Tag: theatre

Introducing The Palace Theatre Arts Commons

by Richard Young

This is the thirteenth in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile the Palace Theatre Arts Commons.

Q. When was your company founded? By whom and why? 

London Community Players (LCP) were founded in 1974. London Youth Theatre Education (LYTE) in 2012. Palace Theatre Arts Commons (PTAC) was formed in 2020, and the London Fringe Festival joined us then.

Q. Is your company best described as professional or not-for-profit community theatre? Or both? 

Non-profit community theatre

Q. What venue(s) do you use to stage your productions? 

David Long Stage (350-seat auditorium) and Procunier Hall (75-seat backbox theatre)

Q. Does your company have a Mission or Statement of Purpose? 

We believe everyone who wants to be entertained, provoked, inspired, or moved by theatre should be afforded the opportunity to do so.

We inspire and nurture individuals through volunteer and educational experiences in theatrical production and management.

We support and promote theatrical youth programs. In conjunction with our partners, we produce, present, and promote high-quality, affordable, entertaining theatrical experiences.

We provide extensive theatre resources for the broader community. We own and manage a heritage venue that is a destination of choice and is available to host a wide variety of cultural and community events.

We create opportunities in the performing arts for everyone in our community.

Q. Does your company have a Board of Directors and paid staff?

Board of 13 members and paid staff of 2 full-time and 2 part-time.

Q. Tell me about your 2025-2026 Season. Does it have any underlying theme? 

London Community Players – Mainstage (David Long Stage)

The Front Page: SCOOPED
September 25 – October 5, 2025

    The Rocky Horror Show
    October 23- November 1, 2025
    Co-production with InFuse Productions

      Deathtrap
      November 27 – December 7, 2025

        Urinetown: The Musical
        February 19 – March 1, 2026

          Mamma Mia!
          May 28-June 7, 2026

            London Community Players – Procunier Hall (Black Box)

            Three Tall Women
            October 16 – 26, 2025

            Closer
            February 5-15,  2026

            Harris Cashes Out
            March 5-15, 2026

            The Family Creetin
            with Banished by the King Productions
            April 16-25, 2026

              London Youth Theatre Education (LYTE)

              Junior Musicals (ages 8–13)

              Elf Jr. – December 19–21, 2025

              Junie B. the Musical Jr. – January 2026

                Senior Musicals (ages 14–18)

                Mean Girls High School Version – March 2026

                Anne of Green Gables: The Musical – March 2026

                Q. Do you have any thoughts about the London area theatre community and your part in it? 

                No response was given.

                For more information about the Palace Theatre Arts Commons and to purchase tickets, visit https://palacetheatre.ca/

                Follow on Facebook https://www.facebook.com/atthepalacetheatre/photos

                Follow on Instagram https://www.instagram.com/atthepalace/

                Follow LYTE on Instagram https://www.instagram.com/lyteatthepalace/

                Introducing Musical Theatre Productions (MTP)

                by Richard Young

                This is the twelfth in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile Musical Theatre Productions.

                Q. When was your company founded? By whom and why?

                Musical Theatre Productions (MTP) was founded in 1988, with the mounting of our very first musical – ‘Evita’. The founding members were Kevin Bice, Suzan Bingemann, Noreen DeShane, Eleanor Ender, Art Fidler, Vicky Fuss, John Gerry, John Hart, James Hill, Roger Macaulay, Ann MacMillan, Deborah Mitchell, Stephen Mitchell, and Alec Richmond.

                Q. Is your company best described as professional or not-for-profit community theatre? Or both? 

                Musical Theatre Productions is a registered not-for-profit community theatre company. With nothing to do regarding the sale of our productions or caliber of talent on our stages, we are an amateur theatre company. This means that folks on-stage, backstage, or even on the creative side, are all passionate volunteers dedicated to bringing musicals to life in London. 

                We do offer a small honorarium for certain creative positions as well as musicians, which is very different from what an artist would make working for a professional theatre company. 

                Q. What venue(s) do you use to stage your productions? 

                MTP does not have a dedicated performance space and has been lucky enough to partner and rent from many different venues across the city in our 30+ years of operation. Currently, we are very lucky to have an ongoing relationship with the Grand Theatre and are renting their Auburn Stage for all of the productions in our upcoming season. This is a wonderful space that acts as a blank canvas that our directors and designers adore! 

                (Pictured: Jacob Wiley, Publicity Director/Board of Directors, Musical Theatre Productions)

                Q. Does your company have a Mission or Statement of Purpose? 

                Our mission is simple, to consistently produce and advocate for high-quality community musical theatre for London, Ontario, Canada and the surrounding area.

