music – Page 3 – The Beat Magazine 2025

Silver Spotlight Theatre presents Showtune, December 4-14, on the Grand Theatre’s Auburn Stage

November 26, 2025November 26, 2025 by Richard Young

by Richard Young, Publisher & Content Manager, The Beat Magazine

Silver Spotlight Theatre, London’s group for performers aged 55 and up, presents its fourth musical, Showtune, celebrating Jerry Herman’s work this December.

Like the group’s previous shows – Babes In Arms (2023), Grease (2024), and Into The Woods (2024) – it is expected to sell out.

The Beat Magazine spoke with Showtune’s Director and Silver Spotlight Theatre co-founder, Rick Smith, about the show and the group’s move towards incorporating itself as a not-for-profit organization. The following Q&A Interview has been edited for length and clarity.

(Pictured: Rick Smith, Showtune director and co-founder of Silver Spotlight Theatre.)

Q. Could you review for our readers how, when, why, and by whom Silver Spotlight Theatre came into being?

Just before COVID locked us all safely away at home, Art Fidler, now affectionately called the ‘grandfather’ of Silver Spotlight Theatre, approached me, the then President of Musical Theatre Productions, about an idea of establishing a wing of MTP dedicated to people in an older demographic (55+). We met with Kathy Smith, who directed us to the Ontario Government Grant offerings to launch this untested idea. We were fortunate enough to receive funds from their Seniors Living Grants. Mary-Ellen Willard, one of Art’s former students, offered the services of her company, AdHome Creative, to create a new logo and support the visuals used for our production. From there, we floored it, and away we sped toward the big reveal. Art and I took the lead, directing the first production, Babes In Arms, with Kelly Holbrough producing, Janice Wallace as Musical Director, and Candy Robinson as Stage Manager.

Q. What role does SST play in London’s theatre community?

There are several outlets for London youth to gain theatre experience through Original Kids, London Youth Theatre Education (LYTE), Arts 4 All Kids, and more. For individuals 20-54, the Palace, Musical Theatre Productions, Odessa Company and others offer lots of opportunities to get involved in community theatre. That leaves interested parties in the 55+ age range very few opportunities, especially on stage. Unless a script calls for a grandparent, the ability to learn, grow and get engaged is minimal. Silver Spotlight Theatre offers those in this demographic the opportunities that are otherwise limited. It has provided a creative outlet and a place to learn and experiment in theatre craft. More than that, it has built a solid connection for those who get involved in our productions. In post-retirement life without external interactions, it is easy to sit in front of the TV and wait. Silver Spotlight Theatre has brought those people out of their armchairs and helped them join a really connected community with regular gatherings, parties, brunches and friendships. Through the arts, seniors get to learn, create, move and connect.

Q. Can you tell me a bit about SST’s previous three sold-out productions?

Babes In Arms (2023) was the first production. It was a coming-of-age story where seniors were cast in roles of minors trying to prove themselves by “finding a barn and putting on a show”. It was filled with a lot of American Songbook numbers written by Lorenz Hart (The Lady is a Tramp, Where or When, My Funny Valentine, and more).

That was followed by the ever-popular Grease (2024), where again seniors were performing as teenagers from the ‘50s and singing the memorable tunes from the show, Greased Lightning, There Are Worse Things I Could Do, We Go Together and more.

To mix it up a bit, the third production was Stephen Sondheim’s Into the Woods (2024), where we turned our seniors into fairy tale characters and really tested them by performing it In the Round, which was a new concept for many of the cast.

Finally, our fourth and final production under the MTP umbrella is Showtune, a musical review of the words and lyrics of the great Jerry Herman. Again, a new vehicle for our dedicated, hardworking teams. There is no time to catch their breath in this action-packed song and dance show

Q. Can one talk of a Silver Spotlight Theatre troupe, or are new cast and crew members added to each production?

While there are several returning cast and crew members from each show, we have had many new faces, as well as new as 55+ can be, come out to audition and reach out to get connected. We have people in our audience who meet with us during intermission or at the end of a show, asking how they can get involved. Within each show, this troupe grows and inspires new folks to try something new or re-stimulates the passion for theatre from years gone by. A lot of our members are first-time performers or backstage helpers. Some come back to the stage for the first time since high school, while others have transitioned from the standard community theatre stage to ours, bringing their experience with them to share with others in the group.

Q. Putting bums in seats is always a challenge for community theatre groups. What explains SST’s success?

I think what has made Silver Spotlight Successful is, in part, our affiliation with MTP as a brand endorsement. MTP has a long history within the London community, and with that, it brings a following. But it is also unlike that of the youth programming. Every parent and grandparent wants to see little Suzie or little Tom on the stage. SST brings out the grown children and grandchildren of those included in the production. It is an extension of what we call our family. Once they see what we can do, word of mouth spreads, and it brings in others who want to see what it is all about. There is a sense of curiosity that comes from this kind of niche group.

Q. What can people expect to see/hear if they attend Showtune? Any highlights you would like to cite?

Audiences will be thoroughly entertained with Showtune. Jerry Herman wrote the songs from some of Broadway’s biggest hits like Hello Dolly, Mame, La Cage Aux Folles and more. He was a storyteller with his music, but not as technical as Sondheim or Lloyd-Webber. People can hum along with his tunes. They consist of light-hearted and uplifting lyrics, and even the songs that have a more sombre feel have a positive message and always look on the bright side of life. The cast has grown to love these tunes and sing and dance with all their heart. I challenge audience members not to tap their toes or hum a familiar tune.

Watch cast member Angie Batte Jansen talk about Showtune: https://www.facebook.com/share/v/14Pr3LnvXtz/

Q. Up until now, SST has operated as a branch of London’s Musical Theatre Productions. What precipitated SST’s decision to incorporate as a stand-alone not-for-profit organization?

With each production, those involved in SST productions have learned and grown. We are incredibly grateful to MTP for taking the chance on this untested concept. Without the Board’s approval and encouragement, there wouldn’t be an SST company. That said, the learnings and the growth over the past four seasons made the group realize that having the autonomy to make its own decisions was needed. We felt it was time to ‘grow up’ and take the lead for itself. There are life and work experiences that the SST followers bring with them, whether it is project management, people management, education delivery, or finance finesse. These are the skills included in this troupe that make it easy to make appropriate decisions that we can own as our own.

Q. What are the advantages/benefits of SST becoming a not-for-profit organization?

It was important for the inaugural Board to obtain a charity status. We realized under MTP that status allows for greater opportunities to obtain sponsorship and private donations. Getting a tax slip for their support of our organization makes it far more attractive for donors and sponsors to contribute. It also allows us the opportunity to be eligible for corporate and government grants. Funding is a very important element for starting any new venture, and we rely on those sponsorships and private donations to help get things off the ground. MTP was the benefactor of our previous productions as they flipped the bill to pay for our shows, so we are starting out from ground zero. The ability to offer tax slips as deductions on income taxes gives us a wider range of avenues to achieve the goal of capturing the attention of those willing to support our organization.

Watch cast member Rob Hibbs talk about Showtune: https://www.facebook.com/share/v/1BgHdXgCih/

Q. Has an interim Board for the new group been appointed?

Yes. This was very important to the small committee working with MTP to establish longer-term visions for SST. In order to incorporate and gain charitable organization status, a Board of Directors needed to be appointed from that small group of core SST members. We elected the key board members to get the ball rolling. It was important to provide some experience to these positions to begin to establish the credibility of the Board. With our combined 60+ years of community theatre experience, I was appointed President along with Toni Wilson as Vice President. A Secretary needs to be very organized with the ability to be concise yet thorough with communications, so Cathy Weaver, a retired head of HR, was unanimously elected to that position. We knew we needed an experienced manager of finance to take on the position of Treasurer. Alex Gow has the appropriate designations and experience to ensure the appropriate accounting and tax filing is complete. And there is no need for a Treasurer without funds, so Susan McKone and Tracey Andrus, two very connected and imaginative women, were appointed to Fundraising and Sponsorship. Dan and Margo Surman hold seats as Members at Large and, although they do not have a designated portfolio, their contributions and support for these different commitments will be invaluable.

