(Pictured: Andrew Lewis, one-third of the “The Three Furies” triptych, acrylic on canvas, 37 by 49 inches, 2025.)
Andrew Lewis’s solo show “Notes from the Mindfield” opens Thursday, December 4, 2025, at TAP Centre for Creativity with a reception from 6:00to 9:00pm.
This collection of new work includes over 250 drawings, paintings, sculptures and wearables and explores the artist’s observations and ideas on the complexity of our current era.
It is, he notes, an era sandwiched between the waning of the pandemic and the rise of artificial intelligence.
The show represents a new direction for the artist. Lewis describes the creative process as more “intuitive.” The result is work that he says “reflects a fragmented world where technology, memory, and human experience are deeply intertwined.” Of note is the dichotomy between abstract and biomorphic forms.
(Pictured: Andrew Lewis, “Ms. + Mr. Squarehouse” (Diptych), acrylic on canvas, 36 by 72 inches, 2025.)
Lewis is a busy creative. His personal work exists in addition to his design/branding business and his teaching at Western University. It is an environment in which he thrives.
The artist says, “At the University, I tell students that artists or designers are like truffle pigs in Italy, finding beautiful morsels that nobody else can see.”
His personal truffle-hunting began two years ago when he came down with COVID on New Year’s Day. It affected his physical and mental health. He says, “My creative process became scrambled.”
Since then, Lewis has witnessed the insidious infiltration of AI into daily life and the resulting deterioration of creative and critical thinking. “I see young, fresh minds not having the ability to provide original ideas or thinking due to how they interact with technology,” he says.
(Pictured: Andrew Lewis, “Ultramarine Series No.3”, acrylic on canvas, 36 by 36 inches, 2025.)
His new work is an escape from the aftermath of COVID and from the pervasiveness of AI.
He began with a series of biomorphic drawings and rediscovered the joy of making images and of unplanned work that just flowed. He describes the resulting work as a fascinating outpouring of the subconscious. That’s what you’ll see at “Notes from the Mindfield”
(Pictured: Andrew Lewis, “Pills, Orgies and Chaos,” acrylic on canvas, 48 by 96 inches, 2025.)
“Notes From the Mindfield” continues to January 10, 2026, at TAP Centre for Creativity, 203 Dundas Street, London, ON.
Associated with this exhibition is an Artist Talk on Saturday, December 6, at 3:00 pm and a workshop on Saturday, December 13, from 1:00 to 4:00 pm.
Andrew Lewis is an internationally recognized Canadian artist and designer. His artwork has been commissioned by clients such as the British Columbia Arts Council, Canada Post, the Royal Canadian Mint, Perrier, Scotiabank, the Stratford Festival, Starbucks Coffee, Converse, and VISA.
For more information about Andrew Lewis and his work, visit: andrewlewisart.ca.
(Jack Cocker, “Wanakita Cabin Scene (Evening),” oil on linen, 80 by 118 inches. Courtesy of Michael Gibson Gallery.)
Jack Cocker is enjoying his third solo exhibition with Michael Gibson Gallery while still in his mid-20s. That’s almost unheard-of success in the hardscrabble business of fine art.
It is a risky undertaking for an established gallery to take on such a young artist and a move that Michael Gibson admits he wouldn’t normally make, as such an artist’s story is “still being written.”
Cocker first approached Michael Gibson when the former was still in his third year at Western. He was studying under associate professor Sky Glabush.
Gibson visited Cocker at Western and then at the artist’s Mount Elgin Studio. He was impressed by Cocker’s ability to build colour and immediately recognized him as a gifted painter.
All of the works in the show were painted over the last year. All are firmly rooted in what Cocker describes as “familiarity, memory and connection.” They include views from his Mount Elgin studio, ski scenes, and figures representing Cocker or persons close to him.
For this show, the main gallery holds four massive pieces and five smaller ones. One of the large pieces is the oil on linen “Wanakita Cabin Scene (Evening)” which measures 80 by 118 inches. It hangs on the left wall of the gallery and features two of Cocker’s oft-repeated figures, his sister and his girlfriend. The piece is decidedly orange in all its glory and exudes the warm glow of a fading day.
(Jack Cocker, “Night Skiing,” oil on linen, 2025, 93.5 by 70 inches. Courtesy of the gallery.)
A more modestly sized 26-by-21-inch oil and distemper on linen, titled “Girl Near Water, 2024-2025”, with a single figure graces the back wall. On the same wall is “Night Skiing,” oil on linen, measuring 93.5 by 70 inches. It was painted when Cocker was learning to ski and features three beige figures on black snow.
