closer the friends come to confronting their darkest secrets.
The Drowsy Chaperone
Music and Lyrics By Lisa Lambert and Greg Morrison Book by Bob Martin and Don McKellar
May 29, 30, 31* June 4, 5, 6*, 7* Showtime: 7:30pm *indicates Matinee performance 2:00pm
With the house lights down, a man in a chair appears on stage and puts on his favorite record: the cast recording of a 1928 musical.
The recording comes to life, and The Drowsy Chaperone begins as the man in the chair looks on.
Mix in two lovers on the eve of their wedding, a bumbling best man, a desperate theatre producer, a not-so-bright hostess, two gangsters posing as pastry chefs, a misguided Don Juan, and an intoxicated chaperone, and you have the ingredients for an evening of madcap delight.
Winner of five Tony Awards, including Best Book and Best Original Score, The Drowsy Chaperone is a loving send-up of the Golden Age musical, featuring one show-stopping song and dance number after another.
alvegoroot theatre presents the last tempation of cinema, sept. 20, at the hyland cinema.
Part of Doors Open London
Before the multiplexes, single-screen cinemas reigned supreme in London, Ontario. An accidental live play takes place when a documentary about the Hyland Cinema and London’s other legendary movie houses isn’t finished rendering in time for the screening. Two socially anxious filmmakers endeavour to recreate their documentary and define the golden age of movie-going.
There will also be live music from noon till 1:00 PM as Paul Stevenson and Stephen Holowitz play a Jazz set of movie themes.
Written by Kydra Ryan and Adam Corrigan Holowitz Directed by Adam Corrigan Holowitz Performed by Luis Marin and Kydra Ryan
Live Performance: Saturday, September 20 at 11:30 AM Saturday, September 20 at 1:00 PM Saturday, September 20 at 2:30 PM
Running Time: 30 Minutes
Location: Hyland Cinema, 240 Wharncliffe Road S Free Admission
doors open 2025: swing dance party, sept. 20.
Explore local history through dance! Learn basic moves in Lindy Hop and West Coast Swing, then join the dance party featuring live music by The Bettys.
September 20, 2025, 10am-2pm Queens Park (outside Western Fair Market) 925 Dundas St FREE
10am Demo & Dance History 10:30am Lindy Hop Workshop 11am Dance Party w The Bettys
12pm Demo & Dance History 12:30pm West Coast Swing Workshop 1pm Dance Party w The Bettys
Step back in time and learn some local history through the lens of Swing Dance. Join the Centre of Movement Arts and local dance artists at the Western Fair Market for the next chapter in the Audrey (Peck) Varty legacy event series.
Fun for the whole family! Watch an engaging demo showing how Lindy Hop and West Coast Swing have evolved from social dances of the 1920s and 30s, and join in a workshop to learn the basic steps. Then you can try out your new moves at a dance party with live music!
In the 1930s, Audrey Peck and her friends spent many evenings dancing the night away to the sounds of Big Bands. It was on such a night that she was swept off her feet by the dancing skills of her future husband.
It’s the first week of Music Bingo at The Morrissey House!
Join us Tuesday, Sept. 17th at 7:30 PM for our launch night, hosted by our friends at Forked River Brewing.
We’re kicking things off with an ’80s music edition — neon, big hair, and all your favorite throwback hits.
jazz nights at the peppermoon restaurant, sept. 18 & 25.
Upcoming Jazz Nights:
Uptown Affair ft. Tanya Lovell & John Brocksom
September 18, 2025 |
6 PM – 9 PM
Chris Alcantara & Don DiCarlo
September 25, 2025
Free Entry
Reservations Recommended
1100 Commissioners Rd E, London, Ontario
Come enjoy live jazz music in London, Ontario, delicious food, and the best vibes in partnership with the London Jazz Association. Perfect for music lovers, foodies, and anyone looking for a cozy night out.
this week at the library, sept. 15-20.
doors open london, sept. 20 & 21.
Get ready to step into the heart of London like never before! From hidden gems to iconic landmarks, Doors Open London invites you to explore 40+ incredible sites across the city — all for FREE! There’s something for everyone to discover.