Q. What are the next steps for Silver Spotlight Theatre?

SST must establish a foundation, including but not limited to seeking sponsorship and donations, identifying a rehearsal space, and gathering SST supporters to build a strong foundation. We want to engage our members by including them in the process through committee work, brainstorming, leveraging resources and contacts to help get us off the ground. Our first official act will be holding a meeting for anyone interested in the future of SST on January 13, 2026. The time and location will be announced once we have secured a venue. Oh, did I mention we are starting at ground zero?

Q. Is there anything else you think our readers should know about Silver Spotlight Theatre and/or Showtune?

Although Silver Spotlight Theatre has stepped into the light as its own entity and, in a way, is starting anew, our core values and goals remain the same. We are still committed to developing quality performances, granting opportunities to develop performance and designer programming for education and skill development, and the inclusion of age-appropriate members who are interested in being part of our community. This is the first of our building blocks, and we will be looking to our membership to assist with brainstorming ideas to raise funds for our three, five and ten-year strategy plans. This is the first of many steps in achieving and maintaining the community that has become Silver Spotlight Theatre.

Cast:

Angie Jansen

Barb Currado

Carol Taylor-Wilks

Dan Surman

Deborah Mitchell

Holly Kinchlea Brown

Jayne Terry

Jensen Caughlin

Joanna Makinson

Karen MacDonald

Karon Dean

Lesley Andrew

Lisa Jones

Margarita Sanchez-Favro

Maria Marsh

Mitch Zimmerman

Rachelle Peterson

Rick Smith

Rob Hibbs

Steve Hobbs

Susan Dean

Susan McKone

Therese Hibbs

Creative Team:

Director: Rick Smith

Assistant Director: Nick Banks

Musical Director: Jeff Holbrough

Choreographer: Grant Statchuk

Producers: Mike Jewison and Candy Robinson

Stage Manager: Teri May

Assistant Stage Manager: Tracey Andrus

IF YOU GO:

What: Silver Spotlight Theatre presents Showtune, a Celebration of Jerry Herman’s Words & Music.

When: December 4 to 14, 2025.

Where: Grand Theatre Auburn Stage

Tickets: https://www.grandtheatre.com/event/mtp-showtune

To learn more about Silver Spotlight Theatre and Showtune, visit https://www.mtplondon.ca/silver-spotlight

(Showtune is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI.
www.mtishows.com)

(NOTE: The videos embedded in this Interview are courtesy of Brian Ince.)

I Looked at all Those Smiling Faces all Members of the Toronto Symphony Orchestra …And They Looked So Excited to be Playing BACH!

November 19, 2025November 19, 2025 by Richard Young

Daina Janitis previews The Jeffery Concerts: TSO Chamber Soloists Play Bach, November 23.

Full disclosure, I took piano lessons without whimpering – but even if I put on a scruffy coat, hunched over, and had unravelling gloves on my hands – I never got into a Glenn Gould state of mind to understand the lure of JS Bach.

But then I found the confession of a man who stuck with music teaching and performance – and explained the appeal of Bach to people with souls!

Ethan Hein is a music technology and music education professor- somewhere – and his personal admission hits the right note. Here’s what he has to say about Bach and his music:

(Pictured: Ethan Hein, The Ethan Hein Blog)

“I’m not a big classical music guy for the most part, but I never get tired of Bach. This stodgy eighteenth-century Lutheran doesn’t seem a likely inspiration for a hipster electronica producer like me. There aren’t too many other wearers of powdered wigs in my record collection, and Bach is the only one in the regular rotation.

Why? When I studied jazz guitar, I was encouraged to learn some Bach violin and cello music. I learned a lot about music theory that way, but I had a surprising amount of fun, too.

Why is Bach’s music so much cooler than anything else of his time and place? There are plenty of beautiful melodies and interesting thematic developments in other Baroque music, but they’re usually buried under tweedly curlicues. I get exhausted from all the jumping up and down between adjacent scale tones.

You never get the sense that Bach is just throwing notes at you to fill the space between ideas. This spare, economic quality shows most clearly in his solo instrument stuff. The single lines spell out both the melodies and the chord progressions clearly, using the spaces between the melody notes to deploy fragments of basslines or arpeggios. Bach gives your imagination just enough data to easily fill in the rest. Leaving notes out is a great way to draw in the listener. It invites us to participate in our heads.

Bach has huge geek appeal. He favored puzzle-like musical forms, canons and fugues, where the melody gets repeated as its own accompaniment. Bach’s music is dense with references and quotations of other works, and of itself. Bach’s love of recursion inspired Douglas Hofstadter to write a whole computer science book about him (and Gödel and Escher.)

See: http://www.quora.com/Book-Summaries/What-are-the-main-ideas-and-highlights-of-G%C3%B6del-Escher-Bach/answer/Ethan-Hein

Bach was a great quoter of the popular music of his time and place: hymns and regional dances. Since most of the music he was paid to write was for church services, it’s no big surprise that Bach did so much reworking and embellishing of hymns.

You couldn’t ask for a better education in what it means to embellish a theme than to hear Bach’s lines superimposed on the simple hymns. No wonder jazz musicians love him so much; the effect is similar to the way Charlie Parker sounds improvising on a showtune. (Bach was known in his lifetime as an improviser, which adds to his jazz cred.)

There’s something very algorithmic about the rule-oriented forms he wrote in, the canons and fugues, all that complex counterpoint. Every note that Bach ever wrote is on the web in MIDI format. http://www.jsbach.net/midi/index.html His music sounds pretty decent when played by robots (though it’s livelier when it’s played by humans.)

Bach wasn’t very highly regarded in his lifetime outside of a small, devoted circle of groupies. He didn’t hit the cultural big time until a hundred years after his death. He’d probably be amazed now at his elevated stature.” (Ethan Hein)

(Pictured: TSO Chamber Soloists)

And who are the musical powerhouses that will be playing Bach on Sunday afternoon?

Their bios with details of performances, awards, and recordings can be found on websites- but what do you NEED to know?

Jonathan Crow is their “curator.” He’s also been the concertmaster of the TSO since 2011, but travels the world concertmastering for other orchestras. He teaches violin at the University of Toronto and is an avid chamber musician – a founding member of the Orford String Quartet.

What is it with oboes and London, Ontario? Sarah Jeffrey is a London girl who plays that instrument superbly. You’ve heard the oboe jokes, haven’t you?

Oboist: Did you hear my last recital?

Friend: I hope so.

Oboe: “An ill wind that no one blows good.”

Sarah, however, has been praised for her “exquisite solo work,” her “luscious tone,” and her sensitive musicianship. She’s Principal Oboe of the TSO, a teacher at the Royal Conservatory, and mom of two kids.

Kelly Zimba Lukic joined the Toronto Symphony Orchestra as Principal Flute in 2017 – but leaves a trail of US orchestras in her debt. She’s celebrated as an innovative and inspiring teacher as well as a performer. Previously a flute fellow at the New World Symphony, she has performed with the Chicago, Pittsburgh, and Detroit Symphony Orchestras.

And Christopher Bagan? He’s another tough one to squeeze into an X (formerly Twitter) post. He’s a Doctor of Musical Arts (specialising in Schonberg) who performs baroque with equal fluency. If you’ve heard the tinkle of a harpsichord at the Canadian Opera Co., it was Christopher.