                Q. Does your company have a Board of Directors and paid staff? 

                MTP has an operating board of currently twelve members (with a vacant seat). This dedicated group of community members work tirelessly to keep the registered charity afloat and ensure that Musical Theatre Productions is recognized for not only the theatre we create, but the experience of our volunteers and ticket holders. We are constantly working to create new policies and procedures, improving our EDI and Community Engagement initiatives – all to ensure that everyone regardless of identity, ethnicity or experience feels welcome, safe, respected, and embraced by MTP.  

                Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?

                Everyone at MTP is so excited for our 2025/ 26 BRIGHT & BEAUTIFUL SEASON. This season we invite you to join us in the bright and beautiful world of showbiz! We can’t wait to explore the golden age glamour, the rush of a live studio, and the surprise of the season that is certain to excite any fan of film or stage. We have something for everyone in the season ahead!

                MTP’s upcoming season wouldn’t be possible if it weren’t for our Season Sponsors: The London Arts Council, Old Oak, Ad Home Creative and The London Community Foundation. We are also immensely thankful to this season’s Printing Partner,: Andrus Direct.

                Q. What shows will you be staging this season? Tell me a little bit about each. 

                This December, join our 55+ branch, Silver Spotlight, for a taste of golden-age glamour with SST’s SHOWTUNE. Prepare yourself for a slice of musical theatre heaven. All Jerry Herman, all the time. Showtune delivers everything that its title promises… and then some! No lyric is left unsung in this top-notch retrospective of Herman’s phenomenal career in songwriting, presented by the Silver Spotlight Theatre wing of Musical Theatre Productions. Familiar tunes from such illustrious titles as Hello Dolly!, Mame, and La Cage Aux Folles will be stuck in your head long after this charming show ends. A performer-driven piece that has its heart in Herman’s words, it is the perfect celebration for the recipient of the 2009 Tony Award for Lifetime Achievement in the Theatre.

                Are we live? Roll camera this February on a live studio set with MTP’s BRIGHT & BOLD. Take a seat in our studio audience to witness the magic (and mishaps) of a live television variety show with BRIGHT AND BOLD – A Golden Age Winter Special. Our performers will enchant you on stage while revealing some of the behind-the-scenes antics that keep this show alive! Come see us recreate the golden age of television with star-studded performers that represent the beauty and diversity of our communities today. We’re not just recreating history, we’re rewriting it, in technicolour!

                Finally, we have our unannounced surprise of the season! Due to our license agreement, we aren’t able to announce this popular title, fans of film and stage adore, but we are certain that it will leave Londoners feeling like an ALL STAR! Stay tuned for the BIG reveal January 10, 2026!

                Q. Do you have any thoughts about the London area theatre community and your place in it?

                The London area is so lucky to have such a thriving local theatre scene. With so many wonderful companies and so much talent, there is always something to see and  talk about. With a dedication to only producing musicals, and 30 plus years of experience, we have a refined and distilled skill to bringing musicals to the stage in a unique way that only MTP can. From our shows to our gatherings and events, everything we do is infused with a unique MTP flair that we are proud to bring to the community. 

                To learn more about Musical Theatre Productions and the 2025-2026 Season, visit https://www.mtplondon.ca/

                Follow MTP on Facebook https://www.facebook.com/mtplondon

                Follow MTP on Instagram https://www.instagram.com/mtplondon/

                Introducing Mavis Productions: An Interview with Chase R. Montgomery.

                by Richard Young

                This is the eleventh in a series of Q&A Profiles with London area theatre companies and groups. Today, we interview Chase R. Montgomery, founder of Mavis Productions.

                Q. When was your company founded? By whom and why? 

                Mavis Productions got its start in 2019, but it really came into being in November of 2022 as the pandemic lockdown came to an end. It was founded because I wanted to bring more performing opportunities to South Western Ontario communities in the form of musicals and plays of all kinds, both famous/family and infamous/cult. 

                Q. Is your company best described as professional or not-for-profit community theatre? Or both? 

                Mavis Productions is best described as a touring community theatre company that visits multiple communities with our productions. It is our hope to continue to make shows bigger and bigger so that one day, grand-scale productions can be accessible to everyone during these hard financial times. 

                (Pictured: Chase Montgomery, Mavis Productions founder.)

                Q. What venue(s) do you use to stage your productions? 

                As a touring company, Mavis has several venues we currently call home.

                London: The Wolf Performance Hall, Joanne and Peter Kenny Theatre, and Paul Davenport Theatre.

                Fergus: The Fergus Grand Theatre.