Saturday, September 20 & Sunday, September 21, 2025
the Jeffery concerts presents Penderecki String Quartet with Arthur Rowe, piano, sept. 19, at the wolf performance hall.
No stranger to London audiences, the ever-popular Penderecki String Quartet will be opening the 2025-26 season. This celebrated ensemble, known for its technical brilliance and emotional depth, will join forces with acclaimed pianist Arthur Rowe in Shostakovich’s Piano Quintet in G minor. Don’t miss this occasion to witness musical excellence at its finest. Repertoire:
W. Mozart: String Quartet No. 20 in D major, K.499 L. Janáček: String Quartet No. 1 “Kreutzer Sonata” Intermission D. Shostakovich: Piano Quintet in G Minor, op. 57
Steel Magnolias – Sept 18-28, 2025 By Robert Harling The action is set in Truvy’s beauty salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to have their hair done. Helped by her eager new assistant, Annelle (who is not sure whether or not she is still married), the outspoken, wise-cracking Truvy dispenses shampoos and free advice to the town’s rich curmudgeon, Ouiser, (“I’m not crazy, I’ve just been in a bad mood for forty years”); an eccentric millionaire, Miss Clairee, who has a raging sweet tooth; and the local social leader, M’Lynn, whose daughter, Shelby (the prettiest girl in town), is about to marry a “good ole boy.” Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions, the play moves toward tragedy when, in the second act, the spunky Shelby (who is a diabetic) risks pregnancy and forfeits her life. The sudden realization of their mortality affects the others, but also draws on the underlying strength—and love—which give the play, and its characters, the special quality to make them truly touching, funny, and marvelously amiable company in good times and bad.
2025 Grand Theatre High School Project presents Disney’s Newsies, sept. 17-27.
More than sixty high school students from London and area – representing seventeen different schools – make up the student company of Disney’s Newsies. Thirty-eight students make up the on-stage cast, two student musicians will be performing with the live orchestra, and twenty-one student artists are working behind the scenes in production roles, including wardrobe, props, lighting, sound, stage management, carpentry, scenic art, and marketing/photography.
Newsies invites audiences to step into turn-of-the-century New York City, a time of skyscrapers and money makers. This year’s Grand Theatre High School Project production tells the story of charismatic Jack Kelly and his gritty band of newsies, united in the fight against newspaper giants. When greedy publishers decide to raise distribution prices at the newsies’ expense, it’s up to Jack and his pals to be stronger together and fight for what’s right.
Single tickets range from $26-$55 and are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.
Port Stanley Festival Theatre Presents Simon Joynes Playwrights’ Festival 2025: A Celebration of Canadian Stories, sept. 18-20.
The Festival is free, but PSFT does accept donations, which help the theatre to continue to support Canadian Playwrights and Canadian stories. We are a nation overflowing with talent, and providing an opportunity to showcase such talent is a strong part of PSFT’s mandate.
Please reserve your seats by clicking on the show below, or call the box office at 519-782-4353.
Thursday, September 18, at 7:30pm, Deadly Memories by Steven Gallagher.
Friday, September 19, at 7:30pm, Hart’s Crossing by Tracey Hoyt.
Saturday, September 20, at 7:30pm Ship To Shore by Norm Foster.
Ticket purchases are final sale. No refunds will be issued.
Once your ticket is purchased, the purchaser’s name will be on the list at the door, and you will be required to provide it to gain entry. No physical tickets are necessary. You will be asked to show ID at the door.
Food, beverages, and Salthaven merch will be available for purchase at the event, along with a silent auction to help support wildlife.
All profits from this event will go to Salthaven!
Salthaven’s Founder and Director, Brian Salt, is the heartbeat of the band as their drummer and vocalist! The other members include the incredibly talented Doug Varty on lead vocals and guitar, and the electrifying Ted Floyd on vocals and bass. Together, they lit up the ’80s with a string of chart-topping hits. Not only that, but they shared the stage with legends like John Mellencamp, Frankie Valli, and the Beach Boys. Special guests for the evening include Jim Chapman & The ’60s All-Star Band.
friends of fiddler’s green, sept. 21, chaucer’s pub.