Is there anything else you should know before you get to the church, on time at 3:00 p.m.? Visit: https://youtu.be/IunEDER6Mws

Only that the Brandenburg Concerto #5 – the piece that will feature the whole ensemble – is incredibly beautiful. The link above leads to a Chicago Symphony chamber performance- but T-Rex Hand Position Up – our Canadian musicians will dazzle!

IF YOU GO:

What: The Jeffery Concerts: TSO Chamber Soloists Play Bach.

When: Sunday, November 23, 2025, at 3:00pm.

Where: St John the Evangelist Church, 280 St James Street, London, ON

Tickets: Single Ticket Price: $40. Online at https://www.grandtheatre.com/event/toronto-symphony-orchestra-chamber-soloists? or at the door

Student tickets: Available for free with a valid ID by emailing jefferyconcerts@gmail.com

For more information about The Jeffery Concerts, visit https://www.jefferyconcerts.com/season2526/index.html

Follow on Facebook: https://www.facebook.com/thejefferyconcerts

Previewed by Daina Janitis

Showcasing Jazz in the London Community: An Interview with the London Jazz Association’s Jason Jamieson.

November 17, 2025November 17, 2025 by Richard Young

by Richard Young, The Beat Magazine Publisher & Content Manager

Q. What is the mission/purpose of the London Jazz Association?

To advance the appreciation of jazz music through education programs and performances in the area. We showcase jazz in our community by celebrating established and emerging talent, thereby inspiring future generations to enjoy the music we love.

Q. When was the Association founded and by whom?

The Association was formed in 2024 after the first London Jazz Festival. We received an investment from a local benefactor to run the festival, but quickly realized the opportunity to bring jazz lovers together extended well beyond the Jazz Appreciation Month of April. From that, the Association was born. Seth McNall and Jason Jamieson, along with Brian Ball, founded the Association, but Brian has since moved on to other endeavours.

(Pictured: Jason Jamieson and Seth McNall, London Jazz Association.)

Q. How is the Association organized?

The London Jazz Association is a registered charity that operates under the purview of a board of directors and other volunteers. The board is currently made up of six members, and there are several other volunteers that work on the projects overseen by those board members.

Q. Are London jazz musicians “members” of the Association?

At this time, the association doesn’t have members, per se, but the board is made up of both local musicians and advocates. There are teams of people who work with our performance, education and advocacy projects to help promote and improve the state of jazz music in the Forest City. We also help local musicians by recommending them for performances around town.

Q. I notice a lot of social media postings for musical events in the city say, “in partnership with the London Jazz Association.” Could you explain what that means?

The Association has been very lucky to have local establishments and vendors call upon us to share our contacts and expertise in order to hire local musicians for their events. Several restaurants and venues reach out to us and ask us to help organize and book their jazz nights, concert series, and other events. This has helped us establish a variety of different jazz series across London that allow for quarterly, monthly, and even weekly jazz events for the local music fans to enjoy.

(The Peppermoon Restaurant is one of the London Jazz Association’s partners.)

We have fantastic relationships with our retail and performance partners, and since our beginnings, we have held performances at over a dozen locations, including soft-seat theatres, restaurants, bars, and other venues, including Wolf Performance Hall, Toboggan Brewing, Peppermoon Restaurant, West Social, Highland Golf and Country Club, and many more.

Q. Does the Association sponsor any special annual events or series of shows?

The London Jazz Association is currently running a three-concert fundraising series. Our first event was held on the afternoon of Sunday, September 28th, and featured London’s own Denise Pelley with Toronto trumpet legend Kevin Turcotte and an all-star band. The show was a great success, and we’re hoping for the same at our next show on Thursday, November 27th, at 7pm at the Highland Country Club. That performance is a kick-off to the holidays with singer Paul Zubot and some incredible local musicians backing him up. Then, on March 26th, we’re running our third fundraising concert, and this time we’re featuring something never before seen in the region. Local musicians will be performing Miles Davis’s “Birth of the Cool” album in its entirety that night, as well as premiering several never-before-heard pieces by local composers. These concerts are meant to be showpieces for local and regional talent and promise to be something never experienced before in our beautiful city. Tickets for all of those concerts can be found at www.jazzassociationlondon.ca

Q. Could you identify some of the well-known London jazz musicians who have played concerts/engagements/events sponsored by the Association?

We’ve featured Denise Pelley, Rick Kish, Nevin Campbell, The Jitterbugs, The Baddest Big Band, Laurraine Sigouin, Steve Holowitz, Sonja Gustavson, The Jazz Collective, and the Seth McNall Sextet, to name a few.

Q. What type of relationships does the Association have with other London organizations like the London Music Office, London Musicians’ Association, Forest City London Music Awards, and others?

Over the last eighteen months, we have worked closely with many of the London organizations. We have a close relationship with the London Musicians’ Association and are pleased to be able to provide union scale wages to all of our musicians at their events. We enjoyed a close relationship with the London Music Office last year and worked together to bring an amazing jazz group from Poland to perform at the 2025 festival finale on April 30th. We’ve also worked with Dundas Place and Cherryhill Mall, and other city venues, to bring jazz to the people of the city for no cost.

Q. Jazz appears to be experiencing a renaissance in the London area, if the postings on social media are any measuring stick. Is Jazz finding newfound popularity? If so, with whom and why?

Jazz never died, it just evolved. When rock became the most popular genre, Count Basie did a Beatles tribute album, and Miles Davis did jazz covers of Cyndi Lauper and Michael Jackson tunes. Jazz continues to permeate modern popular music, influencing performers like Meghan Trainor and Bruno Mars. Jazz has always been there, growing, changing, and becoming more diverse and interesting.

As for jazz’s newfound popularity in the region, I think that’s happening everywhere. The advent of AI-generated, formulaic pop tunes is making consumers crave a high-quality, genuine, live experience. People like hearing music performed in person because it satisfies their desire for authenticity while satisfying their need to be entertained. And if you want to be entertained, why not hear someone at the top of their craft, performing the music they love for people who want to listen.

(Pictured: Toboggan Brewing is another one of the London Jazz Association’s partners. Here’s a poster for one of their recent shows featuring Rick Kish & Friends.)

Q. Is there anything else Londoners should know about the London Jazz Association and its activities?

Besides the five different concert series we’re currently running, we also run a Jazz Education Program on Wednesday nights for students in grades 7-9 and 10-12. These ensembles are run by local jazz performers and educators, and they already have a spot to perform at the London Jazz Festival in April 2026. For more information, visit https://www.jazzassociationlondon.ca/lja-lab-bands

We also run a London Jazz Archive whose goal is to help preserve the vibrant jazz history of the region, right from Guy Lombardo through keynote performances from the last few years. You can see some of the videos at https://www.youtube.com/@Londonjazzarchives

The London Jazz Association podcast is just getting started, but there are two episodes up that showcase some of the local performers and their connection to the history of London jazz. You can find that on any podcast aggregator.

Lastly, anyone who wants to donate to the charity can learn everything they need to know about that at our main website.

Follow The London Jazz Association on Facebook: https://www.facebook.com/profile.php?id=61567324096163

Follow The London Jazz Association on Instagram: https://www.instagram.com/londonjazzassociation.ca/

by Richard Young, Publisher & Content Manager, The Beat Magazine

richardyoung@thebeatmagazine2025.ca

The Life and Times of Dave Semple: Renaissance Man.

November 14, 2025 by Richard Young

by J Bruce Parker

(Photo by Liam Semple)

If you know Wortley Village resident Dave Semple, his quality of generosity first comes to mind. The retired drama teacher with over thirty-five years of experience as an actor and director has offered free workshops for aspiring thespians. As a guitar luthier, he has built and given away several guitars to those he felt needed them, as well as taking the time to teach the instrument to seniors.

