Introducing Original Kids Theatre Company

This is the fifteenth in a series of Q&A Profiles of London area theatre companies and groups. Today, we interview Hailey Hill, Original Kids Theatre Company Artistic Director.

Q. When was your company founded? By whom and why?

Original Kids Theatre Company was founded in 1991 as a not-for-profit charitable youth organization by David Conron with 12 members. The first location of the company was in St. Thomas, about 30 minutes south of London.

Q. Is your company best described as professional or not-for-profit community theatre? Or both?

We are a not-for-profit youth theatre organization.

Q. What venue(s) do you use to stage your productions?

We are lucky enough to have our own venue: The Spriet Family Theatre! It has a capacity of 105 seats, a stage with a balcony, and a tech booth that comes with its own lighting and sound setup.

Q. Does your company have a Mission or Statement of Purpose?

Our mission statement is:

Original Kids Theatre Company enriches and celebrates the lives of young people through the arts, providing them with opportunities to mature and learn positive values through a variety of theatre experiences in a safe and challenging environment.

And this is our Philosophy:

Original Kids Theatre Company was not formed to create stars, as we believe each child already shines in their own way. We were formed because we believe that by instilling our values in everything we do, we can help young people to grow and gain confidence in who they are. We do this by providing a safe and supportive environment where cast members are part of a community, made up of peers and mentors who are there to help one another. Youth can explore theatre without fear of judgment or ridicule, and our carefully chosen staff work hard to ensure each cast member gets to learn more about their passion for theatre, while also challenging them to meet new people and explore new things. We believe that by doing this, we can help a generation of youth become well-rounded, confident, supportive, and kind individuals who will make the world a better place.

Q. Does your company have a Board of Directors and paid Staff?

We do have a Board of Directors and 5 paid full-time staff members: Artistic Director, Executive Director, Administrative Coordinator, Production Manager, and Technical Director. We also have our Kidlets Coordinator, who runs our introductory program for kids aged 5-9, and our Camp Director, who runs our summer camp, Camp OK! In addition to these roles, we have contract box office staff, camp counsellors, and Kidlets staff. Depending on the time of year, we could have anywhere from 5 to 50 people on payroll.

(Pictured: Hailey Hill, Artistic Director, Original Kids Theatre Company)

Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?

We have nine exciting shows planned for our Fall 2025 season under the theme “No Place Like Home”. If you couldn’t already tell, The Wizard of Oz is one of the titles for this season, as well as the musicals Between the Lines Jr., Oklahoma!, Dare to Dream Jr., Footloose, CATS, and Spamalot, and the plays Dr. Experimentor and the League of Evil and Macbeth. We feel that most, if not all, of these shows highlight a desire to belong and find a way to feel at home, whatever that means for the characters.

This is what I wrote in the Fall 2025 season letter:

This season at Original Kids, we are appreciating and celebrating what it means to be home. But… what is “home”? Is it the physical house you live in? Is it the people you surround yourself with? Is it where you feel most at peace?

The answer is both very simple and a bit complicated: “home” is what you make it! To Dorothy in The Wizard of Oz, home is in Kansas with Toto and her Aunt Em. To the Knights in Spamalot, they feel at home as members of the Round Table. To Delilah in Between the Lines Jr., she feels most at home when escaping from reality and reading a book on her rooftop. But what all of these situations have in common is the joy, safety, and belonging that these characters feel when doing the things they love most.

No matter the show you find yourself in, we can all explore this season together and really ask ourselves what brings that sense of belonging to the characters we play, as well as us as Original Kids. Many of you may even consider Original Kids a home, whether it be in the rehearsal hall or on the theater stage. Original Kids is a beautiful place that brings performers, parents, and staff together to make one big and beautiful home. And as Dorothy said, there is no place like it.

As far as our Spring 2026 season goes, that is currently in the works. I have been working hard at work, planning the next season, and am very excited for what is ahead!

Q. What show(s) will you be staging this fall (September to December)? Could you tell me a little bit about each?

DR. EXPERIMENTOR AND THE LEAGUE OF EVIL Dates: Oct. 30 – Nov. 2

Age Rating: All Ages Approx Length: 1 hour (no intermission)

Dr. Experimentor, a mastermind supervillain, must fight to maintain his membership in the infamous League of Evil. There’s just one problem — membership means defeating superhero Extremo, who happens to be his best friend! To make matters worse, Dr. Experimentor faces relentless pressure from Agnes and Abigail Anarchy, ambitious upstart villains eager for his downfall. Armed with his arsenal of ingenious inventions, Dr. Experimentor faces an impossible choice: defeat his superhero or suffer at the hands of the League!

DISNEY’S DARE TO DREAM JR. Dates: Nov. 6 – 9 Age Rating: All Ages Approx Length: 1 hour (no intermission)

Disney’s Dare to Dream Jr. is a musical revue that follows an eager group of trainees on their first day at a fictional Walt Disney Imagineering Studio. As the group sets out to help each other discover their dreams, they work together to explore the power of dreams to unite, inspire, and make anything possible. This musical revue is a thrilling mix of contemporary songs, timeless classics, and brand-new medleys that are sure to surprise and delight Disney lovers of all ages.

THE WIZARD OF OZ: YOUTH EDITION Dates: Nov. 13 – 16 Age Rating: All Ages Approx Length: 1 hour (no intermission)

Join Dorothy and her loyal companion Toto as they “Follow the Yellow Brick Road” through the Land of Oz, determined to reach the Emerald City, where the great and powerful Wizard of Oz will help them get home. Of course, along the way, Dorothy encounters witches (both good and bad), Munchkins, talking trees, and winged monkeys. But most importantly, she befriends three unique characters: a Scarecrow with no brain, a Tin Man with no heart, and a Lion with no “nerve.” Their journey to happiness – and self-awareness – is a glowing testament to friendship, understanding, and hope in a world filled with both beauty and ugliness.

MACBETH Dates: Nov. 21 – 23 Age Rating: Recommended 12+ Approx Length: 2h 10m including intermission

Set in Scotland and partly based on a true historical account, Macbeth charts the bloody rise to power and tragic downfall of the warrior Macbeth. This version will look at the classic story from a more modern perspective and explore themes of witchcraft, fate, and if we can ever really control our own destiny.

