This is the fourth in a series of Q&A Profiles of London area theatre companies and groups. Today, we profile the Grand Theatre, London’s premier professional theatre company.
Q. When was your company founded? By whom and why?
In 1934, the four amateur drama guilds in London, The London Drama League, The Half-Way House Players, The Meredith Players , and The Community Drama Guild, pooled their resources together to become London Little Theatre. With the amalgamation, London Little Theatre was able to afford to rent the Grand Theatre. In 1945, the London Little Theatre purchased the Grand Theatre building from Famous Players.
In 1971, London Little Theatre became a professional theatre company known as Theatre London.
In 1983, Theatre London changed its name to the present Grand Theatre.
Q. Is your company best described as professional or not-for-profit community theatre?
The Grand Theatre is a not-for-profit professional theatre company, known for world-class theatre created and built in London, Ontario. As southwestern Ontario’s premier producing theatre and one of the most beautiful theatre spaces in Canada, the company has deep ties to the community and to its artists, artisans, and technicians.
It is one of twenty-two Regional Theatres across Canada, typically the largest or most established company in an area, serving the dual role of bringing work and artists from the national or world stage to the region while also celebrating work and artists from the region.
The Grand Theatre is also ranked as a Category A theatre, one of twenty of Canada’s largest and highest budget theatres alongside Mirvish Productions, the National Arts Centre, and the Stratford Festival.
Q. What venue do you use to stage your productions?
The Grand Theatre, 471 Richmond St, London, Ontario.
Q. Does your company have a Mission or Statement of Purpose?
OUR VISION
The place to gather where world-class theatre thrives.
OUR MISSION
We create live professional theatre that gathers, inspires, and entertains audiences in London and beyond.
Q. Does your company have a Board of Directors and paid staff?
The Grand Theatre has a volunteer Board of Directors. The Grand Theatre Foundation has a volunteer board of directors. In a typical season, the Grand Theatre will work with one hundred or more professional guest artists, and approximately an equal number of production, technical, and administrative professionals and staff.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
The Grand Theatre’s 2025/26 season, titled “You Are Here”, invites theatregoers on a year-long trip full of visits to places they love, or have been dying to see. Stopping at unknown destinations along the way, unlocking delightful discoveries that they can’t wait to revisit.
In the plays this season, there is a theme of people trying to go it alone. But at their heart, these joyful plays are about quite the opposite. They are about the discoveries we make when we come together in community— the same way we do when we go to the theatre. The same way we do when we come to the Grand: the place to gather where world-class theatre thrives.
Q. What shows will you be staging this fall (September to December)? Tell me a little bit about each.
The Grand’s 2025/26 season will launch with the hilariously chaotic The Play That Goes Wrong by Henry Lewis, Henry Shields & Jonathan Sayer, and directed by former Grand Theatre Artistic Director Dennis Garnhum, director of last year’s smash-hit comedy CLUE.
(Pictured: Company members in THE PLAY THAT GOES WRONG, 2024, The Citadel Theatre in partnership with Theatre Calgary and Royal Manitoba Theatre Centre. Photo by Nanc Price.)
This will be followed by the wonderfully magical holiday hit, Disney’s Frozen, directed by Grand Theatre Artistic Director Rachel Peake, a co-production with Edmonton’s Citadel Theatre.
In the New Year, the Grand Theatre welcomes fresh beginnings withPrimary Trust by Pulitzer-winning playwright Eboni Booth, a co-production with Crow’s Theatre.
In February, experience the star-studded musical drama Piaf/Dietrichby Daniel Große Boymann and Thomas Kahry, adapted by decorated Canadian playwright Erin Shields, intertwining the lives of Marlene Dietrich and Edith Piaf in a dazzling tribute.
Next, travel back to Victorian England with Oscar Wilde’s beloved comedy The Importance of Being Earnest.
Finally, land in the northeast tip of North America for the heartwarming and uplifting Come From Away, the Tony and Olivier Award-winning Canadian musical by Irene Sankoff and David Hein.
And don’t forget about Newsies, this year’s Grand Theatre High School Project, Disney’s NewsiesThe Musical.
Music by Alan Menken Lyrics by Jack Feldman Book by Harvey Fierstein Based on the Disney Film written by Bob Tzudiker and Noni White Originally produced on Broadway by Disney Theatrical Productions
September 17 to September 27, 2025
Opening Night: Friday, September 19
Spriet Stage
Q. Do you have any thoughts about the London area theatre community and your place in it?
As one of Canada’s premier producing theatres and a vibrant cultural hub, the Grand Theatre delivers world-class productions that both engage and inspire, while fostering deep connections within our community.
We strive to be the cornerstone of entertainment in London, to support the artistic community and the development of theatre-makers, and to be a trusted place for communities to gather where the diversity of their lives is reflected. Our spaces offer a welcoming and accessible environment, intended to act as a hub within the community. We are committed to growing the number of local professional artists working on our productions, and to being a national teaching theatre working to correct imbalances in the industry by providing opportunities for artists from equity-denied groups.
The Grand Theatre and the City of London benefit from a vibrant collection of community theatre companies, many of which produce shows on the Grand’s Auburn Stage and connect with the Grand through initiatives designed to welcome and nurture the talented theatre artists who call London home. Artists in the Auburn gathers emerging and local artists for a hands-on workshop series, speaker series, available rental space, and season-long Playwrights Lab, led by director, dramaturge, and Grand Theatre Artistic Director Rachel Peake.
The Grand engages dedicated professional artists from across the country – and around the world – to create world-class, London-made productions on our stunning 839-seat Spriet Stage each season.
This is the third in a series of Q&A Interviews with representatives of London area theatre companies and groups. Today, we profile the Elgin Theatre Guild in St. Thomas.
Q. When was your company founded? By whom and why?
The Elgin Theatre Guild was formed in 1967, thanks to community volunteers with a $500 loan arranged by founding member Noni McLean from her boss, the St. Thomas Times-Journal (Here’s a Link to a story about the Guild’s founding https://share.google/xl4fejULmWu1QDPqX )
Q. Is your company best described as professional or not-for-profit community theatre?
Not-for-profit community theatre.
Q. What venue(s) do you use to stage your productions?
Princess Avenue Playhouse, 40 Princess Avenue, St. Thomas.
Q. Does your company have a Mission or Statement of Purpose?
To produce quality live productions through community theatre and rentals of the theatre venue for concerts and other arts-related presentations.
Q. Does your company have a Board of Directors and paid staff?
Elgin Theatre Guild is comprised of all volunteers, with an elected Board of Directors.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
The underlying theme is the Power of Friendship and Belief in one another.
Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each.
Two classic stories about love, friendships, and miracles.