This is our traditional season opening concert is with Friends of Fiddler’s Green. This is our 32nd season at Chaucer’s Pub, and we have a fantastic lineup of concerts planned for you. Visit www.folk.on.ca
The “Friends” boast six versatile musicians, five fine singers, three songwriters, brilliant joke tellers, the occasional fiery dragon, one Order of Canada, one Queen’s Diamond Jubilee Medal, and one of the longest track records in Canadian Folk Music. The Friends were recipients of the 2003 Estelle Klein Award, given by the Ontario Council of Folk Festivals (FMO) for service to folk music in Ontario. The current band members are Ian Bell, Alistair Brown, Grit Laskin, Jeff McClintock, Ian Robb, and James Stephens.
This totally uncategorizable collection of Friends has been together, with a few personnel changes, since their inauguration at Toronto’s Fiddler’s Green coffeehouse in 1971. Nobody, not even the Friends themselves, can predict what might happen during one of their concerts, but it always includes humour, powerful vocal harmony, great musicianship, social commentary, and an irresistible urge to tap your feet or sing along.
122 Carling Street, London, Ontario.
carly Thomas, sept. 20, palasad socialbowl.
Special 3-set showcase! Licensed – All Ages – Free.
learn the time warp dance night, sept. 21, poacher’s arms.
Don’t dream it, dance it Join us at Poachers Arms for a Pub night of absolute pleasure as we teach you the Time Warp step by step.
Instruction by our incredibly talented Director extraordinaire herself, Melanie Stewart. This is your chance to learn the jumps to the left, AND the steps to the right- So you are PREPARED to dance the time warp AGAIN October 23rd-November 2nd @ The Palace Theatre! This is OUR time warp- unique to our show’s choreography.
Come for a dance class! Come to have fun! Come to watch! Dress up in your best Transylvanian look!
PWYC cash @ door with 50/50 proceeds to our production, and QI. Contact Poacher’s directly by phone for access to the elevator. (519) 432-7888.
laura gagnon, sept. 19, the windjammer inn.
Call ahead to reserve your seat! $30 includes music by Laura Gagnon and Food by Chef Kim! Last time, the food never stopped coming!!! Melt in your mouth goodness YUM!! Come hang with the locals and get to know your neighbour!
forest city film festival public launch, sept. 18, museum london.
The wait is over! The 2025 Forest City Film Festival Public Launch is happening this Thursday (Sept 18) at Museum London, and it’s FREE!
Join us as we unveil the full lineup of films, celebrate local creators, and start the countdown to our 10th anniversary. This is the start of an epic festival season, and we want YOU there!
This Thursday | 5PM – 7:30PM
@museumlondon | 421 Ridout St N
Don’t miss your chance to be part of this milestone moment. Come for the films, stay for the excitement, and celebrate a decade of storytelling with us!
green day tribute, sept. 20, roxbury pub & grill.
GREEN DAY TRIBUTE SAT, SEPT 20. St Jimmy’s Army and their tribute to the legendary pop-punk band, Green Day! Also playing best of the 90s.
Back by popular demand, the return of Motown Gold Live. This epic multimedia extravaganza will leave you wanting more. A musical celebration of the legendary record label. Saturday, September 20. Aeolian Hall. London ON.
For over twenty-five years, the Grand Theatre High School Project has offered an exceptional opportunity for students to receive education and training in the working environment of a professional theatre, at no cost to the participants.
Each year, high school students from the London area are mentored by professional artists and coaches in all departments (performance, stage management, props, wardrobe, scenic art, carpentry, orchestra, sound, lighting, stage, and marketing), culminating in a production staged on the Grand Theatre..
The 2025 Grand Theatre High School Project, Disney’s Newsies, plays on the 839-seat Spriet Stage from September 17 to 27. The power of youth will be on full display with this vibrant musical spectacular, famed for its imaginative and iconic dance sequences, inspired by a true story, and featuring a Tony Award-winning score that includes songs such as “Carrying the Banner,” “Seize the Day,” and “King of New York”.