OKLAHOMA! YOUTH EDITION Dates: Nov. 27 – 30 Age Rating: All Ages Approx Length: 1 hour (no intermission)

A high-spirited rivalry between local farmers and cowboys provides a colorful background for Curly, a charming cowboy, and Laurey, a feisty farm girl, to play out their love story. Their romantic journey, as bumpy as a surrey ride down a country road, contrasts with the comic exploits of brazen Ado Annie and hapless Will Parker in a musical adventure embracing hope, determination, and the promise of a new land.

BETWEEN THE LINES JR. Dates: Dec 4 – 7 Age Rating: All Ages Approx Length: 1h 30m (no intermission)

Between the Lines is an empowering and enchanting story for anyone who has struggled to find their place in the world. An outsider in a new town and a new school, Delilah seeks comfort in the pages of her favorite book, where she feels heard and understood by the handsome Prince Oliver. But as the lines between fantasy and reality begin to blur in extraordinary ways, Delilah realizes her dreams in the real world are worth fighting for.

THE ACTOR GROWS SHOWCASE Dates: Dec 6 & 7 Age Rating: All Ages Approx Length: TBD

After weeks of training in areas such as stage movement, voice, dance, improvisation, theatre tradition, and much more, our first-year company members take to the stage!

FOOTLOOSE Dates: Dec 11 – 14 Age Rating: Recommended 12+ Approx Length: 2h 15m including intermission When Ren and his mother move from Chicago to a small farming town, he is prepared for the inevitable adjustment period at his new high school. But he’s not prepared for the rigorous local edicts, including a ban on dancing instituted by the local preacher, who is determined to exercise control over the town’s youth.

CATS Dates: Dec 18 – 21 Age Rating: All Ages Approx Length: 2h 20m including intermission.

The Jellicle Cats come out to play on one special night of the year – the night of the Jellicle Ball. One by one, they tell their stories for the amusement of Old Deuteronomy, their wise and benevolent leader, who must choose one of the Cats to ascend to The Heaviside Layer and be reborn into a whole new Jellicle life. Our version will be a bold reimagining of Cats that trades fur and whiskers for something a little more raw, more human, and a lot more personal.

MONTY PYTHON’S SPAMALOT Dates: Jan 8 – 11, 2026 Age Rating: Recommended 14+ Approx Length: 2h 15m including intermission

It’s just a flesh wound! Monty Python’s Spamalot, lovingly ripped off from the classic film comedy Monty Python and the Holy Grail, retells the legend of King Arthur and his Knights of the Round Table. Bursting with unforgettable songs, absurd humor, and zany characters, this musical is a rollicking celebration of all things Monty Python.

Q. Do you have any thoughts about the London area theatre community and your part in it? 

Original Kids has been a staple in the London theatre community for 35 years, but we are just one of many amazing theatre companies that call London home. We are so proud to be a part of a community that values local talent, personal growth through the arts, trying new things with the support of others, and doing what you love. We at Original Kids prioritize fostering healthy rehearsal and production environments that help a generation of youth become well-rounded, confident, supportive, and kind individuals who will make the world a better place. We live in a very stressful world right now, and it is incredibly important to us to give children a safe space to learn and grow with people who want nothing more than to see them succeed on and off stage.

For more information about Original Kids Theatre Company and to purchase tickets, visit https://www.originalkids.ca/index.html

Follow on Facebook https://www.facebook.com/OriginalKidsTheatre

Follow on Instagram https://www.instagram.com/originalkidstc/

Once an Original Kid, Always an Original Kid.

Introducing Odesa Company

This is the fourteenth in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile Odesa Company.

Q. When was your company founded? By whom and why?

Odesa Company was founded in November 2022 by Adam Smalley, Chris Smalley, and Scott Smalley. We long wished to run a theatre company, and our inaugural 2023 co-production of Dracula with London Community Players presented a great opportunity to do so.

Q. Is your company best described as professional or not-for-profit community theatre? Or both?

We’re a non-professional, volunteer-driven independent theatre company.

(Pictured: Scott and Chris Smalley, founders of Odesa Company)

Q. What venue(s) do you use to stage your productions?

For our 2025 season, we’ve booked the Auburn Stage at the Grand Theatre (Shakespeare’s Oz), as well as the Princess Ave. Playhouse in St. Thomas (Misery).

Q. Does your company have a Mission or Statement of Purpose?

Absolutely!

MISSION STATEMENT At Odesa Company, we believe theatre should be daring, collaborative, and deeply human. We create bold, high-quality productions, interactive experiences, and educational initiatives that invite artists and audiences of all ages to engage and imagine. We support skills development that applies both on stage and in life, and we treat our people with respect, transparency, and care. We foster a culture of integrity and inclusion, grounded in the belief that diversity strengthens both our art and our society.

VISION STATEMENT Odesa Company exists to make theatre that connects people through storytelling, meaningful collaboration, and shared creative experiences. We aim to be a place where artists feel valued, audiences feel engaged, and everyone involved walks away inspired to come back and do it again. As we grow, we’re building a creative home where innovation, care, and community shape not just our shows, but the future of how theatre is made.

Q. Does your company have a Board of Directors and paid staff?

We have a Board of Directors that operates as volunteers; we are almost entirely volunteer-driven, including the ownership group and leadership team. Having said that, we have been actively exploring and executing on compensation opportunities for our team where possible, and it is our plan to get to a point in our development where honorariums, profit-sharing, and contract work are widespread and normalized within the organization.

Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?

At this point in Odesa’s development, we’re committed to establishing our brand of theatre, which is characterized by shows that have a high attention to detail around performance and technical elements; some of our shows are fun, fantastical and don’t take themselves too seriously (StageQuest), while others pick away at the darker side of humanity and dig at the emotions of the audience (Dracula, The Elephant Man).

For our 2025 season, our July production of Shakespeare’s Oz joined StageQuest as one of our more fantastical adventures, while Misery, based on the novel by Stephen King and running from October 23-26, will join Dracula and The Elephant Man as one of our darker, more serious plays.

Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each. Misery, written by William Goldman and based on the novel by Stephen King, will be performed at the Princess Avenue. Playhouse in St. Thomas from October 23 – 26. Tickets are on sale now at www.odesa.company/tickets.

Q. Do you have any thoughts about the London area theatre community and your part in it?

We’ve only been in business for the last couple of years, and in that time, we’ve had the privilege of working with so many amazing people, with very few exceptions. Odesa Company positions itself as an option for artists to create exciting theatre, and we have a strong desire to be leaders in the community, with a commitment to creating positive experiences for our artists, patrons, and community partners.