Steel Magnolias – Sept 18-28, 2025 By Robert Harling The action is set in Truvy’s beauty salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to have their hair done. Helped by her eager new assistant, Annelle (who is not sure whether or not she is still married), the outspoken, wise-cracking Truvy dispenses shampoos and free advice to the town’s rich curmudgeon, Ouiser, (“I’m not crazy, I’ve just been in a bad mood for forty years”); an eccentric millionaire, Miss Clairee, who has a raging sweet tooth; and the local social leader, M’Lynn, whose daughter, Shelby (the prettiest girl in town), is about to marry a “good ole boy.” Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions, the play moves toward tragedy when, in the second act, the spunky Shelby (who is a diabetic) risks pregnancy and forfeits her life. The sudden realization of their mortality affects the others, but also draws on the underlying strength—and love—which give the play, and its characters, the special quality to make them truly touching, funny, and marvelously amiable company in good times and bad.
Miracle on 34th Street, The Play – Dec 4-14, 2025 Adapted by Mountain Community Theater from the novel by Valentine Davies. Based upon the Twentieth Century Fox motion picture Miracle on 34th Street.“This is a tale that we want to believe in, that creates a world we seem to desperately desire, free of the blatant commercialism that surrounds us, where love and decency and generosity of spirit are their own rewards. What we want Christmas to be all about, really.” So writes the Santa Cruz Sentinel of this most heartwarming holiday story. By chance, Kris Kringle, an old man in a retirement home, gets a job working as Santa for Macy’s. Kris unleashes waves of goodwill with Macy’s customers and the commercial world of New York City by referring parents to other stores to find exactly the toy their child has asked for. Seen as deluded and dangerous by Macy’s vocational counselor, who plots to have Kris shanghaied to Bellevue Psychiatric Hospital, Kris ends up in a court competency hearing. Especially at stake is one little girl’s belief in Santa. In a dramatic decision, the court confirms Kris as the true Santa, allowing Susan and countless other children to experience the joy of childhood fantasy.
Q. Do you have any thoughts about the London area theatre community and your place in it?
We are proud to be part of the rich community theatre network in our area and look forward to building relationships and continued support of our fellow organizations
This is the second in a series of Q&A Interviews with representatives of London area theatre companies and groups. Today, we profile David J. Pasquino and DJP Productions.
Q. When was your company founded? By whom and why?
DJP Productions was founded by David J Pasquino in April 2025, for the sole purpose of putting on Prescription: Murder. I discovered it a couple of years ago when I read that Pat Sajak was going to play the role of Dr. Roy Flemming in the play at a community theatre in Hawaii (it was on at the Hawaii Theatre, July 31 to August 10, 2025). Much to my surprise, the play, written in 1962, was the very first Columbo story and was adapted into a TV special in 1968. I grew up watching Columbo and could not pass up the opportunity to play him, so I had to figure out a way to get this play on a stage in London, and producing it seemed to be the best way to do all of this.
Q. Is your company best described as professional or not-for-profit community theatre? Or both?
Not-for-profit community theatre.
Q. What venue(s) do you use to stage your productions?
Prescription: Murder will be onstage at the Auburn Stage at the Grand Theatre.
Q. Does your company have a Mission or Statement of Purpose?
DJP could be my initials, or maybe it could stand for Discover Joy and Passion? Either way, this inaugural production is an expression of my love of theatre, and for the theatre community in London – something I discovered 12 years ago that I never knew was missing from my life. I hope people coming to the show experience that Joy and Passion as well.
Q. Does your company have a Board of Directors and paid staff?
No.
Q. Tell me about your 2025-2026 Season. Does it have any underlying theme?
I don’t know if one show can be called a season, but the purpose is to bring the original Columbo story to the stage and the people of London, Ontario.
Q. What show(s) will you be staging this fall (September to December)? Tell me a little bit about each.
Unfortunately, nothing in that time frame, but Prescription: Murder will be on March 19 – 29, 2026.
Q. Do you have any thoughts about the London area theatre community and your place in it?
I have been a part of the London theatre community since my first show, To Kill a Mockingbird, in March 2013, and have acted in over twenty plays since then. This is my first time producing a show (I am also acting in it), and I am a little anxious because I obviously want this to be a success and to have people (cast, crew, and audience) enjoy it. I will have to see how this goes before I commit to producing other shows, but there is at least one other one play I have always wanted to put on. Who knows, maybe I will catch the producing bug, and DJP Productions will put on regular shows! I owe a debt of gratitude to all of the directors, producers, stage managers, crew, and actors that I’ve had the good fortune to work with; they welcomed me with open arms and have become very important to me in the last decade, and maybe this is one way I can pay a bit of that debt.
The Beat Magazine was London’s premier independent arts print magazine from 2009 to 2013. After a long hiatus (nine years!), I reactivated its website as The Beat Magazine 2025 in late July.
My reason for doing so is straightforward. My goal is to gather together in one place the local arts and culture news that the mainstream London media outlets no longer seem interested in covering, unless there are exorbitant advertising dollars involved.
Since going live online, thebeatmagazine2025.ca has published Weekly Arts & Culture listings, Q&A Interviews with local musicians and artists, Media Releases about local Arts & Culture events, reprinted theatre Reviews from Entertain This Thought, and other general arts news, most of which has not been reported in the local media.
In mid-August, I invited all known active London and area theatre companies – community and professional – to participate in a Feature Story profiling them and their 2025-2026 seasons. Each company/group was sent a generic Questionnaire designed to enable me to gather the necessary information. Most (but, unfortunately, not all) responded with the information I was seeking.
Some companies/groups had lots to say, others not so much.
In light of this, I have decided to organize the responses in a Q&A format using the eight Guide Questions I sent to the companies.
Over the next couple of weeks, I will be posting a new Local Theatre Q&A every other day.
Posts will appear alphabetically, beginning with London’s AlvegoRoot Theatre.
AlvegoRoot Theatre – Telling local stories and creating local theatre of Southwestern Ontario. An Interview with Adam Corrigan Holowitz.
Q When was your company founded? By whom and why?
AlvegoRoot Theatre was founded in 2009 by Adam Corrigan Holowitz. Over our first three seasons, we found our mission to develop local plays which speak directly and meaningfully to London and the Souwesto Region.
Q Is your company best described as professional or not-for-profit community theatre?
AlvegoRoot is a professional theatre ensemble that primarily focuses on presenting local plays and supporting new play development. A quick note of clarification: not-for-profit vs non-profit. I am not a tax expert by any means, so I may not have the finer points down, but a non-profit exists for the advancement of social good (this can include clubs or recreational organizations) whereas a not-for-profit means any organization that does not have shareholders or an owner to benefit directly based on revenue. Almost all theatres in Canada operate on a not-for-profit basis, meaning they do not have shareholders. This includes most professional theatres. The artists and employees being paid for their labour does not make the venture for one. There are very few commercial for-profit theatres in Canada; Mirvish is the most notable. So, the distinction I generally make is between professional theatre and community/amateur theatre. Both are important, and both take different kinds of sacrifice.