Dave is a prominent and familiar presence in local theatre, and both his love of the stage and music have become the focus of his post-retirement life.

Dave was born in Quebec to a young and struggling mother and was put up for adoption when he was five months old. His adoptive parents moved about, and Dave found himself in the city of Rouyn Noranda, a mining town, dedicated to the recreations of hockey, snowmobiling, and ice fishing.

(Photo by Ross Davidson.)

Dave felt that he really didn’t fit in. “I had a little music room with a piano and a couple of guitars, and that’s where I escaped,” he says. He noodled about on the piano and eventually took lessons, but again, could not fit in with the role of a piano student.

“My teacher realized that I was struggling to learn to read music, so she started to train my ear. I couldn’t sight-read but she recognized that I had a really good ear, and maybe she could train that instead. It influenced me in how I became a teacher, as her philosophy to meet the student where they are became my philosophy as a teacher.”

Dave eventually crossed the border into Ontario, where he enrolled at the University of Windsor in a Bachelor of Fine Arts program. He considered the idea of theatre as a career but did not pursue it. “I never wanted to be an actor full-time as the idea of always looking for work scared the crap out of me,” he says.

He had a friend working at the University of Western Ontario who was able to cast him in Romeo and Juliet as the character Tybalt. “They needed someone to do the sword-fighting scenes, and I had learned combat choreography at university. I had also done some fencing,” Dave recalls.

(Photo by J Bruce Parker.)

With this success, he realized he liked the idea of teaching, and it appealed to him as a choice for a working career. Dave taught Drama at Strathroy Collegiate for four years before transferring to Oakridge Secondary School. It was here he met James Patterson, head of the Drama Department, who would be part of his career in theatre for the next thirty years.

After leaving Oakridge, Dave taught Drama and English at Saunders Secondary School for nine years, leading up to his retirement in 2022.

Dave’s wellspring of creativity has produced two novels, four books of poetry, one poetic novella, and two books of ‘Words of Wisdom.’ As a singer/songwriter, he has released five CDs, but his musical artistry was stifled for a time when “The pandemic kicked that out of me,” he says.

Three years out of the pandemic, Dave is rethinking and creating again.

(Photo by J Bruce Parker.)

His work as a guitar luthier began when he could not find an electric guitar with specific woods and electronic features that he wanted. It was his father who taught him carpentry and electronics, which aided in his task. He found the parts online and built his own. This hobby grew over the last seven years when local guitarists would seek him out for repairs or to customize their own instruments. Eventually, orders came in for specific body designs, woods, and electronics, and ‘Phoenix Guitar Works’ was born. Dave tells me, “The name came from a few crashes and burns in my life.”

After his retirement, Dave found a new energy and discovered that “time is now finite.” This energy inspired him to audition for leading roles in two productions at the Palace Theatre: The Black Bonspiel of Wullie MacCrimmon and The Donnellys, which was directed by his long-time friend James Patterson. He was eventually doing back-to-back rehearsals. Dave moved from the sinister but charismatic character of the devil in ‘Black Bonspiel,’ to the patriarch of the infamous family from Lucan.

“I like dramas more than comedies,” he tells me. “I like stories that are dark and have a good depth of substance to them.”

(Photo by Ross Davidson.)

Peter Colley’s play about the brutal massacre of a family in Lucan in 1880 was previously performed in London at the Grand Theatre in 1974. It portrays Johanna and James Donnelly as victims of this horrendous crime. Other accounts of this event have been less sympathetic to the couple. “We wanted to bring out that they were a loving couple and that they were trying to make the best world, despite all the strikes against them. We wanted to make them likeable and relatable,” says Dave.

Last year, Dave was cast in local playwright Jason Rip’s Man Up, a piece of theatre produced and directed by John Pacheco, which was performed at the Manor Park Memorial Hall for five sold-out performances. Divided into eighteen scenes, the production explored the definition of masculinity and the associated high rate of male suicide.

In a television interview about Man Up, Dave expressed, “Since COVID, I think theatre has gotten really safe with light and fluffy productions to bring audiences back in. You go to the theatre to escape or connect. With this play, every night when I go home, it stirs up feelings and thoughts, and I want to have discussions with people. And this is what is important about this play in particular.” He adds, “In thirty years of teaching, I lost eight students to suicide.”

Dave has directed nineteen plays, and he enjoys moving back and forth from directing to acting. “It depends on my frame of mind if I want to direct or act. But acting is more work as you have to memorize.” Laughing, he adds, “I have a hard time liking young actors. I like the ones who are my age and older.”

It is tough for him to single out a favorite actor, but Gene Hackman comes to mind when he is persuaded for an answer.

It is no surprise that this talented craftsman recently created and performed Stories and Songs, a fundraising event for the Palace Theatre on November 6. Dave is a voice of his community, and his voice regaled friends and fans with his music and personal reflections.

His performance at the Palace’s Procunier Hall was perfect for an intimate evening. A comfortable parlour chair, an antique table displaying the visual memories of his songs, underscored with soft lighting. He picked from four guitars, regarding all as his ‘friends,’ and explaining the history of each.

His three-hour marathon performance with a brief intermission was culled from his vast creative work and warm and generous heart. He emptied his pockets of childhood memories in song and spoken word, often in a cathartic voice, directing us to his beginnings as a five-month-old child being given up for adoption. Love, acceptance, and family become important themes in his music.

His presentation was interactive as he requested ‘Dad Jokes’ regarding his remembrance and relationship with his own adoptive father, as well as inquiring about a recent moment of ‘joy’ from his audience. And joy is something we need more of these days.

(Photo by J Bruce Parker)

Gathering a few young people to sit at his feet, in a most grandfatherly and comedic manner, Dave told an anecdote of something antiquated and nearly extinct: the vinyl record.

His final song was not his, but of his friend, musician Jake Leveque, a musical force of this city who passed away in 2024.

Following Dave Semple down his road of memory is often a very familiar journey, as his memories can be relatable. He examines his humanity, which allows us to reflect on our own. You listen closely, and his voice in song becomes your voice.

Originally, Stories & Songs was to be a one-off event, but it was met with such a measure of success, several performances are now booked at the Palace Theatre in the Spring of 2026.

Dave Semple is now directing Closer, a play by British playwright Patrick Marber, in a production which will run from February 5 to 15 at Procunier Hall at the Palace Theatre.

To hear Dave Semple’s music, visit https://www.reverbnation.com/davesemple

Follow Dave on Facebook: https://www.facebook.com/profile.php?id=100032083767062

By J Bruce Parker

Weekend Roundup of Selected Arts Events in the London Area, November 14-16.

November 13, 2025November 13, 2025 by Richard Young

Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025

LIVE THEATRE

Original Kids Theatre Company presents The Wizard of Oz Youth Edition, November 13-16, at the Spriet Theatre.

Get your tickets to ‘The Wizard of Oz Youth Edition’ before it’s too late! Visit our website www.originalkids.ca or call the Box Office today. 519-679-8989

Box Office Hours
Tues-Fri 4:30pm-8:30pm
Sat-Sun 10:00am-8:30pm

The London Fringe Festival may be over for 2025, but the buzz still lives on, and for one more night, we’re bringing back some of the shows you couldn’t stop talking about!
On Friday, November 14, join us at the Palace Theatre’s David Long Stage for MAGIC IMPROV MONSTER; an encore celebration of our People’s Choice favourites!

The evening kicks off with jaw-dropping illusions in Many Rooms: The House of Magic by Andrew Olmstead and Leonardo Martins.

Then brace yourself for a whirlwind of laughter and unscripted brilliance with The Improvables in their fan-favourite Controlled Chaos.

We’ll close the night with an electrifying one-man tour de force starring Jared Brown in Daniel McIvor’s “Monster”, a powerhouse performance you won’t forget.