For more information about Odesa Company and to purchase tickets, visit https://odesa.company/

Follow on Facebook https://www.facebook.com/odesa.company/photos

Follow on Instagram https://www.instagram.com/odesa.company/

Introducing The Palace Theatre Arts Commons

This is the thirteenth in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile the Palace Theatre Arts Commons.

Q. When was your company founded? By whom and why? 

London Community Players (LCP) were founded in 1974. London Youth Theatre Education (LYTE) in 2012. Palace Theatre Arts Commons (PTAC) was formed in 2020, and the London Fringe Festival joined us then.

Q. Is your company best described as professional or not-for-profit community theatre? Or both? 

Non-profit community theatre

Q. What venue(s) do you use to stage your productions? 

David Long Stage (350-seat auditorium) and Procunier Hall (75-seat backbox theatre)

Q. Does your company have a Mission or Statement of Purpose? 

We believe everyone who wants to be entertained, provoked, inspired, or moved by theatre should be afforded the opportunity to do so.

We inspire and nurture individuals through volunteer and educational experiences in theatrical production and management.

We support and promote theatrical youth programs. In conjunction with our partners, we produce, present, and promote high-quality, affordable, entertaining theatrical experiences.

We provide extensive theatre resources for the broader community. We own and manage a heritage venue that is a destination of choice and is available to host a wide variety of cultural and community events.

We create opportunities in the performing arts for everyone in our community.

Q. Does your company have a Board of Directors and paid staff?

Board of 13 members and paid staff of 2 full-time and 2 part-time.

Q. Tell me about your 2025-2026 Season. Does it have any underlying theme? 

London Community Players – Mainstage (David Long Stage)

The Front Page: SCOOPED
September 25 – October 5, 2025

    The Rocky Horror Show
    October 23- November 1, 2025
    Co-production with InFuse Productions

      Deathtrap
      November 27 – December 7, 2025

        Urinetown: The Musical
        February 19 – March 1, 2026

          Mamma Mia!
          May 28-June 7, 2026


            London Community Players – Procunier Hall (Black Box)

            Three Tall Women
            October 16 – 26, 2025

            Closer
            February 5-15,  2026

            Harris Cashes Out
            March 5-15, 2026

            The Family Creetin
            with Banished by the King Productions
            April 16-25, 2026


              London Youth Theatre Education (LYTE)

              Junior Musicals (ages 8–13)

              Elf Jr. – December 19–21, 2025

              Junie B. the Musical Jr. – January 2026

                Senior Musicals (ages 14–18)

                Mean Girls High School Version – March 2026

                Anne of Green Gables: The Musical – March 2026

                Q. Do you have any thoughts about the London area theatre community and your part in it? 

                No response was given.

                For more information about the Palace Theatre Arts Commons and to purchase tickets, visit https://palacetheatre.ca/

                Follow on Facebook https://www.facebook.com/atthepalacetheatre/photos

                Follow on Instagram https://www.instagram.com/atthepalace/

                Follow LYTE on Instagram https://www.instagram.com/lyteatthepalace/

                Introducing Musical Theatre Productions (MTP)

                This is the twelfth in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile Musical Theatre Productions.

                Q. When was your company founded? By whom and why?

                Musical Theatre Productions (MTP) was founded in 1988, with the mounting of our very first musical – ‘Evita’. The founding members were Kevin Bice, Suzan Bingemann, Noreen DeShane, Eleanor Ender, Art Fidler, Vicky Fuss, John Gerry, John Hart, James Hill, Roger Macaulay, Ann MacMillan, Deborah Mitchell, Stephen Mitchell, and Alec Richmond.

                Q. Is your company best described as professional or not-for-profit community theatre? Or both? 

                Musical Theatre Productions is a registered not-for-profit community theatre company. With nothing to do regarding the sale of our productions or caliber of talent on our stages, we are an amateur theatre company. This means that folks on-stage, backstage, or even on the creative side, are all passionate volunteers dedicated to bringing musicals to life in London. 

                We do offer a small honorarium for certain creative positions as well as musicians, which is very different from what an artist would make working for a professional theatre company. 

                Q. What venue(s) do you use to stage your productions? 

                MTP does not have a dedicated performance space and has been lucky enough to partner and rent from many different venues across the city in our 30+ years of operation. Currently, we are very lucky to have an ongoing relationship with the Grand Theatre and are renting their Auburn Stage for all of the productions in our upcoming season. This is a wonderful space that acts as a blank canvas that our directors and designers adore! 

                (Pictured: Jacob Wiley, Publicity Director/Board of Directors, Musical Theatre Productions)

                Q. Does your company have a Mission or Statement of Purpose? 

                Our mission is simple, to consistently produce and advocate for high-quality community musical theatre for London, Ontario, Canada and the surrounding area.

                Q. Does your company have a Board of Directors and paid staff? 

                MTP has an operating board of currently twelve members (with a vacant seat). This dedicated group of community members work tirelessly to keep the registered charity afloat and ensure that Musical Theatre Productions is recognized for not only the theatre we create, but the experience of our volunteers and ticket holders. We are constantly working to create new policies and procedures, improving our EDI and Community Engagement initiatives – all to ensure that everyone regardless of identity, ethnicity or experience feels welcome, safe, respected, and embraced by MTP.  

                Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?

                Everyone at MTP is so excited for our 2025/ 26 BRIGHT & BEAUTIFUL SEASON. This season we invite you to join us in the bright and beautiful world of showbiz! We can’t wait to explore the golden age glamour, the rush of a live studio, and the surprise of the season that is certain to excite any fan of film or stage. We have something for everyone in the season ahead!

                MTP’s upcoming season wouldn’t be possible if it weren’t for our Season Sponsors: The London Arts Council, Old Oak, Ad Home Creative and The London Community Foundation. We are also immensely thankful to this season’s Printing Partner,: Andrus Direct.

                Q. What shows will you be staging this season? Tell me a little bit about each. 

                This December, join our 55+ branch, Silver Spotlight, for a taste of golden-age glamour with SST’s SHOWTUNE. Prepare yourself for a slice of musical theatre heaven. All Jerry Herman, all the time. Showtune delivers everything that its title promises… and then some! No lyric is left unsung in this top-notch retrospective of Herman’s phenomenal career in songwriting, presented by the Silver Spotlight Theatre wing of Musical Theatre Productions. Familiar tunes from such illustrious titles as Hello Dolly!, Mame, and La Cage Aux Folles will be stuck in your head long after this charming show ends. A performer-driven piece that has its heart in Herman’s words, it is the perfect celebration for the recipient of the 2009 Tony Award for Lifetime Achievement in the Theatre.