Q Does AlvegoRoot Theatre have a Mission or Statement of Purpose?
Telling Local Stories, Creating Local Theatre
London Ontario’s AlvegoRoot Theatre supports the work of local playwrights and puts local stories onstage. 2025 marks AlvegoRoot Theatre’s 17th Season. Over those 17 seasons we have produced over 67 productions, 29 of which were world premieres of local plays. At The Manor Park Memorial Hall, AlvegoRoot presents theatre year-round, dedicated to providing a range of dynamic theatre experiences for audiences and supporting the growth of professional regional theatre makers.
Q What venue(s) do you use to stage your productions?
Our home base is The Manor Park Memorial Hall, where we present plays and special events year-round. We are honoured to manage and develop The Manor Park Memorial Hall into a performing arts venue that hosts the work of theatre artists and musicians from across our city. We also produce a summer production annually in June or July at Fanshawe Pioneer Village. We have been partnering with Fanshawe Pioneer Village since 2014.
Q Does your company have a Board of Directors and paid Staff?
Adam Corrigan Holowitz is the Artistic Director of AlvegoRoot Theatre, and Kydra Ryan is the Associate Artistic Director.
Q Tell me about your 2025-2026 Season. Does it have any underlying theme?
This season, our three mainstage productions, Medical Wonder, London Fog, and Sleigh Without Bells, have all had an overarching elemental theme of fire. The characters in each play must reconcile with humanity’s ability to create the means for destruction. In Medical Wonder, the character of Dr. Imogen Volek chooses between using her medical research as a means for healing or a means to create a biological weapon. In London Fog, the characters of Victoria and Albert use arson to disrupt and disturb the elite of Edwardian London. Finally, in Sleigh Without Bells, the massacre of the Donnelly Family of Biddulph is central to the play.
Q What show(s) will you be staging this fall? Tell me a little bit about each.
This fall, we present Sleigh Without Bells: A Donnellys Story by James Reaney (October 22) and a theatrical concert version of Colleening: The Letters and Poetry of Colleen Thibaudeau (Nov 7 – 9).
About Sleigh Without Bells: Lost in a blizzard, a young man finds himself at the Donnelly farmstead, the one place his father warned him not to tread. Now entangled in the darkest period in the lives of the Donnellys, his own life is in danger.
Written by James Reaney Directed by Kydra Ryan Performed by Adam Corrigan Holowitz.
About Colleening: Going COLLEENING is always an adventure for the friends of the great London poet Colleen Thibaudeau. You never know where you may end up. Her letters and poems create a captivating journey through childhood memories, home life, and Canadian culture.
Featuring songs based on her poems by Oliver Whitehead and Stephen Holowitz, this theatrical concert celebrates a seminal figure in Canadian literature with all the playful intensity and tender wit for which Colleen was known.
Directed and Created by Adam Corrigan Holowitz Text by Colleen Thibaudeau Music by Oliver Whitehead and Stephen Holowitz Music Direction by Stephen Holowitz Featuring Katy Clark, Paul Grambo, Kydra Ryan
This concert version of Colleening is part of Colleening 2025, a grassroots celebration of the centenary of acclaimed London poet Colleen Thibaudeau (1925-2012).
Q Do you have any thoughts about the London area theatre community and your part in it?
AlvegoRoot strives to create productions and events where our community can have meaningful interactions with live theatre. A goal of our work is to nurture rich relationships between the audiences, the artists, and the plays in a space where all members of the community can feel welcomed, needed, and comfortable to engage with theatre that tells our local stories and speaks to our local community.
The Souwesto arts movement, of which James Reaney and Colleen Thibaudeau were prominent members, greatly influences our work. The use of local stories, people, and geography is central to AlvegoRoot. Reaney’s playwriting influences me through aesthetics, poetry, and symbolism to tell local stories. Thibaudeau’s ability to saturate her poetry with local and personal details has influenced our writing and theatre-making. While a wide range of writers and theatre artists influence our work, Reaney and Thibaudeau’s work continues to influence AlvegoRoot on a spiritual level more than any other artists.
Members of London’s theatre community came out in force at the Palace Theatre on Saturday night, September 6, to help one of their own.
Organized by Director Mariann Sawyer, the Save OurStage FUNdraiser was held to raise money for badly needed immediate repairs to the historic Palace Theatre.
“From a leaky roof dripping into our props basement, to pipes clogged with tree roots, some long-overdue painting and day-to-day wear and tear — we’re facing a short-term need of about $10,000 just to keep things running safely and smoothly,” said Mariann.
To be sure, it was a wonderful night of entertainment and an illustration of the abundance of amazing, talented performers London is home to.
Participants ranged in age from the young members of the Palace’s LYTE program to members of Silver Spotlight Theatre, a group of individuals fifty-five years and older dedicated to producing Broadway musical productions.
Acts that graced the stage included the London Chorus, Pink Pony Club Experience, Caterpillar Chain, The Bohemians Choir, Three Worst Pies (Niccole Alcaidinho, Melissa Metler, and Ceris Thomas), Silver Spotlight Theatre, and The Improvables. Soloists and duos included Joanna Makinson, McKenna Langdon, Lesley Andrew, Rosalie Mattison, Jared Brown, Olivia Power, Kiefer & Grady Maclean, Edgar Yanez, Andrew Olmstead (who delighted the audience with his magic), Jenn Marino, Angie Jansen, Carol Taylor-Wilks, and Kate Milner.
The appreciative audience gave the performers several well-deserved standing ovations throughout the evening
According to Mariann, over one hundred people were involved in bringing the show to the stage.
Over twenty items were generously donated by community members and businesses in and around London. Everything from experiences to custom-made items was up for grabs.
It was nice to see so many members of the city’s arts community there to support their peers and lend support to the historic Palace Theatre. The arts are alive and well in London!
For more information about the Palace Arts Commons and the theatre’s 2025-26 Season, visit https://palacetheatre.ca/
London’s historic Palace Theatre is badly in need of immediate repairs to the aging facility. The Beat Magazine 2009 spoke with Director, Mariann Sawyer, about the September 6th Save Our Stage FUNdraiser. What follows is a Q&A with Mariann. The interview has been edited for length and clarity.
Why is the Palace Theatre holding the Save Our Stage Fundraiser?
The Palace Theatre Arts Commons is hosting the Save Our Stage FUNdraiser to raise money for immediate repairs to the historic Palace Theatre.