                Chatham: The Kiwanis Theatre.

                St. Thomas: The Princess Playhouse.

                Alymer: Old Town Hall Theatre.

                Brantford: The Sanderson Centre of Performing Arts.

                Q. Does your company have a Mission or Statement of Purpose? 

                To bring new and unique entertainment, created by our communities for our communities. 

                Q. Does your company have a Board of Directors and paid Staff? 

                Mavis is comprised entirely of volunteers from many of our South Western Ontario and Michigan, USA communities 

                Q. Tell me about your 2025-2026 Season. Does it have any underlying theme? 

                Our 2026 Spring Season focuses on the struggles of Misfits. 

                Those of us, young and old alike, who just don’t fit in. Whether it’s because they were born different or thrown into circumstances that cause them to feel alone and struggle through this world.

                However, through sheer determination and self-reliance (or the help of newly found friends who are also misfits), they find their place in life and are ready to take on the rest of the world and the monsters that brought them to ruin. 

                We feel this resonates with Mavis and our communities, as it is a long-standing theme of our past seasons, and we are so excited to be bringing it forward again with these three musicals:

                The Lightning Thief: A Percy Jackson Musical (London and Fergus)

                Evil Dead the Musical (London)

                Joseph and the Amazing Technicolor Dreamcoat (Fergus and Brantford)

                Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each. 

                London Oct 9-18:

                Richard O’Brien’s The Rocky Horror Show

                This cult classic has become not only a long-standing tradition for Mavis but also one of London’s favorite annual events. As this will be the 4th year Mavis has brought this show to life for our London community, AND it is the 50-year celebration of the film, we cannot express the excitement and effort being put into it. 

                The show tells the story of young lovers Brad Majors and Janet Weiss, who find themselves in the company of a strange doctor (whose scientific endeavours are as strange to them as the clothes he wears), his servants, and a party full of unique characters. To say that it is a tale of Frankenstein with flair would be an understatement!

                With so much history and so much love from the world, especially for the iconic songs like Time Warp and Sweet Transvestite, Rocky Horror will delight any and all with its pleasurable ways. 

                Fergus

                November 13-16

                Tom Stoppard’s The Real Inspector Hound

                Moon and Birdboot, two drama critics, arrive to watch the performance of a new detective play, a parody of the conventional stage thriller. However, the private lives of the critics become inextricably mixed with those of the play’s characters until Moon is shot dead and the real Inspector Hound proves to be…?

                Brantford 

                December 27 and 28

                Andrew Lloyd Webber’s Sunset Boulevard the Musical

                In her mansion on Sunset Boulevard, faded silent-screen goddess Norma Desmond lives in a fantasy world. Impoverished screenwriter Joe Gillis, on the run from debt collectors, stumbles into her reclusive domain.

                Persuaded to work on Norma’s “masterpiece,” a film script that she believes will put her back in front of the cameras, Joe is seduced by her and her luxurious lifestyle. Joe becomes entrapped in a claustrophobic existence until his love for another woman leads him to try to break free with dramatic consequences.

                Q. Do you have any thoughts about the London area theatre community and your part in it? 

                The London community has been among the greatest communities to create an experience that we have ever had. For four years, they have welcomed our unique artistic views with open arms, coming by the thousands to our adult/cult shows and our family shows. London is truly a city that embraces all forms of expression. 

                For our part, Mavis Productions will continue to push the envelope to create bigger and better shows for all our communities from all walks of life. It is a privilege to produce these shows, and we will continue to honor it. 

                For tickets and more information about Mavis Productions, visit https://mavisproductions.ca/

                Follow Mavis Productions on Facebook https://www.facebook.com/MAVISproductions/photos

                Follow Mavis Productions on Instagram https://www.instagram.com/mavis_productions/

                Newsies at the Grand Theatre reviewed by Jo-Anne Bishop.

                by Richard Young

                Extra! Extra! Read all about it!
                The High School Project Does It Again!
                By Jo-Anne Bishop

                If you’ve never attended a Grand Theatre High School Project production, you’re missing out. For nearly three decades, the Grand has showcased the best and brightest young stars in our region through spectacular musicals such as The Sound of Music, West Side Story, Evita, and The Phantom of the Opera, to name just a few. These productions are so polished and rich, they rival professional theatre in larger cities. And the best part? They’re performed and co-produced by high school students—on, behind, and below the stage. It truly is something to be celebrated.

                (Pictured: Newsies Company)

                This year’s offering is Disney’s Newsies, and once again, the Grand proves why this project is worth sustaining year after year. The depth of talent among our local students—whether homeschooled, unschooled, or attending one of our many schools—is nothing short of inspiring.