(Jack Cocker, “Girl Near Water 2025”, oil on linen, 78 by 108 inches. Courtesy of the gallery.)
The middle gallery holds one large piece on the right wall, “Girl Near Water 2025”, oil on linen, 78 by 108 inches, with two figures and another 10 smaller pieces scattered throughout.
While Cocker’s works always include a figure and a landscape, they leave a lot to the imagination.
The artist explains, if a figure is too specific, it causes a painting to become “too much about the identity or the quality of the figure”, which, in turn, impedes a viewer’s ability to reflect. Cocker says, “While the paintings always contain elements of personal storytelling … I don’t [want them] to hinge on the autobiographical.”
Thus, the ambiguity of his figures serves to heighten a viewer’s “feeling of immersion in the scenes.” Cocker says that he hopes his paintings “feel like worlds you could walk into.”
(Pictured: Jack Cocker, Website)
Jack Cocker (born 2001) has a BFA from Western University (2023) and is currently in his first year of his MFA at the Emily Carr School of Art and Design in Vancouver.
Jack Cocker “New Paintings” continues to November 29, 2025, at Michael Gibson Gallery, 157 Carling Street, London.
Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025
LIVE THEATRE
Original Kids Theatre Company presents The Wizard of Oz Youth Edition, November 13-16, at the Spriet Theatre.
Get your tickets to ‘The Wizard of Oz Youth Edition’ before it’s too late! Visit our website www.originalkids.ca or call the Box Office today. 519-679-8989
The London Fringe Festival may be over for 2025, but the buzz still lives on, and for one more night, we’re bringing back some of the shows you couldn’t stop talking about! On Friday, November 14, join us at the Palace Theatre’s David Long Stage for MAGIC IMPROV MONSTER; an encore celebration of our People’s Choice favourites!
The evening kicks off with jaw-dropping illusions in Many Rooms: The House of Magic by Andrew Olmstead and Leonardo Martins.
Then brace yourself for a whirlwind of laughter and unscripted brilliance with The Improvables in their fan-favourite Controlled Chaos.
We’ll close the night with an electrifying one-man tour de force starring Jared Brown in Daniel McIvor’s “Monster”, a powerhouse performance you won’t forget.
BOGO: Buy one ticket, get the second free!
Tickets: Just $25 (all fees included)
Proceeds are shared between the performers and the theatre
Dating Games features five short plays, each showcasing a comically terrible first date that goes off the rails. Written by Garth Wingfield, the show’s real focus lies not in the dates themselves, but in the emerging theatre talent directing the plays. This production serves as a groundbreaking training initiative, providing mentorship and performance opportunities for up-and-coming directors.
“Dating Games is a truly special production. It is more than just a show; it’s a project that combines mentorship, training, and performance, contributing to the entire theatrical community,” says Elizabeth Durand, Theatre Aezir’s Artistic Director.
If You Go:
What: Theatre Aezir presents Dating Games.
When: November 6th to November 16th
Where: First Baptist Church, 568 Richmond St., London, ON
Award-winning, world-renowned, and infamously cheeky, Ronnie Burkett is back at the Grand Theatre with his unmatched mischievous, rollicking irreverence. Burkett’s latest work, Wonderful Joe, unleashes his sharp, unrelenting wit on the cities we call home, the people we overlook, and the four-legged friends walking beside them. And he’s bringing Mother Nature, Santa Claus, Jesus, and the Tooth Fairy along for the ride. Wonderful Joe, created and performed by Ronnie Burkett, opens the Grand Theatre’s Auburn Stage for the 2025/26 Season. Already extended due to popular demand, the production will run from Tuesday, November 4, through Sunday, November 23.
Single tickets are $48, and Auburn Series Subscriptions offer a 25% discount ($71.44 for both Wonderful Joe and Mrs Krishnan’s Party). Tickets and subscriptions are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.
To learn more about Wonderful Joe by Ronnie Burkett at the Grand Theatre, please visit grandtheatre.com/event/wonderful-joe. Follow the production and peek behind the scenes by following @thegrandlondon and #GrandJoe on Instagram, Facebook, LinkedIn, Threads, Bluesky, YouTube, & TikTok.