Can you clarify the specific details of the event? Date? Time? Admission Cost?
The Save Our Stage campaign kicks off with the FUNdraiser on Saturday, September 6 at 7:30pm. Tickets are available at the palacetheatre.ca for $35
What specific repairs are required for the facility?
From a leaky roof dripping into our props basement, to pipes clogged with tree roots, some long-overdue painting and day-to-day wear and tear — we’re facing a short-term need of about $10,000 just to keep things running safely and smoothly.
Can you identify some of the specific acts and performers who will take the stage on September 6th?
We are looking at close to 30 different acts for the evening with a variety of backgrounds and talents. Members of the LYTE program, Silver Spotlight Theatre, The Artful Players, The London Chorus, Caterpillar Chain, The Improvables, Andrew Olmstead and Leonardo Martins, and cast members of Infuse Production and LCP’s Rocky Horror including Olivia Power, Jared Brown, McKenna Langdon, Aidan Coutts and Jenn Marino just to name a few!
Can you tell me about tour Silent Auction?
We have over twenty items generously donated by community members and businesses around London and area. Everything from experiences to custom-made items are up for grabs. We will accept cash or e-transfer for payment and the bidding closes at the end of the intermission!
What is your specific role in putting Save Our Stage together?
I am listed as the Director, but really I’m just the one who said, “Let’s do it”. Everyone has come together to make this night magical and a night for the community to celebrate the arts together.
Have any community partners come forward to help with the event?
We’ve been very fortunate to have members of the OEV BIA, The Bicycle Cafe, Fanshawe College, London Comic Con, AlvegoRoot Theatre, and many community members support us for this event!
Is there anything else you think readers should know about Save Our Stage?
Tickets are selling quickly, and seats are general admission.
big bandemic closes out springbank gardens concert series, sunday, sept. 7.
Sunday, September 7th, is our last concert of the 2025 season. We are going out in a big way with a really big band. Big Bandemic is an 18-piece band featuring some of the finest musicians around.
It’ll feel a bit like the old Wonderland Garden days. See you at 2pm!
Master Hypnotist, tj fox, wsg Peter Mennie, at the wolf performance hall, sept. 5.
Straight from Riviera Hotel & Casino in Las Vegas, Master Hypnotist TJ Fox takes the stage at Wolf Performance Hall on September 5th with special guest Peter Mennie.
an acoustic evening with the sadies at the palasad socialbowl, sept. 5.
An Acoustic Evening with The Sadies Get ready for a night steeped in pure Canadian rock ‘n’ roll royalty. The Sadies are more than just a band—they’re a force. With their razor-sharp musicianship, genre-defying sound, and an unmatched ability to weave surf, psych, garage, country, and punk into something entirely their own, they’ve carved a legacy as one of the most wicked live acts you’ll ever witness.
From haunting ballads to full-tilt barnburners, The Sadies deliver every note with fire, soul, and that unmistakable edge that’s kept them at the top of the game for decades. If you know, you know—and if you don’t, this is your chance to find out why they’re one of Canada’s most beloved and badass bands.
Licensed – All Ages – Doors 7pm Show 8pm $25 Advance – $30 Door
echoes of the land exhibition opens sept 2 at westland gallery.
Jane Roy, Denise Antaya, and VC Glennie join us for our newest exhibition, opening on Tuesday September 2nd! Join our artists at the Opening Reception on Saturday September 6th from 1pm to 3pm to celebrate this beautiful new show.
Pictured:
Jane Roy, “French River Tree Portrait I”, 20 x 10″, acrylic on canvas, $300
Find out what’s happening this week at your Library!
Get ready, London. After a long summer of touring Ontario, Gravity Junky is ready to bring it home for a free dance show at The Dawghouse.
699 Wilkins St., London, ON.
good food, live jazz at peppermoon restaurant, sept. 4.
Join us Wednesday, September 4 for an unforgettable evening with the incredible Nevin Campbell & Rachelle Courtney.
6 PM – 9 PM
Peppermoon Restaurant, 1100 Commusiioners Rd E. London ON
Smooth vocals, soulful piano, and the perfect vibe to pair with your dinner & drinks.
Hot tub hippies at the wortley roadhouse, sept. 5 & 6.
190 Wortley Rd, London, ON
Actor Auditions for Theatre Aezir, Sept. 7.
Get Ready for “Dating Games”! Attention actors in their 20s to late 30s! Theatre Aezir invites you to join an exciting comedic journey.
We are holding auditions for “Dating Games” by Garth Wingfield, a comedy comprised of five entertaining ‘playlets’ designed to delight in a single evening. As part of our artist development initiative, this production offers a unique opportunity for talented actors to participate in an exceptional project. Come be a part of the fun!
About the Production: This unique opportunity allows actors to work closely with emerging directors under the mentorship of seasoned professionals. As part of our commitment to nurturing future theatre talent, actors who are selected will participate in a one-week acting workshop honing your stagecraft with instruction in stage movement, diction, and vocal production. • Performance Dates: November 5 to November 16, 2025 • Actor Training: Week of October 12, 2025 • Rehearsals: October 19 to November 4, 2025
How to Apply: Spark our interest by sending your resume and headshot to auditions@theatreaezir.com. Auditions will be held on Sept 7. Be first in line. Send your resume now. We’d like to hear a contemporary monologue (1-2 minutes) that highlights your skills and abilities. Get ready for some spontaneous fun as we’ll have you doing cold readings from the script.
rum ragged at the aeolian, sept. 5.
2021 JUNO Award Nominees, Rum Ragged, take a bold approach to the distinct folk music of their home, the Eastern Canadian island of Newfoundland. With a reverence for their roots and a creative, contemporary edge, this young band has quickly become known as the finest performers of their great, living, musical tradition. Boasting bouzouki, fiddle, bodhran, banjo, guitar, and button accordion, these new champions of East Coast music enliven and enlighten audiences with their signature brand of Newfoundland folk. Always honest, thought-provoking, and often humorous, it’s Rum Ragged’s live show that makes them a fast favourite with any audience. Their combination of striking vocal harmonies, staggering musicianship, and captivating storytelling gives concert-goers an experience they won’t soon forget. Since their inception in 2016, Rum Ragged has maintained a rigorous tour schedule, performing at some of the world’s premier folk, celtic and roots venues all while managing to record four acclaimed, award-winning studio albums. Rum Ragged is not your run-of-the-mill folk band, they are the genuine article.
Summer Songs on Elmwood with Laurraine Sigouin & Friends, Monday, Sept. 1, 2:00 pm, 64 Elmwood Ave. Donations for the musicians are welcome.
Save our stage fundraiser at the palace theatre, sat, sept. 6.