BOGO: Buy one ticket, get the second free!

Tickets: Just $25 (all fees included)

Proceeds are shared between the performers and the theatre

Palace Theatre – David Long Stage

Friday, November 14 | 7:00 PM

Get your tickets now at palacetheatre.ca

Dating Games features five short plays, each showcasing a comically terrible first date that goes off the rails. Written by Garth Wingfield, the show’s real focus lies not in the dates themselves, but in the emerging theatre talent directing the plays. This production serves as a groundbreaking training initiative, providing mentorship and performance opportunities for up-and-coming directors.

“Dating Games is a truly special production. It is more than just a show; it’s a project that combines mentorship, training, and performance, contributing to the entire theatrical community,” says Elizabeth Durand, Theatre Aezir’s Artistic Director.

If You Go:

What: Theatre Aezir presents Dating Games.

When: November 6th to November 16th

Where: First Baptist Church, 568 Richmond St., London, ON

Tickets: Discount codes are available for seniors, under-30s, and arts workers on Theatre Aezir’s ticketing page: https://events.humanitix.com/dating-games-bad-dates-good-theatre

Read Jo-Anne Bishop’s Review here: https://thebeatmagazine2025.ca/2025/11/08/londons-emerging-talent-shines-in-theatre-aezirs-production-of-dating-games/

Award-winning, world-renowned, and infamously cheeky, Ronnie Burkett is back at the Grand Theatre with his unmatched mischievous, rollicking irreverence. Burkett’s latest work, Wonderful Joe, unleashes his sharp, unrelenting wit on the cities we call home, the people we overlook, and the four-legged friends walking beside them. And he’s bringing Mother Nature, Santa Claus, Jesus, and the Tooth Fairy along for the ride. Wonderful Joe, created and performed by Ronnie Burkett, opens the Grand Theatre’s Auburn Stage for the 2025/26 Season. Already extended due to popular demand, the production will run from Tuesday, November 4, through Sunday, November 23.

Single tickets are $48, and Auburn Series Subscriptions offer a 25% discount ($71.44 for both Wonderful Joe and Mrs Krishnan’s Party). Tickets and subscriptions are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.

To learn more about Wonderful Joe by Ronnie Burkett at the Grand Theatre, please visit grandtheatre.com/event/wonderful-joe. Follow the production and peek behind the scenes by following @thegrandlondon and #GrandJoe on Instagram, Facebook, LinkedIn, Threads, Bluesky, YouTube, & TikTok.

Read J Bruce Parker’s Review here: https://thebeatmagazine2025.ca/2025/11/08/ronnie-burketts-wonderful-joe-is-topical-heartfelt-and-heart-wrenching/

ART EXHIBITS

The Forest City Gallery team has been hard at work installing the work of over 65 artists this week.

We can’t wait to see you at the Opening Reception of ‘Synthesis’, the FCG Members’ Show & Sale on Saturday, November 15th, from 7-9pm.

Visit https://www.forestcitygallery.com/

Lisa Johnson’s incredible solo exhibition, Full Circle, will be on display until November 29th at Westland Gallery

http://www.westlandgallery.ca

Read Beth Stewart’s Review here: https://thebeatmagazine2025.ca/2025/11/09/lisa-johnson-takes-your-breath-away-at-westland-gallery/

The 2025 Cape Dorset Annual Print Collection is on display at London’s Strand Fine Arts Services until November 15th.

Strand Fine Art Services is located at 1161 Florence Street, Unit #4. For more information, visit www.strandfineartservices.com.

Read Beth Stewart’s Review here: https://thebeatmagazine2025.ca/2025/11/07/the-view-from-up-there-long-boots-and-jumping-high/

The new arrivals keep coming as Jeff Heene just dropped off these three at the Benz Gallery.

We had Nicole @lemonadeframestudio work her magic, and these pieces are now available in the gallery and online.

The gallery is now all rehung with new work, so swing by this week to take it all in.

https://www.thebenzgallery.com/jeff-heene

According to Edgar Allen Poe, what’s scarier than a raven? “Raven on Scot Pine”, coloured pencil on Museum board, is one of Beth Stewart’s submissions for our spooky art challenge at the Lambeth Art Association. Beth’s other submission, “We Three,” is coloured pencil on paper. Why is it scary? Beth explains that snapdragon blossoms, when dried, look like tiny human skulls. Who knew?

https://www.facebook.com/lambethartassociation

LIVE MUSIC EVENTS

WHAT: LONDON SYMPHONIA CONCERT
Payadora – The Soul of Tango
London Symphonia, Scott Good, conductor, Payadora Tango Ensemble.

WHEN: Saturday, November 15, 2025, at 7:30 pm. Doors open at 6:30pm

WHERE: Metropolitan United Church, 468 Wellington St, London, ON.

SUBSCRIPTIONS & TICKETS: Ticket packages start at $155 for a 3-concert General Admission subscription and $212 for Reserved Seating, plus fees and HST. 5-concert packages are also available. Individual adult tickets range from $55 General Admission to $75 Reserved Seating, plus fees and HST. Family Flex packs and free student tickets are also available. In-person subscriptions and tickets can be purchased online now at londonsymphonia.ca.

Read Daina Janitis’s Preview here: https://thebeatmagazine2025.ca/2025/11/13/tango-with-london-symphonia-and-the-payadora-tango-ensemble-this-saturday-november-15th/

Sunday jazz vibes are back at Toboggan!

Join us for another cozy afternoon in our Jazz Series featuring Rick Kish & Friends — live from 2–4 PM on Sunday, November 16th.

Enjoy smooth tunes, local craft beer, and good company with a $5 live music fee in partnership with the London Jazz Association.

Tobboggan Brewing Co. 585 Richmond Street

2–4 PM

At The Aeolian:

ONE NIGHT ONLY — The Ultimate Cabaret Variety Show! A Cabaret for WENDAKE …a campy affair!! Prepare for an unforgettable evening of glitz, glamour, and jaw-dropping talent as we bring together the boldest and brightest stars of the stage in a dazzling cabaret extravaganza!� Sultry Singers� Live Musicians� Fierce Drag Royalty & newcomers…� Seductive Burlesque Bombshell� Electrifying Dancers� Surprise Acts & More! From classic jazz to contemporary pop, cheeky comedy to high drama, this is cabaret like you’ve never seen it before. Whether you’re here for the sparkle, the sass, or the sheer spectacle – we’ve got something for everyone.� Dress to impress. Bring your wild side. Leave your inhibitions at the door. �� Aeolian Hall� Friday, November 14th � , 6:30: Doors Open� 7:30: Showtime� Tickets: [aeolianhall.ca or 519-672-7950]� Limited Seating – Reserve Now! Dare to be dazzled. Come for the show, stay for the magic.

The colourful history of Newfoundland’s fishers and loggers, sealers and whalers is told with story, song and incredible visuals in this engaging musical review by Shipyard Kitchen Party, creators of “Tom Thomson’s Wake” and “100 Years from Now”. From the remote outports to the vibrant city of St. John’s, from the fishing stages to the kitchens and front parlours, you’ll hear the timeless sea-shanties, triumphant ballads and the hilarious foot-stomping sing-a-longs that make Canada’s 10th province its most legendary. You may not be a Newfoundlander when you take your seat, but you’ll feel like one when you leave! Saturday at The Aeolian. https://www.facebook.com/events/1170578908213804

Saturday, November 15th.
It’s time to celebrate the awesomeness that is 80’s Hair Bands!!
80’s GONE WILD
9pm start. Tickets $20 at Eventbrite.ca & The Bar.