According to Edgar Allen Poe, what’s scarier than a raven? “Raven on Scot Pine”, coloured pencil on Museum board, is one of Beth Stewart’s submissions for our spooky art challenge at the Lambeth Art Association. Beth’s other submission, “We Three,” is coloured pencil on paper. Why is it scary? Beth explains that snapdragon blossoms, when dried, look like tiny human skulls. Who knew?
WHAT: LONDON SYMPHONIA CONCERT Payadora – The Soul of Tango London Symphonia, Scott Good, conductor, Payadora Tango Ensemble.
WHEN: Saturday, November 15, 2025, at 7:30 pm. Doors open at 6:30pm
WHERE: Metropolitan United Church, 468 Wellington St, London, ON.
SUBSCRIPTIONS & TICKETS: Ticket packages start at $155 for a 3-concert General Admission subscription and $212 for Reserved Seating, plus fees and HST. 5-concert packages are also available. Individual adult tickets range from $55 General Admission to $75 Reserved Seating, plus fees and HST. Family Flex packs and free student tickets are also available. In-person subscriptions and tickets can be purchased online now at londonsymphonia.ca.
Join us for another cozy afternoon in our Jazz Series featuring Rick Kish & Friends — live from 2–4 PM on Sunday, November 16th.
Enjoy smooth tunes, local craft beer, and good company with a $5 live music fee in partnership with the London Jazz Association.
Tobboggan Brewing Co. 585 Richmond Street
2–4 PM
At The Aeolian:
ONE NIGHT ONLY — The Ultimate Cabaret Variety Show! A Cabaret for WENDAKE …a campy affair!! Prepare for an unforgettable evening of glitz, glamour, and jaw-dropping talent as we bring together the boldest and brightest stars of the stage in a dazzling cabaret extravaganza!� Sultry Singers� Live Musicians� Fierce Drag Royalty & newcomers…� Seductive Burlesque Bombshell� Electrifying Dancers� Surprise Acts & More! From classic jazz to contemporary pop, cheeky comedy to high drama, this is cabaret like you’ve never seen it before. Whether you’re here for the sparkle, the sass, or the sheer spectacle – we’ve got something for everyone.� Dress to impress. Bring your wild side. Leave your inhibitions at the door. �� Aeolian Hall� Friday, November 14th � , 6:30: Doors Open� 7:30: Showtime� Tickets: [aeolianhall.ca or 519-672-7950]� Limited Seating – Reserve Now! Dare to be dazzled. Come for the show, stay for the magic.
The colourful history of Newfoundland’s fishers and loggers, sealers and whalers is told with story, song and incredible visuals in this engaging musical review by Shipyard Kitchen Party, creators of “Tom Thomson’s Wake” and “100 Years from Now”. From the remote outports to the vibrant city of St. John’s, from the fishing stages to the kitchens and front parlours, you’ll hear the timeless sea-shanties, triumphant ballads and the hilarious foot-stomping sing-a-longs that make Canada’s 10th province its most legendary. You may not be a Newfoundlander when you take your seat, but you’ll feel like one when you leave! Saturday at The Aeolian. https://www.facebook.com/events/1170578908213804
Saturday, November 15th. It’s time to celebrate the awesomeness that is 80’s Hair Bands!! 80’s GONE WILD 9pm start. Tickets $20 at Eventbrite.ca & The Bar.
Lisa Johnson’s recent artist residency in Pouch Cove, Newfoundland, is the driving force behind her Full Circle exhibition at Westland Gallery.
While this was Johnson’s third month-long residency at Pouch Cove, this time was different.
In 2021 and 2022, she recalls clambering over rocks and sitting amongst lichen and berries to sketch. This time, she went to Pouch Cove during an East Coast winter, where the conditions are challenging and the landscape is stark. She encountered nature at its most elemental.
Johnson was excited to do a winter residency to bear witness to the dramatic contrast of snow against the black coastal rocks. It is a location she describes as “transcendent” and “raw”, alluding to its timelessness.
Wearing long johns and a parka, and with crampons on her boots to keep from slipping, Johnson was able to go out for hikes, drawing, and even a bit of plein air painting.
(Lisa Johnson, The Painter and the Poet. oil on canvas, 32 by 40 inches. Photo by Beth Stewart.)
On a typical day, she would paint in the studio first thing in the morning and later, if it warmed up a bit, go out for a hike either on her own or with other Pouch Cove residency artists. Returning to her studio, she’d paint for the remainder of the day on large canvases she’d stapled to the walls.
Charcoal gesture drawings have always been an important part of her practice; she loves their simplicity and energy. With this series of paintings, she aimed to achieve a similar aesthetic using oil paint on canvas. The resulting work is pared down to the point of abstraction.