Saturday, September 6 Showtime: 7:30 PM (Doors open at 6:30 PM) Tickets: $35 (all fees included)
Join us for an unforgettable night of music, magic, laughter, and community spirit at Save Our Stage: A Variety FUNdraiser! This one-night-only celebration brings together some of London’s most talented performers — singers, musicians, actors, magicians, and more — all coming together to help raise vital funds for the Palace Theatre Arts Commons.
Proceeds from this high-energy evening will support crucial repairs, ongoing programming, and the beloved productions that keep our historic theatre alive and thriving. In addition to the live entertainment, enjoy a silent auction, door prizes and surprise moments throughout the night.
Come early to mix and mingle with fellow theatre lovers, bid on great prizes, and soak in the vibrant atmosphere of community and creativity.
Help us Save Our Stage – and have a ton of fun doing it!
tom dunphy ‘s classic country music show at the richmond tavern, sept. 6.
goldfish continues at the Port Stanley Festival Theatre until sept. 13.
goldfish by Steve Ross continues till September 13 at Port Stanley Festival Theatre. Starring Stratford Festival stars: Martha Farrell and John Dolan, both making their PSFT debuts, directed by Artistic Director Liz Gilroy, set design by Joe Recchia, assistant set design by Doug Cottrell, lighting and sound design by Paige Thompson, and costumes by Dora-nominated Alex Amini.
history culture walks presented by museum london begin sept. 4.
Summer may be winding down, but there’s so much to look forward to at Museum London.
This September, we’re excited to welcome you to a full month of community events, new exhibitions, and free programming as part of London Heritage Council‘s Doors Open London and Ontario Culture Days — all celebrating the sights, sounds, and stories that make our city special.
Check out what’s coming up here and access a full listing of programs and events on our website: https://buff.ly/RciwHtz
dan hill and andy kim in story and song at the aeolian, sept. 6.
Dan Hill – is an international music industry legend and one of Canada’s most distinguished, authentic, and multi-talented artists: Grammy-winner, five time-Juno Award winner, Harold Moon Award, and inducted into the venerated Canadian Songwriters Hall of Fame Award . Dan is known for his heartfelt sensibility on two massive international hits, Sometimes When We Touch, recognized as one of the Top 100 Songs of the Century and one of Top 100 Most Played Songs of All Time, and Can’t We Try, which spent 29 weeks on Billboard charts . Dan has produced hit songs for Celine Dion and George Benson, with his compositions being recorded by artists such as Britney Spears, Rod Stewart, The Backstreet Boys, Tina Turner, Dolly Parton, Kenny Rogers, and many more His voice is “smooth softness, with a light warmth,” perfectly describing both his original and recent works that fans still gather to enjoy today.
Andy Kim – “I’m excited to share the stage with my dear friend, the multitalented Dan Hill.”
In 1969, Andy co-wrote Sugar Sugar – his first Billboard #1 hit. In 1974, Andy wrote a new song called “Rock Me Gently” and absolutely no one wanted to produce it. Andy loved the song, and he wouldn’t take no for an answer. He formed his own record company, called !CE, and produced the record on his own. When it was released, “Rock Me Gently” went straight to #1 on the Billboard charts and it remained on the charts for a staggering 4 months. This second #1 Billboard song added to Andy’s international success. In 2004, Andy’s collaboration with Ed Robertson of The Barenaked Ladies’ “I Forgot To Mention” gave him another Top 10, and Andy was voted by Canadian Music Week as the Best Solo Indie Artist of the Year.
A true Canadian son, Andy has had 9 top 40 Billboard hits including Baby I Love You. He was recently honoured with the appointment to the Order of Canada. He has been awarded the country’s top industry honours including a Juno award, the Canadian Music Industry Hall of Fame and a star on Canada’s Walk Of Fame. Andy is a member of Songwriters Hall of Fame, was inducted into Billboard’s Hit Parade Hall of Fame, and in 2017, for the 2nd time in their 70-year history, SOCAN honoured Andy with their Cultural Impact Award. Over his epic career, Andy has sold over 30 million records, and has over half a billion streams on Spotify and YouTube.
live music with colin coleiro, sept. 3, at the pierside pub.
Live music and Wings, Wed Sept 3, with Colin Coleiro starting at 6pm.
158 William St Port Stanley, ON
tropical explosion with orlando valencia music, sept. 6, at the roxbury niteclub.
shady artists exhibitions opens sept. 4 at the tap centre for creativity.
The annual Shady Artists exhibition is here! Join us this Thursday, September 4 from 4PM – 7PM for the opening reception as part of Art Crawl Thursdays.
The exhibition will run until September 13. The gallery is open Tuesday to Saturday, from 12PM – 5PM.
the Ryan brothers & the wobbly pops at the wortley roadhouse.
wortley electronic music festival, august 23.
Wortley Electronic Music Festival Saturday, August 23rd, 2025 Free – BYOB (plz no glass) – 2pm-10pm In the front lawn of 64 Elmwood Ave E The World is Invited
FREE London Symphonia Lunchtime Live Music Series at Market Lane begins August 20.
Do you know where to find London Symphonia musicians performing for free in the community?
Starting this week, our musicians will be performing live for the Wednesday Lunchtime Live Music series at Market Lane, presented by the London Arts Council and Dundas Place, and supported by the Paul Seed Fund through the London Community Foundation. These performances will run weekly on Wednesdays starting August 20 until September 10 from 11:30am – 1:30pm at Market Lane (137 Dundas St), weather dependent.
So bring your lunch or grab some delicious food and support local businesses as you sit back and enjoy a curated musical landscape.
First up on our menu is a woodwind quintet composed of Liesel Deppe, flute, Jennifer Short, oboe, Graham Lord, clarinet, Julie Shier, bassoon, and Ron George, horn.
Mark your calendars: Woodwind Quintet: August 20 String Quartet: August 27 Brass Quintet: September 10 String Quintet: September 17 Brass Quintet: September 24
We’re looking forward to seeing you there!
the last call, live at the Eastside Bar & Grill, august 23.
If you are looking to party, if you are looking to dance, come and join The Last Call this Saturday at Eastside Bar & Grill, 750 Hamilton Rd, London, ON
museum london presents As the Crow Flies: Garden Tours with Artist Ron Benner, aug. 23.
Join renowned artist, writer, and gardener Ron Benner for a special garden tour of As the Crow Flies, his thought-provoking and site-specific outdoor installation at Museum London. This immersive garden has been a part of the Museum’s landscape for two decades, showcasing Benner’s unique blend of art, horticulture, and environmental stewardship.