                Newsies tells a fictionalized account of the 1899 New York City newsboys’ strike, when young workers took a stand against unfair prices and poor working conditions. The musical captures their fighting spirit as Jack Kelly leads his fellow “newsies” in a battle for justice. When publisher Joseph Pulitzer raises newspaper prices overnight, the boys—and girls—along with journalist ally Katherine Plumber, rally together to demand fair treatment.

                The casting was spot on, with standout, ovation-worthy performances from Paxton Nair (Davey), Tessa Pritchett-White (Les), Trent Robichaud (Jack Kelly), Keirah Buckley (Katherine Plumber), Leland Chafee (Crutchie), and Chloe Webb, whose hilariously menacing Wiesel was a crowd favourite. Each of these young actors poured heart and soul into their roles. I can’t wait to see what’s next for them and hope they never lose that spark.

                (Pictured: Keirah Buckley (Katherine Plumber), Trent Robichaud (Jack Kelly), Paxton Nair (Davey. Costume Design by Lisa Wright. Photo by Mai Tilson.)

                A special mention must go to Sophia Belleth as Medda Larkin. Her commanding presence and powerhouse vocals will raise goosebumps and transport you right out of your seat. Her showstopping performance of That’s Rich was Broadway-caliber. If she doesn’t end up on a bigger stage, it will be the theatre world’s loss.

                The musical numbers were the strongest element of the production. Whether solo or ensemble, the energy and passion were infectious. The ensemble was the backbone of the show—their athleticism, commitment, and joy lit up the stage and carried the story beautifully. These young people left everything they had on the stage, and I look forward to seeing what the future holds for each of them.

                (Pictured: Paxton Nair (Davey). Costume Design by Lisa Wright. Photo by Mai Tilson.)

                From a production standpoint, the direction was sharp, the lighting and set design—with clever moveable parts—were seamless, and the costumes were perfection. The only area that fell short for me was the sound. Some solos sounded muffled or canned, and at times dialogue was difficult to catch. It may have been technical or just where I was sitting, but it stood out in an otherwise stellar production.

                Director Ray Hogg said, “At first glance, Newsies is about a group of kids who go on strike after repeatedly being taken advantage of by rich and powerful people, but it’s really about young people discovering what it means to be the future… finding the bravery to speak truth to power, seek justice, and demand equality.”

                A timely message. To these young stars: may you carry these lessons forward—stay unified, speak your truth, and always shine bright.

                (Pictured: Newsies Director Ray Hogg)

                Congratulations to the Grand and to every student involved in another triumphant High School Project.

                If you go:
                What: The Grand Theatre High School Project Production of Newsies
                When: September 17–27, 2025
                Tickets: $26–$55 at grandtheatre.com, by phone at 519-672-8800, or at the Box Office, 471 Richmond Street. Canada Life Pay-What-You-Can pricing for the 2:00 p.m. performance on Sunday, September 22.

                Reviewed by Jo-Anne Bishop

                Elgin Theatre Guild delivers a heartfelt, unforgettable production with Steel Magnolias. Reviewed by Jo-Anne Bishop.

                by Richard Young

                Steel Magnolias Hits Like a Hammer

                By Jo-Anne Bishop

                “I would rather have 30 minutes of wonderful than a lifetime of nothing special.” – Shelby Eatenton-Latcherie, in Robert Harling’s Steel Magnolias

                The Elgin Theatre Guild’s production of Steel Magnolias in St. Thomas delivers two and a half hours of something truly special.

                Set in Truvy Jones’ beauty salon in small-town Louisiana during the 1980s—where secrets, gossip, and the occasional sweet treats are shared—Steel Magnolias is a story of unwavering bonds and enduring friendship. The set, though simple, radiates authenticity and rustic charm, immersing the audience so completely that it feels as though we are peering through the salon’s mirror where its patrons peer back at us.

                A great theatre experience should educate, entertain, and inspire, guiding the audience through a journey of emotions. This production does exactly that—moving effortlessly from heartwarming laughter among friends to moments of fear, loss, and grief. It is performed with such conviction that one almost forgets they are sitting in a small theatre in downtown St. Thomas.

                (Steel Magnolias Set. Photo Credit: Ross Davidson)

                A Director’s Vision, A Cast’s Strength

                Much credit goes to director Cindi Armer Almeida, who assembled a strong ensemble capable of carrying the weight of such a beloved play turned feature film. Each woman brings her own distinctive energy and colourful take on the characters to the role.