It is an approach that perfectly captures the starkness of the landscape in winter and the drama of this Eastern coastline. It is evident in two oil-on-canvas pieces: “Drawing on Memories” and “Aerie”.
(Lisa Johnson, “Drawing on Memories” oil on canvas 22 by 24 inches. Photo by Beth Stewart.)
(Lisa Johnson, “Aerie”, oil on canvas, 40 by 38 inches. Photo by Beth Stewart.)
A particularly striking piece is “Silent Drift”, measuring 40-by-30-inches, it has an oriental flavour with its ink-like markings, flattened perspective, and preserved white space.
(Lisa Johnson, “Silent Drift”, oil on canvas, 40 by 30 inches. Photo by Beth Stewart.)
Full Circle includes landscape paintings created during this residency as well as work inspired by it and created after returning to her Ontario studio.
In the latter, Johnson continues with the approach that she began in Newfoundland. These paintings are large and gestural and employ a neutral palette. It is work she describes as closer to drawing.
(Lisa Johnson, “Early Riser”, oil on canvas, 32 by 40 inches. Photo by Beth Stewart.)
Full Circle also includes more colour-filled works from a spring and fall series, some from Newfoundland, and some from other Canadian locations.
These are sequestered in the upper level of the gallery and lean more toward using the visual vocabulary of color, value, shape, and composition to communicate memory while abstracting the landscape.
(Installation shot. Photo by Beth Stewart.)
Lisa Johnson’s Full Circle is invigorating and breathtaking. The show continues to November 29 at Westland Gallery, 156 Wortley Road.
Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025
YOU WANT LIVE THEATRE? WE’VE GOT LIVE THEATRE!
Colleening: The Letters and Poetry of Colleen Thibaudeau is on stage this weekend, November 7-9. Friday is almost sold out; best availability Saturday or Sunday!
Featuring Katy Clark, Paul Grambo, and Kydra Ryan!
The Manor Park Memorial Hall, 11 Briscoe Street W, London, Ontario
Dating Games features five short plays, each showcasing a comically terrible first date that goes off the rails. Written by Garth Wingfield, the show’s real focus lies not in the dates themselves, but in the emerging theatre talent directing the plays. This production serves as a groundbreaking training initiative, providing mentorship and performance opportunities for up-and-coming directors.
“Dating Games is a truly special production. It is more than just a show; it’s a project that combines mentorship, training, and performance, contributing to the entire theatrical community,” says Elizabeth Durand, Theatre Aezir’s Artistic Director.
If You Go:
What: Theatre Aezir presents Dating Games.
When: November 6th to November 16th
Where: First Baptist Church, 568 Richmond St., London, ON
Award-winning, world-renowned, and infamously cheeky, Ronnie Burkett is back at the Grand Theatre with his unmatched mischievous, rollicking irreverence. Burkett’s latest work, Wonderful Joe, unleashes his sharp, unrelenting wit on the cities we call home, the people we overlook, and the four-legged friends walking beside them. And he’s bringing Mother Nature, Santa Claus, Jesus, and the Tooth Fairy along for the ride. Wonderful Joe, created and performed by Ronnie Burkett, opens the Grand Theatre’s Auburn Stage for the 2025/26 Season. Already extended due to popular demand, the production will run from Tuesday, November 4, through Sunday, November 23.
Single tickets are $48, and Auburn Series Subscriptions offer a 25% discount ($71.44 for both Wonderful Joe and Mrs Krishnan’s Party). Tickets and subscriptions are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.
To learn more about Wonderful Joe by Ronnie Burkett at the Grand Theatre, please visit grandtheatre.com/event/wonderful-joe. Follow the production and peek behind the scenes by following @thegrandlondon and #GrandJoe on Instagram, Facebook, LinkedIn, Threads, Bluesky, YouTube, & TikTok.
ART EXHIBITIONS IN THE LONDON AREA
Lisa Johnson’s incredible solo exhibition, Full Circle, will be on display until November 29th at Westland Gallery
Join us for ‘We Remember Them,’ a special concert honouring our Veterans, on Sunday, November 9, 2025, at 2:00 p.m. at Colborne Street United Church. The program will feature Maurice Duruflé’s Requiem, presented by Chorus London with organist Laurence Williams.