                Are we live? Roll camera this February on a live studio set with MTP’s BRIGHT & BOLD. Take a seat in our studio audience to witness the magic (and mishaps) of a live television variety show with BRIGHT AND BOLD – A Golden Age Winter Special. Our performers will enchant you on stage while revealing some of the behind-the-scenes antics that keep this show alive! Come see us recreate the golden age of television with star-studded performers that represent the beauty and diversity of our communities today. We’re not just recreating history, we’re rewriting it, in technicolour!

                Finally, we have our unannounced surprise of the season! Due to our license agreement, we aren’t able to announce this popular title, fans of film and stage adore, but we are certain that it will leave Londoners feeling like an ALL STAR! Stay tuned for the BIG reveal January 10, 2026!

                Q. Do you have any thoughts about the London area theatre community and your place in it?

                The London area is so lucky to have such a thriving local theatre scene. With so many wonderful companies and so much talent, there is always something to see and  talk about. With a dedication to only producing musicals, and 30 plus years of experience, we have a refined and distilled skill to bringing musicals to the stage in a unique way that only MTP can. From our shows to our gatherings and events, everything we do is infused with a unique MTP flair that we are proud to bring to the community. 

                To learn more about Musical Theatre Productions and the 2025-2026 Season, visit https://www.mtplondon.ca/

                Follow MTP on Facebook https://www.facebook.com/mtplondon

                Follow MTP on Instagram https://www.instagram.com/mtplondon/

                Taking Care Of Business — Canadian Concert Promoter & London Music Hall of Fame Honoree Takes a Final Backstage Pass: Says “See You After the Show!”

                Come Celebrate the 6 Degrees of Nick Panaseiko

                The family of Nick Panaseiko Sr., widely known as PROMOMAN and celebrated as one of Canada’s most passionate concert promoters, invites friends, family, and fans to a Celebration of Life on Sunday, September 28th at Eastside Bar & Grill.

                This special afternoon will honour Nick’s remarkable legacy in music and entertainment, reflect on the connections he created, and celebrate the countless lives he touched. Nick’s career and charisma made him a true icon — and whether you knew him personally or through his stories, you were never more than a few degrees away from his influence.

                Event Details:

                • Location: Eastside Bar & Grill
                • Date & Time: Sunday, September 28th, 11:30 AM – 5:00 PM
                • Schedule:
                  • 11:30 AM – 1:00 PM: Social & Snacks
                  • 1:00 PM: Eulogy and Speeches
                  • Live Music to Follow (Running on Rock N’ Roll Time) featuring Shelly Rastin and Laura Gagnon Music

                (Pictured: Shelley Rastin. Rock Solid Images)

                (Pictured: Laura Gagnon)

                Nick Panaseiko Sr. leaves behind a legacy of passion, music, and community spirit that will continue to inspire for generations. This event will bring together all those who felt the power of his connection — the true “6 Degrees of Nick.”

                “My dad wasn’t just a promoter, he was a storyteller, a connector, and a friend to so many,” said his son, Jay Panaseiko. “This celebration is not just about remembering his life, but about honouring the joy, laughter, and music he shared with all of us.”

                During his career in the music business, Nick Panaseiko rubbed shoulders with the titans of the music industry. Here are just some of them.

                (Nick with Canadian guitar great, Domenic Troiano)

                (Pictured: Nick with The Who’s drummer, Keith Moon)

                (Nick with Canadian rock legend, Ronnie Hawkins)

                (Pictured: Nick with members of Kiss. Nick was instrumental in promoting the band.)

                (Nick with Alice Cooper)

                (Nick with the members of Canadian rock band Rush)

                (Nick with Liberace)

                Celebration of Life on Sunday, September 28th at Eastside Bar & Grill

                750 Hamilton Road London, Ontario

                Introducing Mavis Productions: An Interview with Chase R. Montgomery.

                This is the eleventh in a series of Q&A Profiles with London area theatre companies and groups. Today, we interview Chase R. Montgomery, founder of Mavis Productions.

                Q. When was your company founded? By whom and why? 

                Mavis Productions got its start in 2019, but it really came into being in November of 2022 as the pandemic lockdown came to an end. It was founded because I wanted to bring more performing opportunities to South Western Ontario communities in the form of musicals and plays of all kinds, both famous/family and infamous/cult. 

                Q. Is your company best described as professional or not-for-profit community theatre? Or both? 

                Mavis Productions is best described as a touring community theatre company that visits multiple communities with our productions. It is our hope to continue to make shows bigger and bigger so that one day, grand-scale productions can be accessible to everyone during these hard financial times. 

                (Pictured: Chase Montgomery, Mavis Productions founder.)

                Q. What venue(s) do you use to stage your productions? 

                As a touring company, Mavis has several venues we currently call home.

                London: The Wolf Performance Hall, Joanne and Peter Kenny Theatre, and Paul Davenport Theatre.

                Fergus: The Fergus Grand Theatre.

                Chatham: The Kiwanis Theatre.

                St. Thomas: The Princess Playhouse.

                Alymer: Old Town Hall Theatre.

                Brantford: The Sanderson Centre of Performing Arts.

                Q. Does your company have a Mission or Statement of Purpose? 

                To bring new and unique entertainment, created by our communities for our communities. 

                Q. Does your company have a Board of Directors and paid Staff? 

                Mavis is comprised entirely of volunteers from many of our South Western Ontario and Michigan, USA communities 

                Q. Tell me about your 2025-2026 Season. Does it have any underlying theme? 

                Our 2026 Spring Season focuses on the struggles of Misfits. 

                Those of us, young and old alike, who just don’t fit in. Whether it’s because they were born different or thrown into circumstances that cause them to feel alone and struggle through this world.

                However, through sheer determination and self-reliance (or the help of newly found friends who are also misfits), they find their place in life and are ready to take on the rest of the world and the monsters that brought them to ruin. 

                We feel this resonates with Mavis and our communities, as it is a long-standing theme of our past seasons, and we are so excited to be bringing it forward again with these three musicals:

                The Lightning Thief: A Percy Jackson Musical (London and Fergus)

                Evil Dead the Musical (London)

                Joseph and the Amazing Technicolor Dreamcoat (Fergus and Brantford)

                Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each. 