                • Susan Williams perfectly embodies Clairee Belcher, the quintessential Southern lady of society.
                • Sile Ferguson is endearing as the shy and slightly insecure newcomer, Annelle Dupuy-DeSoto.
                • Kim Braine-Ott delights as the sharp-tongued yet lovable Ouiser Boudreaux—a role performed with just the right mix of bite and heart.

                Their performances provide a rich foundation that ensures the story never falters.

                The three leads, however, are the true standouts of this production.

                • Sarah Abbot-Taylor brings Truvy to life with warmth, wit, and charm. Her facial expressions, movements, and just that absolute feeling of authenticity transport us straight to the bayou.
                • Makayla Ashenden’s Shelby is magnetic—delicate yet strong, embodying the duality of steel and magnolia with such a beauty and grace, you are completely drawn into her character.
                • Sam Sabathy gives a breathtaking performance as M’Lynn. Her emotional journey ebbs, flows, and then crescendos into a devastating second act that leaves the audience in tears. It was, quite simply, phenomenal. A word I don’t use lightly.

                (Pictured: Cast and Crew of Steel Magnolias. Photo Credit: Ross Davidson)

                Rarely have I seen a community theatre performance stir such a genuine emotional reaction from an audience. The believability of these performances and cohesiveness of the cast is what makes it a bona fide success.

                In her Director’s Notes, Almeida writes, “It’s the perfect play to see right now given the climate of today’s headlines.” Indeed, the production resonates as a timely reminder of the healing power of laughter, love, and friendship. The need for connection is universal, and this play underscores it with compassion and truth.

                Prepare to be moved. Bring your friends, family, and loved ones to Truvy’s beauty parlour, and allow yourself to be immersed in the lives of these six remarkable women. You’ll leave with a renewed appreciation for the strength of friendship and the beauty of human connection.

                Bravo to the cast, crew, and director. May this production enjoy an excellent run.

                If you go:

                ELGIN THEATRE GUILD – Home
                Where – Princess Avenue Playhouse, 40 Princess Avenue, St Thomas
                Tickets: $25 plus fees
                When – September 18th – 28th, 2025

                Reviewed by Jo-Anne Bishop

                Introducing LIT Productions: Grease is the word!

                by Richard Young

                This is the tenth in a series of Q&A Profiles with London area theatre companies and groups. Today, we interview Melissa Ogden, founder of LIT (Live Immersive Theatre) Productions

                Q. When was your company founded? By whom and why? 
                I created LIT Productions in 2024, and we officially launched in 2025. LIT stands for Live Immersive Theatre.  I have been a professional musician and supporter of the arts most of my life, and I am very excited about this new venture.  I saw a need for a different night out that combined film, performance art, live music, and socializing, all for a reasonable ticket price. An alternative to the theatre or going to a nightclub.

                Q. Is your company best described as professional or not-for-profit community theatre? Or both? 
                LIT Productions is a professional company. We have a growing team of talented musicians, vocalists, stage managers, and sound and lighting technicians.

                Q. What venue(s) do you use to stage your productions? 
                One of the things that makes LIT Experiences different from traditional theatre is the party atmosphere.  Guests are seated at tables with their friends, where they can talk and enjoy cocktails during the show.  They can walk around, sing, and dance. So, our indoor venues are banquet halls and clubs rather than theatres.  I am also actively booking outdoor shows in 2026.  These shows will have a similar party vibe with a beer garden where guests bring their own lawn chair.  An outdoor movie, live show, and a cold beer on a beautiful summer night – how fun is that?!  Our debut production of Grease is being held indoors at The Marconi Club of London on September 26, 2025.

                (Pictured: LIT Productions founder, Melissa Ogden)

                Q. Does your company have a Mission or Statement of Purpose? 
                At LIT Productions, we blend film, live music, and performance theater to create immersive, one-of-a-kind LIT Experiences. We champion collaboration, diversity, and inclusion, and deliver an unforgettable (and affordable) night out. It’s a new way to ‘theatre’.

                Q. Does your company have a Board of Directors and paid Staff? 
                As of now, I am the sole owner and decision maker.  All the LIT performers and production team are paid. We also have volunteers who help out at events.

                Q. Tell me about your 2025-2026 Season. Does it have any underlying theme? 
                We will be putting on more Grease shows in 2026, both indoor and outdoor.  We will also be launching our production of The Rocky Horror Show. I am also excited to launch booking packages that will allow businesses to book an LIT Experience for corporate fundraisers and private events.

                Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each. 
                I will explain what LIT Experiences are. A movie musical plays on the big screen and the musical numbers are performed live in character! Unlike the theatre, you can mingle, sing, dance – it’s a party! Our only show in 2025 is ‘Grease – a LIT Experience’ – Sept 26 at The Marconi Club. It’s sold out.  And we are starting production of Rocky Horror to launch in 2026. The ultimate goal is to be staging several different productions (Grease, Rocky Horror, Mama Mia, Hairspray) at various venues throughout the calendar year.

                Q. Do you have any thoughts about the London area theatre community and your part in it? 
                We have created a dynamic team by blending together members of the music and theatre communities. We have vocalists who sing in bands but have never performed in theatre before. And we have theatre vocalists who have never performed in front of a live rock band.  We have amazingly talented musicians from different genres.  It has been so fun and collaborative and we are all learning from and getting the best out of each other.  Judging by our sold out show and Londoner’s support of other live shows in the city, we definitely have a thriving arts scene.  I want to thank Londoners for that!  I have been a member of the music community for many years, but I am new to the theatre scene. I look forward to collaborating with both communities on events and initiatives that support and promote the arts in London. 

                You can follow LIT Productions on Facebook http://www.facebook.com/litproductionscanada

                Introducing The London Performing Arts Academy

                by Richard Young

                This is the ninth in a series of Q&A Profiles with London area theatre companies and groups. Today, we profile the London Performing Arts Academy (LPAA).

                Q. When was your company founded? By whom and why? 

                Renée and Courtney Murray founded the company in December 2019, with one high school cast of 14 students. 

                We wanted to provide a professional level of training for young people and make it affordable and accessible to people who may not otherwise have been able to be involved. We make sure our students feel included in the process and also learn what it is like to be part of a professional theatre production.

                (Pictured: Courtney Murray)

                Q. Is your company best described as professional or not-for-profit community theatre? Or both? 

                Not-for-profit, Community Theatre and Youth Performing Arts training in dance, vocals, and acting 

                Q. What venue(s) do you use to stage your productions? 

                We used to use The Wolf Performance Hall, but we just built our own 130-seat venue, so they will be at 3-80 Bessemer Road now, in the LPAA Family Theatre

                Q. Does your company have a Mission or Statement of Purpose? 

                We want everyone to have the opportunity to experience the world of Musical theatre and fine arts. We strive to create and maintain an inviting, inclusive community where our students have growth and performance opportunities while enjoying their love of theatre. 

                Q. Does your company have a Board of Directors and paid Staff? 

                Yes

                Q. Tell me about your 2025-2026 Season. Does it have any underlying theme? 

                This is a new year, a new direction for us. We have just built a 130-seat Performance venue in our new location. We are adding more programs and look forward to welcoming new families. We are adding programs as young as “mom and tot” and adding homeschool day programs to accommodate the needs of more families in the community.

                Q. What show(s) will you be staging this fall (September to December)? Could you tell me a little bit about each?

                Our first production is in December, presented by our Senior Company. They will be performing Stephen Sondheim’s Into the Woods. We have two very talented casts of High School Students. The show will run for ten days. 

                In January, we will be presenting Mary Poppins, and then in February, we will be presenting our Community Theatre Production of The Little Mermaid. Up next in May-June, we have Legally Blonde presented by our Seniors, Beetlejuice presented by our Juniors, and Alice in Wonderland presented by our Minis.

                Q. Do you have any thoughts about the London area theatre community and your part in it? 

                London is a city rich in talented people with a passion for the arts. We love watching theatre here, and we love being able to produce theatre here. 

                LPAA has been a proud supporter and sponsor of many community theatre and youth programs. The city has a place for all of us, offering various programs, training, and classes to both our students and patrons, and we love being part of that beautiful community.  

                For more information about London Performing Arts Academy, visit https://londonperformingartsacademy.ca/

                You can follow LAPA on Facebook https://www.facebook.com/londonperformingartsacademy.ca/photos

                Meet The Beat Magazine 2025 Theatre Reviewer Jo-Anne Bishop

                by Richard Young

                Jo-Anne will be reviewing local theatre productions for The Beat Magazine 2025. If your company would like your show reviewed, contact richardyoung@thebeatmagazine2025.ca.

                Background and Experience in the Arts

                My background in the Arts started with an early love for music and dance. I attended my first concert at 10 years old (Helix at the Sarnia Arena in 1983!) and began tap and modern jazz dance lessons around the same time. My love for live theatre was built through school trips to the Stratford Festival to see plays like Romeo and Juliet, The Merchant of Venice, and Macbeth, and a trip to Toronto for The Phantom of the Opera, which quickly became my all-time favourite.