Tickets are going fast! Each ticket costs $25, and children under 13 are admitted free of charge. You can buy tickets by calling the church office at 519-432-4552, at the door on the day of the event, or online. For more details or to purchase tickets, please visit https://www.colborne711.org/event-list
SEE SPOT RUN & ORANGEMAN
Eastside Bar & Grill 9pm Start. Tickets $20 available at Eventbrite.ca
Murphy’s 50th Birthday
Friday, November 7th at the Palasad Socialbowl.
Warning: The Palace Theatre may not recover from the combined power of Vanity Affair and Maple Queef.
Expect high heels, higher drama, and a dangerously low amount of chill.
Friday. 7PM at the Palace Theatre, Be there, ponies.
Scottish singer-songwriter & acoustic fingerstyle guitar virtuoso Simon Kempston from Edinburgh is currently on his 10th tour of Canada. He has never played in London, Ontario before.
SPECIAL Buy One – Get One Offer for this Sunday’s concert.
Here is how the BOGO offer works. If you have already bought a ticket, you can bring someone along on the same ticket. If you buy a ticket from one of the outlets or online, you can bring an additional person along on the same ticket.
Come on out and hear this wonderful artist at the Cuckoo’s Nest Folk Club (London, Ontario) this Sunday, Nov. 9 at Chaucer’s Pub, 122 Carling Street. Advance tickets are at Grooves Records (Wortley location), Long & McQuade (725 Fanshawe Park Rd W), and online.
The incredible Billy Raffoul, award-winning Canadian singer-songwriter & producer, returns to Forest City on November 7th in Rum Runners, with special guest Peter Raffoul.
Guitar, saxophone, huge songwriting, and a voice that won him a Canadian Folk Music Award for Contemporary Singer, Ian Sherwood Brings The Light to every stage he stands on. A born storyteller and a constant creator, his music dances the line between folk and pop.
Sunday, November 9th, 7:00pm, at The Aeolian Hall.
You can find tickets for this event on Humanitix.
The Hot Tub Hippies return to the Wortley Roadhouse this weekend to rock the dance floor! Shows start at 9pm.
Since the late 1950s, artists in Kinngait (Cape Dorset), Nunavut, have produced unique and beautiful drawings, prints, and sculptures. Prints are produced in editions of 50, and sets are distributed to select galleries in Canada, the U.S., the U.K., and Europe. Galleries receive one copy of each print. London is lucky to be part of this.
For over a decade, Strand Fine Art Services has been one of the select galleries for the much-anticipated Cape Dorset Annual Print Collection.
The 2025 collection is as fresh and exciting as ever. The brightly coloured and highly imaginative pieces embrace traditional and contemporary imagery. Co-owner Andrew Symth agrees, saying, “There’s a newness to it.”
The show opened with over 30 prints. While many have sold and gone to their forever homes, there is still plenty to see and treasures to behold. All of the pieces are simply displayed sans frames using tiny magnets. My three favourites follow.
(Ningiukulu Teevee, “Kamikutaalik (One with Long Boots)”, Lithograph, 35.6 by 28.3 cm. Photo by Beth Stewart.)
Ningiukulu Teevee’s whimsical lithograph “Kamikutaalik (One with Long Boots)” features a raven sporting green waders. The bird marches with confidence and purpose across the page to an unknown destination.
“Puijut (Popping Up)”, Qavavau Manumie’s etching and aquatint glows. At first glance, I thought it was a wall of trophy heads, but the title reveals otherwise, and makes me look at it with new eyes. I love the artist’s use of complementary colours and the way the subtle gradations create the illusion of dimension for what would otherwise be a simple design.
(Qavavau Manumie, “Puijut (Popping Up)”, etching and aquatint, 71.8 by 53 cm. Photo by Beth Stewart.)
Shuvinai Ashoona’s exuberant etching and aquatint “Klaviqtag (Jumping High)” documents a simple pleasure in a setting that appears to be strewn with the detritus of mass-produced foodstuffs. Is the scene itself a garbage dump, or has refuse encroached upon a once pristine space?
(Shuvinai Ashoona, “Klaviqtag (Jumping High)”, etching and aquatint, 107.5 by 74.2 cm. Photo by Beth Stewart.)
According to Dorset Fine Arts, creativity at the Kinngait Studios is channelled into images that represent the Inuit way of life. They call the highly imaginative results isumanivi, which means “your own thoughts.” The pieces certainly make one think and subjectively interpret each piece.
In addition to prints, Strand has a beautiful collection of sculpture. For instant gratification with the potential to brighten all of next year, purchase one of the Dorset-produced Inuit Art 2026 calendars.