                London Oct 9-18:

                Richard O’Brien’s The Rocky Horror Show

                This cult classic has become not only a long-standing tradition for Mavis but also one of London’s favorite annual events. As this will be the 4th year Mavis has brought this show to life for our London community, AND it is the 50-year celebration of the film, we cannot express the excitement and effort being put into it. 

                The show tells the story of young lovers Brad Majors and Janet Weiss, who find themselves in the company of a strange doctor (whose scientific endeavours are as strange to them as the clothes he wears), his servants, and a party full of unique characters. To say that it is a tale of Frankenstein with flair would be an understatement!

                With so much history and so much love from the world, especially for the iconic songs like Time Warp and Sweet Transvestite, Rocky Horror will delight any and all with its pleasurable ways. 

                Fergus

                November 13-16

                Tom Stoppard’s The Real Inspector Hound

                Moon and Birdboot, two drama critics, arrive to watch the performance of a new detective play, a parody of the conventional stage thriller. However, the private lives of the critics become inextricably mixed with those of the play’s characters until Moon is shot dead and the real Inspector Hound proves to be…?

                Brantford 

                December 27 and 28

                Andrew Lloyd Webber’s Sunset Boulevard the Musical

                In her mansion on Sunset Boulevard, faded silent-screen goddess Norma Desmond lives in a fantasy world. Impoverished screenwriter Joe Gillis, on the run from debt collectors, stumbles into her reclusive domain.

                Persuaded to work on Norma’s “masterpiece,” a film script that she believes will put her back in front of the cameras, Joe is seduced by her and her luxurious lifestyle. Joe becomes entrapped in a claustrophobic existence until his love for another woman leads him to try to break free with dramatic consequences.

                Q. Do you have any thoughts about the London area theatre community and your part in it? 

                The London community has been among the greatest communities to create an experience that we have ever had. For four years, they have welcomed our unique artistic views with open arms, coming by the thousands to our adult/cult shows and our family shows. London is truly a city that embraces all forms of expression. 

                For our part, Mavis Productions will continue to push the envelope to create bigger and better shows for all our communities from all walks of life. It is a privilege to produce these shows, and we will continue to honor it. 

                For tickets and more information about Mavis Productions, visit https://mavisproductions.ca/

                Follow Mavis Productions on Facebook https://www.facebook.com/MAVISproductions/photos

                Follow Mavis Productions on Instagram https://www.instagram.com/mavis_productions/

                Elgin Theatre Guild delivers a heartfelt, unforgettable production with Steel Magnolias. Reviewed by Jo-Anne Bishop.

                Steel Magnolias Hits Like a Hammer

                By Jo-Anne Bishop

                “I would rather have 30 minutes of wonderful than a lifetime of nothing special.” – Shelby Eatenton-Latcherie, in Robert Harling’s Steel Magnolias

                The Elgin Theatre Guild’s production of Steel Magnolias in St. Thomas delivers two and a half hours of something truly special.

                Set in Truvy Jones’ beauty salon in small-town Louisiana during the 1980s—where secrets, gossip, and the occasional sweet treats are shared—Steel Magnolias is a story of unwavering bonds and enduring friendship. The set, though simple, radiates authenticity and rustic charm, immersing the audience so completely that it feels as though we are peering through the salon’s mirror where its patrons peer back at us.

                A great theatre experience should educate, entertain, and inspire, guiding the audience through a journey of emotions. This production does exactly that—moving effortlessly from heartwarming laughter among friends to moments of fear, loss, and grief. It is performed with such conviction that one almost forgets they are sitting in a small theatre in downtown St. Thomas.

                (Steel Magnolias Set. Photo Credit: Ross Davidson)

                A Director’s Vision, A Cast’s Strength

                Much credit goes to director Cindi Armer Almeida, who assembled a strong ensemble capable of carrying the weight of such a beloved play turned feature film. Each woman brings her own distinctive energy and colourful take on the characters to the role.

                • Susan Williams perfectly embodies Clairee Belcher, the quintessential Southern lady of society.
                • Sile Ferguson is endearing as the shy and slightly insecure newcomer, Annelle Dupuy-DeSoto.
                • Kim Braine-Ott delights as the sharp-tongued yet lovable Ouiser Boudreaux—a role performed with just the right mix of bite and heart.

                Their performances provide a rich foundation that ensures the story never falters.

                The three leads, however, are the true standouts of this production.

                • Sarah Abbot-Taylor brings Truvy to life with warmth, wit, and charm. Her facial expressions, movements, and just that absolute feeling of authenticity transport us straight to the bayou.
                • Makayla Ashenden’s Shelby is magnetic—delicate yet strong, embodying the duality of steel and magnolia with such a beauty and grace, you are completely drawn into her character.
                • Sam Sabathy gives a breathtaking performance as M’Lynn. Her emotional journey ebbs, flows, and then crescendos into a devastating second act that leaves the audience in tears. It was, quite simply, phenomenal. A word I don’t use lightly.

                (Pictured: Cast and Crew of Steel Magnolias. Photo Credit: Ross Davidson)

                Rarely have I seen a community theatre performance stir such a genuine emotional reaction from an audience. The believability of these performances and cohesiveness of the cast is what makes it a bona fide success.

                In her Director’s Notes, Almeida writes, “It’s the perfect play to see right now given the climate of today’s headlines.” Indeed, the production resonates as a timely reminder of the healing power of laughter, love, and friendship. The need for connection is universal, and this play underscores it with compassion and truth.

                Prepare to be moved. Bring your friends, family, and loved ones to Truvy’s beauty parlour, and allow yourself to be immersed in the lives of these six remarkable women. You’ll leave with a renewed appreciation for the strength of friendship and the beauty of human connection.

                Bravo to the cast, crew, and director. May this production enjoy an excellent run.

                If you go:

                ELGIN THEATRE GUILD – Home
                Where – Princess Avenue Playhouse, 40 Princess Avenue, St Thomas
                Tickets: $25 plus fees
                When – September 18th – 28th, 2025

                Reviewed by Jo-Anne Bishop

                Introducing The London Performing Arts Academy

                This is the ninth in a series of Q&A Profiles with London area theatre companies and groups. Today, we profile the London Performing Arts Academy (LPAA).

                Q. When was your company founded? By whom and why? 

                Renée and Courtney Murray founded the company in December 2019, with one high school cast of 14 students. 

                We wanted to provide a professional level of training for young people and make it affordable and accessible to people who may not otherwise have been able to be involved. We make sure our students feel included in the process and also learn what it is like to be part of a professional theatre production.