Set against the stunning backdrop of the Deshkan Ziibi (Thames River), this installation features a serene, former elliptical reflecting pool, now water garden, surrounded by a diverse collection of native plants that have flourished through Benner’s careful cultivation. The plants in As the Crow Flies are significant, growing along the 81.14th meridian, a symbolic path that links London, Ontario, to distant places such as Cape Sable, Florida, and the Bay of Pigs, Cuba. The garden thrives as an ecosystem, supporting waterfowl, amphibians, insects, and fish, making it an environmental sanctuary as well as a powerful artistic statement.
This special event celebrates 20 years of As the Crow Flies, offering a unique opportunity to connect with the artist, witness the evolution of the garden, and reflect on its themes of history, food culture, and environmental awareness. Don’t miss this chance to experience the installation in a new light and commemorate its two-decade legacy with Ron Benner. Special thanks to Moore Watergardens, located in Port Stanley and established in 1932.
The Aeolian Tunes@Noon concert Series: fiker, august 19.
Join us on August 19th as we welcome Fiker to the Southen Lounge.
Fiker is a singer/songwriter (and musician) who has been playing music and writing songs since the age of 13. Over the past 4-5 years, they have started performing their own music live. Fiker loves to sing, play, and listen to all genres of music, and they embrace a fluid, exploratory approach to sound that reflects their wide-ranging musical tastes. They feel genreless, which is freeing, as they’ve always desired the space to explore music without being boxed in. Their recent influences are rooted in R&B, jazz, soul, and neo-soul, though they are still discovering how those sounds will shape the songs they are currently writing. Fiker’s music is available on streaming platforms under the name “Fiker,” with their song “heavyhand” now released. They have been influenced by artists such as Hayley Williams, Erykah Badu, Jazmine Sullivan, Mary Mary, Alanis Morissette, Pinegrove, and many more. With every new song, fiker continues to lean into curiosity, honesty, and the joy of musical exploration.
TUNES@NOON at The Aeolian is supported with thanks to The Paul Seed Fund through London Community Foundations and is a London UNESCO City of Music project.
palace theatre wardrobe sale, august 23
Join us on Saturday, August 23 from 10 AM – 1 PM at the Palace Annex (523 South Street) for our legendary Wardrobe Sale.
Hundreds of costumes, accessories and treasures from our stage to your closet – it’s a vintage lover’s dream! Perfect for collectors, theatre buffs, or anyone looking to add some flair to their wardrobe.
All proceeds support PTAC programming and much-needed repairs – shop and support local arts.
double feature at the Richmond Tavern, August 23.
AT THE PIERSIDE PUB THIS WEEK.
Live music Line-up this week at The Pierside Pub: Wed Aug 20 – Rob Cromwell 6PM Thurs Aug 21 – Karaoke with Kevin Edwards 7Pm Fri Aug 22 – Ed Greene (Elton John Tribute) 8PM Sat Aug 23 – Full Throttle with Disgustine 8PM. Sunday Funday, Aug 24 – Big Shinny Toons 4:30PM Come for the music, stay for the vibes.
Where’s traci Kennedy this saturday?
This Saturday is going to be a double-the-fun kind of day!
First stop — I’ll be performing at the Kiwanis Ingersoll Harvest Market Car Show in the morning from 9am – 11am (nothing like music and classic cars to kick things off!
Then I’m heading over to Straffordville’s Annual Watermelon Festival for a 3pm show — because what’s better than live music and sweet summer watermelon? (See full schedule attached)
Hope to see some familiar faces at one (or both!) of these amazing community events. Let’s make it a Saturday to remember!
good for the soll ingersoll’s music festival
GOODFORTHESOLL – INGERSOLL’S MUSIC FESTIVAL 2025
Presented by The Ingersoll Lions Club and Studio73 Digital Media
Memorial Park, 25 Canterbury St, Ingersoll, ON N5C
One Epic Night – Gates Open at 5:00 PM
Public Event – All Are Welcome!
Get ready, Ingersoll – the ultimate summer celebration is BACK! Join us at GoodForTheSoll 2025, proudly presented by Good For The Soll Ingersoll’s Music Festival,
This all-ages outdoor event will feature a stacked musical lineup, delicious eats, cold brews, and that unbeatable small-town summer festival energy. You do NOT want to miss this!
Two days of LIVE ACTION RODEO and GREAT MUSIC featuring The Mudmen, Neon Rain and many more ! And don’t forget the Friday Night Rodeo Party in the Historical Canadian Country Opry Hall featuring Shelly Rastin & Trailer Trash — Tickets at the Door $20. See all the details at: https://www.purplehillcountrymusichall.ca/
forked river brewing company presents leanne mayer, Friday, august 22.
Leanne Mayer at The Forked River Brewing Company, Friday, August 22. 45 Pacific Court, Unit 4, London Ontario
springbank gardens concert series, august 24.
Sunday, August 24, we welcome Oliver Whithead & Jonathon De Souza to the bandshell! Get ready for a swinging good time with these legendary musicians! See you at 2pm!
Sunday Jazz at Market Lane, August 24: Hilary welch & barry usher
Join us for The Music of Nancy Wilson and Cannonball Adderley – a stunning full-album tribute to the iconic 1962 release that climbed to No. 30 on the Billboard Top LPs chart.
Hilary Welch: a vocalist whose sound evokes the spirit of Sarah Vaughan and powerhouse 60’s soul. With roots at the University of Toronto and inspiration from legends like Oscar Peterson and the New York Voices, Hilary has become a standout voice in London’s jazz scene.
Barry Usher: a versatile woodwind performer and educator who has shared the stage with icons from Rob McConnell to The Temptations. Barry’s artistry and dedication to jazz education make him a cornerstone of London’s music community.
Featuring: Barry Usher- Saxophone/Arranger Nevin Campbell- Piano @nevincampbell Ron Walker-Trumpet @ronwalker64 Sandy MacKay-Percussion Kim Ladd-Bass Hilary Welch- Vocals @hilaryonair
Market Lane, Downtown London
Sunday, August 25 | 2–4pm
Free admission!
beehive: the ’60s musical at the Huron Country Playhouse.
Big hair, and even bigger hits!
Beehive – The ‘60s Musical is now playing at the Huron Country Playhouse through August 31.
Taking audiences on a nostalgic journey through timeless hits like “My Boyfriend’s Back” and “Son of a Preacher Man.” From Leslie Gore to Janis Joplin, you won’t want to miss this toe-tapping production that will have you dancing in the aisles.
great lakes blues society membership drive event, august 24.
Come on out to our Membership Drive and help us keep The Blues Alive!
This is a great chance to meet some fellow Blues fans and learn how we support Blues music in our community.
By becoming a member of our society, you’re not just supporting the Blues… you’re joining a community that knows how to have fun!
Right now is a great time to join or to renew your GLBS membership because your name will automatically be put in a draw for a custom-built GLBS Cigar Box Guitar!