Strand Fine Art Services is located at 1161 Florence Street, Unit #4. For more information, visit www.strandfineartservices.com.
(Pictured: Cora Linden, Over the Hedge, Collaged paper on wood panel, 12″h x 12″w x 1″d. Courtesy of the artist.)
Cora Linden is a mixed media artist and a long-time fixture in the London art scene. She is known for her unique two and three-dimensional assemblages into which she incorporates repurposed materials, specialty papers, and distinctive textural elements.
Linden’s work is driven by a few core principles. First, anything can be transformed into an art supply. Perhaps the weirdest thing she’s repurposed is a cracked beaver skull. She believes creativity thrives in resourcefulness. This is evident in her one-of-a-kind pieces. Linden rejects the idea that people should settle for mass-produced décor and believes that art should be accessible to all. She seeks diverse audiences and places. This is why Linden’s work can be found at craft markets and at conventions in addition to traditional galleries.
(Cora Linden, Breaking Through, PVC with collaged paper & thread, 26″h X 16″w x 6″d. Courtesy of the artist.)
At this time, Linden continues to work on her Human Evolution series. The first piece, titled Breaking Through, with its bold vertical stripes and collaged excerpts from a vintage medical reference book, was exhibited at the Pride London Art Show 2025. In the text, a male doctor explains three types of women. Linden says, “The ideas are incredibly outdated now.” The piece illustrates how one’s true nature inevitably overtakes the path prescribed by so-called experts. Linden promises there will be more pieces in this series in 2026.
(Pictured: Cora Linden, Horn Solo, horn with faux florals in wooden frame, 15″h x10″w x 2.25″d. Courtesy of the artist.)
Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025
This is the first in a series of weekly features highlighting selected arts and culture events in the London area. What better way to begin than with International Artists Day, celebrated annually on October 25th!
Continuing Art Exhibitionsin the London Area
There is a lot of great art being exhibited in London area galleries. Let’s take a look at some of it.
The Simple Reflections Art Exhibition continues at TAP Centre for Creativity until November 1, while over at Westland Gallery, The Root of Wisdom featuring works by Clara Kim and Christopher Cape closes Saturday, October 25. Maritime Minute, featuring works by West Coast artist Les Ramsay, continues to October 30 at Forest City Gallery,
The Vice-President’s Day Quilts Throughout the Years exhibition runs to November 1 at the Ingersoll Creative Arts Centre, while works by Lyn Carter and Aiden Urquhart are on display at the Woodstock Art Gallery. At Museum London, the new permanent collection exhibition All Around Me, All Around You still features Canadian artworks and historical artifacts from the museum’s collection.
The Benz Gallery’s “Scared Stiff” Halloween Exhibition continues during our regular hours until October 31st. Stop by to collect or just get into the spirit!
The Gallery Painting Group’s Art Show and Sale opens tonight at 5 p.m. and continues to Sunday at 3 p.m. at First-St, Andrew’s United Church, 350 Queens Ave. in London.
(“Bridge Robin”, coloured pencil on Museum Board, 12 by 12 inches by Beth Stewart)
You can find Beth Stewart’s reviews of some of these exhibitions elsewhere on The Beat Magazine 2025 website.
You Want Theatre? We’ve Got Theatre!
If you are craving some live local theatre, there is lots to choose from this weekend.
The hilarious The Play That Goes Wrong continues at the Grand Theatre until November 2, while sold-out performances of Infuse Productions’ The Rocky Horror Show continue at the Palace Theatre on October 25 and October 26. The show continues until November 2.
AlvegoRoot Theatre’s production of Sleigh Without Bells: A Donnelly’s Story has two additional matinee performances, scheduled for October 25 at 2:00 PM and October 26 at 2:00 PM at The Manor Park Memorial Hall in London.
Over at the Princess Ave Theatre in St. Thomas, Odesa Company presents Stephen King’s Misery on October 25th and 26th, while the St. Marys Community Players present Norm Foster’s hilarious Hilda’s Yard until November 2.
You can check out Jo-Anne Bishop’s theatre Reviews elsewhere on The Beat Magazine 2025 website.
The Forest City Film Festival Celebrates Its 10th Anniversary
The Forest City Film Festival returns for its tenth year, hosting nine days of screenings and events at multiple venues in Downtown London. London creative, Donald D’Haene’s documentary, Interpreting Erik, is one of the award-winning films being screened.