More than sixty high school students from London and area – representing seventeen different schools – make up the student company of Disney’s Newsies. Thirty-eight students make up the on-stage cast, two student musicians will be performing with the live orchestra, and twenty-one student artists are working behind the scenes in production roles, including wardrobe, props, lighting, sound, stage management, carpentry, scenic art, and marketing/photography.
Newsies invites audiences to step into turn-of-the-century New York City, a time of skyscrapers and money makers. This year’s Grand Theatre High School Project production tells the story of charismatic Jack Kelly and his gritty band of newsies, united in the fight against newspaper giants.When greedy publishers decide to raise distribution prices at the newsies’ expense, it’s up to Jack and his pals to be stronger together and fight for what’s right.
(Pictured: Keirah Buckley & Trent Robichaud. Costume Design by Lisa Wright. Photo: Mai Tilson)
One of the most influential powers in Canadian musical theatre, Ray Hogg (Natasha, Pierre, and the Great Comet of 1812; A Strange Loop; Musical Stage Co.),has been in residency at the Grand Theatre to lead this year’s High School Project production and direct the newest cohort of student artists through the Grand’s one-of-a-kind theatrical incubator. In step with Hogg is an all-star creative team led by Music Director Matthew Atkins (London Gospel Collective), Choreographer Krista Leis (Stratford, Broadway), Set Design Consultant Joshua Quinlan (Stratford, Crow’s, Mirvish), Costume Designer Lisa Wright, Lighting Designer Echo Zhou 周芷會, Sound Designer Emily Porter, Fight Director Mike Dufays, Disability Consultant Kristi Hansen,and Stage Manager Melissa Cameron.
(Pictured: Rachel Peake, Artistic Director, The Grand Theatre)
“Year after year, the Grand Theatre High School project shows us just how much young people can do when given the space to grow into their potential. Whether onstage or behind-the-scenes, this huge group of young people has been challenged to the extreme on this show,” shares Rachel Peake, Grand Theatre Artistic Director. “It calls on them to execute all elements of musical theatre to the highest level. This exceptional creative team has set the bar high, and day after day, those of us working with these students are deeply impacted by how they continually exceed our expectations.”
Disney’s Newsies
Music by Alan Menken Lyrics by Jack Feldman Book by Harvey Fierstein Based on the Disney Film written by Bob Tzudiker and Noni White Originally produced on Broadway by Disney Theatrical Productions Directed by Ray Hogg
September 17 to 27 on the Spriet Stage at the Grand Theatre
Single tickets range from $26-$55 and are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.
This is the sixth in a series of Q&A Interviews with representatives of London area theatre companies and groups. Today, we interview Lisa Cardinal, co-founder of Infuse Productions.
Q. When was your company founded? By whom and why?
Infuse Productions was founded in 2025 by Lisa Cardinal and Mel Stewart. We knew for years that we wanted to put on a show together and had a different show planned for the fall of 2025. When we realized that 2025 was the 50th anniversary of The Rocky Horror Show – the show that we met on ten years earlier – we knew it was the right one to kick off Infuse Productions with.
Q. Is your company best described as professional or not-for-profit community theatre?
We are a community theatre who are committed to profit-sharing with our dedicated casts and crews.
(Pictured: Infuse Productions co-founders, Mel Stewart and Lisa Cardinal)
Q. What venue(s) do you use to stage your productions?
Our first production, a co-production with London Community Players (LCP), will take place at the Palace Theatre. The Palace and LCP are the ideal venues for our rendition of Rocky Horror, and in the future, we are open to working at other venues based on the show’s needs.
Q. Does your company have a Mission or Statement of Purpose?
To infuse is to introduce one thing to another, to fill it with a certain quality, and results in a change for the better. This is core to our values and how we work: the artists we work with bring their own talents and experiences, and we are excited to explore how we will continue to infuse side-by-side.
Q. Does your company have a Board of Directors and paid staff?
No
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
Even though this is Infuse Production’s first season, this is a milestone for us personally. We first worked together ten years ago, and now we are celebrating the 50th Anniversary of the film and The Palace. One of our themes is The Reveal. Not only are we revealing what you can expect from Infuse Productions, we are also taking this cult classic and bringing it to the stage and offering occasions for antici…pation. And we have so many things to reveal, so whether it’s your 50th time seeing Rocky Horror or your first, we’re sure that you will be entertained!
Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each.
The Rocky Horror Show, October 23 to November 2 at the Palace Theatre, a co-production with London Community Players..
Q.Do you have any thoughts about the London area theatre community and your part in it?
We are a strong community that has been transforming and growing across every organization. We are very excited to have received such a warm welcome, and we cannot wait to share what we’ve been working on with audiences.
This is the fifth in a series of Q&A Interviews with representatives of London area theatre companies and groups. Today, we interview Sean Brennan of Banished By The King Productions.
(Who is The Banished Guy? The Banished Guy was originally drawn by Sean Brennan in Grade 3. You can easily tell by the crooked smile, misshapen ears, and lumpy eyes why the King would banish this guy.)
Q. When was your company founded? By whom and why?
Our company was founded in 2009 as a dream to continue to produce, write, and act in shows after graduating from university. Many of our original and founding members attended King’s University College, and thus, once our studies were over, we became Banished By The King. Over the years, the group has morphed and grown to include the talents of many members of London’s thriving community theatre scene.
(Pictured: Sean Brennan,Banished By The King Productions)
Q. Is your company best described as professional or not-for-profit community theatre? Or both?
We are a community theatre group.
Q. What venue(s) do you use to stage your productions?
As of 2019, we have been producing at Procunier Hall at The Palace Theatre. Previously, we produced our work at The Arts Project. As of 2024, we have become the Theatre Company in Residence at the Palace Theatre Arts Commons.
Q. Does your company have a Mission or Statement of Purpose?
We create original and unique theatre experiences for our audiences. Since 2009, we have produced eighteen full productions and staged readings, and will continue to push ourselves as artists and creative people.
Q. Does your company have a Board of Directors and paid staff?
No.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
We will be remounting a previously successful production of The Family Creetin by Patrick Brennan in April 2026 at the Palace Theatre.
Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each.
Our auditions for The Family Creetin booked up quickly, and the wait list continues to grow. Keep your eyes open as we’re hoping to have another staged reading or fundraising event in the fall. Check out banishedproductions.ca for all upcoming news.
Q. Do you have any thoughts about the London area theatre community and your place in it?
The London Theatre community is a vibrant tapestry that encompasses many differing groups, ideas, and organizations. With an aim to entertaining and enlightening audiences, we look forward to contributing to that tapestry and reflecting our original and unique community in our work.
This is the fourth in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile the Grand Theatre, London’s premier professional theatre company.
Q. When was your company founded? By whom and why?
In 1934, the four amateur drama guilds in London, The London Drama League, The Half-Way House Players, The Meredith Players , and The Community Drama Guild, pooled their resources together to become London Little Theatre. With the amalgamation, London Little Theatre was able to afford to rent the Grand Theatre. In 1945, the London Little Theatre purchased the Grand Theatre building from Famous Players.
In 1971, London Little Theatre became a professional theatre company known as Theatre London.
In 1983, Theatre London changed its name to the present Grand Theatre.
Q. Is your company best described as professional or not-for-profit community theatre?
The Grand Theatre is a not-for-profit professional theatre company, known for world-class theatre created and built in London, Ontario. As southwestern Ontario’s premier producing theatre and one of the most beautiful theatre spaces in Canada, the company has deep ties to the community and to its artists, artisans, and technicians.
It is one of twenty-two Regional Theatres across Canada, typically the largest or most established company in an area, serving the dual role of bringing work and artists from the national or world stage to the region while also celebrating work and artists from the region.
The Grand Theatre is also ranked as a Category A theatre, one of twenty of Canada’s largest and highest budget theatres alongside Mirvish Productions, the National Arts Centre, and the Stratford Festival.
Q. What venue do you use to stage your productions?
The Grand Theatre, 471 Richmond St, London, Ontario.
Q. Does your company have a Mission or Statement of Purpose?
OUR VISION
The place to gather where world-class theatre thrives.
OUR MISSION
We create live professional theatre that gathers, inspires, and entertains audiences in London and beyond.