Let’s keep the good times rollin’ — together!
See you there!
THREE LIVE BANDS Multiple Door Prizes + a Grand Prize! Food Truck Deliciousness Free Admission & Free Parking too!
London Brewing Co-operative 521 Burbrook Place – London ON,
From Sea to Sky: Connected by a Thread at Westland Gallery
From Sea to Sky: Connected by a Thread is only on display at Westland Gallery until Saturday, August 30. Don’t miss the opportunity to check out our textiles exhibition featuring eight talented Canadian artists.
Pictured: Lorraine Roy, “Heart of Light”, 39 x 39″, textile, $1700
grosvenor lodge presents eighteen strings, august 24.
the kitchen witches at the port stanley festival theatre.
Beat the heat and stir up some laughs with The Kitchen Witches by Caroline Smith, starring Monique Lund, Christina Gordon, and David Rowan.
Dolly and Isobel’s long-running feud is boiling over on live streaming — and the food (and insults) are flying. Expect chaos, comedy, and a sprinkle of audience participation in this deliciously funny performance!
Reserve your tickets now — the kitchen’s cooking, but not for long! www.psft.ca 519-782-4353
Directed by Liz Gilroy. Set design by Emma Burnett. Lighting design by Karen Crichton. Video design by Joe Recchia.
Show sponsored by MYFM
“The Kitchen Witches” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
shrek the musical at the huron country playhouse
The greatest fairy tale never told comes to life tonight as Shrek The Musical opens at Huron Country Playhouse!
In a faraway kingdom turned upside down, things get ugly when an unseemly ogre – not a handsome prince – shows up to rescue a feisty princess. A wisecracking donkey, villain with a short temper, cookie with an attitude, and a band of quirky misfits, set off on a journey full of laughs, friendship and unexpected romance.
The City of Music Concerts is kickin’ it country style on August 21, presented by Pure Country 93!
Have a rootin’ tootin’ good time with
Nate Haller is headlining the night, and openers
Maddy McKenzie &
Olivia Mae Graham
Good Foundation Theatre (Market Lane)
7-10 PM
FREE
All ages
The City of Music Concerts take place from June 12 to August 28 each Thursday in Market Lane, featuring incredible free live music from local, national, and international artists. Each week is presented by a different local partner, bringing a unique vibe.
The London Taco Fest is making a sizzling return to Covent Garden Market — and this year, it’s bigger, bolder, and more delicious than ever. Guests can explore a taco lover’s paradise with vendors dishing out everything from traditional street-style tacos to wildly inventive flavour fusions.
The vibrant spirit of Mexico will fill the air with high-energy lucha libre wrestling, friendly taco competitions, and refreshing cervezas to keep the good times flowing. Whether it’s the irresistible aroma of sizzling meats, the lively beats, or the snap of a wrestling match mid-air, there’s something to spice up everyone’s day.
This isn’t just a festival — it’s a full-on fiesta!
Covent Garden Market, Rotary Square 130 King Street (corner of King and Talbot) London, Ontario N6A 1C5
Friday, August 22 – 4 PM – 12 AM
Saturday, August 23 – 4 PM – 12 AM
Sunday, August 24th – 12 PM – 9 PM
middle eastern summer festival
This August, downtown London will transform into a vibrant celebration of Middle Eastern culture at the Middle Eastern Summer Festival, taking place August 23 & 24 at Dundas Place. The event is free and open to the public, offering a rich blend of tradition, creativity, and community spirit.
The festival aims to highlight the richness and diversity of Middle Eastern cultures through a vibrant mix of experiences — including live music, traditional dance, authentic cuisine, artisan crafts, and more. Attendees can explore a bustling vendor market featuring flavorful regional dishes, handmade goods, and cultural exhibitions that offer insight into the traditions and craftsmanship of the region.
Headlining the stage are two major musical artists, Milad and Ali, bringing high-energy performances that blend modern and traditional Middle Eastern sounds. A featured dance group will also perform, adding dynamic movement and cultural storytelling to the weekend’s lineup.
Whether you’re coming for the music, the food, or the culture, the Middle Eastern Summer Festival is a celebration of heritage and togetherness — right in the heart of the city.
Join them at Dundas Place for a weekend of cultural discovery and celebration.
Dundas Place 99 Dundas St London, ON, N6A 6K1
12:00 PM – 11:00 PM
This list will be updated as the week goes on. To get your event listed, contact Richard Young richardyoung@thebeatmagazine 2009.ca
As Act one begins and before the stage lights up, the air thumps with Ray Charles’s “Hit the Road Jack”. The audience sings along;
Hit the road Jack and don’t you come back No more, no more, no more, no more Hit the road Jack and don’t you come back no more What you say?
Alice, (played by Bernadette Taylor Dolha) is laying flat out on the bed with Henry, (played by Bernadette’s real-life husband, Andrew Dolha), who is trying his best to massage Alice into relaxation. Alice has plans to bring her and Henry’s love life back to the boiling point again – Hot and Sexy! The unmistakable yellow covered dummies book “Sex for Dummies” is close by and open. She’s asking Henry if he’s aroused while she guides his touch to her back and shoulders.
He’s not!
Sexy Laundry is now on stage at Victoria Playhouse, Petrolia. A comedy about a married couple, it’s one that many in the audience will relate to, for better or for worse.
Alice has put a lot of effort into this weekend. She reserved a posh hotel, provided ambiance with fragranced air, sexy nighties and a will to reignite that spark in to a 25-year marriage. A marriage that produced three kids while busy with each one’s career. So far, her endeavours aren’t working out so well. Finally, yes finally, there’s a spark of interest from Henry, a subdued engineer. He takes her reading glasses, picks up the book and skims through her marked pages. There may have been a few snickers and giggles in the audience up until they read out loud that they should give their private parts a name. The audience livens up while watching the two coax one another to go ahead and follow the books suggestion. Henry wanted nothing to do with Alice’s suggestion of Frank. However, Henry’s interest does pique and with arms flailing and beating his chest, he yells out, that his name for his special part would be the almighty Caesar. The audience roars.
To keep Henry invested in her plans, she asks him about his fantasy after she describes her own which includes two Italian gay waiters. Henry questions, “why gay waiters?”. The audience giggles at her descriptive rendition. Her face contorts through the emotions as he describes his fantasy. It’s a description of a typical husband from the 50’s, it’s a perfect wife that waits on him and is always happy! He has great kids, a comfortable home, a good job and of most importance, he’s able to watch the news in peace. Henry obviously wants a no-fuss, easy life now. He’s got a bit of anxiety and just wants to chill. Alice, on the other hand, is feeling the need for desire and is fearful that she’s not attractive anymore, now that she’s in her fifties. She feels that she’s always competing against the nightly news for Henry’s attention.