The Fish at the Palasad Socialbowl, Saturday, November 15, 9:30pm. https://www.facebook.com/events/1744823356163353

Dwayne Gretzky at the London Music Hall, November 14 at 7:00pm. https://www.facebook.com/events/1327370142309651

The Journeymen of Soul wsg Anne Moniz, November 14 at The Wortley Roadhouse, 9:00pm. https://www.facebook.com/events/1436680740760811

This Saturday at The Morrissey House. The father and son duo, The Orr Boys, are making their debut together on the MoHo stage!

Join us from 7–10pm for a night of great music, pints, and pub vibes.

Call 519-204-9220 to book your table — this one’s going to be special.

OTHER EVENTS

A Hyland Cinema Classic

DOCTOR ZHIVAGO 60th Anniversary

November 16th at 4:25pn, November 18th at 1:00pm

Tickets here! https://www.hylandcinema.com/movie/doctor-zhivago

Cat Show, November 15-16, at the J-AAR Centre, Western Fair District, 845 Florence St., London, ON.

Tango with London Symphonia and Payadora this Saturday, November 15th

November 13, 2025November 13, 2025 by Richard Young

Previewed by Daina Janitis

(Pictured: Members of Payadora Tango Ensemble – Mark Camilleri, Drew Jurecka, Rebekah Wolkstein, Elbio Fernandez, and Joe Phillips.)

Is there a heaven? And if there is, may I put in a request to end up here for eternity – with Antonio Banderas giving me tango lessons: https://youtu.be/6lAKlYTQVKY?si=cr3HQPzb1PvaROj-

Tango did not begin in a sad dance studio in Brooklyn. Tango is a passionate, provocative music and dance style that began in the working-class bars and brothels of Buenos Aires and Montevideo in the late 1800s, emerging from a melting pot of African, European, and local influences. Born where desire and melancholy intertwined, tango quickly became infamous for its sensuality and daring social dynamics—people danced close, in smoky rooms where the music’s erotic undertones mirrored the pulse of the city’s nightlife. It swept into the salons of Paris and beyond, transforming from a sultry scandal to an international sensation, all while keeping traces of its rebellious origins. (All right, while I fan my fevered brow, I’ll admit I got this history through AI research)

Tango’s music is syncopated rhythms played on bandoneon, violin, piano, and double bass – sometimes with voice that punches even higher on the emotional gauge.

Tango was danced by immigrants, misfits, and the marginalized in port neighbourhoods. Its lyrics and notes embody carnal passion. Its performance scandalized polite society but, naturally, fascinated them as well.

Today, Tango Nuevo renews the music and the dance for its sensuality, nostalgia, and emotional storytelling. It blends high drama, cultural fusion, and the thrill of improvisation. Check out this instructional video on dancing Tango Nuevo: https://youtu.be/2mtoTyMns8o?si=ENxIAGDhyPUjduGd

Who are the members you’ll hear – and later meet- of Payadora? The brilliant musicians were drawn together in 2013 by their love of this unique music. And their ensemble’s name? A payador is a male improvising poet-musician in South America, particularly Argentina and Uruguay (the feminine form is Payadora). These musical vagabonds roam the countryside, improvising verses, often accompanied by a guitar, to respond to rivals in a musical contest known as a contrapunto.

So, at The Met (corner of Wellington and Dufferin), how will you be hearing and seeing?

Our beloved composer-in—residence, Scott Good, will conduct members of London Symphonia and the musical powerhouses of Payadora.

(Pictured: London Symphonia’s Composer-In-Residence, Scott Good.)

Rebekah Wolkstein is the founder and leader of Payadora. She holds a doctorate in Violin Performance from U of T, plays in a classical string quartet- and excels in klezmer/Yiddish swing!

(Pictured: Rebekah Wolkstein, founder and leader of Payadora. Photo by Peter Yuan.)

Joe Philips– our hometown boy who lives here and is principal bass of London Symphonia – was born in Toronto. He also plays classical guitar and has appeared with orchestras and musical artists too varied – and many – to mention. I’ll just pop in Joel Quarrington’s name and Shane Cook’s, and the TSO, and Le Violons de Roi.

(Pictured: Joe Phillips, principal bass of London Symphonia.)

Drew Jurecka, an impressive jazz and classical violinist, began as the record producer of Payadora’s albums. His gifts on viola, saxophone, clarinet, and mandolin have made him a valued addition to performances by Jeff Healey, Jesse Cook, Stewart MacLean, and Alex Pangman. He’s composed movie scores- and takes time to teach at Humber College, where he’s created the only jazz strings program in Canada.

Drew is also the group’s bandoneon player – what is that, you ask? According to a post from the Los Angeles Tango Academy, “The bandoneon is a large, rather complicated concertina originally developed in Germany for churches that could not afford organs.”

(Pictured: Drew Jurecka playing the bandoneon. Photo by Karen E. Reeves.)

This monster of reed instruments has no keyboard, so it’s not the accordion we all conspire to keep Uncle Heinrich from playing at Christmas. It’s got 71 buttons, 38 for the right hand and 33 for the left. The musician uses both hands to push and pull air through bellows.

And for Mark Camilleri, music is life. Mark’s entire professional life embraces music, and he has had a wonderfully varied career for over 35 years. As Marvin Hamlisch put it, “Mark Camilleri, or ‘Mr. Canada, as I call him, is a one-man does-it-all musical powerhouse, whether he’s conducting, playing keyboards, or arranging.”

Mark has conducted countless shows for Mirvish, worked with film directors, and performed from the Vatican to the Oprah Winfrey show. He’s shared the stage with Andrea Bocelli, Celine Dion, Annie Lennox, and Eric Clapton.

And the vocals!

Elbio Fernandez is apparently known as El pequeño gigante del tango” (the little giant of tango) – but I’m not judging. Born in Uruguay, he is now a Canadian who performs around the world.

(Pictured: Payadora vocalist, Elbio Fernandez. Photo by Peter Yuan.)

And this Saturday, at 7:30pm, you can dream of being young, lithe, sensual, and worthy of someone asking you to tango.
To quote Sherman Alexie, ”If you really want a woman to love you, then you have to dance. And if you don’t want to dance, then you’re going to have to work extra hard to make a woman love you forever, and you will always run the risk that she will leave you at any second for a man who knows how to tango.”

IF YOU GO:

WHAT: LONDON SYMPHONIA CONCERT
Payadora – The Soul of Tango
London Symphonia, Scott Good, conductor, Payadora Tango Ensemble.

WHEN: Saturday, November 15, 2025, at 7:30 pm. Doors open at 6:30pm

WHERE: Metropolitan United Church, 468 Wellington St, London, ON.

Subscriptions to all concerts, including the Family Concert, and individual concert rentals are available on London Symphonia’s Watch and Listen video on demand channel.

Find out more at londonsymphonia.ca.

Follow London Symphonia on Facebook https://www.facebook.com/londonsymphonia

To learn more about Payadora, visit http://payadora.com/

Follow Payadora on Facebook https://www.facebook.com/payadora

Previewed by Daina Janitis

London Symphonia presents Payadora – The Soul of Tango, November 15th at Metropolitan United Church

November 11, 2025 by Richard Young

Experience tango like never before when the award-winning Payadora Ensemble performs with London Symphonia in a concert sure to entertain. Payadora – The Soul of Tango is a genre-crossing celebration of rhythm, melody, and cultural connection that takes you on a vibrant journey from Argentina across Eastern Europe, exploring the music, song, storytelling, and dance behind this multidimensional art form that continues to captivate the world. Scott Good, London Symphonia’s Composer-In-Residence, will conduct.

Based in Toronto, Payadora has been officially endorsed by the Argentinian Consulate in Toronto for its authentic representation of the spirit of tango. The members combine their collective background in classical, jazz, and global music traditions to create their distinctive sound.