The London Community Orchestra presents From Salzburg to Paris on Sunday, October 26, 3:00 pm. at Dundas Street Centre United Church, 482 Dundas St., London, ON.
Featuring soloist Joshua Lee, performing Mozart’s Violin Concerto No. 4 in D Major, K218, composed by Mozart in his hometown of Salzburg in 1775.
The program also includes: Debussy – Second Arabesque Ravel – Le tombeau de Couperin
Experience the journey from Mozart’s classical elegance to Debussy and Ravel’s Parisian impressionism, a celebration of musical evolution from structure to atmosphere.
Tickets: Adults – $25 Seniors – $20 Students – $15 Children 12 and under – $5
Encore The Concert Band holds it 2025 season opener, Forward Momentum, on Sunday, October 26 at Sir Frederick Banting Secondary School.
London’s Eastside Bar & Grill hosts Farewell Stanleys release of their brand new, fifth album Mystery To Me, produced by Moe Berg (of The Pursuit of Happiness & The TransCanada Highwaymen), with special guests Brother Leeds, on Saturday, October 25th. Showtime at 8:30pm, 10$ at the door. Copies of Mystery To Me will officially be on sale at this event, available on vinyl & CD. https://linktr.ee/FarewellStanleys
The Gavin Adcock Need To Tour concert takes place Saturday, October 25th, at the London Music Hall.
Over at the Palasad Socialbowl, 63’ MONROE is back to tear the roof off. Loud, raw, and unapologetic—London’s punk pioneers bring decades of sweat, snarls, and speed to the stage. They’re rolling in with the razor-sharp riffs of Limited of Approach and the outlaw rock’n’roll chaos of Jesse James Medicine Show. Expect snarling guitars, thundering rhythm, and a night of pure, high-voltage punk energy.
Licensed – All Ages – $5 Door.
That’s it for this weekend. If your venue has an event you would like featured next weekend, send the details to Richard Young, Publisher & Content Manager of The Beat Magazine at richardyoung@thebeatmagazine2025.ca
by Richard Young, Publisher & Content Manager, The Beat Magazine 2025
What follows is a Beat Magazine Q&A Interview with Nashville Artist Manager, Jordyn Elliott, who got her start in the music business in the London area.
Q. For the benefit of readers who may not know, what is an Artist Manager? What do you do for the artists you represent?
An Artist Manager looks after all aspects of a musician’s career including but not limited to signing them to record deals, publishing deals, coordinating with team members like booking agents, business managers, record labels and negotiating contracts for shows and any live appearances. As well managers are the liaison for all correspondence with the artist and over sees all budgets and music releases.
Q. I understand you are originally from the London area. Can you tell me a little bit about your upbringing in Southwestern Ontario?
I was born in Clinton, Ontario, and at the age of four years old, I moved to Mount Brydges. My family owns the funeral home in the small town. I attended public school there and went on to high school in London at St. Thomas Aquinas and then on to Fanshawe College. I graduated from college in a two-year program for Event Management and jumped right into the workforce. I had my first real job when I was eighteen, selling merch for a local band in London.
Q. What motivated you to get involved with the music industry while you were still in London? I think you told me you worked for Brad Jones and Rock The Park. Can you tell me about that?
I come from a very musical family. My grandma was a music teacher for years, and my mom sang along with my aunts and uncles. I always loved music, and I actually sang until the age of sixteen, but experienced anxiety and stage fright, so I decided it was not for me. I did work for Brad! He was a great manager/boss. I helped on the day-to-day activities in his office at Centennial Hall and his yearly festival, Rock The Park. The year I was present, Alice Cooper, Peter Frampton, and Heart played. Such a cool experience. It was that job that I really got excited about management, watching Brad and how successful his company was.
Q. What drew you to the role of Artist Manager? Any mentors, other than Brad Jones?
I have had a solid mentor since the age of twenty-one. I met this rock producer Brian Howes (Skillet, Hinder, Daughtry, and Nickelback) and he kind of took me under his wing. I still collaborate with him on projects to this day. I actually share in three gold plaques for artists we have worked on together. I think artist management is a calling. It wasn’t something I could just learn, it was a feeling, and I really love the development portion of an artist’s career and watching them grow and be successful.
Q. Can you describe a typical day in your life as an Artist Manager?
I usually start my day with answering emails from promoters, agents and label representatives. Usually, I have weekly calls with all team members to strategize for the upcoming week. I attend content shoots for social media, coordinate budgets and approve all assets for releases. I usually have little time to eat ha! I end my day around 7:00 or 8:00 pm unless I have a show then I attend to represent the artist.