                (Pictured: Courtney Murray)

                Q. Is your company best described as professional or not-for-profit community theatre? Or both? 

                Not-for-profit, Community Theatre and Youth Performing Arts training in dance, vocals, and acting 

                Q. What venue(s) do you use to stage your productions? 

                We used to use The Wolf Performance Hall, but we just built our own 130-seat venue, so they will be at 3-80 Bessemer Road now, in the LPAA Family Theatre

                Q. Does your company have a Mission or Statement of Purpose? 

                We want everyone to have the opportunity to experience the world of Musical theatre and fine arts. We strive to create and maintain an inviting, inclusive community where our students have growth and performance opportunities while enjoying their love of theatre. 

                Q. Does your company have a Board of Directors and paid Staff? 

                Yes

                Q. Tell me about your 2025-2026 Season. Does it have any underlying theme? 

                This is a new year, a new direction for us. We have just built a 130-seat Performance venue in our new location. We are adding more programs and look forward to welcoming new families. We are adding programs as young as “mom and tot” and adding homeschool day programs to accommodate the needs of more families in the community.

                Q. What show(s) will you be staging this fall (September to December)? Could you tell me a little bit about each?

                Our first production is in December, presented by our Senior Company. They will be performing Stephen Sondheim’s Into the Woods. We have two very talented casts of High School Students. The show will run for ten days. 

                In January, we will be presenting Mary Poppins, and then in February, we will be presenting our Community Theatre Production of The Little Mermaid. Up next in May-June, we have Legally Blonde presented by our Seniors, Beetlejuice presented by our Juniors, and Alice in Wonderland presented by our Minis.

                Q. Do you have any thoughts about the London area theatre community and your part in it? 

                London is a city rich in talented people with a passion for the arts. We love watching theatre here, and we love being able to produce theatre here. 

                LPAA has been a proud supporter and sponsor of many community theatre and youth programs. The city has a place for all of us, offering various programs, training, and classes to both our students and patrons, and we love being part of that beautiful community.  

                For more information about London Performing Arts Academy, visit https://londonperformingartsacademy.ca/

                You can follow LAPA on Facebook https://www.facebook.com/londonperformingartsacademy.ca/photos

                Introducing Ingersoll Theatre Of Performing Arts (ITOPA).

                This is the seventh in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile the Ingersoll Theatre of the Performing Arts (ITOPA).

                Q. When was your company founded? By whom and why?  

                In 1976, a group of people began meeting to explore the possibility of setting up a community theatre. A set of by-laws was drawn up, a name chosen, a logo designed, and ITOPA was incorporated under the Charitable Organizations Act.

                Q. Is your company best described as professional or not-for-profit community theatre? Or both?  

                ITOPA is a volunteer, non-professional community theatre company that provides live entertainment in the form of music, plays, and other events. 

                Q. What venue(s) do you use to stage your productions?  

                In the fall of 1980, ITOPA moved to its present location, 88 Thames Street South, Ingersoll, ON.

                Q. Does your company have a Mission or Statement of Purpose?  

                ITOPA is a theatre of and for our community. We are committed to connecting, inspiring, and enriching everyone who we welcome into our safe space. ITOPA believes that theatre is an essential component of life and that every aspect should be available to all. Through contact, involvement, and exposure to the arts, we utilize the power of the theatre environment to foster inclusion, expression, and positivity for our entire community.

                Q. Does your company have a Board of Directors and paid staff?   

                ITOPA is run by a volunteer board of directors who are selected from the membership.

                Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?  

                The only theme for the 2025-2026 season is FUN!

                Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each. 

                7-10 Split

                By Michael G Wilmot

                October 10, 11, 12*, 16, 17, 18*, 19*

                Showtime: 7:30pm

                *indicates Matinee performance 2:00pm

                Since his aspirations to be a pro bowler went off the rails, Earl has tried one get rich quick scheme after another.

                This time, things are different when a rich Count from the Internet has offered him money to help save his fortune.

                What could possibly go wrong?

                Inspecting Carol

                By Daniel Sullivan

                December 12, 13, 14*, 18, 19, 20*, 21*
                Showtime: 7:30pm
                *indicates Matinee performance 2:00pm

                A Christmas Carol meets The Government Inspector meets Noises Off in this hilarious hit from Seattle.

                A man who asks to audition at a small theater is mistaken for an informer for the National Endowment for the Arts.

                Everyone caters to the bewildered wannabe actor, and he is given a role in the current production, A Christmas Carol.

                Everything goes wrong and hilarity is piled upon hilarity. Perfect anytime, this delight is particularly appropriate at Christmas.

                Bingo!

                By Daniel MacIvor

                March 6, 7, 8*, 12, 13, 14*, 15*
                Showtime: 7:30pm
                *indicates Matinee performance 2:00pm

                 Five classmates come together for their 30th high-school reunion.

                Some see it as a welcome trip home, while others see it as an obligation, and a few never even left.

                But as the night wears on, the one-time classmates start to reconnect and reminisce.

                And the more alcohol that’s consumed, the closer the friends come to confronting their darkest secrets.

                The Drowsy Chaperone

                Music and Lyrics By Lisa Lambert and Greg Morrison
                Book by Bob Martin and Don McKellar

                May 29, 30, 31*
                June 4, 5, 6*, 7*
                Showtime: 7:30pm
                *indicates Matinee performance 2:00pm

                With the house lights down, a man in a chair appears on stage and puts on his favorite record: the cast recording of a 1928 musical.

                The recording comes to life, and The Drowsy Chaperone begins as the man in the chair looks on.

                Mix in two lovers on the eve of their wedding, a bumbling best man, a desperate theatre producer, a not-so-bright hostess, two gangsters posing as pastry chefs, a misguided Don Juan, and an intoxicated chaperone, and you have the ingredients for an evening of madcap delight.

                Winner of five Tony Awards, including Best Book and Best Original Score, The Drowsy Chaperone is a loving send-up of the Golden Age musical, featuring one show-stopping song and dance number after another.

                For more information and to purchase tickets, visit https://www.itopa.ca/

                Follow ITOPA on Facebook https://www.facebook.com/ingersolltheatre

                The Week Ahead in London and Area Arts & Culture, Sept. 15-21.

                alvegoroot theatre presents the last tempation of cinema, sept. 20, at the hyland cinema.