The group was founded in 2013, and its members are sought-after musicians in the Canadian chamber music scene, including Rebekah Wolkstein (violin, vocals), Drew Jurecka (bandoneon, violin, mandolin), Joseph Phillips (double bass, guitar), Mark Camilleri (piano), and Elbio Fernandez (vocals).

The superstar group has combined their deep knowledge of tango with their classical, jazz, and world music backgrounds to create something entirely new. Together with London Symphonia, this dynamic concert will dig deeper into the meaning of tango as an art form, telling stories of resilience and grace with an unwavering respect for tradition. “Over the past 13 years, Payadora has developed its musical personality from one that closely studied and emulated the great tango masters, to one that performs across Europe, North and South America to great musical acclaim,” said Andrew Chung, Artistic Producer, London Symphonia. “They have created a special London Symphonia concert version of the music they love so much, and we can’t wait to perform with them.”

(Pictured: Andrew Chung, Artistic Producer, London Symphonia.)

“It is with the greatest admiration that I see longtime Payadora member and London Symphonia principal bass, Joe Phillips, bringing together his favourite groups to celebrate this soulful music,” Chung added. “With Uruguayan roots and a lifelong love for this music, singer Elbio Fernandez’ extraordinary voice sings with the intensity and passion of the very best tango performers”

Listen to members of Payadora talk about their November 15th appearance with London Symphonia in this video clip: https://www.facebook.com/share/r/17Rrfcrzs1

The soul of tango may have originated in Argentina and Uruguay, but it has long captivated the world with its mix of melancholy, passion, longing, and embrace.

“We are excited to perform with London Symphonia,” said Rebekah Wolkstein, leader of the group. “This concert offers a vibrant and wide-ranging journey through Argentine and Latin-inspired music. From the dramatic sweep of tango classics by Mores, Piazzolla, and Gardel to contemporary works by Payadora members Rebekah Wolkstein and Drew Jurecka, the evening blends tradition with innovation. The program also features folkloric Argentine styles and theatrical songs, showcasing the emotional storytelling at the heart of this music. We hope you will join us. It’s going to be a great evening!”

IF YOU GO:

WHAT: LONDON SYMPHONIA CONCERT
Payadora – The Soul of Tango
London Symphonia, Scott Good, conductor, Payadora Tango Ensemble.

WHEN: Saturday, November 15, 2025, at 7:30 pm. Doors open at 6:30pm

WHERE: Metropolitan United Church, 468 Wellington St, London, ON.

Subscriptions to all concerts, including the Family Concert, and individual concert rentals are available on London Symphonia’s Watch and Listen video on demand channel.

Find out more at londonsymphonia.ca.

Follow London Symphonia on Facebook https://www.facebook.com/londonsymphonia

To learn more about Payadora, visit http://payadora.com/

Follow Payadora on Facebook https://www.facebook.com/payadora

Weekend Roundup of Selected Arts Events in the London Area, November 7 – 9.

November 7, 2025 by Richard Young

Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025

YOU WANT LIVE THEATRE? WE’VE GOT LIVE THEATRE!

Colleening: The Letters and Poetry of Colleen Thibaudeau is on stage this weekend, November 7-9. Friday is almost sold out; best availability Saturday or Sunday!

Featuring Katy Clark, Paul Grambo, and Kydra Ryan!

alvegoroottheatre.com/colleening

The Manor Park Memorial Hall, 11 Briscoe Street W, London, Ontario

If You Go:

What: Theatre Aezir presents Dating Games.

When: November 6th to November 16th

Where: First Baptist Church, 568 Richmond St., London, ON

Tickets: Discount codes are available for seniors, under-30s, and arts workers on Theatre Aezir’s ticketing page: https://events.humanitix.com/dating-games-bad-dates-good-theatre

ART EXHIBITIONS IN THE LONDON AREA

Lisa Johnson’s incredible solo exhibition, Full Circle, will be on display until November 29th at Westland Gallery

http://www.westlandgallery.ca

The 2025 Cape Dorset Annual Print Collection is on display at London’s Strand Fine Arts Services until November 15th.

Strand Fine Art Services is located at 1161 Florence Street, Unit #4. For more information, visit www.strandfineartservices.com.

London Community Artists Art Show and Sale

November 6-9 at St. Anne’s Anglican Church, 1344 Commissioners Rd. W

https://londoncommunityartists.ca/

MUSIC EVENTS IN THE LONDON AREA

Chorus London presents We Remember Them

Join us for ‘We Remember Them,’ a special concert honouring our Veterans, on Sunday, November 9, 2025, at 2:00 p.m. at Colborne Street United Church. The program will feature Maurice Duruflé’s Requiem, presented by Chorus London with organist Laurence Williams.

Tickets are going fast! Each ticket costs $25, and children under 13 are admitted free of charge. You can buy tickets by calling the church office at 519-432-4552, at the door on the day of the event, or online. For more details or to purchase tickets, please visit https://www.colborne711.org/event-list

SEE SPOT RUN & ORANGEMAN

Eastside Bar & Grill
9pm Start. Tickets $20 available at Eventbrite.ca

Murphy’s 50th Birthday

Friday, November 7th at the Palasad Socialbowl.

Warning: The Palace Theatre may not recover from the combined power of Vanity Affair and Maple Queef.

Expect high heels, higher drama, and a dangerously low amount of chill.

Friday. 7PM at the Palace Theatre, Be there, ponies.

Scottish singer-songwriter & acoustic fingerstyle guitar virtuoso Simon Kempston from Edinburgh is currently on his 10th tour of Canada. He has never played in London, Ontario before.

SPECIAL Buy One – Get One Offer for this Sunday’s concert.

Here is how the BOGO offer works. If you have already bought a ticket, you can bring someone along on the same ticket. If you buy a ticket from one of the outlets or online, you can bring an additional person along on the same ticket.

Come on out and hear this wonderful artist at the Cuckoo’s Nest Folk Club (London, Ontario) this Sunday, Nov. 9 at Chaucer’s Pub, 122 Carling Street. Advance tickets are at Grooves Records (Wortley location), Long & McQuade (725 Fanshawe Park Rd W), and online.

The incredible Billy Raffoul, award-winning Canadian singer-songwriter & producer, returns to Forest City on November 7th in Rum Runners, with special guest Peter Raffoul.

Tickets at londonmusichall.com

Guitar, saxophone, huge songwriting, and a voice that won him a Canadian Folk Music Award for Contemporary Singer, Ian Sherwood Brings The Light to every stage he stands on. A born storyteller and a constant creator, his music dances the line between folk and pop.

Sunday, November 9th, 7:00pm, at The Aeolian Hall.

You can find tickets for this event on Humanitix.

The Hot Tub Hippies return to the Wortley Roadhouse this weekend to rock the dance floor! Shows start at 9pm.

Weekend Roundup of Selected Arts Events in the London Area, October 31 – November 2.

October 31, 2025October 31, 2025 by Richard Young

Compiled by Richard Young, Publisher & Content Manager, The Beat Magazine 2025

YOU WANT LIVE THEATRE? WE’VE GOT LIVE THEATRE!

If you are craving some live local theatre, here are three options.

The hilarious The Play That Goes Wrong continues at the Grand Theatre until November 2, while Infuse Productions’ The Rocky Horror Show continues at the Palace Theatre until November 2.

(Pictured: The Cast of The Rocky Horror Show. Photo Credit: Ross Davidson)

St. Marys Community Players’ production of Norm Foster’s Hilda’s Yard continues until November 2.