                I dreamed of performing for many years, but being too self-conscious to audition in high school, I sat on the sidelines and instead reviewed music and theatre for our school newspaper. In 2013, I finally pushed my fears aside and was cast in my first play, Laughter on the 23rd Floor, as Carol Wyman, the only female writer on the Max Prince show. I have since performed in productions of Birth (Jillian, 2016), Hamish (Annette, 2023) and The Curious Incident of the Dog in the Nighttime (Mrs. Alexander, 2024).

                Previous Reviewing Activities

                SCITS, Sarnia, Ontario – High school newspaper reviewer for Music and the Arts

                London Fringe Festival, London, Ontario, 2012-2015

                Independent Reviewer and Blogger (Theatre in London and The Pollyanna Papers), 2015-2016?

                Why am I jumping back into the fray now?

                After performing for a few years, I’ve decided to take a break from the grind of auditioning, rehearsing and performing. While I love it immensely, it’s a lot of work. Performing has given me a whole new perspective and appreciation of what goes into a production and the ability to look at reviewing with a fresh set of eyes.

                Thoughts about the London arts and culture scene, especially local theatre

                Hoo wee! London has such a wealth of talent, from youth to adults. Every time I see a play, I am amazed at how talented our actors, directors, producers, set/prop/costume/light/sound designers are. I don’t think causal observers realize just how much goes into making a production from the audition to the curtain call. It is a huge undertaking, and to think our theatres produce such world-class productions on some very tight budgets is astounding, especially at the community theatre level, where volunteers do everything.

                Sadly, since COVID, I have witnessed a huge decline in attendance at performances, and it breaks my heart. I have also noticed a sad lack of reviews lately, which I find are necessary to give people an idea of what to expect and a reason to go to the theatre.

                So, before I can put my feet on the stage again, I want to help put bodies in the seats. We need to reignite a love for theatre and the arts in this city.

                If you are interested in becoming a volunteer writer for The Beat Magazine 2025, please contact Richard Young, Publisher & Content Manager, at richardyoung@thebeatmagazine2025.ca. We are seeking writers and reviewers for local music, visual arts, fiction, poetry, and prose.

                Introducing The Kettle Creek Players: Panto Is Where It’s At.

                by Richard Young

                This is the eighth in a series of Q&A Profiles with London area theatre companies and groups. Today, we profile the Kettle Creek Players (KCP).

                Q. When was your company founded? By whom and why?  

                Kettle Creek Players was founded in January of 2023 by Jessica Fediw. St. Thomas had started British Pantomimes in 2012 but when the pandemic hit, theatre was put on hold. When the arts resumed, there was a demand for panto again. The local theatre that had done them in the past had decided to no longer do them. Jessica was approached by several people, asking for panto to make a return so she did some research into venues and found Central United. The rest is history! 

                (Pictured: Jessica Fediw and Judy Cormier)

                Q. Is your company best described as professional or not-for-profit community theatre? Or both?  

                KCP is a not-for-profit community theatre. All of the money made from our shows goes back into the next year’s production costs.

                Q. What venue do you use to stage your productions?  

                Our venue is Central United Church at 135 Wellington St. in St.Thomas, Ontario.

                Q. Does your company have a Mission or Statement of Purpose?  

                Our goal is to provide quality live family shows for all ages. We are an inclusive theatre troupe. We are passionate about giving people of all abilities the chance to shine on stage. Community is very important to us.

                Q. Does your company have a Board of Directors and paid staff?    

                KCP has a board of directors. We are run entirely by volunteers. It takes a village to run a community theatre. We are forever grateful to all those who volunteer their valuable time for our productions.

                Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?   

                We don’t have a season, per se. We do one show a year, around Christmas time, usually falling at the end of November, beginning of December. Our theme is British Pantomime, which consists of a fairytale, fable, or story that has a hilarious twist. Audiences are encouraged to interact with the actors when prompted. The 4th wall is continuously broken, and silliness and fun are the name of the game. Our first Panto in 2023 was Little Red Riding Hood, written by John Allen. 2024’s Panto was Cinderella, adapted by Lesley Chapman and Ken Roberts.

                We also participate in community endeavours. If the community needs actors for a vignette or for an event, we work with them to provide quality engagements. It’s a lot of fun! 

                Q. What show will you be staging this fall (September to December)? Tell me a little bit about it. 

                Our show this year is Wicked Witches of Oz, written by Peter Nuttall with permissions from Lazy Bee Scripts. It will be directed by Judy Cormier and Jessica Fediw. It follows the adventure of two “wicked witch” sisters who have devised a plot to kidnap the Wizard of Oz and make their world greener. Their plans are thwarted at every turn by the many characters they come across in Munchkin Land. 