Q. Does your company have a Board of Directors and paid staff?
The Grand Theatre has a volunteer Board of Directors. The Grand Theatre Foundation has a volunteer board of directors. In a typical season, the Grand Theatre will work with one hundred or more professional guest artists, and approximately an equal number of production, technical, and administrative professionals and staff.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
The Grand Theatre’s 2025/26 season, titled “You Are Here”, invites theatregoers on a year-long trip full of visits to places they love, or have been dying to see. Stopping at unknown destinations along the way, unlocking delightful discoveries that they can’t wait to revisit.
In the plays this season, there is a theme of people trying to go it alone. But at their heart, these joyful plays are about quite the opposite. They are about the discoveries we make when we come together in community— the same way we do when we go to the theatre. The same way we do when we come to the Grand: the place to gather where world-class theatre thrives.
Q. What shows will you be staging this fall (September to December)? Tell me a little bit about each.
The Grand’s 2025/26 season will launch with the hilariously chaotic The Play That Goes Wrong by Henry Lewis, Henry Shields & Jonathan Sayer, and directed by former Grand Theatre Artistic Director Dennis Garnhum, director of last year’s smash-hit comedy CLUE.
(Pictured: Company members in THE PLAY THAT GOES WRONG, 2024, The Citadel Theatre in partnership with Theatre Calgary and Royal Manitoba Theatre Centre. Photo by Nanc Price.)
This will be followed by the wonderfully magical holiday hit, Disney’s Frozen, directed by Grand Theatre Artistic Director Rachel Peake, a co-production with Edmonton’s Citadel Theatre.
In the New Year, the Grand Theatre welcomes fresh beginnings withPrimary Trust by Pulitzer-winning playwright Eboni Booth, a co-production with Crow’s Theatre.
In February, experience the star-studded musical drama Piaf/Dietrichby Daniel Große Boymann and Thomas Kahry, adapted by decorated Canadian playwright Erin Shields, intertwining the lives of Marlene Dietrich and Edith Piaf in a dazzling tribute.
Next, travel back to Victorian England with Oscar Wilde’s beloved comedy The Importance of Being Earnest.
Finally, land in the northeast tip of North America for the heartwarming and uplifting Come From Away, the Tony and Olivier Award-winning Canadian musical by Irene Sankoff and David Hein.
And don’t forget about Newsies, this year’s Grand Theatre High School Project, Disney’s NewsiesThe Musical.
Music by Alan Menken Lyrics by Jack Feldman Book by Harvey Fierstein Based on the Disney Film written by Bob Tzudiker and Noni White Originally produced on Broadway by Disney Theatrical Productions
September 17 to September 27, 2025
Opening Night: Friday, September 19
Spriet Stage
Q. Do you have any thoughts about the London area theatre community and your place in it?
As one of Canada’s premier producing theatres and a vibrant cultural hub, the Grand Theatre delivers world-class productions that both engage and inspire, while fostering deep connections within our community.
We strive to be the cornerstone of entertainment in London, to support the artistic community and the development of theatre-makers, and to be a trusted place for communities to gather where the diversity of their lives is reflected. Our spaces offer a welcoming and accessible environment, intended to act as a hub within the community. We are committed to growing the number of local professional artists working on our productions, and to being a national teaching theatre working to correct imbalances in the industry by providing opportunities for artists from equity-denied groups.
The Grand Theatre and the City of London benefit from a vibrant collection of community theatre companies, many of which produce shows on the Grand’s Auburn Stage and connect with the Grand through initiatives designed to welcome and nurture the talented theatre artists who call London home. Artists in the Auburn gathers emerging and local artists for a hands-on workshop series, speaker series, available rental space, and season-long Playwrights Lab, led by director, dramaturge, and Grand Theatre Artistic Director Rachel Peake.
The Grand engages dedicated professional artists from across the country – and around the world – to create world-class, London-made productions on our stunning 839-seat Spriet Stage each season.
The annual Simon Joynes Playwrights’ Festival is an integral part of the PSFT play development program, which has produced premiere productions that include The Beaver Club, Our House, Bingo Ladies, and Five Alarm. The play program was also instrumental in the early stages of development for Liars at a Funeral and The Birds and the Bees.