                Part of Doors Open London

                Before the multiplexes, single-screen cinemas reigned supreme in London, Ontario. An accidental live play takes place when a documentary about the Hyland Cinema and London’s other legendary movie houses isn’t finished rendering in time for the screening. Two socially anxious filmmakers endeavour to recreate their documentary and define the golden age of movie-going.

                There will also be live music from noon till 1:00 PM as Paul Stevenson and Stephen Holowitz play a Jazz set of movie themes.

                Written by Kydra Ryan and Adam Corrigan Holowitz
                Directed by Adam Corrigan Holowitz
                Performed by Luis Marin and Kydra Ryan

                Live Performance:
                Saturday, September 20 at 11:30 AM
                Saturday, September 20 at 1:00 PM
                Saturday, September 20 at 2:30 PM

                Running Time: 30 Minutes

                Location: Hyland Cinema, 240 Wharncliffe Road S
                Free Admission

                doors open 2025: swing dance party, sept. 20.

                Explore local history through dance! Learn basic moves in Lindy Hop and West Coast Swing, then join the dance party featuring live music by The Bettys.

                September 20, 2025, 10am-2pm
                Queens Park (outside Western Fair Market)
                925 Dundas St
                FREE

                10am Demo & Dance History
                10:30am Lindy Hop Workshop
                11am Dance Party w The Bettys

                12pm Demo & Dance History
                12:30pm West Coast Swing Workshop
                1pm Dance Party w The Bettys

                Step back in time and learn some local history through the lens of Swing Dance. Join the Centre of Movement Arts and local dance artists at the Western Fair Market for the next chapter in the Audrey (Peck) Varty legacy event series.

                Fun for the whole family! Watch an engaging demo showing how Lindy Hop and West Coast Swing have evolved from social dances of the 1920s and 30s, and join in a workshop to learn the basic steps. Then you can try out your new moves at a dance party with live music!

                In the 1930s, Audrey Peck and her friends spent many evenings dancing the night away to the sounds of Big Bands. It was on such a night that she was swept off her feet by the dancing skills of her future husband.

                Learn more at www.centreofmovement.ca

                Laurraine Sigouin and Stephen Holowitz, Sept. 20, at La Casa Ristorante.


                For reservations, call 519-434-2272.

                https://www.lacasaristorante.com/

                music bingo at the morrissey house, sept. 17.

                It’s the first week of Music Bingo at The Morrissey House! 

                Join us Tuesday, Sept. 17th at 7:30 PM for our launch night, hosted by our friends at Forked River Brewing. 

                We’re kicking things off with an ’80s music edition — neon, big hair, and all your favorite throwback hits. 

                jazz nights at the peppermoon restaurant, sept. 18 & 25.

                Upcoming Jazz Nights:

                Uptown Affair ft. Tanya Lovell & John Brocksom

                September 18, 2025 | 

                6 PM – 9 PM

                Chris Alcantara & Don DiCarlo

                September 25, 2025

                Free Entry

                Reservations Recommended

                1100 Commissioners Rd E, London, Ontario

                Come enjoy live jazz music in London, Ontario, delicious food, and the best vibes in partnership with the London Jazz Association. Perfect for music lovers, foodies, and anyone looking for a cozy night out. 

                this week at the library, sept. 15-20.

                doors open london, sept. 20 & 21.

                Get ready to step into the heart of London like never before! From hidden gems to iconic landmarks, Doors Open London invites you to explore 40+ incredible sites across the city — all for FREE! There’s something for everyone to discover.

                Saturday, September 20 & Sunday, September 21, 2025

                Various locations across London

                Full site list & details: londonheritage.ca/doorsopenlondon

                damn good comedy show, sept. 19, at the rec room.

                the Jeffery concerts presents Penderecki String Quartet with Arthur Rowe, piano, sept. 19, at the wolf performance hall.

                No stranger to London audiences, the ever-popular Penderecki String Quartet will be opening the 2025-26 season. This celebrated ensemble, known for its technical brilliance and emotional depth, will join forces with acclaimed pianist Arthur Rowe in Shostakovich’s Piano Quintet in G minor. Don’t miss this occasion to witness musical excellence at its finest.
                Repertoire:

                W. Mozart: String Quartet No. 20 in D major, K.499
                L. Janáček: String Quartet No. 1 “Kreutzer Sonata”
                Intermission
                D. Shostakovich: Piano Quintet in G Minor, op. 57

                For more information and tickets, visit https://www.jefferyconcerts.com/season2526/index.html

                elgin theatre guild presents steel magnolias, sept. 18-28.

                Steel Magnolias – Sept 18-28, 2025
                By Robert Harling
                The action is set in Truvy’s beauty salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to have their hair done. Helped by her eager new assistant, Annelle (who is not sure whether or not she is still married), the outspoken, wise-cracking Truvy dispenses shampoos and free advice to the town’s rich curmudgeon, Ouiser, (“I’m not crazy, I’ve just been in a bad mood for forty years”); an eccentric millionaire, Miss Clairee, who has a raging sweet tooth; and the local social leader, M’Lynn, whose daughter, Shelby (the prettiest girl in town), is about to marry a “good ole boy.” Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions, the play moves toward tragedy when, in the second act, the spunky Shelby (who is a diabetic) risks pregnancy and forfeits her life. The sudden realization of their mortality affects the others, but also draws on the underlying strength—and love—which give the play, and its characters, the special quality to make them truly touching, funny, and marvelously amiable company in good times and bad.

                For more information and tickets, visit https://www.elgintheatreguild.ca/

                2025 Grand Theatre High School Project presents Disney’s Newsies, sept. 17-27.

                More than sixty high school students from London and area – representing seventeen different schools – make up the student company of Disney’s Newsies. Thirty-eight students make up the on-stage cast, two student musicians will be performing with the live orchestra, and twenty-one student artists are working behind the scenes in production roles, including wardrobe, props, lighting, sound, stage management, carpentry, scenic art, and marketing/photography.

                Newsies invites audiences to step into turn-of-the-century New York City, a time of skyscrapers and money makers.  This year’s Grand Theatre High School Project production tells the story of charismatic Jack Kelly and his gritty band of newsies, united in the fight against newspaper giants. When greedy publishers decide to raise distribution prices at the newsies’ expense, it’s up to Jack and his pals to be stronger together and fight for what’s right.

                Single tickets range from $26-$55 and are available at grandtheatre.com, by phone at 519.672.8800, or at the Box Office, 471 Richmond Street.