It could be at this time when some of the couples in the audience are elbowing one another as they watch these feelings being portrayed on the stage.
In the second act, their crazy adventures continue with leather, leopard print and lace. The emotions between the two fly high and low as they hilariously battle out their indifferences. Finally, each one looks into their own mirrored reflection and they come to a very important conclusion.
I thoroughly enjoyed Sexy Laundry and most definitely see those same issues that affect us all at one time or another. Bernadette and Andrew Dohlar were magnificent after the intermission. They became stronger but more natural and drew their audience into their performance. There were side splitting comedic episodes between the two of them that were almost non stop. One was where Alice tried with all her might to release F-Bombs. Another was where Henry was pumping up his vibe and getting his groove on.
Michele Riml, a critically acclaimed playwright from Vancouver, British Columbia wrote Sexy Laundry after only 5 years of marriage. Her play became a hit and is in 17 languages playing in Canada, the US and Europe. I found that to be quite fascinating.
I could easily see this performance again; it comes highly recommended.
Sexy Laundry is playing at the Victoria Playhouse in Petrolia from August 5 to August 21 at 2pm, and on August 22nd, there is a showing at 7:30pm. You can order tickets online at thevvp.ca or call the Box Office at 1-800-717-7694 or 519-882- 1221.
Photo: Andrew Dolha as Henry and Bernadette Taylor Dolha as Alice in Sexy Laundry. The married couple play a married couple! Photo by Diane O’Dell.
Sexy Laundry By Michele Riml Performed by Bernadette Taylor Dolha and Andrew Dolha Victoria Playhouse, Petrolia August 5 to 22, 2025 Reviewed by Marilu Murphy
Note: This Review first appeared on the websiteEntertain This Thought, and it is reprinted with the permission of the reviewer. For more Reviews, visit https://www.entertainthisthought.com/
Headbands featuring green ogre ears and sparkly tiaras are dotted throughout the audience while excited children wiggle in their booster seats. The stage is a giant storybook, welcoming you inside. Shrek The Musical, which features an unlikely hero and familiar bedtime story characters, is now playing on the Main stage at Huron Country Playhouse.
Not a trace of doubt in my mind, I’m a believer that, if at all possible, you should take your kids or grandkids to see Shrek and the gang. When I took my seat in the theatre, I didn’t care too much about Shrek and the movies and hype, but I have changed my mind. This modern musical is not only a refreshing twist on traditional fairy tales, but a lavish production with incredible costumes and original music.
The show begins with the Ogre parents sending the young Shrek out to live in the swamp by himself. Likewise, the King and Queen lock their young daughter, Princess Fiona, in a tower protected by a fierce dragon.
Many years later, diminutive villain Lord Farquaad has evicted all the storybook characters and sent them to Shrek’s swamp. Shrek wants them off his land, so he agrees to find Farquaad a bride in return for relocating all the characters. Along with his sidekick Donkey, he faces danger head-on to retrieve the princess. After rescuing Fiona, Shrek falls in love with her, but a misunderstanding leads to Fiona heading to the altar with Farquaad.
Drew Plummer is impressive as Shrek, as is Jeremy Carver-James as Donkey and Jayme Armstrong as Fiona. Their voices are perfect for the characters. Shrek’s complexion is just right, not overly green or overdone.
The original Tony Award-winning costume design by Tim Hatley is used, featuring lots of textures and textiles of interest. The dragon consists of many different parts, all interesting in their own right. From a purple head and wings to skeleton and scales, she is humanized as the powerful singer Clea McCaffrey. There is plenty of attention to detail, such as the proportional size of Shrek’s and Farquaad’s hands.
Jeremy Legat is excellent as the short-statured Lord Farquaad. On his knees for most of the role, Legat’s voice more than makes up for his height. The ensemble is phenomenal in the multiple roles as storybook heroes, knights and other assorted characters (including two younger Fionas). And yes, Pinocchio’s nose grows when he tells lies. It’s not the most aesthetically pleasing nose, but it works.
One detail I noticed on opening night was the absence of the fire under the rickety bridge, as shown in the photos on social media. The presence of a glow that looks like fire is necessary to make the bridge appear more dangerous, since the bridge seems quite small and non-lethal on stage. Hopefully, it will make its appearance in subsequent shows. One other comment I would like to make in general is that the show is two and a half hours, not including intermission. I witnessed some cranky and sleepy children in the middle of Act II. Fortunately, everyone was able to perk up again for the finale.
Shrek is an ogre: there is belching, farts and the subsequent jokes. There’s also a lot of heart, positive messages, catchy original music, outstanding voices, creative costumes, colourful lighting effects, and some sneaky stage magic. There’s so much to love here, for adults as well as for the kids. Embrace your inner ogre and see Shrek if you can! If not at Huron Country Playhouse now, then at Hamilton Family Theatre in Cambridge from December 3rd to December 28th.
Shrek The Musical continues until August 31st at Huron Country Playhouse, Mainstage. Tickets are available by calling the Box Office at 519-238-6000, or Toll-Free at 1-855-372-9866, or by checking www.huroncountryplayhouse.com for availability.
Photo: Jeremy Carver-James, Drew Plummer, Jayme Armstrong. Photo by Hilary Gauld.
Photo: Jeremy Carver-James, Drew Plummer, Jayme Armstrong. Photo by Hilary Gauld.
Shrek The Musical Based on the Dreamworks Animation Motion Picture and the book by William Steig Book and Lyrics by David Lindsay-Abaire Music by Jeanine Tesori Directed and choreographed by David Connolly Music Director: Steve Thomas Performed by: Drew Plummer, Jayme Armstrong, Jeremy Carver-James, Jeremy Legat, et al. Produced by Drayton Entertainment Mainstage, Huron Country Playhouse, Grand Bend August 6 to August 31, 2025 Hamilton Family Theatre, Cambridge December 3 – December 28, 2025 Reviewed by Vicki Stokes
Note: This Review first appeared on the websiteEntertain This Thought, and it is reprinted with the permission of the reviewer. For more Reviews, visit https://www.entertainthisthought.com/
Memorial Park, 25 Canterbury St, Ingersoll, ON N5C
One Epic Night – Gates Open at 5:00 PM
Public Event – All Are Welcome!
SCHEDULE
Kick-Off: 6:15 PM
MISS CONDUCT — 6:30 PM – 7:00 PM
ONEWAY STREETS — 7:20 PM – 8:00 PM
SASS JORDAN (Headliner) — 9:45 PM – 11:00 PM
FOOD VENDORS ON SITE
DRINKS & ID NOTICE
Stay in the Loop!
The Beat Magazine 2025 