Q. What brought about your relocation to Nashville, Tennessee? How long have you worked out of Nashville?
The country music scene was really appealing to me when I met artist Canadian country pop singer and songwriter, Eric Ethridge. I managed him for years, and he was rapidly growing, and we would make trips often to Nashville. Nashville is such a community city, and I was told there are thousands of hit songs written here daily. I was having some really great success with Eric and Sirius XM The Highway. I also signed Eric to his record/publishing deal in Nashville. I have been here since 2020.
(Pictured: Eric Ethridge, cover of California.)
Q. Can you identify some of the acts and artists you have represented since moving to the US? Do you represent any specific genre of music? Do you represent any Canadian acts?
Currently, I manage country artist Shaylen, who is signed to Big Machine/ Nashville Harbor. I also manage British pop artist Karl Michael, who is signed to Peer Music here in Nashville. I have mainly been a manager in the Pop and Country genres. I am developing a country artist from Canada, Sean Michael Ryan.
(Pictured: Karl Michael. Photo Credit Sean Hagwell. )
Q. Could you give me some highlights of your career to date? Can you share a success story or major milestone you helped an artist achieve?
I have been fortunate to have some really cool wins with some great artists like Eric Ethridge. I have two gold singles with If You Met Me First, California, and Eleven Past One. I have a gold single for their song The World is Ours. I was also a part of getting Shaylen her Opry debut in October 2024. So special.
(Pictured: Shaylen. Photo Credit: Sean Hagwell. )
Q. Artist Managers and Promo representatives sometimes get a bad rap in the music industry. How do you respond to this?
That is unfortunate to hear. I consistently deliver high-quality work for artists, demonstrating my loyalty and dependability in every collaboration. I really build my relationships in the industry on trust, and I never make promises I can’t keep. There will always be bad eggs in any type of business, but I really want to be known as fair and competent, and I appreciate anyone willing to give me the opportunity to work with them.
Q. What are the biggest, most fundamental challenges or opportunities for emerging artists in the music industry right now?
Social Media! Artists have to constantly be relevant on there. They have to post at least two to three times a week to keep up with their audiences. I also feel like a lot of newer artists have to fund a lot of the marketing assets and productions, and it can be very costly to compete with artists on a label level. A lot of artists work a side job or hustle to make ends meet while they are doing music.
Q. Is there anything else you think our readers should know about Jordyn Elliott, the Artist Manager, and Jordyn Elliott the person?
I want to tell anyone out there who wants to try their hand at management that consistency and networking are the keys to building those contacts. Hands-on experience is the best way to learn! I love my job, and I couldn’t think of anything else in the world I would want to spend my time doing. You have to love it and be passionate because it’s a long road, but the payoffs are worth it!
Q. Do you have any plans to visit Canada at some point in the near future?
Yes! I will actually be back next week to visit family for a few days and again at Christmas.
I figured it was time to share an update on the Westland building, which, as you probably know by now, is currently for sale. While our intention is for the Westland Gallery business to eventually move down the road to The Art Exchange building, the 156 Wortley Rd. address remains for sale.
Over the past few months, there’s been quite a bit of interest in the building, but nothing that makes us ready to leave the building just yet. The building will remain available for purchase in the coming months. Until someone comes along who we think can look after our historical building and give back to the village, the gallery will stay in this building, continuing on with our planned exhibitions for 2025 and 2026.
Our next exhibition is a solo show by Lisa Johnson, and it is going to be a knockout. Lisa spent a month in Newfoundland at an artist residency in Pouch Cove, painting absolutely stunning landscapes. I can’t recommend visiting Lisa’s show, opening on October 28th, enough. It’s certainly a must-see.
(Pictured: Painter Lisa Johnson)
Unfortunately, because of the time required to plan the Square Foot Show, we have decided not to do it this year. Both the planning of the show and the returning of artwork take months and months to complete, and we couldn’t commit to a show of this scale this year.
I know there are going to be many disappointed artists and collectors, but it just wasn’t the right timing, with the potential sale of the building.
In place of the Square Foot Show, we have a number of small pieces by our gallery artists on their way for December! We will also be presenting pieces from the estates of several renowned London artists to be sold at very accessible prices for collectors who would like to own a piece. We will have work from the estates of Helmut Becker, Herb Ariss, and Kerry Ferris, to name just a few.
Debussy – Second Arabesque
The Beat Magazine 2025 