This year, the Festival will present three new Canadian plays, and patrons will have the chance to be part of the creative process and hear brand new scripts from some wonderful playwrights.
Three exciting new plays will be presented this year: Deadly Memories by Steven Gallagher on Thursday, September 18, Harts Crossing by Tracey Hoyt on Friday, September 19, and Ship to Shore by Norm Foster on Saturday, September 20. Celebrated playwright Norm Foster will be attending the reading of his featured work.
Following a single day of rehearsal, the plays will be presented as public readings followed by question/answer sessions with the playwrights and invited audience feedback, hosted by Artistic Director Liz Gilroy.
Actor and playwright Mark Crawford {Stag and Doe, Chase the Ace}, Martha Farrell {Stratford Festival}, Andy Pogson {Harry Potter and the Cursed Child, Mirvish Productions}, PSFT favourite Sarah Machin- Gale, Scott Maudsley {The Drawer Boy}, and Artistic Director Liz Gilroy are all confirmed to take part and bring these three new plays to life.
The Festival is free, but PSFT does accept donations, which help the theatre to continue to support Canadian Playwrights and Canadian stories. We are a nation overflowing with talent, and providing an opportunity to showcase such talent is a strong part of PSFT’s mandate.
Please reserve your seats by clicking on the show below, or call the box office at 519-782-4353.
Thursday, September 18, at 7:30pm, Deadly Memories by Steven Gallagher.
Friday, September 19, at 7:30pm, Hart’s Crossing by Tracey Hoyt.
Saturday, September 20, at 7:30pm Ship To Shore by Norm Foster.
The Beat Magazine was London’s premier independent arts print magazine from 2009 to 2013. After a long hiatus (nine years!), I reactivated its website as The Beat Magazine 2025 in late July.
My reason for doing so is straightforward. My goal is to gather together in one place the local arts and culture news that the mainstream London media outlets no longer seem interested in covering, unless there are exorbitant advertising dollars involved.
Since going live online, thebeatmagazine2025.ca has published Weekly Arts & Culture listings, Q&A Interviews with local musicians and artists, Media Releases about local Arts & Culture events, reprinted theatre Reviews from Entertain This Thought, and other general arts news, most of which has not been reported in the local media.
In mid-August, I invited all known active London and area theatre companies – community and professional – to participate in a Feature Story profiling them and their 2025-2026 seasons. Each company/group was sent a generic Questionnaire designed to enable me to gather the necessary information. Most (but, unfortunately, not all) responded with the information I was seeking.
Some companies/groups had lots to say, others not so much.
In light of this, I have decided to organize the responses in a Q&A format using the eight Guide Questions I sent to the companies.
Over the next couple of weeks, I will be posting a new Local Theatre Q&A every other day.
Posts will appear alphabetically, beginning with London’s AlvegoRoot Theatre.
AlvegoRoot Theatre – Telling local stories and creating local theatre of Southwestern Ontario. An Interview with Adam Corrigan Holowitz.
Q When was your company founded? By whom and why?
AlvegoRoot Theatre was founded in 2009 by Adam Corrigan Holowitz. Over our first three seasons, we found our mission to develop local plays which speak directly and meaningfully to London and the Souwesto Region.
Q Is your company best described as professional or not-for-profit community theatre?
AlvegoRoot is a professional theatre ensemble that primarily focuses on presenting local plays and supporting new play development. A quick note of clarification: not-for-profit vs non-profit. I am not a tax expert by any means, so I may not have the finer points down, but a non-profit exists for the advancement of social good (this can include clubs or recreational organizations) whereas a not-for-profit means any organization that does not have shareholders or an owner to benefit directly based on revenue. Almost all theatres in Canada operate on a not-for-profit basis, meaning they do not have shareholders. This includes most professional theatres. The artists and employees being paid for their labour does not make the venture for one. There are very few commercial for-profit theatres in Canada; Mirvish is the most notable. So, the distinction I generally make is between professional theatre and community/amateur theatre. Both are important, and both take different kinds of sacrifice.