                Q. Do you have any thoughts about the London area theatre community and your part in it? 

                The London and area theatre scene is a thriving one. Although it took a hit during the pandemic, we are all building ourselves back up, year after year. We all work together as a team and really support each other; it’s really great to see. 

                For more information about The Kettle Creek Players, visit https://www.kettlecreekplayers.ca/

                Follow the Kettle Creek Players on Facebook https://www.facebook.com/profile.php?id=100093650556219

                Follow the Kettle Creek Players on Instagram https://www.instagram.com/kettlecreekplayers?

                Introducing Ingersoll Theatre Of Performing Arts (ITOPA).

                by Richard Young

                This is the seventh in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile the Ingersoll Theatre of the Performing Arts (ITOPA).

                Q. When was your company founded? By whom and why?  

                In 1976, a group of people began meeting to explore the possibility of setting up a community theatre. A set of by-laws was drawn up, a name chosen, a logo designed, and ITOPA was incorporated under the Charitable Organizations Act.

                Q. Is your company best described as professional or not-for-profit community theatre? Or both?  

                ITOPA is a volunteer, non-professional community theatre company that provides live entertainment in the form of music, plays, and other events. 

                Q. What venue(s) do you use to stage your productions?  

                In the fall of 1980, ITOPA moved to its present location, 88 Thames Street South, Ingersoll, ON.

                Q. Does your company have a Mission or Statement of Purpose?  

                ITOPA is a theatre of and for our community. We are committed to connecting, inspiring, and enriching everyone who we welcome into our safe space. ITOPA believes that theatre is an essential component of life and that every aspect should be available to all. Through contact, involvement, and exposure to the arts, we utilize the power of the theatre environment to foster inclusion, expression, and positivity for our entire community.

                Q. Does your company have a Board of Directors and paid staff?   

                ITOPA is run by a volunteer board of directors who are selected from the membership.

                Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?  

                The only theme for the 2025-2026 season is FUN!

                Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each. 

                7-10 Split

                By Michael G Wilmot

                October 10, 11, 12*, 16, 17, 18*, 19*

                Showtime: 7:30pm

                *indicates Matinee performance 2:00pm

                Since his aspirations to be a pro bowler went off the rails, Earl has tried one get rich quick scheme after another.

                This time, things are different when a rich Count from the Internet has offered him money to help save his fortune.

                What could possibly go wrong?

                Inspecting Carol

                By Daniel Sullivan

                December 12, 13, 14*, 18, 19, 20*, 21*
                Showtime: 7:30pm
                *indicates Matinee performance 2:00pm

                A Christmas Carol meets The Government Inspector meets Noises Off in this hilarious hit from Seattle.

                A man who asks to audition at a small theater is mistaken for an informer for the National Endowment for the Arts.

                Everyone caters to the bewildered wannabe actor, and he is given a role in the current production, A Christmas Carol.

                Everything goes wrong and hilarity is piled upon hilarity. Perfect anytime, this delight is particularly appropriate at Christmas.

                Bingo!

                By Daniel MacIvor

                March 6, 7, 8*, 12, 13, 14*, 15*
                Showtime: 7:30pm
                *indicates Matinee performance 2:00pm

                 Five classmates come together for their 30th high-school reunion.

                Some see it as a welcome trip home, while others see it as an obligation, and a few never even left.

                But as the night wears on, the one-time classmates start to reconnect and reminisce.

                And the more alcohol that’s consumed, the closer the friends come to confronting their darkest secrets.

                The Drowsy Chaperone

                Music and Lyrics By Lisa Lambert and Greg Morrison
                Book by Bob Martin and Don McKellar

                May 29, 30, 31*
                June 4, 5, 6*, 7*
                Showtime: 7:30pm
                *indicates Matinee performance 2:00pm

                With the house lights down, a man in a chair appears on stage and puts on his favorite record: the cast recording of a 1928 musical.

                The recording comes to life, and The Drowsy Chaperone begins as the man in the chair looks on.

                Mix in two lovers on the eve of their wedding, a bumbling best man, a desperate theatre producer, a not-so-bright hostess, two gangsters posing as pastry chefs, a misguided Don Juan, and an intoxicated chaperone, and you have the ingredients for an evening of madcap delight.

                Winner of five Tony Awards, including Best Book and Best Original Score, The Drowsy Chaperone is a loving send-up of the Golden Age musical, featuring one show-stopping song and dance number after another.

                For more information and to purchase tickets, visit https://www.itopa.ca/

                Follow ITOPA on Facebook https://www.facebook.com/ingersolltheatre