ART EXHIBITIONS IN THE LONDON AREA

Join Lisa Johnson at the Opening Reception of Full Circle, her incredible solo exhibition at Westland Gallery

Full Circle will be on display from October 28th to November 29th. All are welcome at the Opening Reception on Saturday, November 1st, from 1pm to 3pm, at the gallery.

http://www.westlandgallery.ca

TAP Centre for Creativity

Forest City Fusion Main Gallery

Simple Reflections Art Exhibition

October 15 – November 1, 2025

RAW | RELEASE

Oliver P. solo exhibition

October 7 – November 1, 2025

LAB203

https://www.tapcreativity.org/

The Forest City Film Festival Continues until November 2

The Forest City Film Festival returns for its tenth year, hosting nine days of screenings and events at multiple venues in Downtown London.

For a full schedule, visit https://fcff.ca/schedule/

MUSIC EVENTS IN THE LONDON AREA

Enter a world where mystery reigns and music stirs the soul. This Halloween, immerse yourself in a cinematic experience for a one-of-a-kind viewing of the silent-era thriller, The Hands of Orlac.

This thrilling story of madness, mystery, and romance, with flavours of the Grand Guignol, is now reawakened by a powerful cast of over 50 live musicians, singers, and soloists set to capture your senses.

Presented in the grand, gothic beauty of Metropolitan United Church—transformed for one unforgettable night—this event offers a rare chance to witness a masterpiece of psychological drama in a setting as dramatic as the film itself. Glowing jack-o’-lanterns, evocative lighting, and shadow-draped architecture set the stage for a journey into obsession, identity, and the unknown.

Tickets https://fcff.ca/hands-of-orlac/

Palasad Socialbowl.

Some good things come to an end … Join us for a wicked Halloween Bash and say goodbye to Smile-N-Wave, Friday, October 31.

80’s New Wave all night – Costume Contests – licensed – all ages

$10 Advance $15 Door

Come join us for a spooktacular night of live music and entertainment at Eastside Bar & Grill in London, Ontario. Get ready to rock out to your favorite tunes from G&R and AC/DC! AXL/DC is going to help us celebrate Halloween in style. Costumes are highly encouraged, so put on your best outfit and maybe win some prizes!. Don’t miss out on this epic event! Tickets $20.00 available at the bar & Eventbrite.ca

Get Spooky at the biggest Halloween party in the city at the London Music Hall, featuring Grammy award-winning artist CASSIAN.

Tickets https://www.ticketweb.ca/event/cassian-at-london-music-hall-london-music-hall-tickets/14576653?pl=LondonMusicHall

Join us for lots of fun at the Dawghouse this weekend!

Kicking things off, we have Electric Popsicle bringing the Halloween fun tonight, so put on your costume and dancing shoes, and get here early! No cover.

Saturday night, Gravity Wagon is back to rock the ´House.

Bands start at 9 pm.

After trick-or-treating, join us for Night of the Living Brass. Consider this your invitation to Brassroots’ big Halloween party/concert. There will be spooky and fantastical music ranging from classical to novelty tunes…and a certain Phantom may even appear at the organ!

brassroots.ca/living-brass

A fundraiser supporting El Sistema Aeolian Children’s Music program and the charitable work of the Rotary Club of London Hyde Park. Saturday, November 1st, 2025. Main Floor Seating: $125 per person (tables of 4 & tables of 8); includes 2 cocktails & charcuterie. Balcony Seating: $60 per person; concert & amp; dancing only.

Tickets https://events.humanitix.com/cocktails-and-classics-featuring-big-bandemic-and-denise-pelley/tickets?fbclid=IwY2xjawNyAS9leHRuA2FlbQIxMABicmlkETFBMUtpWlU4Zk8xdTlUNmJWAR5JevZFNB0B3bjIb6XKD-PmD5ubP8TMVX0JkG3LopuEb5deED-PdGk2BvfhYg_aem_iAtzZcrrAvuuFzVb19tsMw

OTHER

Happy Halloween from Pumpkins After Dark!

We’ve had an un-BOO-lievable season sharing the glow with all of you! Just two magical nights left – tonight and tomorrow before the lights go out until next year.

If you haven’t strolled through the pumpkins yet, this is your last chance to catch the magic before it disappears!

Book your tickets here: http://pumpkinsafterdark.com

Artist Profile: Sarah Legault – No Stopping this Skill Set

October 31, 2025October 31, 2025 by Richard Young

by Beth Stewart

Sarah Legault is a self-taught, multidisciplinary artist recognized for her dark aesthetic. She is an alternative art doll-maker, illustrator, set and character designer/builder, animator, practical lighting technician, motion control technician, occasional curator, and last but not least, a film director.

This skill set led her into stop-motion film, where she was fortunate enough to contribute to television series, feature and, short-length films, commercials, and music videos. Stop-motion is a process, Legault says is slow but ultimately rewarding

Legault credits her deep dive into art to health issues as a child.

She recalls, “Anytime I felt unwell, I would draw and tune out everything around me.” Eventually, she would feel better, and thus began to associate creating with comfort and healing.

As a teenager, she fell in love with the MuchMusic TV channel and the art of music video production. She became a music collector. In her early 20s, she was inspired by friends who shared the same interest in alternative arts. Together, they started The Shadowood Collective, which is still a collective 20 years later. The group has included visual artists, fashion designers, performers, and musicians. By her mid-20s, Legault was curating and managing Dollirium Art Doll Emporium, a shop that showcased artists from around the world.

(Note: A number of the Shadowood Collective visual artists are part of the Scared Stiff show at The Benz Gallery: https://www.thebenzgallery.com/current-exhibition)

(Pictured: Housing Crisis, mixed media art doll by Sarah Legault, 2021.)

It was a 2013 trip to the MoMA in New York City to see an exhibition by iconic stop-motion filmmakers, The Quay Brothers, that prompted her to build her first set and write her first film titled Dear Love. This film premiered at a group exhibition in Berlin, Germany, and then continued on to win Best Animated Short at the 2014 Toronto Independent Film Festival.

Little Star (2019), which premiered on Billboard.com and gained attention from CBC Music, NOW Magazine, earned her the 2020 Juno Award for Music Video of the Year and became a recipient of the Stingray Music: Rising Stars prize.

Watch Little Star https://youtu.be/6SudJKLrOAw?si=kqbeT-WasHSfchf8

Since then, she has been hired to work on numerous stop motion productions. Most notable is being on the camera/lighting crew for a six-episode television series for Stoopid Buddy Studios called Ultra City Smiths, which was released on AMC in 2021.

She says, “Going to work felt like being a kid playing in a sandbox with your friends.” It gave her the opportunity to work with 100 other artists, animators, and technicians, and to expand her technical skills.

(Pictured: Sarah Legault’s cover art for Kevin Hearn’s Wishbone. Still image from the Wishbone stop motion music video.)

Over the past 12 months, Legault has directed and animated Wishbone, a music video featuring Kevin Hearn (keyboardist of the Barenaked Ladies and Musical Director for the late Lou Reed), and The Inland Sea for Rheostatics (featuring Alex Lifeson of Rush). She also created the cover art for their singles.

Listen to Sarah’s video collaboration with Kevin Hearn (Keyboardist and Guitarist for the Barenaked Ladies. https://youtu.be/k7u-5mZgNlw?si=4YJjBx2ThiPX-FZ2

(Pictured: Sarah Legault’s cover art for Rheostatics’ The Inland Sea is digitally composed, primarily using a still from the music video.)

Earlier this year, she started Dark Harmony Soap Co. through which she makes sculptured soaps celebrating artists, writers, musicians, and cinema.

Sarah is currently working on an animated hybrid. She can’t say too much about this project other than it involves some talented folks from Los Angeles.

To learn more about Legault’s work, visit her main website: https://www.sarahlegault.com/

Follow Sarah on Facebook https://www.facebook.com/sarah.legault.90

Visit her on Instagram: https://www.instagram.com/the_art_of_sarah_legault

Or check out her soap side gig: https://www.darkharmony.ca/

by Beth Stewart