Q Does AlvegoRoot Theatre have a Mission or Statement of Purpose?
Telling Local Stories, Creating Local Theatre
London Ontario’s AlvegoRoot Theatre supports the work of local playwrights and puts local stories onstage. 2025 marks AlvegoRoot Theatre’s 17th Season. Over those 17 seasons we have produced over 67 productions, 29 of which were world premieres of local plays. At The Manor Park Memorial Hall, AlvegoRoot presents theatre year-round, dedicated to providing a range of dynamic theatre experiences for audiences and supporting the growth of professional regional theatre makers.
Q What venue(s) do you use to stage your productions?
Our home base is The Manor Park Memorial Hall, where we present plays and special events year-round. We are honoured to manage and develop The Manor Park Memorial Hall into a performing arts venue that hosts the work of theatre artists and musicians from across our city. We also produce a summer production annually in June or July at Fanshawe Pioneer Village. We have been partnering with Fanshawe Pioneer Village since 2014.
Q Does your company have a Board of Directors and paid Staff?
Adam Corrigan Holowitz is the Artistic Director of AlvegoRoot Theatre, and Kydra Ryan is the Associate Artistic Director.
Q Tell me about your 2025-2026 Season. Does it have any underlying theme?
This season, our three mainstage productions, Medical Wonder, London Fog, and Sleigh Without Bells, have all had an overarching elemental theme of fire. The characters in each play must reconcile with humanity’s ability to create the means for destruction. In Medical Wonder, the character of Dr. Imogen Volek chooses between using her medical research as a means for healing or a means to create a biological weapon. In London Fog, the characters of Victoria and Albert use arson to disrupt and disturb the elite of Edwardian London. Finally, in Sleigh Without Bells, the massacre of the Donnelly Family of Biddulph is central to the play.
Q What show(s) will you be staging this fall? Tell me a little bit about each.
This fall, we present Sleigh Without Bells: A Donnellys Story by James Reaney (October 22) and a theatrical concert version of Colleening: The Letters and Poetry of Colleen Thibaudeau (Nov 7 – 9).
About Sleigh Without Bells: Lost in a blizzard, a young man finds himself at the Donnelly farmstead, the one place his father warned him not to tread. Now entangled in the darkest period in the lives of the Donnellys, his own life is in danger.
Written by James Reaney Directed by Kydra Ryan Performed by Adam Corrigan Holowitz.
About Colleening: Going COLLEENING is always an adventure for the friends of the great London poet Colleen Thibaudeau. You never know where you may end up. Her letters and poems create a captivating journey through childhood memories, home life, and Canadian culture.
Featuring songs based on her poems by Oliver Whitehead and Stephen Holowitz, this theatrical concert celebrates a seminal figure in Canadian literature with all the playful intensity and tender wit for which Colleen was known.
Directed and Created by Adam Corrigan Holowitz Text by Colleen Thibaudeau Music by Oliver Whitehead and Stephen Holowitz Music Direction by Stephen Holowitz Featuring Katy Clark, Paul Grambo, Kydra Ryan
This concert version of Colleening is part of Colleening 2025, a grassroots celebration of the centenary of acclaimed London poet Colleen Thibaudeau (1925-2012).
Q Do you have any thoughts about the London area theatre community and your part in it?
AlvegoRoot strives to create productions and events where our community can have meaningful interactions with live theatre. A goal of our work is to nurture rich relationships between the audiences, the artists, and the plays in a space where all members of the community can feel welcomed, needed, and comfortable to engage with theatre that tells our local stories and speaks to our local community.
The Souwesto arts movement, of which James Reaney and Colleen Thibaudeau were prominent members, greatly influences our work. The use of local stories, people, and geography is central to AlvegoRoot. Reaney’s playwriting influences me through aesthetics, poetry, and symbolism to tell local stories. Thibaudeau’s ability to saturate her poetry with local and personal details has influenced our writing and theatre-making. While a wide range of writers and theatre artists influence our work, Reaney and Thibaudeau’s work continues to influence AlvegoRoot on a spiritual level more than any other artists.
The Beat Magazine 2025 