                Port Stanley Festival Theatre Presents Simon Joynes Playwrights’ Festival 2025: A Celebration of Canadian Stories, sept. 18-20.

                The Festival is free, but PSFT does accept donations, which help the theatre to continue to support Canadian Playwrights and Canadian stories. We are a nation overflowing with talent, and providing an opportunity to showcase such talent is a strong part of PSFT’s mandate.

                Please reserve your seats by clicking on the show below, or call the box office at 519-782-4353.

                Thursday, September 18, at 7:30pm, Deadly Memories by Steven Gallagher.

                Friday, September 19, at 7:30pm, Hart’s Crossing by Tracey Hoyt.

                Saturday, September 20, at 7:30pm Ship To Shore by Norm Foster.

                For more information and tickets, visit https://psft.ca/event/playwrights-festival/

                echoes of the land exhibition continues at Westland Gallery until sept. 27.

                For more information, visit http://www.westlandgallery.ca

                Lowdown one last jam, sept. 20, hellenic Community centre.

                We are very excited to announce a Lowdown Reunion benefit concert in support of Salthaven Wildlife Rehabilitation and Education Centre!

                Join us for a fun-filled night of music, dancing, and giving back!

                Doors at 7pm
                Show from 8pm-11pm

                Tickets
                $35 each OR $240 to reserve a table for 8

                Purchase tickets here: https://www.salthaven.org/product/lowdown2025/110?cp=true…

                Ticket purchases are final sale. No refunds will be issued.

                Once your ticket is purchased, the purchaser’s name will be on the list at the door, and you will be required to provide it to gain entry. No physical tickets are necessary. You will be asked to show ID at the door.

                Food, beverages, and Salthaven merch will be available for purchase at the event, along with a silent auction to help support wildlife.

                All profits from this event will go to Salthaven!

                Salthaven’s Founder and Director, Brian Salt, is the heartbeat of the band as their drummer and vocalist! The other members include the incredibly talented Doug Varty on lead vocals and guitar, and the electrifying Ted Floyd on vocals and bass. Together, they lit up the ’80s with a string of chart-topping hits. Not only that, but they shared the stage with legends like John Mellencamp, Frankie Valli, and the Beach Boys. Special guests for the evening include Jim Chapman & The ’60s All-Star Band.

                friends of fiddler’s green, sept. 21, chaucer’s pub.

                This is our traditional season opening concert is with Friends of Fiddler’s Green. This is our 32nd season at Chaucer’s Pub, and we have a fantastic lineup of concerts planned for you. Visit www.folk.on.ca

                The “Friends” boast six versatile musicians, five fine singers, three songwriters, brilliant joke tellers, the occasional fiery dragon, one Order of Canada, one Queen’s Diamond Jubilee Medal, and one of the longest track records in Canadian Folk Music. The Friends were recipients of the 2003 Estelle Klein Award, given by the Ontario Council of Folk Festivals (FMO) for service to folk music in Ontario. The current band members are Ian Bell, Alistair Brown, Grit Laskin, Jeff McClintock, Ian Robb, and James Stephens.

                This totally uncategorizable collection of Friends has been together, with a few personnel changes, since their inauguration at Toronto’s Fiddler’s Green coffeehouse in 1971. Nobody, not even the Friends themselves, can predict what might happen during one of their concerts, but it always includes humour, powerful vocal harmony, great musicianship, social commentary, and an irresistible urge to tap your feet or sing along.

                122 Carling Street, London, Ontario.

                carly Thomas, sept. 20, palasad socialbowl.

                Special 3-set showcase!
                Licensed – All Ages – Free.

                learn the time warp dance night, sept. 21, poacher’s arms.

                Don’t dream it, dance it Join us at Poachers Arms for a Pub night of absolute pleasure as we teach you the Time Warp step by step.

                Instruction by our incredibly talented Director extraordinaire herself, Melanie Stewart. This is your chance to learn the jumps to the left, AND the steps to the right- So you are PREPARED to dance the time warp AGAIN October 23rd-November 2nd @ The Palace Theatre! This is OUR time warp- unique to our show’s choreography.

                Come for a dance class! Come to have fun! Come to watch! Dress up in your best Transylvanian look! 

                PWYC cash @ door with 50/50 proceeds to our production, and QI. Contact Poacher’s directly by phone for access to the elevator. (519) 432-7888.

                laura gagnon, sept. 19, the windjammer inn.

                Call ahead to reserve your seat! $30 includes music by Laura Gagnon and Food by Chef Kim! Last time, the food never stopped coming!!! Melt in your mouth goodness YUM!! Come hang with the locals and get to know your neighbour!

                324 Smith Street, Port Stanley, Ontario.

                For reservations, call 519-782-4173      

                this week at the eastside bar and grill.

                750 Hamilton Road, London, Ontario 

                https://www.eastsidebarandgrill.ca/

                forest city film festival public launch, sept. 18, museum london.

                The wait is over! The 2025 Forest City Film Festival Public Launch is happening this Thursday (Sept 18) at Museum London, and it’s FREE!

                Join us as we unveil the full lineup of films, celebrate local creators, and start the countdown to our 10th anniversary. This is the start of an epic festival season, and we want YOU there!

                This Thursday | 5PM – 7:30PM

                @museumlondon | 421 Ridout St N

                Don’t miss your chance to be part of this milestone moment. Come for the films, stay for the excitement, and celebrate a decade of storytelling with us!

                green day tribute, sept. 20, roxbury pub & grill.

                GREEN DAY TRIBUTE SAT, SEPT 20. St Jimmy’s Army and their tribute to the legendary pop-punk band, Green Day! Also playing best of the 90s.

                1165 Oxford St. E, London, Ontario

                https://www.roxburygrilllondon.com/

                motown gold, sept. 20, aeolian hall.

                Back by popular demand, the return of Motown Gold Live. This epic multimedia extravaganza will leave you wanting more. A musical celebration of the legendary record label. Saturday, September 20. Aeolian Hall. London ON.

                Tickets https://aeolianhall.ca/events/motown-gold-2/

                Rock revival, sept. 18, east park london.

                Fit4Less East Park’s Fairway Fest Rock Revival presented by London’s Best Rock FM96 and 103.1 Fresh Radio.

                Join Sass Jordan and The Box as they kick off our concert series on Thursday, September 18th.

                1275 Hamilton Rd, London, Ontario. 519-451-2950

                For more information and tickets, visit http://www.eastparklondon.com/fairwayfest/